Amphibia Season 3 Thoughts/Review

Amphibia Season 3 Thoughts/Review

Season 3 of Amphibia is easily the most divisive season among the fanbase. There are a lot of different reasons for this but I think it primarily comes down to tone and pacing.

The reason why the issues with tone and pacing are so prominent is because of how it followed up True Colors. True Colors came in and seemed to promise that things would never be the same. It created a scenario for Anne and the Plantars that was very desperate. Sasha was left in Amphibia, Marcy had been stabbed (and for all they knew was dead), Amphibia was in imminent danger, and earth was going to be invaded next.

All of this should have created a massive sense of urgency and worry, but this doesn’t carry over very well into many of the episodes. The tonal whiplash that occurs when you watch True Colors and The New Normal back to back is massive. It goes from that gut punch of an ending to Anne being excited that she has wifi for the first time in months so quickly that it’s almost as if the characters forgot what happened.

When the show does address the sense of urgency the characters should have it is always on Anne’s end. Anne is the one staying up researching how to get back, Anne is the one trying to drop everything for new leads, Anne is the one losing sleep over the situation. The most the Plantars show on their end is homesickness. 

They are frequently the ones telling Anne to be careful or calm down which seems odd because they should have very pressing and important reasons for wanting to get back beyond missing their home.

In season 2 the heroes’ lack of urgency made sense. They didn’t know about Andrias’ plans, the core, or Sasha’s toad rebellion. The episodes where they explored Newtopia or visited towns on their travels fit much better because of their gap in knowledge and like I said previously those episodes usually found a way to keep the story moving forward or have important character moments so that they rarely distracted from the plot.

In season 3 there’s too much hanging over the characters’ heads that they know about for it to feel organic watching the episodes back to back. 

This isn’t to say that what happens on the earth half of the season is bad. The content is actually very enjoyable. Watching the role reversal between Anne and the Plantars is fun and we get to see even more of Anne’s culture and home life which is always a welcome addition.

The exploration of Anne’s family and culture is one of the best things about the first half of the season. The Thai Temple episode (Temple Frogs) in particular is one of my favorites. 

It has Anne displaying the urgency that some episodes were missing while also addressing how Anne’s parents struggled during her time away and how their community kept them afloat. This strikes a balance that makes almost everything that happens feel important on an emotional level without losing sight of what this half of the season is building towards.

This is also the case with the Christmas episode.

This half of the season doesn’t all take place on earth either. The perspective shifts back to Amphibia for a few episodes as well and they are two of the best episodes to come out of this half of the season. 

Turning Point and Olivia & Yunan serve as much needed glimpses into what is happening in Amphibia and handle the fallout of True Colors more directly.

In Turning Point Sasha takes responsibility for her actions throughout the series and decides to work towards being a better person with every action moving forward. She uses her strengths for good to fight against Andrias and protect the people and starts her redemption.

In Olivia & Yunan we see the crushing guilt Marcy is dealing with in the wake of True Colors and how she’s not doing so hot after being STABBED THROUGH THE CHEST. She is then possessed by the core in an honestly horrifying scene and loses all autonomy. 

In both of these episodes the course of the show is irrevocably changed and so are Sasha and Marcy. These episodes set up their arcs and roles heading into the endgame of Amphibia. 

This makes these episodes stand in stark contrast to many of the episodes surrounding them. They are darker in tone and have a sharp focus on what they are trying to do. These episodes are more in line with what I believe people thought this season would be heading into it. This helps make these what I believe to be the best episodes of this half of the season.

These episodes also break up the earth portions of the season and help the pacing immensely on re-watch. 

The first half of the season ends on the Christmas episode Froggy Little Christmas which, while a fun episodes that refocuses on the conflict with Andrias, shouldn’t have been the midseason finale. Escape to Amphibia should have been. It is the actual end of the earth portion of the series and feels like the beginning of the end in a way that the Christmas episode couldn’t capture (understandably).

So much about the episode is a bookend to this chapter of Amphibia and it has a lot of parallels that harken back to formative aspects of Anne’s character and the show as a whole. My favorite ones are this one 

and this one 

The first parallel is very reminiscent of Sasha during the third temple and I think that is intentional. Sasha’s redesign has her incorporate blue into her armor along with the red which symbolizes how Anne has changed Sasha and how she is incorporating the lessons she has learned throughout Amphibia and Anne into herself. This shows that the effect on each other is mutual. Sasha was not a good friend to Anne before this point but her good traits (when not taken to the extreme) have rubbed off on Anne and in some ways inspired her like she said in “The Third Temple”.

