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How to hide plot twists from both your readers and your characters in a way that is not frustrating or annoying.

So I was watching a book review for a book that I liked but both loved and hated some of the plot twists. Of course this got me thinking about plot twists and why they work for both readers and the characters that are falling for these plot twists.

Readers

The key is to control the information that your readers have. Your readers aren't going to consider an option unless (1) that twist is really common for your genre and that reader has read that genre a lot and will therefore be expecting it or (2) you have very obviously given them the specific information nessesary to unintentionally figure out the twist before the characters.

Why does this information stand out, you may be wondering. It is because there is nothing else going on to distract away from a piece of information that can seem meaningless with the right context.

Most of the time, if you're not writing a very specific plot line with a very specific genre, your reader isn't going to immediately know where the plot is going so they may not be looking out for the information relevant to a later plot twist, so as long as you justify an informational choice that explains a later plot twist in a way that covers a variety of basis, they're probably not going to pick up on the one piece you left out, aka what is going to make this twist fun.

This piece of information should be something small and unassuming. It can be magical, but if you're writing fantasy that magic has to be hidden really really well. I find that a plot twist works the best when the piece of information that is missing is something you wouldn't really think about, like the reason a prince was able to infiltrate a prison and hide his identity was because he had his cousin standing in for him and we don't know that this cousin existed and knew the limits of that world's magic (this is actually a plot twist that fooled me btw despite how obvious at sounds now).

A good plot twist that fools the reader relies on twisting the information that the reader has and therefore twisting how they think the story will go.

Midway sidenote: not every plot twist needs to exist to fool both the reader and the character, sometimes it is really fun to watch a character fail because of something inherent to that character.

Characters

Remember how I said sometimes it's really fun to watch a character fail. That only works sometimes.

It is more annoying to figure out a plot twist that is really obvious and then have the character miss it because the author said so.

So how does a writer pull this off?

Be intentional. Have an idea in mind of when you want the reader to figure it out and ask your beta readers when they figured out your plot twists to control that as much as you can.

Your character does not know which genre they're in, so you have to both get inside the character's head and take the reader along with you so they understand why this character is making these poor choices and missing the most obvious villain in the room.

Why would a character miss a plot twist?

They are distracted or delusional. Characters have goals and they may ignore their better judgments to achieve these goals based on their personality. Put more emphasis on your character's motives to hide information that may make plot twists more obvious. Also, your characters may use information about their world to explain their motives and this information may also be vital to understanding a later plot twist

The average person does not go around thinking everybody around them is out to get them especially if those people seem incapable of that through the pov character's ego or the other character's demeanor. If your character has known somebody for a really long time or knows a piece of information that is vital to the worldview they're probably not going to immediately discard it. Fun fact: in the real world, when people have their views disputed, even with very good evidence, it can make them more likely to hold on to that old belief.

Expectation of harm. Different characters have different experiences with shape how bad they think things can get. For example, if a character has never experienced something, they may not know what can lead to that thing. (FYI older characters are more likely to know more things so be careful with this one.)

The Twist

For a twist to work, it must make sense with both real world and in world knowledge as well as common sense, so keep this in mind as you plan.

Conclusion

This isn't comprehensive because good plot twists require a lot of information to make them work and that's makes them very specific. While I would love to explain why different plot twists work, part of them working is them fooling you and hindsight bias is kind of a thing.

Keep writing. If a plot twist just isn't working either scrap it or let it sit until you have the information to build reasons why it should work.

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♛ Articles I Wrote  ♛

The Basics of Story Planning - Part II (protagonists)

The Basics of Story Planning - Part I (introduction)

Creative Writing - is this what I want to do?

♛ Personal Writing (Mostly FanFiction) ♛

Deserving - (Red Dead Redemption II - John Marston x Arthur Morgan - Secret Cupid 2021 for  @southernlynxx​)

Love Gun - (AO3 - Fallout 4 - F!SS x MacCready)

Run Kid Run - (Red Dead Redemption II - Secret Santa 2020 for @ @onlytherocksliveforever​)

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