Thank U For This - Tumblr Posts

trusting her comes as second nature, but not even chris can stop the nervous flicker of his eyes to nora's lowered pistol. it's hardly the first time someone's waved a gun in his face since he made it out, but it still surprises him from her. she's supposed to help.

❝ i — there was so much going on ... ❞ he trails off. ❝ those of us that were ready to go got rushed out in the chaos. before anything blew up. ❞

in hindsight, the institute's destruction seems almost anti-climatic. a rumble beneath his feet, and it all disappeared to nothing.

❝ i don't know how many, ❞ he admits, shrugging helplessly. ❝ less than twenty, if everyone made it out. once i got my bearings, i ran. ❞

he wrings his hands together, giving her a onceover. she looks different than before; something in her face, her eyes, strikes him as off from the woman he caught glimpses of in the institute.

❝ you saved me. all of us, ❞ he says finally. ❝ i owe you everything for that, so i'll tell you whatever you want, whatever i remember, which means i can tell you that i don't think the others will harm anyone. we just want to be free. ❞

@nuclearbinds said, "i really don't know very much. honest." — fallout sentence starters

nora's fingers itch on the trigger of her pistol but, ultimately, she lowers it. the other has been quite forthcoming about being a synth, and nora isn't here to cause any more harm to his kind as long as chris doesn't mean her any harm. she still isn't sure of that last part, however, so she narrows her eyes, fingers still wrapped around the pistol but no longer aiming it at him.

"how many of you are there?" she asks, wondering how any synths could have made it out alive after the carnage she created in the institute. she gunned everyone she possibly could down, mostly scientists; doctors; synth guards. there'd been no ill-intent towards the innocents, the synths forced into slavery, so there's a small slither of relief that at least one synth managed to escape. maybe they managed to get out after she killed father, even before she blew the institute to high heavens. almost on cue, nora demands, "how did you get out?"

she's happy to help. eager to, in fact. but she's spent hours chemmed up, awake in bed, wondering whether some synths might now hate her after she failed the railroad; god knows other people do. she's not going to take any chances with treachery, not now that she has shaun to think about ... not now they're finally clear of the institute once and for all.

BLUE LOCK // fic recommendations

note: remember to read the tags! + i do not own any of these works. creds for divider

itoshi rin

because you're my muse

wallet

make you mine

nodus tollens

nothing more than lovesick

supernatural

mutual support

jealousy

itoshi sae

seabird

devotion

us, again

it would have been sweet

find love

freefall

valentines

michael kaiser

five dates and a proposal

sweet nothings

stench

red

what does it mean if i can't write a love letter?

it's like i'm painting pictures the way i picture paint

pulling pigtails

yoichi isagi

say you love me

fake it 'til we make it

football for dummies

lost

wednesdays with you

skirt physics

seishiro nagi

your attention on me, please!

flight of the navigator

hell or glory, i don't want anything in between

lullaby

his favorite character

good luck charm

reo mikage

sharing secrets in the dark

your tequila lips is my idea of luxury

Amanda's collection of boots is something that can be so personal

THIS IS TOO GOOD IT SHOULD BE ILLEGAL... LIKE DAMN... AMAZING! MY HEART IS BEATING WITH ANTICIPATION🤸🏻‍♀️🤸🏻‍♀️

eyes so blue, i drown ━━  tommy shelby

eyes so blue, i drown ━━ tommy shelby

❝ EYES SO BLUE, I DROWN. YOU ALREADY KNOW HOW THIS WILL END❞

When a young woman feels stuck, she tries to find some mental clarity by visiting her brother who is managing their family’s international affairs in a crowded city across the ocean.

The story of one of the many women who Thomas Shelby loved, and lost.

ao3

CHAPTER ONE CHAPTER TWO CHAPTER THREE

CHAPTER FOUR ━━ A MEETING

Keep reading

growing up is an endless process of me looking back at younger versions of myself and being like…. wow she was so young. but look how well she did with what she knew

IMPORTANT!

