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Hello, I (21) have this blog where I post random fandom stuff. I write.Yeah, that's pretty much it. Have fun scrolling (I wouldn't recommend it)
117 posts
If You Are Still Doing It,
If you are still doing it, đ«
Okay, I was like: Imma write a drabble the way itâs supposed to be. Iâm a pro.Spoiler: I didnât, so this just turned out to be a weird oneshot. I got too much into it. Enjoy.Song: So Close - Jon McLaughlinâSo close to reaching that famous happy end,Almost believing this oneâs not pretend.âThere she is, capturing something more than his view.Again, as if it took her no effort. But how? What was she doing here? Did anything other than her arrival matter anymore?Somehow, she looked more stunning than this morning, when they bumped into each other on the street. She made small steps trough the hall and he could see red shoes shyly showing their tips underneath her long dress. The dress swayed with each movement. From head to toe, the dress gradually turned from blue to red. Just the experience of looking at her seemed surreal.She noticed him, but then another man wanted her attention. She turned her head towards his black glasses and brown hair, then listened to his whispers and nodded until, finally, he walked away. Her gaze followed him before he got lost in the crowd.Her amber eyes met the black one again. She smiled. Resumed her pace towards him. Before he knew it, she was two feet away, the orchestra crept into the silence and he reached out.âWould you like to dance?â Pause. âYes.âShe gave him his hand and they both joined the dance floor.She placed her hand in his and spread her fingers across his shoulder. In return, his hand went underneath her shoulder blade and his eyes to hers.In the few steps that followed, the white-haired man noticed an unexpected security in her movements. It was almost as if the girl wasnât the very klutz that spilt his tea. âYouâre a pretty good dancer.âShe looked away from the intense stare. An agonizing pause.âI thought Iâd never see you again.âThis statement made her tense and her eyes returned to his with a sheepish smile.âYouâd want to?âThe singerâs voice kept carrying them across the hall.âMore than Iâm willing to admit.ââWell, saying âyesâ is satisfying enough.ââWell, I guess that makes us both pleasantly surprised.ââEhm, âpleasantly surprisedâ doesnât even begin to describe itâHe chuckled.âWhat does?âStep, step, sigh.âI wish I could tell you.âHe nodded in understanding. The conversation ended. They were both carried by the waves of the song into the waltz that was like a ship over the depths of each otherâs eyes. Synchronised with the singerâs voice, like it was all planned outSo far, we areâŠThe music started changing itâs pace.âMiss, if you donât mind, I would like to try somethingââI donât.ââHold tight.âHer expression showed how she read his intention and her grip tightened. His footwork became faster with each next step as they moved. She followed and her dress did too. The world became hazy. Guests. Marble pillars. Grand chandeliers. All gone.What remained was his smile and the bubble of laughter that wanted to escape her.It felt like-âMiss Bordeaux!âThey stopped. The man with glasses from before stood as close as he had to be, looking displeased. Her partner gave them a confused glance. Glasses ignored him. His unpleasant attention was directed at the redhead. She turned to her partner and bowed.âIâm grateful for the pleasant dance.ââThe feeling is mutual.âThe brown haired man coughed and the girl hesitated before turning towards him. She rushed as she looked down at her feet.Her partner stood there for a few moments before walking towards the exit himself. Time to leave came too early. His friends will forgive him. As for the host, heâll come up with an excuse.What about her?Heâll probably never see her again. Fate doesnât give two chances so easily. Three is pretty much impossible. He knows how cruel it is. ButâŠHe canât help but hope.Now he knows the name he yearned for all day.
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mysteriouslysparklyglitter reblogged this · 6 years ago
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Writing horses in your WIP
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We see them all the time - horses in fiction. And there is so much to learn about them that it can be a little overwhelming! But I work with horses a lot so I thought Iâd be able to help some of you guys out by going through the basics youâll need for writing. (by the way, I only ride English style. If somebody wants to do something similar for Western riding, by all means, fire away.)