And the second parallel is very effective because it is put into stark contrast with the first time Anne and the Plantars come over the hill and see the rest of the valley for the first time. It takes the wonder and awe that was present the first time and twists it into shock and horror. It really hits home just how long Anne has been away and just how much True Colors effected Amphibia.

I want to take a second to mention how great Anne’s parents are. They really were the MVPs of the earth portion of the season and this episode.

It’s refreshing to see Anne and the Plantars back in Amphibia and this marks the start of the second half of the season which is the hardest to talk about in regards to the series as a whole in my opinion.

The second half of the season is complicated because it’s probably the most inconsistent part of the series. It contains some of the best content of the entire show and of any animated series airing at the time but it also has lows that mess up the pacing and ultimately end up feeling directionless at times.

The second half of the season starts out strong with Escape to Amphibia and Commander Anne but doesn’t maintain that momentum. The episodes primarily focus on the rebellion gaining forces to take on King Andrias but this doesn’t culminate in a satisfying way. 

The only episode we get to see the army fight is The Beginning of the End, but then they quickly become irrelevant after Sasha and Anne’s plan fails and the invasion of earth begins. This makes the majority of episodes in season 3B ultimately feel like they weren’t building towards anything. 

At least in 3A a lot of the people Anne and the Plantars impacted on their earth adventures come together to help them take on the government and get back to Amphibia. It makes it feel like there is some semblance of an end goal.

But with 3B the important players aren’t any of the amphibians they get to join their cause and it is entirely focused on the calamity trio, Andrias, the Plantars, and Grime. The army doesn’t play a part in stopping Andrias’ invasion when they get to earth or taking down the core.

It’s odd because these episodes bring back so many characters and plot points from the first season and makes it seem like it’s all coming full circle. That everything that happened in the beginning is going to come around in a big way and be the reason they will win in the end.

It built a certain expectation that it didn’t fulfill which hurts the episodes a lot on re-watch. 

These episodes do manage to flow better than the episodes in the first half of the season (at least to me) though because the setting and characters are ones I’m familiar with and invested in which always makes them at the very least enjoyable to watch. 

Episodes like Grime’s Pupil and Sasha’s Angels have all the issues I mentioned above but because they feature new relationships between characters I know and love and are centered around the conflict I am more emotionally invested in they always manage to hold my attention more than certain episodes in the first half and remain fun. 

There are episodes that didn’t do this nearly as well like Mother of Olms, which promised so much more than it actually ended up delivering on that it left a bit of a sour taste in my mouth when I first watched it. It’s better on re-watch, but it’s episodes like this coupled with the overarching narrative problems that leads to an uneven stretch of episodes.

There are some very good episodes sprinkled into this run with the clear standout being The Core and The King. 

The Core and The King is a fascinating look into Andrias’ past and why he is the way he is. It adds so much nuance to his character and actions in True Colors. It is held back a bit by the fact it isn’t a half hour special episode and thus can’t spend the time necessary to attach the audience to the characters of Leif and Barrel, but it still believably portrays the actions and relationships that it focuses on. The best relationship exploration of the episode is easily that of Andrias and his father, which recontextualizes his allegiance to the core and dedication to his mission.

This episode adds a level of tragedy to Andrias and his relationship to Marcy that retroactively elevates their relationship in season 2 and the betrayal in True Colors. There’s a level of regret and genuine care that feels like it’s simmering just below the surface that plants the seeds for the flashbacks in All In and makes their entire journey together really bittersweet.

This leads us to the finale three episodes (essentially one big finale), but before I talk about those I want to address how this season handles the calamity trio.

I’d say this is a mixed bag and it’s understandable why people have such conflicting opinions on this particular part of the season. This is where the trio are at their most important. The emotional climaxes of almost all 3 parts of the finale depend on them.

They are the ones the final battles come down to. There is so much riding on their growth and the audience’s emotional connection to them that they needed focus this season.

Sasha and Marcy have had limited screen time coming into this season but it was handled well in regards to the story and themes the show was trying to cover. In the third season they both still have limited screen time but the way that screen time is handled is vastly different between the two.

