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While I can appreciate both the mphfpc film and the books in their own separate sense, I just can’t help but criticise the film for some of the changes they made.
The aging down of Bronwyn and the aging up of Olive got rid of Bronwyn’s protective trait of the two younger girls.
The peculiarity switch between Emma and Olive was also so pointless. I mean I guess that it kind of makes sense with Emma being like the main “love interest” and her being the zephyr kind of fits more with Burton’s aesthetic, but it’s still very annoying, we deserved firey Emma.
The loop day. What was the purpose of changing the year to 1943 instead of 1940? It makes no sense, just keep it at 1940.
The postcard from Alma. In the books it was 15 years ago, which allowed for more doubt as to whether she would be alive or not. Reducing it to 2 years takes that away.
Every time I rewatch the film and I see the Olive/Enoch relationship I feel sick to my stomach. Enough said
Fiona’s entire character was ripped away and rewritten. Yes her backstory may have been considered too dark for the film, but come on you didn’t have to age her down, reduce her peculiarity and take away her selective mutism.
The aging down of Hugh, Millard and Horace really annoy me. Why are they children? I wanted sassy 17 year old Millard who is angsty and studious and sarcastic, Hugh who both loves and hates being peculiar and is devoted to Fiona, Horace being SCARED of his peculiarity.
I also feel robbed that we didn’t get Emma and Millard kidnapping and interrogating Jake when they first meet him. Or the whole thing with Martin and them having to fight the hollowgast. “Will you quit shouting and let me bleed in peace” you will always be famous.
Even though Alma Peregrine wasn’t accurate in the film, I am in love with how Eva Green portrays her, and how clearly her study of peregrine falcons comes into her acting.
Here are the first two cards for my TUA Tarot
Once I finish this series of cards (because October and art stuff) I will make the s4 comic. Still don't know what to do about the squid but it will be Klaus focused, he is my fave after all.
Anyway have Viktor in a hypothetical White Violin suit, wish we could have seen it at some point.
Can u tell I gave Klaus the glitch effect for his comic powers? Man, I love him so much.
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
Can I donate my menstrual cycle to a misogynistic white middle aged male
bi visibility day must be so crazy for charles bc all of a sudden people can see him
Day 2: death
// Reimagining Charles death closer to the drowning of Ophelia…
“but long it could not be, till that her garments, heavy with their drink, pull’d the poor wretch from her melodious lay… to muddy death. ✨
Absolutely obsessed with how many TUA rewrites are happening right now. Some even have full teams working on them, including promotional artists. Everything from Ao3 fan fiction, to screen plays, to comics.
That’s how badly the show runners fucked over this show.
made a lil mphfpc comic!
Everything is taken right from book one! >:) go read it if you haven't (and if you have, reread it!!!)
Wait hold on
We know Fiona is from the 1840s
If we assume she is from actual 1840 she’ll be 200 this year. Happy birthday Fiona that’s fucking cool
It seems Caul has seen the Miss Peregrine‘s movie. So I made this
While I can appreciate both the mphfpc film and the books in their own separate sense, I just can’t help but criticise the film for some of the changes they made.
The aging down of Bronwyn and the aging up of Olive got rid of Bronwyn’s protective trait of the two younger girls.
The peculiarity switch between Emma and Olive was also so pointless. I mean I guess that it kind of makes sense with Emma being like the main “love interest” and her being the zephyr kind of fits more with Burton’s aesthetic, but it’s still very annoying, we deserved firey Emma.
The loop day. What was the purpose of changing the year to 1943 instead of 1940? It makes no sense, just keep it at 1940.
The postcard from Alma. In the books it was 15 years ago, which allowed for more doubt as to whether she would be alive or not. Reducing it to 2 years takes that away.
Every time I rewatch the film and I see the Olive/Enoch relationship I feel sick to my stomach. Enough said
Fiona’s entire character was ripped away and rewritten. Yes her backstory may have been considered too dark for the film, but come on you didn’t have to age her down, reduce her peculiarity and take away her selective mutism.
The aging down of Hugh, Millard and Horace really annoy me. Why are they children? I wanted sassy 17 year old Millard who is angsty and studious and sarcastic, Hugh who both loves and hates being peculiar and is devoted to Fiona, Horace being SCARED of his peculiarity.
I also feel robbed that we didn’t get Emma and Millard kidnapping and interrogating Jake when they first meet him. Or the whole thing with Martin and them having to fight the hollowgast. “Will you quit shouting and let me bleed in peace” you will always be famous.
Even though Alma Peregrine wasn’t accurate in the film, I am in love with how Eva Green portrays her, and how clearly her study of peregrine falcons comes into her acting.
It’s kind of beautiful the way that the mphfpc fandom is so small, it almost mirrors the peculiars in the books, their numbers dwindling but everyone pretty much kinda working together kinda