Horses and ponies - whats the difference?
Itâs the height. Horses and ponies are measured in hands - 1 hand = approx 4 inches. A pony is anything below 14.2hh,(hands), a horse is anything taller. Any pony smaller than 14hh would really only be suitable for children. A stockier 14.2hh could hold teens or small adults, but most teens and adults would probably ride horses. 16hh would be an average size.
Stallions, mares and geldings.
A Mare is a female horse. They can be quite moody sometimes - which they show by being uncooperative and putting their ears back. A Stallion is a male horse that has not been castrated. They can be very, very strong willed, and are typically not suitable for the novice rider. A gelding is a male horse that has been gelded/castrated, They often have a more relaxed, placid nature. A colt is a young male, and a filly is a young female.Â
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Breaking
Training a horse under saddle is called âBreaking.â A horse is typically broken around Ÿ years of age, once it has finished growing. Breaking correctly is a long and patient process - not something that your character can do in a few minutes.
Gaits
Horses have four gaits. Walk, trot, canter, and gallop - in that order of ascending speed. Nobody trots away from danger. if your characters are fleeing, they are in a flat out gallop.
The tack
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For describing scenes - youâll really only need to talk about the reins and the bit. Pressure on the reins (held by the rider) should slow the horse down. The horse feels this pressure acting through the bit.Â
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All you really need to worry about for the saddle are the stirrups, and the girth. The girth is holding the saddle on, and the feet go into the stirrups.
Learning to ride
Is difficult! Your character wonât be a pro withing a couple of days. Its hard on your legs, and learning to balance can be tricky too. Somebody who is very comfortable in the saddle is relaxed and secure, and able to deal with however the horse acts. The rising trot, when the rider goes âup and downâ in sync with the horses movement in the trot, can be particularly difficult.
Ability
The average gallop is around 45km/h. So, bear i mind that a horse cannot outrun a car or anything like that. Jumping ability varies - a heavier horse will struggle over a 90cm hedge, but a quality animal could easily pop 1.60m (but only with a good rider.)Â If your character gallops the horse on hard ground, it could easily go lame - they arenât invincible!Â
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Feeding
Horses donât eat the same way as dogs or cats. They are grazers - meaning they need to eat little, and often. Your character giving them a Handel of oats once a day is really not going to keep them alive. They need forage - grass or hay - and a lot of it.
Portraying atmospheres
Showing how the horse is feeling can be a really great tool for expressing the âmoodâ of a scene.Â
Relaxed -Â A relaxed horse will have its ears back lazily, but not pinned against its head. It will likely doze off and close its eyes, maybe while resting a hind leg.
Alert - Horses are super smart animals, and many say that they have a sixth sense that lets them know when something is coming. An alert horse stands up straight, and has its ears pricked forward.
Upset - If something bad is happening, the horse wonât be in good mood. It might pin its ears flat back against its skull, and bare its teeth. It will flick its tail irritably, and a horse will kick out or bite at something if its unhappy.
Horses as friends
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Horses are deeply empathetic animals. They are herd animals too, and can form deep connections with their people. A horse who is fond of a person may whinny when they see them, and nuzzle their face and neck. A real trust can form between horse and rider. To show this as your story progresses, the horse will become pleased to be with the character, and the characterâs nerves aboard the horse will begin to fade.
ââ
If you have any more specific questions, feel free to message me. All of this is very basic, and I am more than happy to help some fellow writers.Â
Happy writing, Aoife - @writingguardian
Her fingers are hesitantly pressed against the door. She swims through all the possible reasons of inviting her this late to his office. Sigh. Resign. Knock.
The familiar scent of paper and salt always managed to soothe Riza's nerves which were tense for multiple reasons. However, she wanted her unrest hidden, so she ignored the bookshelf covering the entire right wall and the crates and chests to her left. Her focus was in front of her instead, where two black boots rested on the messy desk, a chin rested on one arm. The captain's brow was furrowed toward the window, contradicting his relaxed manner. After a blink his eye jumped to hers and Riza almost drowned. She didn't have to hide anything, he knew.