Sasha is the one that comes out far better in regards to this. She completes her arc and gets her redemption. Her perspective and change is put on full display.

There’s even a subplot that has Anne and Sasha go through an awkward transitionary period in their friendship that has Anne’s doubts and frustrations with the past surface. These moments are used to show Sasha’s change and work in regards to their overarching relationship. It feels earned that their friendship comes back together stronger because of who they are now as people and all the trials they’ve gone through. 

Sasha’s arc is one of the best handled in the series. A few things could have been tightened up, such as her gaining the trust of the Wartwood citizens, but overall it had a strong core that it never lost sight of.

It also culminates in a powerful way within All In.

But that isn’t the case with Marcy. Marcy is benched for a lot of this final season due to her possession. The idea behind Darcy is very intriguing and they could have been one of the best Disney villains to come out of a cartoon in recent years, but they were underutilized so the emotional impact of them was limited to mainly The Beginning of the End (which was fantastic).

This choice made it so Marcy was put into stasis and couldn’t realize her own development that started in True Colors. It makes for an emotional reunion in The Beginning of the End and All In but it makes it so Marcy’s arc feels shortchanged in comparison to her friends.

There’s also the fact that due to the crews strained relationship with Disney and S&P after the True Colors fiasco they weren’t allowed to address Marcy getting stabbed. This was a major moment that should have had massive repercussions moving forward but due to this handicap it fizzled out into an afterthought that hurt Marcy’s character arc and diminished how well her importance to Sasha and Anne could be displayed.

Even with the show struggling to juggle the calamity trio and their baggage (particularly Marcy) with the lighter tone they were encouraged to have and some of the directions they chose to go in the final three episodes hit almost all of the beats they needed to for the conclusion to their arcs and the journey of the show to be satisfying.

The final three episodes of the show are great and have some of the most emotional moments of the series. They were allowed to be darker and address the more difficult topics and themes the show had set up. It’s a shame that many of these very fascinating issues and conflicts were pushed back to the final few episodes, but the way they are dealt with here are for the most part fantastic.

I’ve talked in depth about each part of the finale on here already but to sum it up they manage to make the themes and character arcs set up in the story and pay them all off. There are a few issues I have with each of them here and there but for the most part they are a fitting send off and provide one of the best conclusions to a series I’ve seen in quite some time. 

The Beginning of the End expands on the pre-amphibia trio dynamic in regards to Marcy in a poignant portrayal of her isolation that elevates the tragic reunion between the friends at the end and is easily the episode that best utilizes Darcy.

All In puts the changes each of the trio have gone through during their journey in Amphibia on full display, allowing them to have a quiet reconciliation that touches on the care and impact each have had on one another.

The Hardest Thing manages to be a heartfelt goodbye to the series and world of Amphibia as a whole and keeps a sharp focus on the main themes of the story. This is the episode I have the most issues with of the three but it still manages to close out the series on a bittersweet note that makes sure the impact of these adventures can be felt on the characters even ten years later.

These episodes aren’t perfect (I go into greater depth on the episodes in the linked posts) but they are still some of my favorite of the series and remind me why I love this show so much in the first place. 

I feel like this came off rather harsh. I wanted to take a more objective look at the series season by season and address some of the legitimate issues while explaining its strengths and expressing what I personally loved about it. I don’t know if I got the balance right but I want to express that I really do love this show.

Amphibia is such a great and fun series. It wasn’t perfect but nothing is. It’s been almost a year since the show ended but I still miss it. I really came to love the characters and world this series created. I hope others got the enjoyment that I did out of it.

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Extra Thoughts

I really love where the trio end the series. In a way it hits harder considering where I am in my life. It’s pretty obvious that none of the trio really loved themselves prior to their journey in Amphibia but you see how each have grown into their own and are happy with where they are. They’ve found callings that help them express themselves and what they learned and it hits you that they’re okay. That things changed and they lost things and people but they kept those memories and eventually reconnected. I really like that. 

The jobs each of the girls end up with after the time skip are so perfect for each of them. 

I realized I never said this in any of my previous re-watch thoughts/reviews but Anne is a great protagonist that goes through so much development and growth. Her arc of learning self love and worth is amazing. I just felt that needed to be said.

