Anon Ask - "how Do I Write Introductions?"
anon ask - "how do i write introductions?"
my inbox is being pissy so i am having a hard time responding but anon i hope you find this bc i rlly wanted to answer xox i'm sorry :(
yall can still send in requests but I might just have to tag you rather than do a direct response. maybe it'll fix itself soon? idk
introductory paragraphs are probably one of the most important paragraphs of your story. and really, I'd extend your introduction to the first 'chapter' or 'act' or however you've decided to divvy up the writing.
What does the introduction do?
It introduces the story. 'Holy fuck!' I know, crazy. bad jokes aside, the introduction does a lot more than introduce characters and setting. It also introduces the voice and style of your writing, which can make or break your writing just as much as a character.
This is more geared towards original 'published' work, but can absolutely be a tip for fic writers too. Most of my writing tips I've tried to make accessible to both, so take it with a grain of salt.
"Voice" "Style" and "Narration" are all used to describe the way the story feels. When you write the first couple of pages, it needs to grab the reader and shove them into your little world. There are good and bad examples of this.
I would say a good example of this would be Harry Potter (sorry i know but it's v accessible). The voice is introduced, we get a sense of the backstory without it being too overwhelming, and it gives enough mystery to keep you reading. (look up a pdf)
Here are some Dos and Don'ts
Do: describe setting. Don't: give us a verbal blueprint. Describe the setting subtly. Instead of, "The coastal town of Whalebone was frequently rainy, and it never got above a brisk 65F" try, 'the sky was grey and dreary. it had been raining the past week, and the air had a bite to it.'
both sentences describe the weather, but the second one does it in a way that is more relevant to the story rather than sounding like a weather report. The reader will pick up on the setting nuances as they read.
Drop descriptions in occasionally, try to create an ambience rather than an overwhelming situation. describe setting in context to the event. The reader doesn't care if it's sunny when they're more concerned about the fight scene. They might care about the weather if there's a traveling caravan that can't go through mud. (I'm using weather as an example but this can be applied for every setting)
the hobbit would be an example of overwrought setting.
2. Do: introduce your character. Don't: overdo it.
The audience will be spending the entire book with this character. there is no rush to explain everything in the first chapter. Don't do the "She woke up at 8 am and rushed downstairs to eat breakfast. Her mother, Deborah, had made her favorite pancakes. The girl wolfed down a couple before running to her friend Emily's house." that's too much. I quickened the pace to provide examples but all of that can be found out subtly.
The readers should determine the relationships based on their interactions. Don't tell the reader. Show them. If 'Emily' (bff) and Girl are chatting together and making jokes, you can assume they're good friends. Flat-out telling the reader takes away an opportunity for building dynamic.
3. Do: set the tone. Don't: change it later.
pick the style and stick with it. If you flip between waxing poetic and writing like a sarcastic teenager, it'll give your readers whiplash. pick a style of storytelling that can accurately convey your writing to its full extent. If you write a scene and it's out of the theme, we'll notice. the introduction is a good place to mess around with this.
Hope this helps!
(sorry about the inbox thing, i'm gonna do some digging to fix it!)
keep sending requests ily guys xox
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