A Quick Intro From Me And What Im About! May As Well Get It Out The Way And Get To The Good Stuff Quicker,

A quick intro from me and what I’m about! May as well get it out the way and get to the good stuff quicker, eh? 

Originally posted to my Waterfall! 

So let’s have a context-copy-paste from there: 

(Done pre-Wacom tablet upgrade.)

Minor copy and paste for context:

Originally, Batgirl as an identity wasn't meant to be a side-kick (that was a 1990's post-zero hour retcon! And a messy one at that!)

Batgirl was basically meant to stand on equal footing with Batman; she was an ally, not a copy. Inspired by but not working for nor under. That was pretty much established in her debut episode, in fact! She loved what he stood for, but had her own way; a much more empathetic, working-with-the-people approach!

That carries on to the current run today! So, wheras Bruce nowadays is happy to inspire fear and act as a semi-urban-legend, Barbara wants to be right on the street with the people--using a combo of criminal psychology with the most updated tech!

It's fascinating really!

--End flashback.

Now this is the point where I'd actually started to really question my sense of style.

In drawing, that is; but we've all had those moments, right? "What makes my art distinct? What sets it apart?"

And I realised, for me, it's the expression in the brow and eyes...and somehow, I don't think I'd quite been hitting that.

I was so self-conscious of being too stylised for some reason, I could never pin it down; was I afraid of my work being seen as too 'manga-ish?' Too 'feminine', too 'flouncy?' Especially if I want to work in mainstream comics?

But it's when I sat down and really looked at my work...I realised that, so what?

Babs Tarr is my favourite artist in comics...ever, and she got to fully embrace how she drew because it worked. You were drawn in by the expression and then stayed because her figures bounced so easilly from panel to panel.

And...that's just how she draws! And there's nothing wrong with that.

Now, I'm nowhere near as good as Tarr--but I want to improve and part of that is, just simply, accepting what I like to see in my own drawings. Specifically; large, expressive eyes and unapologetically illustrated faces!

It's a start and I'm proud of that.

...Now as for the backgrounds, yeah, those need work from the ground up!

(via 'Batgirl's Ballet ' Transparent Sticker by Amy-Fay)

My classic Batgirl piece, now available as a sticker, a mug design, on notebooks, as a greeting card and much more!! Feel free to check it out! 

“Artemis: Goddess of the hunt, archer of the moon” My foray into archer has really given me new purpose, so to celebrate I thought I’d share a painting I’ve done of the original champion herself: Artemis! Twin sister to Apollo, Artemis requested of her father not only to have as many titles as her brother (the original ‘golden boy’) and to prove herself as an equally talented archer. With the mountains falling under her domain, Artemis proved herself a force to be reckoned with, something I take inspiration from in my training! This is available in my artpal shop for anyone interested: https://www.artpal.com/amy_fay01/?i=140871-15 #artemis #greekmythology #archery #archerylife #archerypractice #archerygirl #feminism #womensupportingwomen #womenempoweringwomen #artpal #artforsale #artforyourhome #artforhome #olympus #olympians #barebow #barebowarcher #barebowarchery https://www.instagram.com/p/ClQqeAuM-2I/?igshid=NGJjMDIxMWI=

Originally Posted to my Waterfall!

So let’s have a context-copy-paste from there: 

The old-ish stuff! (part 2) Classic Batgirl!

Now we get to the good stuff, AKA, Batgirl!

(Done pre-Wacom tablet upgrade.)

Now if you were to ask me what my favourite incarnation of Barbara Gordon is, honestly, I'd be torn between two:

--Batgirl of Burnside

and

--1966 Batman

Interestingly enough; Batgirl of Burnside draws incredibly heavy on Yvonne Craig's influence on Batgirl, and it's not hard to see why.

See, originally, Batgirl as an identity wasn't meant to be a side-kick (that was a 1990's post-zero hour retcon! And a messy one at that!)

Batgirl was basically meant to stand on equal footing with Batman; she was an ally, not a copy. Inspired by but not working for nor under. That was pretty much established in her debut episode, in fact! She loved what he stood for, but had her own way; a much more empathetic, working-with-the-people approach!

That carries on to the current run today! So, wheras Bruce nowadays is happy to inspire fear and act as a semi-urban-legend, Barbara wants to be right on the street with the people--using a combo of criminal psychology with the most updated tech!

It's fascinating really!

But I digress.

While Burnside put emphasis on the practical design, the 1960's were all about stage presence! Something I wanted to capture here, using Yvonne Craig's history as a champion Ballerina!

It's actually a lot of fun to see how or if you can truly meld fight-coreography with the grace of dance...and ya know, I think it can be done. But I wanna explore and push it more!

Oddworld: The Promised Neverland homage (pt.1)

‘Kay, so I’ve fallen down the rabbit hole that is Oddworld lore…and I was *already* a big fan of the whole concept thanks to “The Promised Neverland.”

Surely this has been done before, but I couldn’t help paying some homages to the series—especially because it fits so damn well for obvious reasons!

And honestly…this is the most fun that I’ve had with my art for a long, long time. It’s like I remembered what I love about creating, and even *how* to do it. I remember loving symbolism and the significance of imagery…like here? I loved having the plates act as a kind of sick, ironic commodity: like the Glukkons absolutely would sell off “authentic” style dish wares with which to serve their workforce up on.

And even though I’ve only been able to play both the New n’ Tasty re-release and Soulstorm, I had a lot of fun trying to kind of reconcile the designs some for Abe and Alf? Alf especially; I liked the idea of him wearing his overalls down 90’s-ish style because it kind of acts reminiscent of his old loincloth, but still keeps him as visually distinct as Abe or Toby.