I’m mixed on the decision to keep the reveal of the new Sasha a secret until Commander Anne. One the one hand it does succeed in what it was attempting to do. It does shock the audience with how much Sasha has changed just like it does Anne. But on the other hand I wish we had gotten to see that change in greater depth. It felt like a bit of a missed opportunity. It wouldn’t have needed a ton of screen time, in fact I think having at least a single episode showing Sasha growing into the role of commander of Wartwood while working on being a better person could have helped the awkward pacing of the first part of the season and establish the dynamics of the resistance.

One issue I didn’t touch upon above is how the show struggles to keep the Plantars relevant in the second half of the season. Many episodes just have the Plantars be present but don’t give them much to do, if they give them anything at all. In fact, Polly gets no focus or development in the second half of the season. 

There is one part in Escape to Amphibia that doesn’t really sit right with me and that’s the scene where Sprig tells Anne it couldn’t hurt for them to wait a bit longer before returning to Amphibia if she isn’t ready. I understand what the writer was going for with Anne not being ready to say goodbye to her parents again and face a war that may have already claimed her friends, but it once again undercuts the desperation of the situation. Almost as if the characters and show believe the conflict in Amphibia is put into stasis because Anne and the Plantars aren’t there which hurts the storytelling and tension of the season. Once again not taking the consequences of True Colors as seriously as they should.

Marcy and Sasha’s parents should have been seen at least once in the series. I could go into a hundred reasons why this would have been the better move but plenty of people have talked about it before and in greater depth than I could. It was definitely wasted potential and felt weird to tease them twice (Froggy Little Christmas and All In) only to never see them in the show.

This season is what I believe to be the musical peak of the series with fantastic and emotionally charged tracks that I listen to. I love the entirety of the score for All In but my personal favorite one of this season has to be the sad rendition of Marcy’s theme that plays over the credits of The Beginning of the End. That track is a gut punch. (TJ Hill has released most of the tracks on his youtube channel)

I do really enjoy the development that Polly gets in the first half of the season. She was the only Plantar that felt like they had tangible development which is once again disappointing because I do genuinely like the Plantars.

Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case. 

Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story. 

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.

Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus). 

The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene. 

This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle. 

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship. 

The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.

The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external. 

“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”. 

This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are. 

The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim. 

The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance. 

The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)

That being said I do have a few issues.

My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale. 

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him. 

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.

Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common. 

Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal. 

I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering. 

It also leads into a very touching reprise of Rider’s Lullaby. 

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.

This is why I’m mixed on how they chose to have this scene play out.

I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes. 

This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).

This decision holds true to the series to this point.

This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch. 

I am interested to see what Megan Nicole Dong does next!

*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.

Extra Thoughts

I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.

I felt like adding to this list just to make fun of how consistent the characters I project onto is.

Me: There is definitely not a pattern to the characters I project onto.

The characters I project onto:

Amphibia Season 2 Thoughts/Review

The second season of Amphibia had a hefty task to undergo. It had to massively expand the world, introduce Marcy, sneakily weave in hints to her truth that would be revealed in True Colors, set up the toad rebellion with Sasha away from Anne, hint at the full story of Andrias and the core, introduce much deeper lore, and completely shatter the status quo by the end. And yet it managed to pull it all off. It felt like everything came together this season.

The biggest change from season 1 to season 2 is just how serialized the series became. Season one was very episodic for the most part with story, plot, and lore progression sprinkled throughout but never the main focal point with Reunion serving as a turning point in the series in this regard. 

The season doesn’t completely pivot away from the structure of the first season. It still contains episodes that have the adventure of the week nature of the first but even in those episodes it keeps sight of its end goal and keeps the plot moving forward for the most part or at the very least doesn’t distract from the plot. 

This is best shown in episodes that may seem like what some people would consider “filler” episodes on paper when just hearing the synopsis but in reality are some of the most important or emotional episodes of the series such as Hopping Mall or Battle of the Bands. 

Battle of the Bands in particular is incredibly integral to the plot and character development in the series. This may be one of the most important episodes for Sasha’s character arc.

Battle of the Bands sets up Sasha’s capacity for genuine change, not just doubt in her own actions. We see how much she cares about this friendship and that she is capable of giving up control and making the right choice for them.

