
Interests rn: Gravity Falls~DR/UT~Sander Sides~Please DNI of you are a: Homoph0bic, Ableist, Transph0bic, Pro/Con/Dark$h!ppers, z00phile, Racist, L0li/Sh0tac0n fan, 20+ of age, Pedophile, pro in$ect, pro r@pe, Wilbur soot/Georgenotfound/Dream/Punz supporter, etc etc. You people disgust me. Please go see a therapist. I know you can do better than this.
141 posts
Fanon Papyrus Things That Need To Stop
Fanon Papyrus things that need to stop
1. Papyrus losing his shit when he finds out non-spaghetti pastas exist.
Reason why this sucks - Itâs blatantly OOC and non-canon:

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(I love the implication that Papyrus drinks sauce out of cup with a noodle)

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(I also like the implication here that either the lasagna was actually good, or Toby has terrible taste and stole it even though it was bad, OR that lasagna was a weapon of mass destruction that only dog-god Toby could destroy.)

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2. Fluffy bunny is Papyrusâ favorite book! He loves little kids books!
Reason why this sucks - Papyrus himself gives no indication that the Peek-a-boo with Fluffy Bunny book is his all time favorite and gives it the same level of favoritism as âAdvanced Puzzle Construction for Critical Mindsâ.
3. Sans helped Papyrus in his fight with the human.
Reason why this sucks - The idea that Papyrus is so weak that Sans would need to help him (SECRETLY OF COURSE) is not only ridiculous and OOC for Sans but blatantly goes against canon as Undyne confirms that Papyrus is incredibly strong. So. Do people who think this think Sans leaves behind his jobs to follow Papyrus to his training to help him train against Undyne??? How many hoops do you have to jump through to believe Sans is so ~Benevolent & Powerful~ and that Papyrus so ~Innocent & Weak, poor bby.~
4. Sans kills the humans that fall in the king Papyrus ending so his poor brother doesnât have to UwU
Reason why this sucks - If you think Papyrus would approve of his brother essentially doing what Papyrus himself is supposed to do so he doesnât have to is hilariously wrong. I mean. You could just think âSans does it without telling Pap!â but then you also must think Papyrus is too stupid to hear the inevitable news of a human falling in/not noticing a new soul in the collection, so thatâs also pretty bad. ALSO. Consider: Sans keeping his promise to Toriel not to harm a human to honor her after her death and trying to find another way by becoming a scientist again, meanwhile as heâs so busy with that Papyrus kills the fallen humans but doesnât tell Sans because heâs so focused on finding another way Papyrus doesnât want to discourage him.
5. Papyrus is so oblivious to Sansâ struggles
Reason why this sucks - Buddy, itâs not for lack of trying. You can HC Sans suffering all along with the burdens of the world on his shoulders (even though in canon Sans honestly doesnât really seem too bothered) but acting like Papyrus doesnât care or is too stupid to notice is blatantly wrong:

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6. Papyrus hates puns so much
Reason why this sucks - Once again super not canon. Papyrus literally has four times the amount of puns as Sans in game, and he actually compliments Sans and Undyne on puns on two occasions.
7. Papyrus doesnât have healing magic/bad at healing magic
Reason why this sucks - Papyrus literally heals the player to full health both before the fight and if you lose it.
8. Poor innocent cinnamon roll doesnât like fighting~
Reason why this sucks - PAPYRUS LITERALLY WANTS TO JOIN THE ROYAL GUARD. SURE HE DOESNâT WANT TO KILL ANYONE BUT IT DOESNâT MEAN HE DOESNâT LIKE KICKING ASS. THATâS LIKE SAYING SOMEONE WHO SIGNED UP FOR THE UFC DOESNâT WANT TO PUNCH SOMEONE.
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More Posts from Spreadingawarenessandlove
This is something that's been bothering me for a while so I'm gonna post a rant about it. So male abuse victims aren't really shown in the media, I can only think of like 2 that were shown well, which is Hunter from the Owl House and Bojack Horseman from, well, Bojack Horseman. Now I don't watch a lot of TV, but that's still a little in comparison to the female abuse victims I know that were portrayed well. Diane, Adora, Amity (You could agrue that her parents aren't abusive but they do seem emotionally neglectful and that is a form of abuse sooo) Etc., etc., you get the point.
And now we've got Morty, a male abuse victim, and the show just completely ignores his trauma! And it makes me upset! They have this golden opportunity to show a male abuse victim and the effects the abuse has on him, especially since we already see the low self image he has curtesy of Rick, and that he has repressed rage towards Rick, but that's just about all we get. We never see anything more. And it's upsetting, ik the show isn't over yet, they still have 3 more seasons, but I'm just starting to worry. While I love Morty as is, he has so much untapped potential that, if it was unleashed, it would make me love him even more. I just really hope they use Morty more, but I'm scared that they won't explore his trauma because (Credits to @hazelnut-u-out for pointing this out) it would make Rick less sympathetic, since it would be hard to sympathize with an abuser with the effects of their victims being shown, although I would agree Rick could still remain sympathetic since Bojack is sympathetic to many people despite the effects of his horrible actions being shown, I don't sympathize with him but that's for personal reasons.
I just really hope they care less about making Rick sympathetic and more about giving Morty the attention that he deserves and giving our boy justice. What do y'all think?
List of myths about Papyrus
This is not all myths, but the most popular. I do not want to say obvious things on bad english, so I will be as brief as possible. Fanon: Doesnât understand sarcasm and doesnât know how to use it. Canon:Â


Keep reading
So talking of finales penned by spn writers.
One of my fav comics the last few years has been Spider-Man/Deadpool, written by our very own Robbie Thompson.
Obviously, Deadpool is a character I was always gonna be fond of, since his fourth-wall breaking power / chatacter trait makes him all about the meta, and metafiction is My Jam.
Spider-Man/Deadpool has the additional fun of being about Wade and Peter's relationship specifically, which is just fun and adorable any which way, but the series also makes constant nods to the idea of them as a romantic couple (the title IS a LITERAL REFERENCE to slash fic/shipping). Never in a baity way either. The writing celebrates the idea of Spider-Man/Deadpool without ever teasing the idea it might actually happen. It's mostly Wade explicitly referencing them as a slash pairing in his various fourth-wall breaking speeches, while in the 'reality' of the universe the writing is pretty clear on the fact Peter only thinks of Wade platonically (or occasionally antagonistically :p), while Wade genuinely has an explicit romantic crush, but overall just simply respects and cares for Spider-Man as a person and primarily wants to be and have him as a friend (tho there's absolutely, deliberate, space left in the writing to imagine/fanfic a mutual romance between if you want).
(ASIDE: PETER PARKER IS NOT A KID IN THIS CURRENT VERSION OF MARVEL CANON HE IS 100% AN OF AGE ADULT, like he is in the Spiderverse film - in case anyone was freaking out)
So yeah, that's all fun and sweet and completely catering to my interests.
One of the big, big things about the characters and their relationship, though, is the fact that WADE DOES NOT KNOW SPIDER-MAN'S IDENTITY. And this quickly became one of, if not THE, things at the heart of their evolving friendship/relationship. The closer they get, the more and more you WANT Wade to find out or, better, for Peter to TELL HIM. Because you want them to reach that place of love and trust where they each know intimate things about each other, where Peter cares about and knows he can trust Wade enough to share that vulnerable truth about himself.
So, Peter telling Wade his secret identity - that's, basically, the ship/relationship endgame everyone is rooting for.
SO.
In the *cries* final storyline of the series, this whole epic Thing happens, that I won't explain cos it'll take too long. But basically, the world appears to be ending and in that context of dire and angsty straits - Peter reveals his identity to Wade! *insert Deadpool movie shock gif*
Now closer than ever, they team up with a rag tag collection of other characters to take on the Big Bad and, long story short, they discover the whole epic end of the world Thing has been a fake reality created by the real villain of the piece -
THE WRITER, aka Robbie himself!
Due a series of implausible comic book events they are able to confront and defeat him and he offers this in his defence -

