Bruh

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How to Escape a Hair Grab or a Neck Grab ? Look at them, carefully.

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Dear Med Students,

I am an autistic adult. In light of several terrible doctor's appointments in a row, it's become clear that they teach you all absolutely nothing about autism. Here are some things you need to know.

I am not a child. Do not use your baby voice on an adult, regardless of whether or not they have a developmental disability.

I know when someone's dismissing me. We pick up on nonanswers like "we'll cross that bridge when we get there" very easily, because we depend on concrete answers for peace of mind.

I know what my own sexual orientation is.

I understand more than I can express to you. There is a substantial gap between what I am capable of understanding and what I can get back out of my mouth in a way that makes sense to neurotypical people.

Pain scales mean nothing to me. It's like asking me to count backwards in Sumerian. You are asking me to apply an arbitrary scale to an abstract feeling that I may experience atypically because of my whacked-out sensory system. Ask me questions about what the pain prevents me from doing instead.

My sensory system is different than yours. I cannot tell what is "normal" bodily sensation and what is not. My body interprets many inputs, like loud noises, as pain. On the other hand, I may have almost no sense of where my body is in space at a given moment. If you had to differentiate all that from a symptom of another medical condition, you'd be confused and inarticulate too.

Always up for chocolate!

Barcelona, Spain

22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”

Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

THE PRINCE OF EGYPT (1998)