Without this episode Sasha’s change of heart and redemption later in the series wouldn’t work. And it all occurs in an episode where a toad warrior wins a music competition by playing a 3 hour harp solo.

This integration of development into most of the episodes makes it so that the season constantly feels like it is headed somewhere with all the hints towards this destination weaved in organically throughout. This serialization allows for so many character arcs to be built up within the season and leads me to my next point. 

This season is the one that juggles the screen time of all three of the calamity trio best.

Every girl gets the screen time necessary to hit all the points they need to complete their individual arcs this season. Marcy becomes part of the main cast for a large chunk of season 2 and, while Sasha doesn’t appear much, she is given solo episodes from her perspective that show her struggles and journey after the fallout of Reunion. 

Their arcs as individuals and as friends play into the themes of the show perfectly. This show is centered around change and growth and so much of this season is challenging the way people fight against change. 

Sasha and Marcy’s attempts to fight change are precisely why everything came crashing down in the finale. Sasha was desperate to regain control and force things back to the way they were and Marcy wanted to escape reality so that things wouldn’t have to change between the trio. Both of these come back to bite them.

In Sasha’s bid for control she shatters whatever trust she had built with Anne and due to this can’t get Anne to listen to her when she tries to reveal the truth about Andrias. This directly leads to their second fight, her capture, and Anne handing Andrias the box. 

Marcy’s desire to keep the trio from growing apart leads to her deceiving Anne and Sasha and bringing the box right to Andrias. This gives him the ability to regain his former “glory” and causes her fantasy to come crashing down in the worst way possible.

This season emphasizes that the trio is fascinating and complicated and tragic all at once. They do care about each other. So many of their actions this season and in True Colors alone prove that they do but their individual flaws and Sasha and Marcy’s reluctance to accept change clouds it, leading to terrible mistakes and betrayals that can’t be taken back.

This complexity wouldn’t be displayed nearly as well if we didn’t get to spend time with the trio before everything falls apart. The three episodes leading up to True Colors that explore their dynamic are vital to getting their care for each other, the tragedy of their friendship, and the hope for Sasha and Marcy to get redemption across. 

A lot hinges on the trio’s friendship because their actions and dysfunctional relationship is what drives things and forces change in the story and world so if you aren’t invested in the trio (both as individuals and as a friend group) many of the big moments in the series wouldn’t work.

I also want to once again give props to how the show uses the opening to allude to future plot points about the trio.

Marcy’s reveal is hinted at in the moment that replaces the photo in the rain. Sasha and Anne are fighting while Marcy looms over them facing away and holding the music box. The ominous lightning strikes once again which hints at Marcy’s truth that Sasha and Anne are unaware of and that all three of them have conflicting end goals for their journey in Amphibia this season.

Marcy looms over Anne and Sasha. Her presence is felt throughout Anne and Sasha’s personal journeys in Amphibia, the good and the bad, because she is the reason they are there. Marcy is the one in control/possession of the box. There’s the implication that she knows more about it than she is letting on. She is facing away which makes it seem less like she is the looming presence and more like it’s her actions or knowledge of the box that is.

Things like this make going back to watch the season really fun because you can catch how all the pieces were there for Marcy’s reveal to make sense but none of them were obvious enough to spell it out for you before the fact. 

Amphibia’s world is also opened up to us in season 2. It manages to find the perfect way to introduce this brand new world without overwhelming the viewer.

Anne and the Plantars haven’t been outside of the valley and Newtopia is established to be far away. The audience gets to experience all these new places and all the new lore with the characters and it doesn’t feel unnatural and stilted. Instead it feels like it has a natural wonder to it that matches each character.

One of my favorite shots in this season is the first time the fwagon came over the hill and the world beyond the valley came into view. That shot was mesmerizing and really encapsulated just how ambitious I think this season was. 

There aren’t many series that have created that same awe over just how big their world is that Amphibia captured in this single moment. That awe is what season 2 excelled at. It expanded the world so much and yet made sure you really got a grasp on the nuances that each faction of the frogs, toads, and newts had. No one part of Amphibia felt the same. 

Newtopia, Wartwood, and the toad towers are all wildly different even in their color palettes and the music used when in each location.

When we are with the Toads the color palette leans more towards reds and the music sounds more intense such as the rock music that plays when Sasha is riding the narwhal worm or the theme that starts off Prison Break and Barrel’s Warhammer. They are very distinct and help give these places their own personality.

