Something Something About My Shepard Who Was Raised On Earth Surrounded By Death, Who Joined The Military,

Something something about my Shepard who was raised on earth surrounded by death, who joined the military, who died only to be resurrected to die again. Something about falling in love with an assassin who was terminally ill who didn’t die from his illness but from a sword through the chest. Something about being an orphan, being in grief, being surrounded by war, and accidentally falling in love with a specialist who hasn’t given up yet, who wants to build a future. Something about being surrounded by death every minute and every day, being a murderer and being a soldier and being a survivor. And choosing life.

Okay folks repeat after me: it’s okay to critic the things we love.

People criticizing critical role’s lack of diversity, especially in light of their campaign setting, have a valid point. You can acknowledge that and still enjoy campaign three.

undone without you 

Taliesin’s character is very gender, as always, but can we also appreciate that he really said, “Try to kill my character this campaign, Matt, I dare you.”

Here’s a Health to the Company (Youtube link)

I’m not even halfway through Critical Role Campaign 2, and already a new story is starting. I’ve grown incredibly attached to these characters already, and their pirate arc has been a fun mess of so many emotions. What better way to deal with that than sea shanties? 

(As I said, I’m on episode 45, so please don’t comment/tag with spoilers for the sake of myself and others.)

beauyasha spin kiss, drawn as the april request poll reward for my patreon (link in my about!)