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3 years ago
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script
I Found More Highlights From The Tua Pilot Script

I found more highlights from the tua pilot script 👉👈


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3 years ago

little things i never want to forget about the hargreeves:

all of them used to defy their father, sneak out to griddy’s, and in five’s own words “eat donuts until we puked. simpler times, eh?”

luther wrote poetry while he was on the moon, especially about comets

tom hopper and the UA crew have said that the scratches all over luther’s body were made by him. he couldn’t stand the loneliness, especially during that first year, and would often resort to harming himself as a way to vent his frustration

it’s also pretty likely that he’s had body dysmorphia at one point or another

he also has a habit of stress eating

diego almost became a detective, but he dropped out because he wasn’t good at following orders. he even went to police academy!!!

diego has the cross stitch grace made specifically for him on the wall of his basement apartment, and in a frame no less

he’s also a big-ass momma’s boy

and he’s the only one grace calls “silly” as a term of endearment

and he has a fear of needles due to getting that tattoo when they were kids (y’all know which one i’m talking about)

plus his stutter only comes out when he’s under extreme emotional stress

and a close rewatch of 1X03 shows that his bedroom had an overflowing abundance of books so what if him and ben used to bond over that😭

allison speaks seven languages

she told her daughter about her siblings, and claire obviously knew them well enough that she was calling them "uncle” and “aunty,” and that last one is especially heartwarming because this was around the time that vanya’s book had just come out, and yet, allison–who has the option of never telling claire about her–still does, and even explains why she wasn’t allowed to go on missions

klaus was smoking blunts at fourteen

klaus was clutching dave’s dogtags right before five teleported all of them to the past

and i’ve noticed that he has a habit of doing that in general in season 2, especially when he’s feeling kind-of low, but sometimes it’s also an unconscious habit and that’s cute, too

klaus would write the things the dead would say to him, all over his bedroom wall

klaus has a habit of going barefoot whenever he’s at home

five was the only person vanya felt comfortable enough with to present new violin pieces to

five outright says that everything he’s done so far was to get back to his family and keep them safe

@me-evil-never​ wrote in the tags: “five has watched his family die/be dead like 3 times if i’m counting correctly (YES YOU ARE AND IT’S A PAINFUL FACT WE MUST ALL LIVE WITH), plus all he has ever done in his life since age 13 was to get back to them so he could spend time safely with them” and YES I AGREE why would you hide such an excellent point in the tags because, sometimes, even i forget that it’s only been two weeks for him, and they’re probably the roughest he’s had since being stuck in the apocalypse as an actual child, and idk about you guys, but i just really want to give five a big hug because lord knows he deserves needs it

allison used to paint klaus’ nails during meals

and was apparently a daddy’s girl, though how one could become a “daddy’s girl” if the father in question was reginald hargreeves is beyond my capacity to understand

ben was reading chekhov as early as 14

ben was a bookworm, both in life and death

vanya had the smallest room

vanya openly called ben the kindest of their siblings in her book, and said that when he died, none of them had any more reason to stay

before he left, diego gave reggie a piece of his mind

all of them know how to dance

they all know how to speak and read greek (ancient fucking greek, as one of you oh-so-eloquently put it)

vanya knows how to speak russian and god knows how many other languages

(by this point i’m really convinced they’re all multilingual and there just hasn’t been an opportunity for them to utilize that yet)

she also has a mr. snuggles teddy bear

according to klaus, vanya used to cry when the others would step on ants as kids

klaus is pansexual

he also dated twins once (though i’m not sure if he dated one then the other or both at the exact same time)

and has mild claustrophobia from being locked up in mausoleums all the time as a child

diego swore a pinky promise with lila and called it “the pinkiest promise” he’d ever make, and even though he’s a hard-ass who won’t hesitate to cut anybody in half, he’s still at his gentlest when he’s around her and he doesn’t even try to hide it

off her meds, vanya got first chair and a solo on her first try (as a violinist in a professional orchestra, lemme tell you that this is no easy feat to do)

she also seemed to have an affinity for bach (again–not easy!!)

