Interlude : Showtime - Tumblr Posts

Musings on MUSE

Long post below the cut. Overall, I do like the album but this release has definitely been a journey for me, that's for sure.

First, let's check in on the rest of my theories:

Open Locker Meaning: Nope, I don't think there was any meaning to this. It was fun to theorize though!

Sound Effects Interlude: Nope! I'm still kinda bummed about this. I talk more about it in the Showtime section below.

Rooms Going from Dark to Light: Yes, I still think this was intentionally done for the purpose of helping us realize that MUSE was such a departure from FACE

SGMB as an Actual Band: Yes, confirmed. I talk more about this in my Final Thoughts below.

The Emoji Poll from the Insta Chat: Honestly, I now think the company did intend each of these to reference the different songs...which is disappointing to me as a marketing tactic for the reasons I stated in the theory. Oh well.

So, some right, some wrong. It was definitely fun to participate in the theorizing this time. And as Jimin said, he wanted us to come up with all sorts of ideas for the meanings.

Ok, now let's go through some thoughts on each of the tracks:

Rebirth (Intro)

I remember being actually surprised by how much I was liking Rebirth on the first listen...and then it ended. I had to remind myself that it was intro and likely would be not as complete as a full song but even now...I just really can't get over it. This would have been an absolutely lovely song if fully developed. I'm not saying the way it ends is bad, but a big problem I have with it is that it's an intro that doesn't deliver.

The next track is Showtime...an interlude. But an interlude from what? All we've had is an intro. A beautiful intro, don't get me wrong but both of these tracks are used to set up what comes next. And Rebirth just doesn't have anything next. It's just such a shame there wasn't a song in between. I've put other songs (usually Slow Dance) in between these when I listen and it absolutely makes everything better.

Interlude : Showtime

The first time I heard this on the album, I had some choice words for our beloved trickster. Little did we know that we'd already heard a good chunk of this as the intro on SGMB's video (see it IS an intro...anyway, I'll stop bringing it up). Once I got over that, I still couldn't help being a little disappointed that we weren't in fact getting an Interlude like Dive on FACE. Dive was such a great storytelling point and I loved that Jimin recorded many of the sounds himself.

Initially, I didn't think I'd be listening to it much except when doing full album runthroughs but do y'all hear Jimin's absolutely lovely humming in this track?! Oh it absolutely hits my brain in just the right places. This may be one of my absolutely favorite things we got from the MUSE project...definitely top 3 at least.

Smeraldo Garden Marching Band

I don't have much to say that wasn't in my SGMB post. The little tidbits we've gotten of Jimin interacting with Loco were beyond adorable.

Slow Dance

I am so conflicted about Slow Dance. I absolutely love the overall tone of the song, the pacing, Jimin's performance. I think it's a great song with one exception...I really don't care for the featuring artist. I don't know anything about her beyond this track but hearing her on this is easily my least favorite thing from the whole MUSE project. I knew to be wary going into it as women's voices generally don't appeal to me but I wasn't expecting to dislike it this much. It's that much worse on a song that I think would have been my favourite without her. Oh well. She's very talented, absolutely performs her parts well. It's just not to my personal taste.

The live performance video has some of the absolutely worst camera work and cuts as well. I realize they were trying to show off the skyline as the backdrop and intentionally used the band as cut points so they could edit better takes together but it just doesn't come off well. And they have such awkward chemistry live, which I fully blame on the weird obsession people seem to have with seeing members interact with women. Jimin is very specifically measuring his interactions with her to prevent as much drama as possible.

Be Mine

Be Mine is actually pretty forgettable to me. It's not bad but not great. I was expecting to do another english lyric comparison post like I did for Like Crazy but I just can't yet find the motivation to. Maybe that will change in the future but for now, probably not.

Who

There is so much to talk about with Who. I was originally going to make a separate post for it but I'll just include everything here:

The Song: It's a fine pop song. I do actually enjoy listening to it but that's all. There's no depth to dive deeper. Again, it's fine. I don't think pop songs are inherently less because they lack depth. This song accomplished exactly what it needed to. As far as actually listening, I do prefer it over Like Crazy but LC has other things going for it.

The Music Video: I hate it. It's so very amateur and I expect more from this production. The bad CGI. The overt vhs effect with no actual storytelling purpose. If you took all of those out, it'd be a fine performance video. But no, it's the 'official music video', they have to try to make it bigger than that...emphasis on try... Also, I adore our members but I'm so over these mumbling-lip-syncs. I don't know how else to describe it but it's just bad. If you're doing the music video 'sing along', do it right. If not, don't do it at all. This non-commitment just comes across as incomplete.

The Perfomances/Choreo: I think this choreo is absolutely perfect. It accomplishes everything this song needs. They were able to take advantage of the fact that it's not getting performed in front of an audience and the staging is so perfect for camera. The camera director of the dance practice absolutely killed it. The lighting of the Jimmy Fallon performance was stunning as well. I was reminded of how much I loved the lighting in many of the Golden performances. My favorite part of the Who choreo is the little jumping-leg-cross move.

The Remixes: I think I'm in the minority here but I hate all of them. Yes, there is a legitimate industry tactic to releasing these and I don't begrudge them for running a business but I'm so over remixes that are just a reinstrumentization of the original song. I do think these are well produced and some do highlight different aspects of the song that make for great moments...but it honestly comes across to me as not being able to make up their mind about who the target audience is. If they're looking to get rock-lovers, release an actual rock song...not a pop song that's put on a rock costume. I was hopeful for the acoustic remix at least but there is something off about it. I haven't been able to figure out what bothers me about it but it absolutely doesn't speak to the acoustic-loving part of my brain.

Closer Than This

I spent a LOT of time evaluating CTT as potential context for FACE in this post but we've now learned this was written AFTER the FACE promotions so I'm very happy to see I wasn't completely off the mark with saying that it didn't fit into FACE at all.

I still absolutely love this song. Some of that may be the pure nostalgia of when it was released. It was christmas time, we'd just sent the last of the members for their military service, and this song was exactly the kind of comfort I needed at that time of the year.

Final Thoughts

So, like I mentioned in my Theories and SGMB reaction posts, I do see MUSE as Jimin intentionally showing us what he's capable of. Jimin is the ultimate performer. He absolutely loves being an idol. This career allows him to dive into whatever he needs to embody the music and performance. I stand by what I said previously about MUSE being more of a work project than a personal one like FACE was. MUSE was about breadth while FACE focused on depth. Both good but different. (I have a side post I may eventually release about my thoughts on this as a music fan brought up in the west that's now enjoying kpop but that'll have to be another day).

MUSE was a lovely project and a great tool for Jimin to expand his music catalogue whilst knowing that he wouldn't be able to properly promote whatever was released during this time.

One final point: the pronoun debate is beyond asinine. If people find more meaning in certain pronouns than others, let them be. Arguing over original lyrics vs hiding behind public expectations is childish. This is music that was created with a professional purpose, not someone's diary of their deepest thoughts that we stole from a bedside table. Pronouncing the creator's intention like this reminds me of those bad english teachers that were fishing for specific answers on authorial intent and masquerading the lesson as reading comprehension. Those are a scavenger hunt with one hidden 'answer' and not real life.