But I Knew How To Dress It Up

but I knew how to dress it up

( she senses. something. )

language is literally so beautiful like in english "i miss you" comes from being unable to locate someone in the field after battle, it's "i look for you but i can't find you" but the french "tu me manques" is also about absence but it's not something i do, it's something that happens to me, as in "you are something essential lacking inside me", in portuguese it's either "sinto a tua falta" as in "i feel your absence" or, from solitude you get "saudade de você" as in "i am lonely [of] you", and in spanish the word comes from stranger and it's something one does, "te extraño" as in "i am making a stranger out of you", and, and, and

𝐓𝐇𝐈𝐍𝐆𝐒 𝐃𝐎𝐍𝐄 𝐖𝐇𝐈𝐋𝐄 𝐒𝐏𝐀𝐑𝐑𝐈𝐍𝐆/𝐅𝐈𝐆𝐇𝐓𝐈𝐍𝐆.

you long-suffering, endlessly patient angels get two memes today bc i deleted everything in my inbox on my rp blog and i made these memes to top off a solidly productive day! also, if you ever feel guilty about “not being productive” or having to delete drafts and memes in your tumblr life, DON’T! you’re wonderful and valid and your personal comfort and peace of mind is far more important than an overwhelming inbox or draft count! anyway, these are also self-serving, but also i feel no shame bc there’s an extreme lack of this very good vibe in my line of work, so here u go besties. DO NOT ADD ANYTHING TO THIS LIST!!

DATE UPDATED: 19/10/22

[ PIN ]:     sender pins the receiver to the ground and straddles them while training together.

[ SWORD ]:    sender invites the receiver to engage in sword fighting practice with them.

[ AIM ]:    sender and receiver go to target practice together (using any weapon of choice).

[ GUIDE ]:    sender readjusts the receiver’s stance and posture with their hands while training together.

[ STRIKE ]:    sender aims a blow (via either their fists or their weapon) at the receiver.

[ BLOCK ]:    sender blocks an on-coming attack from the receiver.

[ ARMOR ]:     sender helps to show the receiver how to wear and take care of their armor.

[ PREPARE ]:     sender guides the receiver through some pre-battle stretching exercises.

[ CHALLENGE ]:    sender challenges the receiver to a sparring match/actual fight.

[ TEND ]:    sender and receiver tend to one another’s wounds in the aftermath of a fight.

[ RESTRAIN ]:    sender physically restrains the receiver from attacking someone else.

[ FEND ]:    sender adopts a defensive position that stops the receiver from launching an attack on them.

[ PUNCH ]:    sender punches the receiver (to an unknown degree of success or failure).

[ KICK ]:     sender launches a kick at the receiver (to an unknown degree of success or failure).

[ TACKLE ]:    sender physically tackles the receiver during a fight.

[ DRAG ]:     sender physically drags or carries the receiver away from a fight.

[ UP ]:     sender extends a hand to the fallen receiver to help them to their feet after a fight/sparring match.

[ BACK ]:    sender stands behind the receiver while in the midst of battle in order to help them fight off their enemies.

[ ARRIVE ]:     just as the receiver is about to lose hope and become defeated, the sender arrives at the last minute to help them fight their enemies.

[ EXTRA ]:    sender hands the receiver a spare weapon during a fight to give them a better chance after they break or lose their own.

[ WALL ]:     sender slams the receiver against a wall during a fight/sparring match.

[ COVER ]:    sender lunges forward to throw their body over the receiver and shield them from harm during a fight.

[ POWER ]: sender and/or receiver use their powers during a sparring match in order to develop and enhance their abilities.

[ UNLEASH ]: sender, while fighting with the receiver during a physical confrontation, uses their powers in an effort to gain the upper hand.

𝐋𝐎𝐔𝐃  &  𝐃𝐄𝐀𝐅𝐄𝐍𝐈𝐍𝐆 𝐒𝐈𝐋𝐄𝐍𝐂𝐄    (a  series  of  nonverbal  prompts .    ‘ my ’ muse  belongs  to  the  one who  posted  the  meme  -  send   “ + REVERSE ”   to  reverse  the  prompts .)

→     𝐈 .    GENERAL

❛   hush .   raise  a  finger  in  a  gesture  to  silence  my  muse . ❛   sit .  gesture  for  my  muse  to  sit  down . ❛   door .   hold  a  door  open  for  my  muse . ❛   tap .   tap  my  muse  on  the  shoulder  to  garner  their  attention . ❛   hunger .   give  my  muse  something  to  eat  /  drink . ❛   cook .   present  my  muse  with  home - cooked  food . ❛   brush .   work  a  brush  /  comb  through  my  muse’s  hair . ❛   read .   silently  read  a  book  alongside  my  muse . ❛   hand .   hold  out  a  hand  for  my  muse  to  take . ❛   dressed .   help  my  muse  put  on  an  article  of  clothing . ❛   note .   give  my  muse  a  note  saying :   [ content ] . ❛   amplify .   turn  up  the  music  in  the  car .

