T : TRUE LOVE. For Ghostface!

T   :   TRUE LOVE. › for ghostface!

Valentine Alphabet! // Always Accepting! (even if its not valentines day anymore)

T   :   TRUE LOVE.   does your muse believe in true love?

Billy does not. True love to him is simply, violently implausible. its what you tell someone when you don't believe them, or more specifically, don't believe that their relationship will survive much if any further. It's what you say when you've put in the effort, but it's just not working, and you're tired of trying. it's what he's been told. ( Billy...? Don't you love me? ━ of course I love you ━ you don't act like it. ) It's the excusive little jingle that Valentines Day-themed companies come out of the woodwork to, and that people will simultaneously flock to and avoid. It's every single romance show, plotline or book's hidden thesis underneath even if that show, plotline or book is entirely unaware of what's underneath it, inherently connected to the concept of love itself. The idea that love can be something pure, and inherent, and true. That you don't need to work for it. Especially that someone like him could be loved in this way. Even as a very young child, Billy's never believed in true love, and I don't think anything could change that in him. He knows his genre, and he doesn't care to change it, especially not for you. ━ but maybe some things aren't set in stone, right? Maybe Billy's just always been a difficult kid.

Danny believes in it the way you believe in running gags or cryptids, the fact you do not inherently believe in it but God ; its just so fun to laugh about, isn't it? ( it's just so fun to mock. ) It's less lofty than the cost of religion but he understands that, to some, this is the closest notion the individual will reach to finding God, and while Danny does not believe in this, true love, many people would say you should still respect the opinion, even if it seems naïve. Danny does not respect anyone.

True love is a joke taken half seriously. He laughs on it with the same seriousness as he does cheesy, poorly done gore or shots in horror movies where they had the tools of the era to do it right, but just didn't care enough to. He laughs on it in the way a cryptozoologist might mock the existence of the creatures they are fascinated by, but the belief lies heavy and serious in the ridges of their brain. He laughs on it in the way you can't tell what he believes because Danny believes anything so long as it gets him somewhere or you believe it too, and Danny has always been a very good liar.

a comprehensive list of scenarios

feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.

1.  GUEST :  for one muse to offer the other a place to stay. 2.  STORM :  for both muses to find shelter from a severe storm. 3.  MEDIC :  for one muse to show up at the other’s doorstep injured. 4.  SURPRISE :  for one muse to come home and find the other already inside. 5.  TRIP :  for both muses to road trip or travel together. 6.  BABYSIT :  for one muse to help the other home while they’re drunk. 7.  INSOMNIA :  for one muse to find the other still awake at 3am. 8.  AMBUSH :  for both characters to come under attack by the same enemy. 9.  DANCE :  for one muse to ask the other to dance at a party. 10.  STRANDED :  for one muse to help the other who’s stranded on the road. 11.  SERVICE :  for one muse to cover the cost of something for the other. 12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13.  DAZE :  for one muse to wake somewhere and find the other hovering over them. 14.  STOWAWAY :  for one muse to find the other hiding on the same ship. 15.  TAXI :  for both muses to share the same taxi ride. 16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle. 17.  LIFEGUARD :  for one muse to rescue the other from drowning. 18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster. 19.  TRANSIT :  for one muse to sit next to the other on a public transport. 20.  SPRAIN :  for one muse to carry the other after spraining their ankle. 21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22.  QUEST :  for one muse to help the other with a task in exchange for compensation. 23.  SOOTHE :  for one muse to calm the other during a panic attack. 24.  RECOVER :  for one muse to return the other’s lost belonging. 25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day. 26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury. 27.  NIGHTMARE :  for one muse to comfort the other after a nightmare. 28.  REUNION :  for one muse to run into the other again after a long time. 29.  PRIZE :  for one muse to win the other a prize at a carnival. 30.  NUDE :  for one muse to walk in on the other while they’re changing. 31.  BED :  for both muses to wake in the same bed, naked or fully clothed. 32.  TRAIL :  for one muse to notice the other has been following them. 33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer. 34.  THIEF :  for one muse to confront the other after having something stolen by them. 35.  CAUGHT :  for one muse to walk in on the other singing / dancing. 36.  FESTIVE :  for both muses to decorate for a special occasion. 37.  PRESENT :  for one muse to give the other a  (birthday)  gift. 38.  WEARY :  for one muse to wake up after falling asleep on the other. 39.  CAPTIVE :  for one muse to hold the other against their will. 40.  SNAP :  for one muse to yell at or push the other out of frustration. 41.  SLEEPOVER :  for one muse to stay the night at the other’s place. 42.  TRESPASS :  for one muse to trespass on the other’s property. 43.  BREAK-IN :  for one muse to discover the other robbing their place. 44.  MERCY :  for both muses to come across an injured animal. 45.  UNKNOWN :  for both muses to wake and find themselves in a strange place. 46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime. 47.  ASTRAY :  for both muses to take a detour and lose their way. 48.  RELAX :  for both muses to share a hot tub or hot spring. 49.  MUSE :  for one muse to model for the other’s art project. 50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event. 51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief. 52.  MEAL :  for both muses to prepare and share a meal together. 53.  CEMETERY :  for one muse to find the other at a gravestone. 54.  REFUGE :  for one muse to shelter the other from enemies. 55.  ARRANGED :  for both muses to date or marry out of convenience. 56.  FAVOR :  for one muse to owe the other a favor. 57.  VACATION :  for both muses to book the same hotel on vacation. 58.  DEFEND :  for one muse to save the other from one or multiple assailants. 59.  CATCH :  for one muse to return the other’s pet that escaped. 60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.