"Hello! I'm the artist! There was something I wanted to address,"

"I identify as Nonbinary! Which means I fall outside the Binary Genders (male/female)

"Nonbinary is a Umbrella Term! It's not a gender, but instead contains these gender-related terms: Genderqueer, Genderfluid, Demiboy/Demigirl, Bigender, Agender, and more!"

"There are people that try to gatekeep our identities. They fail to understand that they don't control our labels. Falling outside the binary doesn't keep us from identifying with certain sexual or romantic attractions."

"LGBTQ+ Is A SPECTRUM"

"We can identify however we feel comfortable"

"I'm Proud to be Myself"

THIS IS A LGBTQ+ SAFE ZONE

Gojo x short!reader headcanons

Word count: 1,180 ish

Warnings: smut (minors DNI), SIZE KINK, slight praise kink, creampie, oral (f receiving), fluff, afab reader, she/her pronouns. Also the reader is described as curvy like one time.

-Gojo Satoru doesn't actually see you in a romantic or sexual way at first. Not that he finds you unattractive, he's just never dated anyone that much shorter than him before or really even thought about it. He's never really considered himself someone who's into big size differences (which is kind of ironic because he's so much bigger than almost everyone lol). He thinks you're cute though. He also definitely likes the way you literally look up to him. Itty bitty thing, you don't even come up to his shoulder.

-He teases you relentlessly about your height, calls you shorty, shortstack, vertically challenged, you name it. He ruffles your hair and does that thing where he uses your head as an arm rest just to see the annoyed look on your face. The more he does stuff like this over time the more flirtatious it becomes even if that wasn't his original intention. Eventually it ends up being his way of blatantly trying to flirt with you although you might not realize this at first 'cause he just has a flirty personality in general.

-He thinks it must be annoying to be so short. How do you see over things?? (spoiler alert: you don't) How do you reach things??? Speaking of, he will purposefully move things out of your reach to watch you jump up to get them. He thinks it's hilarious (and also maybe he likes the way it makes your boobs bounce). After awhile he will offer to be your tall knight in shining armour and get it for you. But you always say no, you've been short your whole life and you can do it yourself.

-He appreciates that independent element of you, but at the same time, sometimes he gets annoyed when you break out the stepstool and actually do get it yourself so he will hide it from you just so you have to relent and accept his help. Petty? Yes. Effective? Also yes.

-He'll also sometimes refuse to bend down to let you kiss him just to see you do a cute lil jump to try to reach him. He never refuses for very long though because he just can't resist his cute lil girlfriend and her adorable pouty face. Then he bends down and squishes your cheeks until your lips pucker and tells you that you're too cute for your own good before finally giving you that kiss you wanted, and then a couple more to make up for him messing with you.

-He will offer to let you sit on his shoulders so you can see in crowds. No, you're not too heavy. He's the strongest, remember? No, this isn't about jujutsu, but the fact still stands. And it's definitely not an excuse to feel your thighs around his head, or anything like that...

But when you guys do get intimate, oh boy.

-He never really thought about it before, but now he's kind of starting to like the way you guys are physically opposites - he's tall, lanky, and hard; you're short, curvy and soft. Even your hands, your legs, you're just so tiny compared to him and he doesn't know why that excites him so much now, but it does. He could really just pick you up and toss you onto the bed like a ragdoll. He won't though...unless you want him to?

Oh, you do want him to? Say no more, princess.

-In which case, he will toss you onto the bed and push those pretty thighs of yours apart so he can feel them around his head properly this time. And no, he won't stop eating you out until you beg him to, his tongue lapping hungrily at your clit and occasionally murmuring whatever thoughts fill his pussydrunk head about how good you taste and how much he wants you to cum on his tongue.

-He loves missionary but knows your head would literally be against his chest if he leaned over you too much during it so he usually sits up so he can get a good look at your face while he's pounding you. He loves loves loves holding your hand in his while he's doing it too, loves how his huge hand engulfs yours and how your tiny fingers grip his for dear life when he makes your eyes roll back in your head. He quickly becomes obsessed with how you look under him, your legs folded against your chest and your eyes glazed over with pleasure.