→     𝐈𝐈 .    ANGST

❛   patch .   help  my  muse  patch  up  a  wound . ❛   night terrors .   hold  my  muse  after  they  wake  up  from  a  nightmare . ❛   company .   silently  sit  with  my  muse  to  comfort  them. ❛   hospital .   my  muse  is  told  that  yours  is  in  the  hospital . ❛   revelation .   show  my  muse  evidence  of  a  lie  they  told . ❛   indulge .   find  my  muse  drinking  to  cope . ❛   downfall .   find  my  muse  collapsed  on  the  ground . ❛   console .   comfort  my  muse  as  they  cry . ❛   nurse .   give  my  muse  company  in  the  hospital .

→     𝐈𝐈𝐈 .    AFFECTIONATE

❛   wink .   wink  at  my  muse . ❛   wrap .   wrap  an  arm  around  my  muse’s  [ shoulders  /  waist ] . ❛   caress .   gently  caress  my  muse’s  face . ❛   tousle .   mess  playfully  with  my  muse’s  hair . ❛   chest .   place  your  head  on  my  muse’s  chest .   ❛   comb .   comb  fingers  through  my  muse’s  hair . ❛   grasp .   run  to  my  muse  &  jump  into  their  arms . ❛   lean .   lean  on  my  muse’s  shoulder . ❛   tender .   kiss  my  muse  on  the  [ forehead  /  cheek  /  nose ] . ❛   abrupt .   kiss  my  muse  out  of  the  blue . ❛   chaste .   chastely  kiss  my  muse . ❛   good morning .   kiss  my  muse  the  morning  after . ❛   volumes .   gaze  at  my  muse  in  a  way  that  silently  says  ‘i love you’ .

→    𝐈𝐕 .    VIOLENT

❛   strike .   [ slap / punch ]  my muse in the face . ❛   gun .   wield  a  gun  at  my  muse . ❛   twist .   twist  my  muse’s  arm  behind  their  back . ❛   throttle .   aggressively  wrap  your  hands  around  my  muse’s  throat . ❛   parch .   burn  my  muse  with  a  hot  object . ❛   take down .   forcefully  bring  my  muse  to  the  ground . ❛   gouge .   wield  a  sharp  object  at  my  muse . ❛  shunt .   shove  my  muse  backwards . ❛  stickup .   yell  at  my  muse  to  put  their  hands  in  the  air. ❛  shoot .   [ fatally  /  non-fatally ]   shoot  my  muse . ❛  stab .   stab  my  muse with a  [ knife / other object ].

🌪️ tornado - what is the biggest change you've ever made to them? how have they changed from their original version? // for elesa or andy the apple ?? :0

Due to the fact I don't think I've strayed an egregious amount for Elesa & Andy's changes just being more interesting, I'll expand on him!

The most notable change is that Andy is separate from Thomas, his creator possessing him, or more accurately simply embodying him since Andy at his core is by technicality simply code with no true body to inhabit, as long as your looking at it by technicality, of course.

And the second most notable change is that Andy doesn't know Thomas, he inherits little to none of his knowledge of what's truly happening here. Andy only knows that he loves his friends, until they're not his friends, and he can't place when or why they aren't anymore. Andy only knows that he loves the farm, until he feels drawn to dig his hands in something living, rip open meat or dirt to peel back what's underneath but he can never dig deep enough to rip at what something is telling him to peel off the walls, how it's not right. Andy knows the barn until its dark and it's not a barn its a maze and there's a man he doesn't know and he doesn't understand why they've locked him in with a stranger who feels so familiar and so foreign at the same time, a stranger who he doesn't know, a stranger who part of him says he does, a stranger that, for once, he can agree with whatever else keeps telling him otherwise when it says that the stranger scares him.

Andy is unaware as much as he is. Andy doesn't understand. Andy doesn't know if he wants to. Andy doesn't know about ghosts yet, but he's starting to learn. Andy never knew what that inhuman, ghastly fear was like until it rips out his bones and replaces it with something squirming. Andy hears those horrors in the sluggish sloshing of the water in the bottom of the lake and the forests clanging dead branches and the cracking of half-burnt wood under his work-boots that aren't his. Andy's never killed anyone, but he can't stop washing his hands like there's something to get off.

Andy's scared. He can't help you. He's sorry. He's so, so sorry.