Eft - Tumblr Posts

2 years ago

Escape From Tarkov

Me: i will be extra careful this raid!

Also me: *steps on every mine possible*


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1 year ago

RadioRoseWeek2024 Day 7

Some life stuff got in the way, so this entry is a bit delayed.

Day 7 (June 14th) - Human AU | Partnership

RadioRoseWeek2024 Day 7

I decided to go all out on this one. Combining Hazbin with a videogame I am very fond of.

This is pure 100% cracked self-indulgence on my part.

Escape from Tarkov is a survival extraction shooter and I thought that Alastor and Rosie human crossover AU would fit right into that. You can get up to all sorts of shenannigans in this game. The NPCs just sometimes don't play along.

@radioroseweek Thank you again for your efforts. It was a very fun experience!

< Previous | Masterpost >

More rambling under the cut

So for anyone who doesn't know the game, a short little rundown.

You decide what gear you bring into a "raid" from your hideout yourself. There is always a risk vs. reward decision to be made. Here we have a very classic dynamic of the typical duo.

One person is usually pretty well equipped with very high firepower but didn't think to bring a backpack, while the other person barely brought a gun to speak of but did opt for a big backpack to haul as much loot as possible. -> Their clothing denominates both of them as very experienced, so this dichotomy is not a "noobs" error. Alastor and Rosie just do this all the time in this world, lol.

Unfortunately for them, the Boss of this map decided to make an appearance. His name is "Killa" and he is a nasty piece of work on the best of days. Bosses are not a 100% spawn chance. Sometimes they can become quite the jumpscare, especially when the "raid" has been quiet for a while. Killa in particular is known for being very agressive and active once he spots a player. He will chase relentlessly.

Wish them both luck! They need it!


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1 year ago

Bestiaryposting Results: Shonweak

This is an unusual one in terms of whether people have preconceptions on what it looks like. On one hand, the medieval interpretation of this animal is widespread and generally known, at least in comparison to other bestiary material -- shows up in modern fantasy and everything -- so it's possible that people familiar with medieval stuff recognized it on sight and had to work against those preconceptions. On the other hand, the medieval interpretation is pretty much completely divorced from reality, so anyone coming at it from a background of Actually Knowing Animals rather than one of Knowing Medieval Nonsense is likely going to be baffled.

Anyway, as usual, if you're confused by what I'm talking about, please refer to https://maniculum.tumblr.com/bestiaryposting. And you can find the entry that artists are working from here:

maniculum.tumblr.com
As a reminder, all previous entries in this series can be found at https://maniculum.tumblr.com/bestiaryposting . The Shonweak is so called

Art below the cut, roughly chronological, &c.

A drawing of a scruffy-looking rodent-like creature with fur colored in black & yellow, with bits of white. It has big eyes, a long fluffy tail, and grabby little hands. Its shoulders are covered by a beetle-like carapace, and a long thin tongue hangs from its mouth.

@silverhart-makes-art (link here) says that they wanted to draw a Weird Little Creature, and... mission accomplished, that creature sure can Weird and Little. I kind of love it; it's got that vibe that makes something simultaneously cute and kind of unsettling. The linked post goes into some detail about design decisions and the real-world animals they used for inspiration. Something I think is particularly clever is how they not only incorporated the carapace from the beetle they were inspired by, but they also made the profile of the head fit with that, so that it also looks kind of beetle-like despite being obviously mammalian.

A pen and ink drawing of a beetle, from three-quarters view. Its three left legs are clearly visible, as well as part of its left foreleg, and its right hind foot. Its head is flattened, roughly hexagonal atop, with short nine jointed antennae, mandibles and maxiliary palpsall visible. It has shallow compound eyes set on either side of its head. Its thorax and abdomen are characterised by several bumpy ridges, as well as irregular bumps and hard tubercles. There is no clear line between the elytra, suggesting they are fused together. Beneath the elytra part of the creatures abdomen is visible. Bands are visible suggesting the different segments, and it ends in a down-turned nozzle.

