Diego Thinking Lila Is Cheating When She Was Just With Five Was So Funny Until It Wasn't.

Diego thinking Lila is cheating when she was just with Five was so funny until it wasn't.

Yall need to stop making posts about TUA 4 ruining the characters. I cannot like and reblog them all.

plotholes in season 4 i really don't understand now i've digested the season please feel free to explain or add your own:

- sparrow academy and especially sloane just being forgotten, luther just seeming to magically get over his wife disappearing and not fighting in any way shape or form to find her or get back to a timeline with her in it - especially as they show discovery of the phoenix academy you think five would mention that a timeline with sloane must exist out there - ben being teased on the subway train at the end of season 3 but just??? never showing up??? was that an alternative timeline? - allison doing everything last season motivated by the idea of being able to get to claire and ray only for ray to apparently leave her with zero elaboration as to why or what happened - making fatphobic jokes towards diego but actually he takes his shirt off and is still ripped as fuck? - upon regaining their powers luther getting his ape body back which??? literally had nothing to do with his marigold related powers it was because of an accident on a previous timeline? - lila getting laser beam eye powers seemingly from nowhere, but it's not as if this was ever addressed because she could still mimic powers (see: her using five's time travel ability) - very limited use of powers, there were a few cool moments in episode 2 but ultimately it felt like there was no need to even get them back as they rarely showcased them (with the exception of five's getting them stuck) - klaus throwing his marigold onto a passing man but this never getting any exploration - never explaining why jennifer was in a giant squid - never explaining why jennifer got locked up in a safe - ben apparently never discussing with klaus how he died??? - ben and jennifer not realising that the entire motel had blown up around them including murdering flocks of birds and staff when they checked out? - entire five/lila plotline but also five figuring out how to leave and not saying anything when he has always been the first to want to get back and protect his family - lila apparently hating bracelets despite the fact that diego making lila a bracelet and it keeping them linked was such a big plotpoint it was used as a teaser in previous seasons (and the bead bracelet just disappearing) - lila being so intent on saving her family and the kids by sending them to the subway and on an alternative timeline but only one 'true' timeline can survive anyway which would erase the subway - the kids existing when the parents that created them don't - the entire show being for nothing in that the umbrellas do not even exist anymore

I’ve seen some people touch on this, because like what was that season, but it literally makes no sense that Lila’s kids and Claire can exist in the one “true” timeline without causing a paradox, like the whole plot of season 3 is that the umbrellas are in a timeline where their moms died before they were born and it caused a kugleblitz(?), we have a full lecture about the implications of the grandfather paradox, how does these kids existing in a timeline that their parents never existed in not create another kugleblitz??? Like you made these rules TUA writers?? How can you just ignore like the biggest time travel rule that YOU set???

The most horribly treated character in Indian Cinema is probably the hero's sister. She gets molested, kidnapped, used as bait, raped, gangraped, humiliated, at times publicly, beaten, tortured by her in-laws, burnt for dowry, murdered by her husband and so on. All this just to give the hero a tragic back story and justify his penchant for violence.

Everytime heroine is kidnapped or molested, hero would always reach there in the nick of the time, but he's always too late or helpless to save his sister.

And even if she escapes all these atrocities in rare cases, there must be atleast one scene where hero must protect her 'ijjat' from goons. Afterall, that's the only way it can be proved that he is a good brother, a good man, the perfect hero. And the only way brother-sister relationship can be portrayed on screen.

Ok so I just rewatched Kiki's Delivery Service the other day and I particular thought occurred to me. This post is a positive rant and isn't articulate in any way so bare with me, but I love the fact that Kiki has a delivery service and it's just that, a delivery service

The story is about having passion and not falling for perfectionism and burnout, but stories like this are almost always reserved to people with Big and Interesting Jobs(TM) where they need to overcome multiple hurdles to make their masterpiece and maybe learn something along the way because sure, Kiki's Delivery Service took all of that and put it wholeheartedly into something usually looked at as a non-sexy job

The other two witches we see in the film: her mom a doctor, and the other little witch a fortune teller, and yet the film doesn't even entertain the idea of her underselling herself or not using her witchy powers for something "more important". She's bringing people little joys when delivering messages and gifts, and sure maybe those packages are just boring business deliveries sometimes but they still matter

what i'm trying to say is Kiki's Delivery Service gave us a story often reserved to sexy and cool jobs to something we'd usually deem mundane or boring and I love that it doesn't even treat it as such. There's no pushback to the nature of the work Kiki chooses to do at all!