Brianna - Tumblr Posts
(it’s two of my favorite things together, thank you!)
Gone Series Characters as John Mulaney Quotes
Sam: You know those days where you’re like “this might as well happen”. Adult life is already so goddamn weird.
Caine: I’ll keep all my emotions right here, and then one day, I’ll die.
Astrid: My wife said that walking around with me is like walking around with someone who’s running for the mayor of nothing.
Diana: Shut up! You’re all gonna die! STREET SMARTS.
Quinn: Do my friends hate me or do I just need to go to sleep?
Edilio: I try to stay optimistic, even though I will admit, things are getting pretty sticky.
Orsay: I’m new in town and it gets worse.
Jack: I just wanna sit here and feed my birds.
Howard: Stop snitchin’ motherfucker.
Roger: Hi, I’m very gay and I’d like a few dollars.
Sanjit: You could pour soup in my lap, and I’d probably apologize to you.
Dekka: Some people give off a vibe of, right away, they’re like “do NOT fuck with me”.
Drake: Hey, do you want me to kill that guy for you? Cause it sounds like he sucks, and I will totally kill that guy for you.
Brianna: Sometimes babies will point at me, and I don’t care for that shit at all.
Lana: One black coffee.
Bonus Sam + Caine: None of us really know our fathers. Anyway…
Hector: Imelda, como se dice “un zapato” en inglés?
Imelda: A shoe.
Hector: Salud.
Imelda:
trying to convince people who don’t live around corn that you Do Not Fuck With Corn is such a weird and exhausting conversation like how am i supposed to convince your california ass that something evil is within those stalks and its not the same thing every time and maybe its not always there but its always watching and this is not the kinda monster that you wanna fuck its the kinda monster that Fucks You Up™
Brianna's Got Her Gun. Stone Lithography for Ben Moreau's lithography class 2011 at WWU.
Goddamn I hate lithography. I have no patience for a medium that precludes sketching and re-working, which you may find amusing as I am happily hacking away at another block of irrepareable linoleum. but by the time I'm carving a block I know about exactly what I want the lines on it to do and where the spot-darks and highlights are going to dance with the white-space-that-release the-pressure-of-dark and the false printing that makes the whites human again.
I'm not sure if I can explain putting whites in to release pressure, but the idea that that was why I was doing it already, came out of learning about PNW native art which uses that principle to keep things from getting too heavy. not sure how else I can explain it with out looking like a person pointing at pictures tacked to my wall and linked by string.
anyway, this iconic-as-all-hell image was originally, and best, as a photograph my uncle took of my cousin in her prom dress. this image was apparently helpful in my entrance into the BFA program because Garth liked it. but, man I hate lithography.
hate it.