When in Newtopia everything feels grandiose with the color palette of blues, whites, and golds. The music is full of brass instruments that exude an air of royalty and greatness in contrast to the rough and tumble intensity of the rock themed music of the toads and the more humble feeling of the softer string instrument focused music used in relation to Wartwood and the frogs. (I’m not great at talking about music but I’m trying to get across how different each location feels musically)

Since we’re on the topic of music I want to gush about just how great the soundtrack for Amphibia is.

While I think season 3 is the musical peak of the series, this season is phenomenal as well. 

One of my favorite things TJ Hill does is the way he makes Sasha and Marcy’s themes go through multiple different renditions to show what point they are at in their respective arcs. The instrument choice and volume reflects what kind of turning point they are at within their respective arcs. 

My favorite scores in the season have to be the orchestral rendition of No Big Deal when Anne activates her powers and the score that plays when Marcy’s truth is revealed. I could listen to these on repeat if given the chance. TJ Hill is very talented and I wanted to take the time to give him a proper shout out.

I’ve spent so much time gushing about the season that I think it’s about time I got to the finale.

True Colors is what I still believe to be Amphibia’s best episode. 

Everything in the season felt like it was building up to this.

The toad rebellion, Sasha’s change of heart, and Andrias’ betrayal have all been building in the background of this season. Even the more shocking events such as Anne’s powers, the truth behind Marcy’s actions, and the cliffhanger of Anne and the Plantars back in the human realm have been built into the season with all the pieces there for the audience to put things together.

Anne’s stone not charging all the way and the hints at the girls’ calamity powers through their feats that occurred while their eyes flashed their respective colors gave enough for the audience to know something big would come of these moments but not enough to give away exactly how they would manifest or when.

The same can be said for Marcy but her reveal is even hinted at as early as the first time the opening plays this season in the moment that replaces the photo in the rain like I explained above.

These hints are carried into her character throughout the season in episodes like Scavenger Hunt, where Marcy admits that she struggles to make friends, and The First Temple, where Marcy’s tunnel vision blinds her to the consequences of her actions. 

The biggest hint is in A Day at the Aquarium when she stands there alone long after Anne leaves with the Plantars in a very striking visual portrayal of her loneliness and isolation (both major factors in her decisions with the box) and directly following this moment she is given a proposition by Andrias that we don’t get to hear. This looms over the end of the season leading into True Colors and added another layer to what was going on with Marcy away from Anne.

There was so much there that hinted towards Marcy’s reveal but just like with Anne’s powers it’s something that was still shocking because the specifics weren’t clear. Many people theorized that Marcy would betray Anne, but none that I know of got how she would betray her friends right. It was a masterful reveal.

Even Anne ending this season back in the human realm had all the pieces there. So much time was spent charging the box and making their way through the temples that it was obvious that someone was going to end up back home and having it be Anne, our protagonist, makes the most sense.

Even with all this build up all of these reveals still manage to give me chills to this day despite the fact that I know how they will work out and I think that’s the mark of a good twist. If it’s ruined by knowing what will happen it wasn’t a great twist in the first place.

True Colors is one of the best season finales I’ve seen for a cartoon and it caps off what I consider to be the best season of Amphibia. It manages to improve on almost everything from the first while not getting bogged down in the pacing and tonal issues of the third (I still love both those seasons as well). It’s an all around great season.

Extra thoughts

These are my rambles that I omitted from the review above but found worth sharing. You can easily skip these if you want.

One of my favorite things about the finale is that it makes it clear that Marcy’s actions aren’t clear cut. They can’t be placed into a neat box of good or bad. Marcy didn’t make her decisions out of malice, but desperation and fear. She’s afraid of losing the only friends she has and based on how Anne and Sasha ignored Marcy’s interests prior to Amphibia it felt like a matter of when their friendship would fall apart after Marcy moved not if from her point of view. Marcy didn’t think through the consequences of her actions with the box. As a result, she took Anne and Sasha away from their lives for over half a year and they were dropped into very dangerous situations. She also hid that she planned on going on more adventures with them rather than returning home and ensured that Andrias got a hold of a fully charged box. Marcy’s choice is a complicated situation that can be understood from all sides. 