even though he was barely starting puberty, ben was smart enough to reprogram allison’s teddy bear to say “luther smells dad’s underwear.”

upon possessing klaus for a few minutes in season 2, ben could be seen clutching various flowers and smelling them repeatedly

klaus can actually levitate in the comics

according to @valkerymillenia, ghost!ben once saved klaus’ life in the comics after he overdosed on heroin yet again

both klaus and diego repeatedly tried to open the lock to vanya’s old anechoic chamber and were absolutely furious when luther wouldn’t let them

diego called elliott “one of ours” despite knowing him for all of a week and a half

he also calls herb “herbie,” calmed him down after accidentally drawing a weapon on him, and created a secret handshake with him, all within two hours tops of meeting him

if one really thinks about it, diego is actually good with people? and that makes sense because he left the academy as early as seventeen, and he would’ve had to talk to a lot of people just to make ends meet that first year alone, and even though reggie tried to squash that part of him down, he’s still a good person at heart, you go prince of pointy things, make us all proud


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3 years ago

klaus has this habit of searching for answers and purpose in the same place he lost them. his autonomy was stolen from him as a child, and he lives with that loss every day. it’s quite common for people with that experience to live with dissociative symptoms, and i actually think klaus is a realistic portrayal of that. while it’s never outright said that it’s dissociation he deals with, i think a lot of survivors could probably see it in him. he’s always seemed to feel a disconnect with himself, with his own body (for example – and this is a small one – when he told ben “you’re not getting in this body,” rather than my body). his identity is something transient, something that shifts drastically sometimes depending on the situation he’s in, which is a common experience in people with dissociative symptoms – we’re like “chameleons.” 

he forgets key things regarding his trauma: that, or his brain will twist the events to make them more palatable to himself. he didn’t remember being killed as a child, even though it happened multiple times. and despite not remembering anything, he still has visceral reactions when it comes to being confined. he may not consciously remember every event, but his body does, and so he reacts accordingly, as if the threat of being killed again were a present one. because the body remembers the loss of control, it remembers the autonomy that was once stolen. then there’s “bus ball.” obviously, it was an objectively shitty, terrifying thing, being once again murdered, multiple times by your own father and abuser – and as an experiment, no less. despite that, the events were portrayed as something that was for the most part fun, almost. and when he vaguely recounted said events later on, he referred to it as “bus ball.” like it really was nothing more than a game. that’s another common dissociative symptom, and a common trauma symptom: being so disconnected on a certain level from your own trauma that you’re able to talk about it like it’s nothing. that you’re able to remember a skewed version of it so that you don’t have to internalize any of the real terror.

touch is another one. klaus is a very tactile person. he communicates well through touch. but he often doesn’t like being touched, unless it’s from someone he knows, loves and trusts.

he startles easily, too. will jump back at sudden movements or words, gets frightened by loud noises and will cover his ears.

his need for connection is relevant here, too. he has a hard time being alone with himself, and so he finds people to cling to, or finds people that will cling to him, just to stave off those feelings and to ground himself, almost. sometimes it spirals out of control, like with the cult. but his constant need for connection stems from feeling disconnected.

one of his passing comments to luther in s1 (”I remember my first time… oh no. i don’t”) hits hard, too. it’s not uncommon for trauma victims to experience hypersexuality as a result of this loss of autonomy. and then, to not even remember some of these encounters (obviously, the drugs/alcohol likely play a role in this not remembering. but hey, what’s addiction often a symptom of? oh yeah. trauma.)

this disconnect he feels from his own body is also why he was able to have certain encounters even with people he didn’t like. keechie comes to mind. he didn’t like keechie, that was made clear. but it sounds like he still had no problem having sex with him, despite this. it’s common, when you have dissociative symptoms, to feel this sort of disconnect. you don’t always care what happens to a body that doesn’t feel like yours, hell, you can enjoy it, sometimes – even if you don’t like the person you’re doing it with.