@cheapsweets (link to post here) also had Beetle Thoughts and decided to just run with them, creating an impressively-realistic-looking drawing of a beetle. (I think I'm just a sucker for black-and-white naturalist-style art, because lately I keep looking at CheapSweets's work and going "ooh, look at the stippling and everything". Plus I'm perennially impressed that they do this with a fountain pen.) There's some detailed discussion in the linked post about what specific beetles this design takes inspiration from, as well as how they envision this animal functioning in general, and that's really interesting, so I recommend checking it out. (Did you know there was a beetle known as the "diabolical ironclad beetle"? Delightful.) Additionally, they note that we should imagine bright warning colors, but they didn't have time to add them. Also, thank you CheapSweets for providing alt text.

a line drawing of a creature. It stands upright, and is dripping with slime. It has a slightly catlike face with pointed ears which are drooping to either side of its head. It has three toes on each of its four limbs, and a tail which is held off the ground with a curl in the end.

@sweetlyfez (link to post here) also notes that this critter would have bright warning colors if she'd had time to color it. Apparently this design is inspired by poison-type Pokemon, which I can definitely see: that's a credible Pokemon design. It's all gloopy for putting out fires. I find it interesting that there's a degree of consensus on this entry being interpreted in this way -- replies on the original post expressed that That Is A Pokemon, and seemingly SweetlyFez agrees. I like the side-eye it's giving, too. (And thank you for including alt text.)

A digital drawing of a blobby, vaguely-feline, yellow-and-red-striped creature sitting amid flames looking pleased with itself. On the right-hand side of the drawing, we see speech from off panel reading: "There's a shonweak in the oven again!" "And we just replaced the last one!" An arrow pointing towards the creature reads: "doesn't care."

@pomrania (link to post here) was the one to label this a Pokemon in the replies, and we can see that they've run with that a bit, as this is also a credible Pokemon design. It's a little bit cat, a little bit dragon, and a little bit liquid so it can put out fire. I like that it looks so pleased with itself while causing problems.

A red frame with a blue and yellow pattern surrounds a scene that shows two stylized apple trees side by side. The right tree has green leaves and red apples. One bright blue armadillo is walking towards the left tree, while another one is already touching it. From its paw, blue dots spread upwards on the tree; its leaves and apples have already turned blue. The background is done in shiny gold foil.

@coolest-capybara (link to post here) has decided that the Shonweak is an armadillo. This illustration shows some very nice Stylized Trees, I must say, and I particularly like the visual effect showing that the Shonweaks are poisoning the one on the left. (Coolest-Capybara also makes note of the Pokemon thing.) For an explanation of why they are armadillos, please see the linked post.

An eight-legged amphibian with black skin covered in yellow rosettes. Its cheeks and throat sac are inflated, and it looks quite cheerful about it. It has red eyes, a forked tongue, and a long tail.

@strixcattus (link to post here) has drawn a very charming little creature. I love the puffed-up cheeks & throat sac, and the effect that has on its facial expression. If you check out the linked post for a proper description of this beast, you'll find it's quite interesting -- I particularly like the idea that it spits poison by filling its throat sac with water and then allowing its natural poison to seep into that water. I think that's pretty clever.

Now, to the Aberdeen Bestiary, where the illustrator has done a Scene that takes up most of the page:

A medieval manuscript illustration with a decorative red-and-blue border and a gold-foil background. The center of the illustration is a stylized tree, in which half a dozen snake-like creatures are climbing the branches to eat the fruit. To the left of the tree is a well, with a snake's tail sticking out the top. To the right is a fire, from which another half-dozen snake-like creatures are emerging, sticking up vertically in a way that mirrors the shape of the flames. For some reason, while the other snakes are brown, the ones in the fire are blue. At the base of the tree is a man in medieval clothing lying dead on the ground.

That's a heck of a thing, right? I really like it, to be honest. We've got the cool Stylized Tree with critters wrapping around the branches, we've got the ones in the fire doing kind of a flame-like pose, and of course we have a dead guy at the bottom. The last of these just strikes me as funny for some reason.

Anyway, as I think multiple people guessed, this is the salamander.

No, the illustrator had apparently never seen one, so they've drawn snakes instead, probably because of the association with poison.

Anyway, I was surprised to learn (just now actually) that salamanders really are quite poisonous. I have no idea whether they can poison food and water in the way that the author describes -- that seems a bit extreme -- but I don't think I know enough to rule it out.

