War Of The Worlds (2005) By Steven Spielberg.

War of the Worlds (2005) by Steven Spielberg.

I love Spielberg's adaptation of War of the Worlds.

It's a remarkable film, and one of Spielberg's great dream films, in the way that sometimes you'll have a dream, and it will start out meaning one thing, but by the end it will mean something else.

Fun Fact:

It turns out Genghis Khan, former Khagan of the Mongol Empire, may have done some good for the planet...

He did more to combat global warming than any of us ever will. Between 1162 and 1227, Genghis Khan and his Mongolian armies conquered around 22% of the Earth's surface, killing as many as 40 million people. But he also cut 700 million tons of carbon emissions while doing so. By lowering the population of the world by as much as 10%, he allowed huge portions of cultivated farmland to return to their natural forested state and absorb carbon from the atmosphere.

A Dictionary of Symbols by J. E. Cirlot.

An essential piece of literature.

This is a book that can help you interpret paintings, cipher and decipher art, and view the world in a different light.

Created by a Greek god, Talos was a metallic giant that guarded the island of Crete. Greek myths say that this beast broke huge chunks of rock off the cliffs to throw at approaching ships and burned men on his blazing bronze skin, which was nearly as hot as the sun. The giant's brute strength could wipe out an invading army.

Talos was said to be a metallic giant made entirely out of bronze, and stood about 30 feet tall. This beast was crafted atop Mt. Olympus by Hephaestus, the god of blacksmiths, and sent by Zeus to guard the shores of the island of Crete.

This legendary giant was given life by a fluid called ichor, which was the blood of the gods. Ichor ran through a single vein that stretched from Talos' neck to his heel. A nail was used as a plug in the giant's foot to keep the fluid from running out.

His name comes from the Latin word "talus," which means "enduring".

Plus, fun fact, Hephaestus, the god that created Talos, also made metallic dancing women and fire-breathing bulls.

Mythic stories fall into several categories. There are sagas, epics, and fantasy stories called "märchen." These stories depend on something difficult for us to conceive these days: Simplicity or the "Logic of the Fairy Tale." In other words: things are just what they are, because that’s just the way they are.

These stories frequently examine or teach a moral lesson, exalting it or exposing a particular flaw. If the story is a parable or doctrinal, one of its goals is to delineate the characters as "types" in order to illustrate this basic lesson, characters which make the story whole and who are also contained by it. The lives of these "types" can and must have links with the past and the future but their role ends with the story.

In a magic story, the flow is more important than the logic. Man invented monsters to explain the entire universe (Norse and Greek mythology, for example). Once man began to live in an organized way, with a "social contract," an abyss was opened up between his instincts and his thoughts, and monsters started to REPRESENT another universe altogether: man's inner universe. The pagan prefigures the social and offers us a glimpse of the deepest reaches of man's soul, articulating a primordial, savage universe, populated by elves, fauns, ogres, faeries, trolls, and demons.

The Book of Three by Lloyd Alexander.

The Chronicles of Prydain is a masterful book series full of magic and chills (The Horned King and Annuvin).

Give it a try!