and I just -
<3
aw Robbie
your supervillain origin story was... WANTING FICTIONAL CHARACTERS AND THEIR RELATIONSHIPS TO GROW?
(#relatable)
When I first read this (which was, oh, back near the very beginning of spn S15) I thought
a) amusing that an ex-spn writer is, like spn itself, writing a meta story in which the writer is the villain
b) it's funny how spn's villain writer and Robbie's villain writer both harm/manipulate their characters for the exact opposite reasons - Chuck wants to prevent the characters from developing, comic!Robbie wants to force them TO develop
(and c) I wonder if this lament over characters not being allowed to grow, and the fact that wanting to change that associates Robbie with villainy, in any way connects to... other writing jobs he may have had... before the comic...)
The tragedy, tho, is that after his defeat, as Spider-Man and Deadpool are locking comic!Robbie away, he tells them his capture doesn't matter because in the end HE WON, because Wade now knows Spider-Man's identity!!
To which we end with this -

The growth Robbie wanted was denied!
*sad face*
(I forget the in-universe explanation, if there was an explicit one - either defeating comic!Robbie and his fake world caused all memory/experience if that world to be lost/destroyed... or there was genuinely no real explanation and that in itself was a meta nod to how comic book narrative is constantly dropping/discarding/ignoring/retconning plot points in order to maintain the wider status quo of the comic universe narrative)
AND YET - while the biggest growth of learning Peter's identity was denied (presumably because, as noted above, wider comic book canon requires/insists both characters and their relationship remain in a specific, static, status quo - so the industry can keep churning out multiple comics with them without necessarily having to bother with the extra time/hassel of researching specifics of continuity - because, money), as Peter and Wade's further discussion points out, SOME development HAS happened at least. Wade has grown more moral/heroic in how he doesn't immediately kill his enemies. And Peter has come to care deeply enough about Wade to be proud of him for this and tell him so. AND they walk away together side by side, their friendship cemented.
So bottom line - the story ends. And it's not in the BEST way. It denies the readers and the characters (and the writer!) the fulfilment of that key endgame plot point.
And YET.
It manages to still be a funny, heartwarming and ultimately SATISFYING end. One that, tongue in cheek, lampshades the development the rest of the story has, in many ways, been building up to and, using metafictional tricks, tells readers in a way that is funny, entertaining and also feels somewhat apologetic, that it simply wasn't a plot the creatives involved were able to give. But offers SOME growth at least, and leaves things open enough for readers to imagine the characters are poised for more in the near future (...although due to the nature of comics that may well have been jossed by other comic book runs at this point - I haven't read any that include the characters since this title ended).
WHY am I making a longass post about this you ask?
Well
a) because the comic is great and I think more people should read it, consider this a recommend (tho sorry for spoilers!)
b) ...just ...wanted to big up Robbie Thompson for a bit. A++ Robbie, way to land an ending, both in fiction and meta, kudos to you, nice to be reminded that it can be done!
(also in case by some miracle anyone at Marvel is reading this - I said the ending was satisfying, but that doesn't mean I WOULDN'T SPEND GOOD MONEY ON A REVIVAL OF THIS TITLE IN A HEARTBEAT! just because I'm ok with the last comic being the end doesn't mean I don't WANT MORE WITH A BURNING PASSION why must you cancel all my favs?? ...*coughs* so, yes, thank you any Marvel execs for your time...)
What Do I and my Family in Gaza Matter Anyway?!
The heartwarming solidarity we Gazans get in such difficult times is medicine for our sick broken hearts. Do NOT underestimate the positive influence of your gestures of kindness and hearty good wishes that you offer Gazans during this genocidal war.
In pursuing our inherent rights to freedom, dignity, self-determination, and sovereignty, we need every gesture of support from the free world. Please, choose to be on the right side of history. Choose to stand with the helpless victimized people living in the harshest conditions imaginable in the biggest open-air prison in the world: Gaza.
I spent four months of the war in Gaza before I was evacuated alone leaving my family behind to face the scary unknown. I know very well how hellish the life my family and all Gazans are living. For me, the most difficult time of the day during the four months was the scary thoughts I had before drifting off. Thoughts about ending up as lifeless corpses under the rubble the next morning. The possibility that it might be the last time I shut my eyes for sleep. It happened to thousands of people in Gaza, and if it were to happen to us, that wouldn't change the course of the universe! What do I and my family matter ANYWAY?!
[Vetted by el-shab-hussein. # 151 on the list of Vetted Gaza Fundraisers List]
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