Actors Strike - Tumblr Posts
Tri-Guild Strike it is. They deserve to get what they are asking.
If this isn't proof that these journalists don't give a shit about the truth, I dunno what is!
I bet he also thinks coolsville sucks.
Netflix, trying to put the fault on someone else and saying they canceled the show Shadow and Bones because of the strike is so cute like... You were the one causing the strikes because you weren't your actors but okay I guess, keep trying to find excuses for being your own biggest enemy
YESSSSSSSS
edit: please rb this version! it has more info about the strike, which unfortunately isnt a gamedev one, but is important nonetheless. and if the gamedevs go on strike please @ me so i can meme about it!
YESSSSSSSS
edit: please rb this version! it has more info about the strike, which unfortunately isnt a gamedev one, but is important nonetheless. and if the gamedevs go on strike please @ me so i can meme about it!
It is with profound disappointment that we report the industry CEOs have walked away from the bargaining table after refusing to counter our latest offer. (1/11)
We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.
These companies refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them.
We have made big, meaningful counters on our end, including completely transforming our revenue share proposal, which would cost the companies less than 57¢ per subscriber each year. They have rejected our proposals and refused to counter.
Instead they use bully tactics. Just tonight, they intentionally misrepresented to the press the cost of the above proposal – overstating it by 60%.
They have done the same with A.I., claiming to protect performer consent, but continuing to demand “consent” on the first day of employment for use of a performer’s digital replica for an entire cinematic universe (or any franchise project).
The companies are using the same failed strategy they tried to inflict on the WGA – putting out misleading information in an attempt to fool our members into abandoning our solidarity and putting pressure on our negotiators.
But, just like the writers, our members are smarter than that and will not be fooled.
We feel the pain these companies have inflicted on our members, our strike captains, IATSE, Teamsters and Basic Crafts union members, and everyone in this industry. We have sacrificed too much to capitulate to their stonewalling and greed.
We stand united and ready to negotiate today, tomorrow, and every day.
Our resolve is unwavering. Join us on picket lines and at solidarity events around the country and let your voices be heard.
One day longer. One day stronger. As long as it takes.
- Your TV/Theatrical Negotiating Committee
[Oct 12, 2023]
Crisis: a perspective
The news that AMPTP has hired The Levinson Group isn't exactly a surprise. The PR agency is, after all, a top firm in crisis management, as many articles related. However, it is telling that what the AMPTP considers a crisis is their image and not workers being unable to pay their rents, mortgages, or qualify for health insurance among other things.
You want to know what makes for a good image? Being a good listener. Being compassionate. Seeing humans as humans and treating them that way. Recognizing that labor needs safe working conditions and fair wages. Cooperation comes before corporation in the dictionary and together, the artists and technicians working with studios have created magic for fans of their works. If a PR agency tries to convince the public that the WGA and the SAG-AFTRA members are the ones being uncooperative in their asks, I would suggest they consider that the public's perspective of what constitutes a crisis is a lot closer to what the strikers are facing than that for which the executives are hiring a spin doctor to heal.
It is with profound disappointment that we report the industry CEOs have walked away from the bargaining table after refusing to counter our latest offer. (1/11)
We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.
These companies refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them.
We have made big, meaningful counters on our end, including completely transforming our revenue share proposal, which would cost the companies less than 57¢ per subscriber each year. They have rejected our proposals and refused to counter.
Instead they use bully tactics. Just tonight, they intentionally misrepresented to the press the cost of the above proposal – overstating it by 60%.
They have done the same with A.I., claiming to protect performer consent, but continuing to demand “consent” on the first day of employment for use of a performer’s digital replica for an entire cinematic universe (or any franchise project).
The companies are using the same failed strategy they tried to inflict on the WGA – putting out misleading information in an attempt to fool our members into abandoning our solidarity and putting pressure on our negotiators.
But, just like the writers, our members are smarter than that and will not be fooled.
We feel the pain these companies have inflicted on our members, our strike captains, IATSE, Teamsters and Basic Crafts union members, and everyone in this industry. We have sacrificed too much to capitulate to their stonewalling and greed.
We stand united and ready to negotiate today, tomorrow, and every day.
Our resolve is unwavering. Join us on picket lines and at solidarity events around the country and let your voices be heard.
One day longer. One day stronger. As long as it takes.
- Your TV/Theatrical Negotiating Committee
[Oct 12, 2023]
As someone doing a masters in Screenwriting in the UK rn, alongside 100% supporting the strikes in the USA, I would heavily recommend that people both look into and be weary of how much of any piece of media made by a USA company was produced in Britain with any decent percentage of British cast & crew.
Because we’re part of different unions (I forget the acronym right now, huge brain fog, forgive me), but since Brexit the British government has made it essentially impossible for us to strike or protest without being straight up arrested. So if USA based production companies start cutting contracts with their actors and writers and start hiring from the UK instead, that is a direct ‘fuck you’ to the strikes.
