Modernism - Tumblr Posts

My latest one 🎨 "Tribal Soul" . . . #modernart #canvasart #arte #myartwork #miarte #artistatwork #artistlife #artemoderna #modernism #modernismo #modernartwork #acrylicpaint #pinturaacrilica #pinturaacrílica (at Miami Beach, Florida) https://www.instagram.com/p/CgXdTeLukcJ/?igshid=NGJjMDIxMWI=

Just finished this one today 🎨 "Tribal Spirit" . . . #myart #miarte #acrylicpainting #acrylicart #pinturaacrilica #acryliconcanvas #acrylicpaint #canvasart #modernart #pinturaacrílica #modernismo #nativeindian #nativeindianart #modernart #modernism #artemoderna #myartwork #sunrisepainting #amanecer https://www.instagram.com/p/Cj_wAHCOZfb/?igshid=NGJjMDIxMWI=

Bride's Toilet (1937) by Amrita Sher-Gil. National Gallery of Modern Art, India.

Self-portrait (1930) by Amrita Sher-Gil. National Gallery of Modern Art, New Delhi.

La musica (c. 1912) by Luigi Russolo. Estorick Collection of Modern Italian Art.

Solidity of Fog (1912) by Luigi Russolo. Peggy Guggenheim Collection, Venice.

Woman with mandolin, after Corot (1916) by Juan Gris. Kunstmuseum Basel.

The Guitar (La Guitarra) (1918) by Juan Gris. Museo Reina Sofía, Madrid.

Still life before an open window, Place Ravignan (1915) by Juan Gris. Philadelphia Museum of Art.

Le Violion (1916) by Juan Gris. Private collection.

Verre et bouteille (1922) by Juan Gris. Private collection.

La tranche de melon (1926) by Juan Gris. Private collection.

La femme au panier by Juan Gris (1887–1927).

Buste de femme by Amedeo Modigliani. Museo Nacional de Bellas Artes (Buenos Aires).

Portrait of Chaïm Soutine (1916) by Amedeo Modigliani. National Gallery of Art.

Shadow Play (1990) by Bridget Riley. Fitzwilliam Museum.

The Revolt (1911) by Luigi Russolo. Kunstmuseum Den Haag.

Head of a girl (1886) by Helene Schjerfbeck. Finnish National Gallery.










my photo of the project “The Silvashi Circles”.
where: National “Ukrainian House” (Kyiv, Ukraine)
The exhibition "Silvashi Circles" introduces the audience to the creative work and extraordinary personality of the artist, whose role in the history of contemporary Ukrainian art remains one of the main ones.
Tiberiy Silvashi, one of the most active actors in the Ukrainian artistic process, also participated in the preparation of this exhibition.
“In the existential loneliness of man in the world, art remains the only way to establish harmony. In such moments, existence is revealed as truth. And art becomes a tool for recording the truth. And the exhibition is its presentation,” says the protagonist of the project, artist Tiberiy Silvashi.
Bloom found the subject to be one in which “the paradox of the harrowing and the beautiful could be brought into unity.”
"Life is not just what we experience on earth. You don’t just die and rot away. That would tell us that life is trivial, and that wouldn’t make sense.”
- Worcester Art Museum

Hyman Bloom (Latvian, 1913-2009) - The Hull (1952)