it’s why he gets off on torture, too. klaus being a masochist was clearly portrayed in episode four, but then was referenced again two other times. (”if i see a boner, i’m out” when he was being tied up, and, “i’m going to beat you, and not the way you like it.”) when you grow up tortured and become accustomed to it it’s easy for the brain to say “hey, this is unbearable so actually we like this thing now. that’ll make it bearable!” i mean, obviously it’s a little more complicated than that, but that’s the gist of the situation. 

you often find comfort – or even pleasure – in familiarity, even when familiarity isn’t safe. we see that in klaus.

and that leads me back to my main point: klaus searches for answers, he searches for purpose in the same places he lost them. if he can give up his body to anyone who will take it, then maybe he can take back autonomy, is what he might think. if he can have a say in his own destruction, whether it’s addiction or reckless behavior, then maybe he can take back control. 

but that’s never truly how it plays out. a trauma survivor will never find what they’re looking for this way. i believe that klaus is starting to realize this, even if he does run into setbacks, and even though he will continue to run into setbacks. if he wants to find control, and if he wants to find purpose, he will have to reroute that energy into a path of recovery rather than destruction. it’s a hard hill to climb, but we know he can do it.

i could say more about this, but i think this says enough, for now.


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3 years ago

Allison Hargreeves and the Effects of Grief

Allison Hargreeves And The Effects Of Grief

At this point, I think most people know that I’m an avid Allison supporter. It’s one of the things I’m most known for. And after witnessing these vile reactions from the fandom thanks to her actions in S3, I figured I’d try to pick apart her arc as best as I can.

So, where’s Allison at the start of this season?

Well, for starters, she’s just spent the last two years in the segregated south during the 60’s. But let’s rewind: what got her there in the first place? Technically, it was thanks to her brother. She had to pay the price for his mistakes. While trying to help him, she lost her voice and was launched back to decades in the past just when she was starting to build a life for herself amidst her divorce and custody battle. She thinks she’s all alone, so she does all she can: she builds yet another life for herself. And for the first time in her life, everything she has, she’s earned. Including the love of her husband and a great community that has her back.

Not that it lasts long because then she’s faced with an impossible choice: either leave this life behind (which includes the love of her life), or go back to her actual timeline in the hopes of MAYBE getting her daughter back.

She knows the risks, she knows that she might be going back for nothing, but she still makes the choice. She leaves everything she spent two years building, she leaves the man she loves, all because of a “maybe”. She goes back because she hopes with her entire being that all of this hasn’t been for nothing, and that’s her entire motivation to keep going.

Turns out, she was right to be doubtful. She does end up going back for nothing. That “maybe” turns into a “will never be”. Her daughter doesn’t exist, she never did. And what do her siblings do? They brush it off like it’s nothing. Luther at this point has been kidnapped by the Sparrows and is focused on getting closer to Sloane; Diego is preoccupied with Stan and Lila; Klaus and Five are off on a road trip and then embark on different journeys…so that just leaves Viktor. Really, he was the only one who initially seemed concerned over Allison. When he saw that the rest were just going about their days as if nothing had happened, he reminded them that Allison was upstairs grieving her daughter.

Allison Hargreeves And The Effects Of Grief
Allison Hargreeves And The Effects Of Grief

To all those who say that Allison was a terrible mother and that maybe it’s better if Claire doesn’t exist…how does it feel to miss the point of Allison’s entire character? Yes, she lost custody of Claire because she was an unfit mother, but from the moment she was forced to separate from her child, all she’s been trying to do is to be a better person. It took losing Claire for her to realize how much she loved her. She tried so hard to be a good person for the person in this world that she loves the most, and that still wasn’t enough. She meets a man who she really, truly loves in a way that I don’t think she ever loved Patrick. A man who loves her just as much, who accepts every part of her and whose devotion to her is never-ending. So, she leaves him. Because leaving her husband means that she gets to get her daughter back, and at the end of the day, Claire’s always been her number one priority.