TEXTING STARTERS

Let’s text! feel free to make edits to better suit your muse’s voice/typing style/contact names, but please don’t edit or add on to the original post. 💛

[ text ] are you awake?

[ text ] it’s been three days! why haven’t you been answering your phone?

[ text ] are you ignoring me?

[ text ] can you let me in? I’m out front.

[ text ] are you okay?

[ text ] I miss you.

[ text ] are you at home?

[ text ] did you get home safe?

[ text ] where are you?

[ text ] what did you do?

[ text ] how did you get this number?

[ text ] can we talk?

[ text ] hey, is this [ name/wrong name ]?

[ text ] are you drunk?

[ text ] do you also hear thunder outside?

[ text ] text me when you get home safe.

[ text ] are you in my kitchen??

[ text ] stop lying to me!

[ text ] what the hell happened?

[ text ] why do you only text me at 3am?

[ text ] okay, that’s it. I’m coming over.

[ text ] do you want to come over?

[ text ] stop shutting me out.

[ text ] come over.

[ text ] are you lost?

[ text ] do you want to talk?

[ text ] rough day, huh?

[ text ] can you bring snacks on your way here?

zomg..

@tenebriism // ryuji & yusuke!

Maybe he was right. ━ Right. in the way there was no maybe about it. He knew better. Ryuji wasn't stupid like that. He knew where his limits laid, claws in the sand, unregretful of their own existence like he at times wished they would be, and thus was on their behalf. He knew what was not enough and what was too much, pushing became shoving became something else ( something he doesn't like to talk about. Something that keeps finding him. )

but Ryuji's always been stubborn ━ it's just that this time, maybe it wasn't just being stubborn ( that something else conjuring a byproduct; hands heavy enough to be cruel, only to himself. only to himself. )

Claws in the sand, wishing he was more than he was, pushing then shoving then falling; being caught. being told something he knew, but wouldn't listen to. Slowing down.

Slowing down. Slow down.

Ryuji takes the time as Yusuke talks to catch his breath, chest heaving with a greater weight than it should, two times his size. convulses in relapsing effort to get enough air to the rest of him ( almost lightheaded ). a body rebelling against itself when pushed too far; one leg shaking that ripples throughout him as if a reminder of the consequence, a scar like a lightening strike across his knee back and along to his calf ━ visible at the hem of gym shorts as if reaching up to meet the fabric in familiarity of a time where it was born, and then revoked from.

” No, Yusuke, I just━ I needed━ “ the sentence dies, half focused on in its utterance in the first place, the attention cut then tapered. he finds himself white knuckling a support as his breathing begins to even out.

his entire body quakes with the intensity of that consequence, a vital support refusing the pushing to be pushed too far, refusing the criteria of its creation to be met twice. the scar; an ugly reminder. he finds himself staring at it as Yusuke speaks, hunched, kneecap shuddering as if given its own mind and the tendons down his calf like guitar strings in conviction of the same cause, before his attention gathers itself back to Yusuke when he begins to pull something from his bag ( confusion, then surprise. how often he forgets, how people love him. how they remember. )

his expression is not one of instant gratitude, or even of anger that spills from his shoulders into his collarbone and floods him, its indescribable, almost unnatural on his features ; Ryuji, always feeling in extremes, unable to solidify what he was feeling in the first place. ( This, too, was an extreme. you just didn't know the name of it. )

… the expression caves in on itself — 'softens', too romantic of a word — after a long moment to dissolve resolution and Ryuji limps, pain jolting up the back of his leg into the pelvis then echoing up his spine of which he understood better than anyone ever could, and he allows himself to — lacking grace — haphazardly drop into the spot assigned to him by Yusuke. His leg refuses to stop shaking despite the lack of pressure ( the pressure both was and was not the problem; always the strain. always the strain ; until it becomes too much. )

he feels pathetic like this, acid through steel, rust still creeping and eating at him. he tries to shake it off.

” Yeah. Thanks, Yusuke, I just… “ he trails off, and an unwillingness to admit what had driven him to extremes clumps in his throat like congealed blood from an old wound that wont close.

” I really want to be strong for the team. Guess I kinda got too in my head. I didn't mean to worry you or nothin'... Sorry... “