"Good evening, sir."
His boots made a thud as their soles hit the floorboards.
"Evening, Hawkeye."
His coat, draped over his chair, and his shirt, unbuttoned to the unprofessional level, were enough for her to see that there was no emergency in sight.
"Sorry for disturbing you this late. I just wanted to talk, seeing how lately you..."
...have been avoiding me.
She knew how the sentence ended. Maybe that's why he didn't finish it. That, or he didn't want to confirm his doubts.
"I don't mind, sir. Talking to you has always been a pleasure."
Until you kissed me.
"Ditto."
They had this strange staring contest for a couple of breaths.
Ah, kisses. They have this power to turn details to unforgettable and make one aware of just how quickly things can get out of hand. But that didn't stop her from wondering just how much of a mess would the next kiss make. Kissed by the most terrifying man of the Amestrian seas. A thing to put in her resume.
It was strange how in the course of these few weeks she managed to become a member of the Hawk's crew, make her way through the ranks and gain the trust of the infamous Roy Mustang. Not only did she have his trust, but he had hers and that was probably the strangest thing that has happened.
"Let us proceed to the deck. I planned our conversation to be held there."
What am I doing?
He stood up and then opened the door for her.
I was a soldier
He closed the door behind her.
A soldier loyal to his Excellency
They made their way through the hall.
Maybe I still am
He opened the door.
Whatever I might be, he's a-
On the deck, not in the centre, but slightly closer to their left. There has been set a table for two. Candles, silky tablecloth and roses. There was Breda, playing the accordion at an acceptable proximity.
Riza stared at the sight for a moment, then turned to see how Captain's mysterious smirk turned into a mischievous grin. He held out his hand.
"Shall we?"
"Uhm, sir?"
"I truly hope you didn't regret coming with me when... I did that. I'll leave you alone and even let you go back to Amestris, if you desire so. But if not, please, dance with me tonight."
It took a moment of hesitation. A moment of that firm no, telling her the consequences of her actions. A moment and then she gave him her hand.
I'll become your accomplice
Roy's grin somehow widened and it seemed he wanted to show her all the jigs that he knew. His quick feet knew seemed to know every dance and even make up some of their own. Step by step and Riza did as well.
"You're a quick learner."
She saw an opportunity.
"Let's see how you fare."
She pulled him into the Amestrian waltz, the one that only the higher layers of society could dance with the exception of her, a bodyguard able to learn it at the Bradley estate. She took the lead while he was fumbling around on his feet, eye wide. She lead him through the waltz's changing pace, that barely matched Breda's efforts. Roy marvelled her skill and then noticed her smug smile. With the movement of a thief, he switched them so that now he was in the leading position.
"I think I got the hang of it."
The steps that he made were certainly elegant and connected, but lacked the elements that made the waltz. He simply couldn't replicate her fast steps.
He raised his soft smile to her and she let out a laugh.
"We should dance more often."
Sorry, it ends here. I can't be bothered to correct the mistakes right now so forgive me for that. Hope you enjoyed it. Thank @tomochingus for this beautiful art.
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god theyâre so in love
I love that pirate AU you wrote! Do you have a FFN/AO3 account with more things to read? :o
Unfortunately no...
...T YET, HELL YEAH I'LL MAKE ONE AND LINK IT HERE
Thank you so much for reading, Anon, I actually was contemplating about making an account on some writing platform because this blog's pretty dead and I still have a lot of unfinished projects.