We see Allison’s trauma as early as Ep.2. While she and Viktor are waiting for Marcus in that cafe, Allison starts experiencing a PTSD attack. Like she tells Diego, the others don’t understand what it was like for her as a Black woman in the 60’s. She woke each morning knowing that it could be her last, because she knew the cost of speaking out. After having everything handed to her on a silver-platter for so long, she was suddenly thrown into a time that denied people who looked like her basic human decency, a time where most of them could end up dead or in prison just for wanting to be treated as equals.

She reaches this point where she’s even attempting to rumor HERSELF. She looks in the mirror and tries to do the same thing she spent years doing to other people, but it doesn’t work. My theory is that she stopped it before the rumor could affect her in fear of losing control over who she is. At the end of the day, even if the rumor had worked, she’d still be grieving. Because how sustainable really are they? How long do they last? Who’s to say that it wouldn’t be worse after the rumor wore off?

Despite what S2 seemed adamant on denying by having Allison sweep the whole situation under the rug, we see that she’s still suffering the consequences of Viktor’s actions as well. I think the only mention of it that we got in S2 was when she mentioned to Klaus that she couldn’t speak for a year. But in reality, she would have nightmares about the whole incident, and it’s clear that it was such a common occurrence that Ray would immediately rush to reassure her that she still has her voice.

Allison Hargreeves And The Effects Of Grief

Ray was her shining beacon of hope during such a dark time. His optimism even when faced with so much oppression showed her that she was capable of so much more than she ever imagined.

There seemed to be this focus on having the characters emphasize on how Allison has always been among the best of them. They say that she’s the calm and cool one, the nice one, the one who never jumps into situations without thinking, because that’s the box they’ve stuck her in. But the truth is that she BECAME a better person after realizing her wrongdoings. She made the CHOICE to be kind, because once upon a time she was nowhere near as good of a person as the woman we meet at the start of the show.

Allison Hargreeves And The Effects Of Grief

You see, from the moment we meet Allison, we learn that she’s spent the last eight months or so trying to atone for her actions. Prior to her divorce and losing custody of her daughter, she would use her power to get everything she wanted. Love, stardom, a well-behaved child, etc. She always took the easy route because who wouldn’t? Who wouldn’t take the easy way out if they had the power to manipulate reality to their will with a single sentence?

Really, I think she only changed because she got caught in the act by her ex-husband. That put everything into perspective for her and she realized that she couldn’t carry on like that if she ever wanted to be the mother Claire deserves. Everything got so out of hand that, in the end, she ended up realizing that nothing in her life was real, none of it truly felt earned.

In S1, when Viktor states that the reason he was isolated from the rest as a child was because Reginald forced him, Allison responds by telling him that he can’t blame his problems on anyone but himself now that he’s an adult. Allison had never blamed anyone else for everything that’s happened to her. Even when Viktor slit her throat and nearly killed her, she still said that it was her fault, almost saying that she was basically asking for it. Like she tells Viktor, she’s always the one that has to meet him halfway.

But see, here’s the thing about Allison: she doesn’t like losing. She doesn’t like not feeling in control. She prefers taking things too far than not far enough. Even in the 60’s, she still had the civil rights movement. She had something to fight for and Ray was always there to urge her on and remind her why this cause is worth fighting for.