-He also loves to have you sit on his lap on a chair or couch, straddling him so he can run his hands along your waist as you slowly sink down onto his cock. He loves the way you curl up against him, your head resting against his shoulder. Your hand holds the back of his neck, your fingers gently combing through the short hair of his undercut as you whimper softly from the feeling of him stretching out your walls inch by inch. It's one of the few times he doesn't pound you, just wanting to take it slow and savor making love with you. So he wraps his arms around your middle and pulls you close, pressing your chest flush against his as he thrusts up into you gently but deeply, allowing you to feel every single inch of him slowly moving in and out of you.

-Other times he'll have you ride him like that, only to end up gripping the fat of your ass with those big hands of his to move your hips up and down on him, keeping you moving after your legs have already begun to give out. You can't bring yourself to complain even when you start to feel that burning in your thighs when his fat cock is hitting all of your sweet spots and you've lost count of how many times you've cum. And all the while he's moving you up and down, he'll whisper filthy things in your ear with that classic Satoru smirk tugging at his pretty pink lips from the sight of you so fucked out on his cock:

"Such a good little fuckdoll f'me. Gonna let me use this pretty body however I want, yeah? That's my baby, good fucking girl." ❤️

-Satoru says he was never into really short girls before you, but now the sight of you in his shirts and how they hang down to your plush thighs has his dick getting so hard so fast. Wear them without underwear and if he notices you will not be leaving the house that day (or be able to walk straight for days). He'll have you leave the shirt on while he's fucking you too, he'll just lift it up to get a look at the way your tits bounce when his hips snap against yours.

-He really does think you're the most beautiful woman in the world, and you're all Satoru's, and that thought alone has him painting your walls white and groaning a "love you s'much" against your lips as he fucks yet another load of thick cum into your already overfilled cunt.

I’m reposting this bc I did it wrong last time and I want my shitpost to be properly displayed lol.

anyway enjoy my very necessary señor pounce gamey throney amv. again :)

Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, I’m straight, but yeah, it’s like, homina homina homina."

May 01 2006 | By Maureen Ryan

Do you watch the show much?

"I can't watch it. I mean, Hugh doesn't watch it because he's anal and … eight years old. [laughs] And by the way, I don’t buy it, I think he does watch it.

“I watched in the first year. We live in New York and [my fiancé] was in California] and she likes it because I’m on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Maker’s Mark and a shotgun away from shooting myself. [much laughter]  So I haven’t watched it all season. But when I have watched it, I’ve been mildly confused and Hugh is appropriately grumpy."

I have this theory that a lot of my favorite shows aren’t even about what they’re supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but they’re secretly not even about that. Like, “House” is really about ethics and morality.

“Yeah, sure, I think that’s true.”

But you can’t pitch that show to the network. “Hey, we have this great show that examines personal morality!"

“‘It’s based on “A View from the Bridge.”’

Right! They’re really going to for that.

“Yeah. [laughs] I think it’s good, and when it’s right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know what’s wrong with [the patients]. And it is interesting, the turns and twists that get you there. And there’s always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And that’s it at its best. And I guess that could be true of any show.

“It’s tricky, you’ve got a lead character [who’s different from the TV norm] and you’ve got to be careful because those characters can be one-note. He’s the cranky guy, he’s the Australian guy, I’m the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.”

So this two-parter on May 2 and 3, I think the unofficial subtitle is the “Festival of Foreman.” I guess they’re his Emmy episodes, and that’s fine. But you’re hardly in them, what’s up with that?

“Honestly, I’m okay. I don’t want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, ‘The Iceman Cometh,’ seven years ago. I saw him five years later, and I said, ‘Geez, Skip, where have you been? I don’t see you at readings anymore.’ He said, ‘I’ve been on “Third Watch.”’ It sounded familiar but I’d never seen it. He said, ‘I’ve been doing it for five years.’ I said, ‘Holy crap!’ And he was back doing theater. That’s my dream.

