theclassicistblog - The Classicist
The Classicist

This is the main tumblog of Silvie Kilgallon. I'm a conceptual artist and my work is largely influenced by my academic interests in classics, ancient history, translation, and philosophy of language. This blog details conceptual, casual and personal projects on which I am currently working. To see the Stitched Iliad project, please check out the Stitched Iliad blog below.

154 posts

Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.

Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.
Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.
Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.
Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.
Differences Achieved By Slipping Knitwise/purlwise For An SSK Decrease, For Anyone Who Has Ever Wondered.

Differences achieved by slipping knitwise/purlwise for an SSK decrease, for anyone who has ever wondered. Top left is traditional SSK - both stitches slipped knitwise. Top right is SSK with both stitches slipped purlwise. Bottom left is first stitch slipped purlwise and second slipped knitwise. Bottom right is first stitch slipped knitwise and second slipped purlwise. You can see that the traditional SSK gives the smoothest line. But that might not always be the best style for a pattern. If you're working something that emphasises corners and angles, try one of the other three. SSK with knitwise then purlwise completely hides the second stitch being decreased so it gives a simple step pattern in the decrease. The other two allow a leg of the second stitch to show through so could work with designs where you want to emphasise complexity or a 2-1 rib design, etc.

  • dancingalongthestars
    dancingalongthestars reblogged this · 10 years ago

More Posts from Theclassicistblog

9 years ago
This mesmerizing work by Cayley (with music by Giles Perring) invites the reader to look at this poem for a long time, searching for something to read, particularly if you cannot read French or German.

Another really cool art-writing-translation project.


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9 years ago
And This Is The Point Where I Have To Accept That I Need To Write Out The Next Page Of Pattern. (The

And this is the point where I have to accept that I need to write out the next page of pattern. (The orange T is theta, the dark red T is Tau).


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9 years ago
These Are Works In Progress Of A Fellow Artist And Classicist, Sam. I Love Her Work. My Own Work Seeks
These Are Works In Progress Of A Fellow Artist And Classicist, Sam. I Love Her Work. My Own Work Seeks
These Are Works In Progress Of A Fellow Artist And Classicist, Sam. I Love Her Work. My Own Work Seeks
These Are Works In Progress Of A Fellow Artist And Classicist, Sam. I Love Her Work. My Own Work Seeks
These Are Works In Progress Of A Fellow Artist And Classicist, Sam. I Love Her Work. My Own Work Seeks

These are works in progress of a fellow artist and classicist, Sam. I love her work. My own work seeks to obscure the original classical texts to leave only an aesthetic object, it overlays the original text with the stories of it's translation and reception. Sam's work inhabits the text, blurs the boundary between narrator, translator, artist, and character, and brings a sense of grim reality to the myths. What could Philomel say to Procne to tell her what had happened? How she felt? Sam's work gives a voice to these largely silent women who have been abused both by the narrative, and by society's treatment of their narrative. These fictional women, who represent the stories of so many real women, and their ignored lives. tl;dr: this is all kinds of awesome.


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9 years ago

Well this sounds very interesting, and personally relevant. 


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