Now, this brings me to the most controversial part of her character, and the reason she’s at the top of nearly everyone’s hit list: the part where she rumors Luther into wanting her. I think we can all agree that this was an uncomfortable scene to watch. At one point, Luther asks her if she would even be there if Ray and Claire were still around, Allison never denies that she wouldn’t. She just tells Luther “but they aren’t here, are they?” When asked about this scene, Emmy Raver-Lampman and Tom Hopper described this scene as Allison wanting to cling onto the last bit of control she has left. No matter what, Luther has always been one of the biggest constants in her life. They’ve always shared this mutual understanding and connection that they just never had with any of the others, and something that she’s always been able to count on is Luther’s love and acceptance. So, when Luther tells her that he’s going to meet with Sloane, she sees it as a betrayal. She sees it as just another thing that’s being taken away from her and that she can’t do anything about it…except, yeah. She has the power to do just that. It’s not really what she wants, she regrets it almost immediately, but again, she’s desperate to find comfort wherever she can, and she’s not used to being told “no”.

During their conversation, Allison tells Lila that nothing stays. She tells her that none of it is real. At least with Ray, she has their wedding ring, but with Claire? She doesn’t even have a picture of her. And the original timeline feels so far away at that point. It’s been YEARS since she last saw her daughter, so who’s to say that she ever existed at all? She tells “Ray” during that scene on the swings that she feels like she’s losing her mind. She even asks him “were you ever real?”. She tells Diego that she’s never felt so hopeless in her life, because no matter what, she’s always had something to cling to. A reason to go on. But what does she have now? How can she fight for someone who’s already dead and another person who never existed?

So throughout the season, she slowly regresses into the person she used to be before Patrick caught her in the act. She makes bad decisions, she’s selfish, it’s clear that she has consent issues and she ends up turning to unhealthy coping mechanisms. Whenever we see her in S3, it’s either with a drink in hand or with a cigarette. Klaus says in S2 that Allison deals with her issues by lying to herself. Like Viktor, she’s almost a ticking time bomb in this sense. Allison tells Diego in Ep.4 that she doesn’t know where to put any of her anger, so she decides to take a physical approach. She finds people she can hurt without feeling guilty because they’re the same people who’ve hurt her. From white supremacists to the man who’s responsible for the death of their mothers.

Then the focus shifts. She finds a new reason to be angry at Viktor. He lied to her about the man who, in her mind, is responsible for her daughter never existing in that timeline. And that drags up a few old wounds that never got the chance to fully heal. Their argument starts off with Allison telling off Viktor for lying about Harlan to her face, but it quickly escalates.

Allison Hargreeves And The Effects Of Grief

When Allison says that her siblings are always so quick to tell her to suck up her pain and yet so worried about fixing Viktor’s…she’s right. When it came to Allison losing her daughter, they all turned a blind eye for the most part, but then, when it came to Viktor’s transition, they were rushing to make him feel like part of the family. When it comes to Viktor destroying the world, they’re all rushing to “fix” him and absolving him of any blame because “they all played a part”. It’s been like that for a long time and a lot of them have almost reached a point where they treat him as if he isn’t a grown adult who doesn’t need to be coddled. So Viktor can tell Allison that she ruined his life by rumoring him into thinking he was ordinary (as a FOUR year old, might I add), but Allison can’t tell Viktor that he’s taken everything for her time and time again? She can’t tell him that a part of her wishes they’d left him behind? I’m not comparing their situations here, this isn’t a competition. They both have a right to be angry.

She knows her pain doesn’t give her the permission to hurt others, she acknowledges that they’ve all had to mourn people and that she isn’t the only one who’s lost it all, but that’s just how grief works. Allison tried to be a good person. She tried to make amends and to forgive and forget but, like she says herself, look at where that got her. I think she saw Viktor’s lie as another betrayal, the same way she interpreted Luther choosing to be with Sloane (someone he met a few days ago) instead of her.

Something that I think is interesting about Allison is her pointing out on numerous occasions how unfair certain things are.

Allison Hargreeves And The Effects Of Grief

This is just one example. But in S2, when Luther tells her that they’re not meant to live normal lives, Allison has the same response. Even after all the hardships she’s faced, we have to remember that she spent her entire life up until losing custody of Claire getting everything she ever wanted. She never even had to worry about these minor inconveniences that plague us daily but now…everything is ending and she can’t do anything about it.

