
This is the main tumblog of Silvie Kilgallon. I'm a conceptual artist and my work is largely influenced by my academic interests in classics, ancient history, translation, and philosophy of language. This blog details conceptual, casual and personal projects on which I am currently working. To see the Stitched Iliad project, please check out the Stitched Iliad blog below.
154 posts
Everyone I Have Talked To Today About Stitched Iliad And Trying To Finish Book 2: Me: It's 877 Lines.
Everyone I have talked to today about Stitched Iliad and trying to finish book 2: Me: it's 877 lines. Them: ... Book 2 is that long?? Them: ... Them: *groan* Them: catalogue of ships. Of course.
-
breathless-fallen-angel liked this · 6 years ago
-
rrevan liked this · 9 years ago
-
hultmania liked this · 9 years ago
-
inariedwards liked this · 9 years ago
-
youandibreatheconstellations liked this · 9 years ago
-
blueherin liked this · 9 years ago
-
faintpress liked this · 9 years ago
-
galatea-wannabe liked this · 9 years ago
-
solving-emptiness liked this · 9 years ago
More Posts from Theclassicistblog

Day 124.
There will be no updates for a few days because this is now on display at St Anne’s College, Oxford, for the duration of the Prismatic Translation conference.
I’ll be giving a talk on it this evening.
But if you’re a student at Oxford and you want to see it, you should be able to see it in Seminar room 1 of St Anne’s until Saturday afternoon.
Classics craft workshop at KCL
King’s College London are hosting an event on the 16th October 2015 called ‘Craft process & cultural response: making & thinking about making in Greco-Roman antiquity’ There’s a choice of a mosaic workshop and a textile workshop, followed by an evening talk.
It’s free but you do have to register (which you can do through the link above). I already signed up for the textile workshop (shocking, I know).
I’m a huge supporter of alternative approaches to classical material - especially craft approaches. There are experiences you gain from engaging in a making process that you just can’t pick up from translating texts or reading texts, looking at pictures, or reading academic research. It’s an approach that I’d recommend anyone interested in classics tries at least once. This event looks pretty good to me, so, y’know, if classics/craft is your thing and attending seems doable to you, maybe register for it. :3





Differences achieved by slipping knitwise/purlwise for an SSK decrease, for anyone who has ever wondered. Top left is traditional SSK - both stitches slipped knitwise. Top right is SSK with both stitches slipped purlwise. Bottom left is first stitch slipped purlwise and second slipped knitwise. Bottom right is first stitch slipped knitwise and second slipped purlwise. You can see that the traditional SSK gives the smoothest line. But that might not always be the best style for a pattern. If you're working something that emphasises corners and angles, try one of the other three. SSK with knitwise then purlwise completely hides the second stitch being decreased so it gives a simple step pattern in the decrease. The other two allow a leg of the second stitch to show through so could work with designs where you want to emphasise complexity or a 2-1 rib design, etc.

And this is the point where I have to accept that I need to write out the next page of pattern. (The orange T is theta, the dark red T is Tau).