The fire thing... well, that's definitely not the case. I'm not really sure where that came from. I've heard the explanation that people in the past would occasionally see salamanders crawling out of fires, and thus form the idea that they were fireproof, unaware of the fact that the salamanders were just hiding in their firewood and are fleeing the fire as a result of being Definitely Not Fireproof. I don't know how credible that is, though.

This fire association may have been amplified by... well, look at this:

A photograph of a black salamander with orange markings.

That's Salamandra salamandra, aka the fire salamander. It's pretty common and widespread in Europe, and is also among the largest salamanders on the continent, so it's reasonable to think this is the one that pre-modern Europeans would have in mind. And you know, that coloring definitely gives the impression of "this is a Fire Guy". If one were to see this salamander crawling out of a fire (worth noting that the Wikipedia article does say they like to hide under fallen wood, so maybe that idea tracks), and knew nothing about zoology, you could see how they might think "yes, that looks like something that was supposed to be in there."


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1 year ago

EFT Tapping: A Powerful Technique for Emotional Healing Shaina Tranquilino November 4, 2023

EFT Tapping: A Powerful Technique For Emotional HealingShaina TranquilinoNovember 4, 2023

Stress, anxiety, and emotional turmoil have become an integral part of our lives. We often find ourselves struggling to cope with overwhelming emotions and negative beliefs that hinder our personal growth and well-being. However, there is a powerful technique called Emotional Freedom Techniques (EFT) tapping that can help us release these emotional blockages and experience profound healing.

So, what exactly is EFT tapping? Developed in the 1990s by Gary Craig, EFT tapping combines elements of traditional Chinese medicine and modern psychology to address emotional issues. It involves gentle tapping on specific acupressure points on the body while focusing on the negative emotion or belief we want to overcome.

The rationale behind EFT tapping lies in the concept of energy meridians in our body. According to ancient Chinese medicine, disruptions or imbalances in our energy flow lead to various physical and emotional ailments. By stimulating specific acupressure points through tapping, we aim to restore the balance of energy flow and alleviate emotional distress.

The process of EFT tapping begins with identifying a specific issue or problem that causes emotional distress. This could be anything from anxiety, phobias, trauma, limiting beliefs, or even physical pain associated with emotional triggers. Once identified, we rate the intensity of this issue on a scale from 0-10.

Next, we formulate a setup statement that acknowledges the problem while affirming self-acceptance and unconditional love towards ourselves. For example, if dealing with anxiety about public speaking, one might say "Even though I feel anxious when speaking in public, I deeply and completely accept myself."

Then comes the actual tapping phase where we gently tap on specific acupressure points while repeating statements related to the issue at hand. These points include the top of the head (crown), eyebrows (beginning of eyebrows near bridge of the nose), side of the eyes, under the eyes, under the nose, chin (just below the lip), collarbone (where it meets sternum), and under the arm (about 4 inches below armpit). This tapping sequence is repeated multiple times while focusing on the problem.

As we tap through these points, we might experience a range of emotions. Some people report feeling relief almost immediately, while others may notice a shift in their emotional state after several rounds of tapping. It's important to pay attention to any changes that occur during this process.

The final step involves reevaluating the intensity of our issue and rating it again on a scale from 0-10. Ideally, we should aim for a significant decrease in its intensity or even complete resolution. If there is still some lingering distress, we can repeat the tapping process with slight modifications until we achieve satisfactory results.

EFT tapping has gained popularity due to its effectiveness in addressing various emotional issues. Scientific research and clinical studies have shown promising results in reducing anxiety, phobias, post-traumatic stress disorder (PTSD), depression, cravings, and chronic pain.

One reason for its success lies in EFT's ability to target both the mind and body simultaneously. By combining physical stimulation of acupressure points with cognitive reframing of negative beliefs, EFT taps into the power of neuroplasticity – our brain's ability to adapt and change – allowing us to create new neural pathways and release old patterns that no longer serve us.

Moreover, EFT tapping is a self-help technique that anyone can learn and practice without requiring expensive equipment or professional guidance. While working with an experienced practitioner can enhance the experience, individuals can also benefit from learning and applying EFT tapping on their own.

Emotional Freedom Techniques (EFT) tapping offers a unique approach to emotional healing by integrating ancient wisdom with modern psychology. Its simplicity and effectiveness make it a valuable tool for anyone seeking relief from emotional distress, personal growth, and overall well-being. So why not give it a try and tap into the power of your emotions for profound healing?


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