Luckily, everyone I know who is involved in writing or acting support the strikes and are doing their best to be very careful to try and avoid working for USA companies. But not only might it be something that people miss, but I wouldn’t be surprised if some people simply didn’t care (especially if they have no intention of working in the USA themselves or joining those unions)
It is with profound disappointment that we report the industry CEOs have walked away from the bargaining table after refusing to counter our latest offer. (1/11)
We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.
These companies refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them.
We have made big, meaningful counters on our end, including completely transforming our revenue share proposal, which would cost the companies less than 57¢ per subscriber each year. They have rejected our proposals and refused to counter.
Instead they use bully tactics. Just tonight, they intentionally misrepresented to the press the cost of the above proposal – overstating it by 60%.
They have done the same with A.I., claiming to protect performer consent, but continuing to demand “consent” on the first day of employment for use of a performer’s digital replica for an entire cinematic universe (or any franchise project).
The companies are using the same failed strategy they tried to inflict on the WGA – putting out misleading information in an attempt to fool our members into abandoning our solidarity and putting pressure on our negotiators.
But, just like the writers, our members are smarter than that and will not be fooled.
We feel the pain these companies have inflicted on our members, our strike captains, IATSE, Teamsters and Basic Crafts union members, and everyone in this industry. We have sacrificed too much to capitulate to their stonewalling and greed.
We stand united and ready to negotiate today, tomorrow, and every day.
Our resolve is unwavering. Join us on picket lines and at solidarity events around the country and let your voices be heard.
One day longer. One day stronger. As long as it takes.
- Your TV/Theatrical Negotiating Committee
[Oct 12, 2023]
“Barbie, the last movie to ever come from America”
It is with profound disappointment that we report the industry CEOs have walked away from the bargaining table after refusing to counter our latest offer. (1/11)
We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.
These companies refuse to protect performers from being replaced by AI, they refuse to increase your wages to keep up with inflation, and they refuse to share a tiny portion of the immense revenue YOUR work generates for them.
We have made big, meaningful counters on our end, including completely transforming our revenue share proposal, which would cost the companies less than 57¢ per subscriber each year. They have rejected our proposals and refused to counter.
Instead they use bully tactics. Just tonight, they intentionally misrepresented to the press the cost of the above proposal – overstating it by 60%.
They have done the same with A.I., claiming to protect performer consent, but continuing to demand “consent” on the first day of employment for use of a performer’s digital replica for an entire cinematic universe (or any franchise project).
The companies are using the same failed strategy they tried to inflict on the WGA – putting out misleading information in an attempt to fool our members into abandoning our solidarity and putting pressure on our negotiators.
But, just like the writers, our members are smarter than that and will not be fooled.
We feel the pain these companies have inflicted on our members, our strike captains, IATSE, Teamsters and Basic Crafts union members, and everyone in this industry. We have sacrificed too much to capitulate to their stonewalling and greed.
We stand united and ready to negotiate today, tomorrow, and every day.
Our resolve is unwavering. Join us on picket lines and at solidarity events around the country and let your voices be heard.
One day longer. One day stronger. As long as it takes.
- Your TV/Theatrical Negotiating Committee
[Oct 12, 2023]
Dear #SagAftraMembers:
We are thrilled & proud to tell you that today your TV/Theatrical Negotiating Committee voted unanimously to approve a tentative agreement with the AMPTP. As of 12:01 a.m. PT on Nov. 9, our strike is officially suspended & all picket locations are closed. We will be in touch in the coming days with information about celebration gatherings around the country.
In a contract valued at over one billion dollars, we have achieved a deal of extraordinary scope that includes "above-pattern" minimum compensation increases, unprecedented provisions for consent and compensation that will protect members from the threat of AI, and for the first time establishes a streaming participation bonus. Our Pension & Health caps have been substantially raised, which will bring much needed value to our plans. In addition, the deal includes numerous improvements for multiple categories including outsize compensation increases for background performers, and critical contract provisions protecting diverse communities.
We have arrived at a contract that will enable SAG-AFTRA members from every category to build sustainable careers. Many thousands of performers now and into the future will benefit from this work. Full details of the agreement will not be provided until the tentative agreement is reviewed by the SAG-AFTRA National Board.
We also thank our union siblings — the workers that power this industry — for the sacrifices they have made while supporting our strike and that of the Writers Guild of America. We stand together in solidarity and will be there for you when you need us.
Thank you all for your dedication, your commitment, your solidarity throughout this strike. It is because of you that these improvements became possible.
A lot of you have been asking how you can help the WGA and SAG members on strike and the other crew who are out of a job until shooting starts again. Here's a link to ways to help.