And then, Reginald offers her a deal. A way out. A full-proof solution to all her problems. And so, she gets her focus point back. She’s finally feeling hopeful again. She decides that she HAS to do something, she has to at least TRY to get her family back, because otherwise, all of it will just slip into nothingness. It’ll all be for nothing and who’s to say that it was ever real at all? Allison doesn’t know what she’ll do if all those memories they shared are insignificant, if she doesn’t find a place to put all this love she has for two people who no longer exist.

Allison Hargreeves And The Effects Of Grief

So, she accepts the deal. Again, who wouldn’t?

Now, the way this was framed was different from Five’s deal with the Handler in S2, but the situations do hold a lot of similarities. They both feel like, by that point, they have nowhere else to turn. They’d already tried everything else. Still, the narrative treats Five’s actions as this decision that he’s making for the greater good of his family. Him killing the board is just a means to an end, and it’s clear that he doesn’t enjoy it but he’d do anything for his siblings. Meanwhile, they frame Allison’s decision as being with malicious and selfish intentions. As if she had a hand in what happened to Luther and Klaus just because she’s been “unraveling ever since she got to the timeline”. Which, again, is a massive disservice to her character. Like she tells Viktor, the deal she made with Reginald was meant to have their siblings’ protection in mind.

Really, I think her arc would have benefited from the deal being shown from her point of view. We know that Reginald manipulated her just like the Handler manipulated Five, but, again, the way it’s portrayed makes it seem like Allison was involved in making these decisions.

Even so, you can clearly understand where she’s coming from. To me, Allison had the most realistic reaction to finding out that the world is ending. While most of the others are content with living the rest of the time they have together to the fullest, Allison just can’t bring herself to. Even when they think that they’ve found a solution to containing the Kugelblitz, Allison’s not celebrating. How can she? Sure, the world is saved, but she’s still alone.

Allison Hargreeves And The Effects Of Grief
Allison Hargreeves And The Effects Of Grief

Even at her worst, Allison still has so much kindness and humanity left in her. When Luther gets killed and Sloane is mourning him, Allison never invalidates her feelings. She never accuses her of grieving someone she’s only known for a few days. When Reginald tells the rest to step on the sigils and Allison sees that she’s draining the life out of them, she immediately tells him that this wasn’t part of the plan. If Allison truly didn’t care about her siblings, she would have let Reginald carry on with his plan. This was the only way to get her husband and daughter back. But still, she stops him.

The season ends with her back in her LA home. She not only gets her daughter back, but she gets her husband back as well. She achieved everything she’d been fighting for throughout the whole season. She finally gets her happy ending…or does she?

Now, Allison has to grapple with all the decisions she made to get to this point. She has to come to terms with the person she is now, and she has to figure out how to move forward from there. She has to see if this is truly everything she wanted and decide what to do next.

All in all, Allison is a deeply fascinating character. To me, she’s the single most interesting character on the show. And I’m so ready to see what direction the writers take her in during S4. Her grief made her into this version of herself that she always wanted to steer away from. It’s ugly and horrible but there’s something so human about it. Everything about Allison feels so real and I love her.


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2 years ago

Oh 100% agreed tbh

Tho I was definitely not at all as clear in my late night vent haha

Thing is, I do like how Viktor, isolated and silence by their own family, essentially forced his family to listen to his telling of events.

It shows that he isn't as meek as many would have thought him to be. He is kind at heart, yes - but Viktor had built up a life times worth of anger and resentment towards his isolation - hence why I say he is completely right in feeling and seeing things the way he did!

It's an aspect of his character I love, and frankly wish it would be explored more!!

While biased in his tellings, this is his world view. And as a consequence, completely blinded him to the abuse and trauma the other's face (or at least made it seem not as bad).

