Oh To Be Dan Mora, Paid To Be Drawing Bruce And Clark In Canon Comics, Unstoppable As He Adds A Little

oh to be Dan Mora, paid to be drawing Bruce and Clark in canon comics, unstoppable as he adds a little bit of yaoi longing to a panel. as a treat.

both Stan and Ford think this about themselves

ouah,,,

if Bill had thought ONE step ahead he could've made a deal with Fidds. then he could've gotten Ford to do whatever he wanted

get Fidds to feel insecure about his intellect or charm or something and have Bill possess him when he's nervous about fucking up his relationship with Ford

can you IMAGINE? there's the muse like usual and then there's Fiddleford, who seems to be supportive about this whole project, even if he does have some weird memory lapses. oddly enough, when they are intimate or loving, Fidds gets really nervous then totally confident. Ford waves it off because the other personality is alluring in its own way

then the memory gun would have been invented by Ford to destroy Bill and, in the process, erased Fidds' memories

the PAIN from Ford. he has to, effectively, kill the one he loves to save the universe. to lure him in by making Fidds nervous and triggering Bill taking over for him. kissing Bill/Fiddleford (FiddBill?) and cradling his head only to pull the trigger on the memory gun. whispering "I'm sorry" right after he blasts him

knowing Ford, he'd drop Fidds off at Emma and Tate's, explaining extreme amnesia, and wallow in his sadness back at home. he publishes the breakthrough paper and patents some of his technology, all under Fidds' name. it was his work, anyway. and the Mcgucket family doesn't deserve to lose their income just because of Ford's decision.

Fiddleford doesn't remember Ford because he's not there to trigger his memory and Ford never checks in on him directly. he surveils his house, sure, and watches him from afar, but never gets into direct contact with him.

Ford could have even ended up in the multiverse this way. he calls Stanley, asking for his help to disperse the journals like before, but, like before, his dimensional portal malfunctions when Stan confronts him in the lab.

when Stanley meets Fiddleford, his introduces himself as Stanford Pines, but the only familiar thing about him is the cut of his jaw and his build. Fidds could've sworn they'd met before, but so many things about this guy seem unfamiliar, he brushes it off as weird deja vu.

he's been getting that ever since the accident. he used to work for Stanford, but somehow everything he remembers is wrong. this one doesn't wear glasses, nor does he have special hands. his voice is hoarser and he isn't interested in taking walks around Gravity Falls' forests. Fidds read about it somewhere, that your brain makes up memories where there are none. figures his has done that with everything he's forgotten.

when Ford comes back, it feels like he's got a word on the tip of his tongue. he knows something, it's just not coming forward. the new fella ignores him a lot. that's alright- not everyone has to be friendly. but when he hears this guy is the real Stanford, the one he worked for, Fiddleford gets curious and asks him about the accident. he figures he has a right to know, and if he has to guilt the guy a little, well you gotta do what you gotta do.

"please, call me Ford" makes him remember their college dorm room.

"that's plausible" and he can recall their first meeting.

when memories rush back of their college years, Fiddleford gets severe vertigo trying to stand. Ford's hands holding him steady reminds them of their first embrace.

the blush right underneath Ford's glasses and fidgety nervousness send Fiddleford back to the first time they kissed, intoxicated one minute, sober the next.

he falls to the floor, getting a headache from all of the remembering. Ford offers to lift him up and bring him to the car. a split second after being pulled up by the armpits, he recalls the first time they made out on purpose. it was after a fight on something trivial. both of them were just being hardheaded, and Ford pushed him to the ground. after profusely apologizing, Ford kneeled down. face to face like that, the air disappeared between them. neither were looking at the others' eyes. by the time they glanced back up, the fight was over.

a few chaste kisses on the floor turned into Ford heaving him up to stand. what happened after replayed into present day Fiddleford's mind as he was held steady by an older Ford asking, "are you alright? oh god I knew it was too early. I shouldn't have met with you I knew-"

he stops talking when Fidds puts a hand on his cheek, "we were close once."

Ford didn't dare breathe, "yes, once."

sketches of the boys i did for an animation im planning

you flap your arms when you happy stim, I turn into one of the inflatables outside a car dealership. we are not the same

as much as I adore NoPortal!Ford who stays with Stan and Fidds, within canon, the 30 years Ford spends on his own are fucking crucial to his character development. in that he gets all the weirdness and adventure he could possibly ask for- and he figures out he prefers home. it shows him a much, much crueler world and makes him appreciate kindness

given how hardheaded and stubborn he is, only experience could make him grow the fuck up and realize there's so much more to life than chasing ideas

both Ford and Stan are immature just in wildly different ways, and we see them both grow up during their time on the show. but none of that would've been possible without the consequences of their actions wearing them down for three decades