Thanks again and have some virtual cookiesđȘđȘđȘ
shading colour tips
hey yall its me the Art Momâą to help you shade pretty
rule 1: DO NOT SHADE WITH BLACK. EVER. IT NEVER LOOKS GOOD.Â
red- shade with a slightly darker shade of purple
orange- slightly darker and more saturated shade of red
yellow- i think like..a peach could work but make it a really light peach
green- shade with darker and less saturated shade of blue or teal
blue- shade with purple
purple- a shade thats darker than the purple youâre using and maybe a little pink (MAYBE blue)
pink- darker shade of red
white- a really light lavender or blue..or i guess any really light colour??
black- okay listen dont use pure black to colour anything unless you want to leave it with flat colours because you cant really shade black lol
grey- a slightly darker shade of purple or blue (less saturated)
brown- slightly darker and less saturated shade of purple or red
aaaaand thats all i got lol. let me know if there is anything i should add to this list!!
Rations for various RPG Races
[[ Source. Original creator: wats6831. Additional information and images linked under each one. ]]
Universal:
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Homemade artisan herb bread, home grown and dried apples and prunes, uncured beef sausage, munster cheese. Made a small bag from cheesecloth and tied it closed.
Discussion thread here.
Dwarf:
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Garlic chicken livers, smoked and peppered cheese, spiced pork sausages, hard tack, dried vegetables, dried wild mushrooms.
Discussion thread here.
Elf:
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Top left to right: Evereskan Honey Comb, Elven Travel Bread (Amaretto Liquer Cake with custom swirls), Lurien Spring Cheese (goat cheese with garlic, salt, spices and shallots), Delimbyr Vale Smoked Silverfin (Salmon), Honey Spiced Lichen (Kale Chips), and Silverwood Pine Nuts.
Discussion thread here.
Halfling:
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From upper left: âHoneytackâ Hard tack honey cakes, beef sausage, pork sausage mini links, mini whole wheat toast, cranberry cheddar cheese mini wedge, mini pickles, pumpkin and sunflower seeds, lower right is my homemade âtravel cakeâ muesli with raisins, golden prunes, honey, eggs and cream.
Discussion thread here.
Half-Orc:
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Wrapped in cheesecloth and tied in burlap package. Forest strider drumsticks, molasses sweet wheat bread âblack strapâ, aged Munster, hard boiled eggs, mixed wild nuts.
Discussion thread here.
Orc:
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Orcs arenât known for their great cuisine. Orcs prefer foods that are readily available (whatever can be had by raiding), and portable with little preparation, though they have a few racial delicacies. Toughs strips of lean meat, bones scavenged from recent kills, and dark coarse bread make up the bulk of common orc rations.Fire roasted rothe femur (marrow is a rare treat) [beef femur], Strips of dried meat (of unknown origin) [homemade goose jerky], foraged nuts, only edible by orcsâŠ.nut cracker tusks [brazil nuts], coarse black bread, made with whatever grains can be pillaged [black sesame bread], Pungent peppers [Habanero peppers stuffed with smoked fish and olives].
More images here. Discussion thread here.
Gnome:
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Pan fried Delimbyr smelt, spiced goat cheese (paprika crusted hand pressed Fontina), Gnome shortbread (savory pistachio), glass travel jar filled with Secomber Red (wine), hard boiled quail eggs packed in rolled oats (to keep safe), dried figs from Calimshan, and Southwood smoked goat sausage (blood sausage).
More images here. Discussion thread here.
Lizardfolk:
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Lizardfolk are known to be omnivores, forage for a surprising variety of foods found within the confines of their marshy environs, in this case the Lizard Marsh near Daggerford. Fresh caught boiled Delimbyr Crayfish on wild chives, coastal carrageen moss entrapping estuary brine shrimp (irish moss, dried brine shrimp), Brackish-Berries (blackberries), Blackened Dart-Frog legs (frog legs) on spring sprouts (clover sprouts), roasted bog bugs on a stick!
More images here. Discussion thread here.
Drow:
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From top left: Menzoberranzan black truffle rothe cheese (Black Knight Tilsit), Donigarten Moss Snails (Escargot in shallot butter sauce), Blind cave fish caviar in mushroom caps (Lumpfish caviar), faerzress infused duck egg imported from the surface Realms (Century egg), Black velvet ear fungus (Auricularia Black Fungus Mushroom).
More images here. Discussion thread here.