My favourite scene that exmplifies this is the flashback tattoo scene. Here we have all the siblings, sans Viktor, essentially being branded by their own father. You see all six of these siblings shaking, whimpering and/or downright sobbing. You see Diego in pain, refusing to even accept his mother's comfort, someone who he loves unconditionally (reasons up to interpretations). You see Luther, trying to stand tall and stoic but visibly terrified and hurt, at watching his siblings (his team) undergo something deeply traumatic. Something that will stay permenant (physically and mentally speaking).

All of this is occurring and yet we see Viktor.

Who sees this, and is not horrified. Not scared. But manipulated and isolated so much so that he also wishes to be included. He is completely or partly blinded to the pain and abuse the other's face because in a way, imo, he believes they should be grateful they were ever included at all.

And in the end, what was fascinating was that the book didn't help him at all. The publication of the book was supposed to be, what I think Viktor hoped, a turn in his life. He put his voice out and believed the catharsis would somehow help him change. But it didn't - instead it burned bridges and left him back to where he started.

Except this time with more guilt.

Imo - Viktor is one of the more (along with some others) self-serving of the siblings. And I enjoyed his flawed and contradictory nature - kind but petty, sweet but angry, quiet yet destructive.

Issue I have tho is that, while I do enjoy what it says about Viktor as a character, it does not erase what the consequences of said actions are. Whether the book was a 100% factually correct biography, it did not mean it was okay to completely expose the others to said facts.

And from the exerpts, so many of their tellings, while some stem from truth, are completely biased.

Again, the fact that Viktor published said book is telling of his nature. But what I am confused by is the lack of accountability of the harm it actually caused. How the book was a sign of how Reginald had molded and manipulated this world view that Viktor became unable to fully understand others trauma and instead so engrossed in his idea of his "ordinary" existence. The power Reggie holds, and how their father has pitted the siblings against each other once again. (Further shown by how the only ones effected was just the siblings, Reggie didn't even read it! And the news castings about his death only talked about him in high regard).

Instead I've found that a lot of the fandom (I could be wrong) either dismisses this or say that publishing this book was actually a good thing? Like any of the characters telling him that "Oh, don't worry, you were right in publishing that book," or "it was all true anyways"

But you have these adults who are going through their own trauma to have it shoved in their faces that, not only a one dimensional view of their personalities. But also exposition of the lives they lead that would completely shame them and/or put them in danger. So while Viktor understandably wanted to be heard after being silence. The had a complete right to also be downright PISSED at the Viktor doing so.

(And by one dimensional I mean that it sort of just states who they are as people but never delving into HOW or WHY they turned out the way they were. Which again, is telling of Viktor's mindset - being unable to really understand the abuse and trauma faced by the others)

So I always get confused when people believe that they shouldn't have been? Or downplay its consequences simply because Viktor was an abuse victim?

It kind of aligns with Allison's issues with Viktor in s3 where Viktor HAS been coddled many times while the others had to suck up their own problems to focus on him. And I felt that strongly even in terms of the fanbase?

Again - this is my own personal interpretation of characters and whatever others believe is just as valid.

But I guess I was just baffled by the amount I've seen this interpretation of his character? And perhaps I interpreted it different??

A bit of a rant I guess

But a lot of fics and posts have characters say that Viktor's telling of their childhood was "true" and have him be such a soft boy????

The things written in that book, while he does have the right to be resentful, was mean and heavily biased????

At one point; he even says that Luther (along with Reginald) let Ben die. Effectively blaming him for their brothers death. I could only imagine the effect it would have on Luther tbh.

And while I do think its great for the characters to forgive, I would love to see more on how the effects of the "childhood expose" was infact detrimental to the lives of the other siblings.

And for a Viktor to snap back and eventually own up to it. No more coddling!!

I've read great fics that included this though, for sure. And everyone has their own interpretations and ideas, but I do feel like a bit of a minority so I wonder if others may feel the same. Hrm.


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