“And it’s happening. I walk down the street and people say, ‘Where are you?’ and I say, ‘I’m on this show called “House.”’ My friend Lewis Black [from 'The Daily Show'] said, ‘What is it called? “Head”?’

“I’m okay. I’ve never been happier than where my career is now. And I don’t want it to change necessarily. Money’s good, and I’m glad I’m getting that, and I’m putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, I’m great. I don’t mind working two days a week.

“Because those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying ‘tachycardia, lupus, blablahdeblah.’ Honestly, I’d kill myself if  had to do those scenes for that long. I’m very happy with the size of my role, I don’t want it to get any bigger. I’m happy.”

So we won’t see the very special “House” episode where Dr. Wilson almost dies?

“That might be how I get off the show.” [laughs]

Well, you could die and come back as a ghost. Then it would be the “House Whisperer.”

“Yeah [laughs]. The hair makeup people were saying one day, ‘Oh, I love those scenes with you and Hugh, there should be more of that.’ And I’m like, ‘Shhh! Don’t say that!’ I’m the luckiest man in Hollywood. I work only with Hugh, pretty much, who’s great. And I work two days a week.”

Do you fly back and forth to New York then?

"No, not really. They don’t let me because they need me around, the schedule changes so much. I’m going to try to get away with that a little more [in the upcoming season]. Now that [my fiancé] is here, I really will kill myself if I’m out there as much as I was last year, without her.”

So five days a week you’re doing what – Botox injections? Going to the mall? Watching “Maury”?

“Rob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, ‘I recommend pajamas by 4:30 p.m.’”

What’s interesting about this show is that they’re taken something that could be a very formulaic procedural and quite often turn it on its head.

“I didn’t know anything about TV, I’d never done [a TV show], but I now know very well that there are procedurals and character-driven shows. ‘Law & Order’ is a procedural and ‘Grey’s Anatomy’ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on ‘Law & Order’? If the answer is ‘I don’t give a [hoot], I want to know the next element of the case,’ then it’s a procedural.

“Our show is weirdly, and there must be precedent for this, but it’s weirdly equally both. I think it’s very much a procedural, and without that sick patient every week, we wouldn’t work. And without the character stuff it wouldn’t work. And weirdly, people do care if House sleeps with one of our characters, and also care equally what’s wrong with this person and how they’re going to solve the case.”

I guess I like the character stuff better, but you’re right, it probably wouldn’t work without the suspense of the weekly case and somebody being critically ill.

“No, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.

“I’m more like … the only way I’ve found to define it, and it’s so pretentious that it makes me want to jump out a window, is like King Lear’s fool. I’m like the only one who tells him the truth. And [Wilson] has nothing to lose. I don’t work for him and he doesn’t work for me. I’m the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.”

I think her role is to say, "No! Bad House!"

“Have you talked to Lisa Edelstein [who plays Cuddy]? She’s so great. This Japanese woman once said to her, ‘You on “ER”!’ And she said, ‘I have been on “ER,” but now I’m on “House.”’ And [the woman says] ‘Oh yes, “House.” You say, “No, you don’t!”’ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, ‘You say “No, you don’t!”’ That’s the entire definition of Lisa’s character. Not completely, but we laugh [about it]. We have the same dilemma. We’re on this show that we’re … kind of on. Crew members say, ‘How long have you been on the show?’ ‘Uh, since the pilot.’ They really don’t know what we’re doing there.”

So in terms of the other stuff going on in your career, that’s going well, all the theater stuff?

“I’ve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.”

I’m not entirely sure you’re not.

[laughs] “But the thing is, I got it [i.e. his goals]. I’ve done 14 Broadway shows and got a Tony award, and now I’m making money and no one even really knows. I’m getting away with murder. If I come back to New York in two years and nothing’s changed, I’ll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I don’t really want to do movies anymore. I’m pretty tired of camera acting.”

Why are you tired of camera acting? Is it the repetition of it?

“No, no, quite the opposite. We don’t rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.

“It’s true of films too. I don’t know. I think I’m fine on film, but … I have walked offstage and thought, ‘Wow, no one has done that better. People may have done it as well, but not better.' I’ve actually had that feeling after ‘Long Day’s Journey Into Night,’ or a Shaw play or whatever. I’ve never felt that way with film. I always feel like, ‘Boy, Donald Sutherland would have done that a lot better.’ [laughs] I just don’t think it’s what I do best. I think I’m fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], that’s how I feel about my work on stage. I really do feel that I’m gifted at it.”

Just to change gears completely, what happens in the finale?

“Well, I think the finale is a bit of a cliffhanger. Something very exciting happens. It’s extremely exciting and freaky and I think it’s great. I can’t say what it is. You end this season very curious about how the next season is going to start. It’s a great final show and a big cliffhanger.”

So it seems like Hugh Laurie is so disparaging of his own talents. But he’s so good as House.

“Some people ask me, ‘Oh, why does Wilson want to hang out with House so much?’ and I’m like, ‘You idiot.’ [laughs] House is designed to be attractive! He’s brilliant, he’s self-deprecating, he has a limp. But yeah, Hugh hates himself and he’s very funny about it.  There’s no better combination in my book. Like Lewis Black.”

But as an acting partner, he’s good to work with?

“Oh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isn’t our problem. We as the audience don’t have that problem, because what he doesn’t know is that he does it perfectly. But of course he doesn’t hear that. That’s why he can’t watch the show.

“When you’re doing an accent, you don’t feel like you’re interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I don’t know how he’s going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, he’s wrong.”

And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.

“Yeah, he hates that stuff. And even more than the ‘sexy’ stuff, he hates the ‘you’re brilliant’ stuff. Of course there’s a part of him that likes him, there’s a part of all of us that likes that. [But him being hard on his performance], it’s not false vanity.

“I think Hugh does work he’s proud of and does work he thinks is good, I’m just not sure it’ll ever be this [show]. Having an accent… acting is letting go and forgetting yourself, it’s the opposite of ego. It’s flying away and getting away from yourself and forgetting. And when you’re doing an accent, it’s virtually impossible to do that.

“It’s hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actor’s nightmare. I’ve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, that’s hard stuff.

“And can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]… I miss that voice.”

Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.

“As we know, I’m straight, but yeah, it’s like, homina homina homina.” [laughs]

---- [source (part 2)] | part 1 | part 3 ---

it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!

i should be on those ethical hacking competition things

ANONYMOUS        &         @headstrongblake          :      @hevives     !   

ew     !

JOKING     ,     JOKING     !     everyone     knows     that     i     love     you     more     than     life     itself.     i     literally     tell     the     dash     constantly     ab     how     fucking     much     i     adore     you.     we’ve     been     friends     for     years     and     you’ve     owned     my     ass     from     the     very     first     conversation.     

honestly     ,     our     friendship     story     is     kinda     weird     bc     …     who'da     thunk     a     couple     duplicates     could’ve     become     such     fast     friends?     we     honestly     owe     our     friendship     to     ghosts     tho     .     because     our     mutual     love     for     the     paranormal     rlly     sealed     the     deal     i     think.     not     to     mention     our     mutual     hatred     of     cockroaches…     

you’re     very     busy     &&     sporadic     but     honestly     that     just     makes     me     cherish     my     time     with     you     even     more.     thank     you     for     being     good     to     me     &&     portraying     murphy     the     way     he     deserves     !!     i     absolutely     adore     you     bri,     and     i’m     so     delighted     to     have     you     back     in     the     fandom     !     

OMG OMG OMG OMG OMG

OMFG THIS IS BEAUTIFUL I AM CRYING AND I CANT BREATH THIS IS LIKE GORGEOUS

Art trade with @georgyart

She asked for anything from SU or LiS so I drew Lapis cuz I think her design is very beautiful ♥. 

(Also I’m posting the sketch cuz I really like it)

i just spent like 2 hours making this uquiz on “which ambiguously gay stephen king character are you?” so please validate me