The trio’s friendship is also a very complicated situation where all of them had flaws and made decisions that ultimately lead to this point. Some were more toxic and damaging than others (Sasha’s manipulation and control freak tendencies) but no one person is painted in black and white. Marcy isn’t evil. Just like Sasha isn’t irredeemable. just like Anne isn’t blameless. They are people.

True colors has some spectacular animation with the standout scene clearly being when Anne activates her powers. The change in fluidity and style (as well as the clear DBZ inspiration) makes it so that the raw power of Anne’s new form can be felt. 

I kind of wanted to elaborate on what I mean by Sasha and Marcy’s themes changing to show where they are or shifts in their arcs. I’ll use Sasha’s theme as an example. In the first season Sasha’s theme sounded like it was played on a music box. Each note was sharp and precise just like her and her manipulation, but when she is reintroduced in Toadcatcher her theme that plays at the end starts out soft, almost reflective as Sasha touches the scar and thinks about Anne, before it crescendos near the end as Sasha states things aren’t over between her and Anne. The notes blend together and the instrument changes, it’s not as precise and more driven by emotion, more ominous. The way the music plays out shows a shift in Sasha and her plans and not for the better.

For Marcy’s theme I feel like it’s a lot more self explanatory. Just listen to her theme that plays during her introduction and her theme that plays during the reveal in True Colors. There’s a stark contrast that anyone can notice. Her theme is very upbeat and energetic in the first one while in the second one it is slowed down significantly and uses brass instruments/an organ. Both of these choices make the tone much more ominous at the beginning as the music crescendos before the music softens once more, but keeps the much slower and deeper rendition of the melody, and brings that air of tragedy that this moment entails. It’s brilliant. (again, I wish I was better at talking about music)

Part of the tragedy of Marcy’s character is in her contrast. When she’s around Anne and the Plantars or Andrias (usually) she’s upbeat, happy, and energetic but the deep seeded loneliness she has slips through when she’s alone which is made the most clear at the end of A Day at the Aquarium. 

Thanks to Them Thoughts

The first special of The Owl House’s third season recently dropped and I can say with full certainty that it hasn’t lost what made the second season so special.

I don’t think I’m in the minority when I say I was disappointed that the third season got shortened to three specials but I wanted to come in hopeful for what these specials could bring. The Owl House proved to me in its second season just how phenomenal it could be within a limited time frame with episodes like Eda’s Requiem, Knock Knock Knockin’ on Hooty’s Door, and Hollow Mind. I know that the situation is different but it’s proof just how much this show knows how to tap into the emotional core of its characters, stories, and relationships in 22 minutes.

This episode does the same thing by digging into the core of Camila, Luz, and Hunter. 

Camila is a character that had the fandom split and in my opinion received way too much hate. She was a single mother doing her best with a specific set of struggles due to the point she was in her life and the circumstances surrounding the start of the series. This episode understands that Camila loves her daughter and wants to do right by her but parenting rarely has a perfect answer. 

Camila’s choices are given more context and shown in a different light. I was already in the camp that believed Camila was a loving parent that made some mistakes because she’s only human, but this episode solidified it.

The nightmare Camila has about halfway through the episode is a poignant way to explore the concept of generational trauma and trying to break that cycle.

Luz found a community that will accept her the way she is and a place where her strengths can flourish. Once Camila has had time to grapple with the reality that Luz went to the demon realm by her own choice and she gets to see just how good this place has been for her she embraces it.

She even wants to go to the demon realm with Luz so she can be a part of that aspect of Luz’s life as well (and look out for her daughter in a very dangerous situation). It’s just a really touching portrayal of motherhood.

That’s actually the part I’m the most upset we missed out on due to the shortened season. Seeing Camila be a supportive mother to Luz and give Amity and Hunter their first real experience with a caring parent is something I would have loved to see considering how much their abusive/complicated home lives we’ve gotten to explore over the show. (I specify Amity and Hunter because we know that Gus and Willow have loving home lives. I would still love to see Camila be a parental figure to them too)

We still have some more time. I’m hoping we’ll get to see more of surrogate mother Camila over the next two specials.

Hunter especially needs that care because he cannot catch a break.

Season 2 and now season 3 has been one long trauma conga line for Hunter with so much of that trauma being born from his twisted relationship with Belos. 

Hunter being possessed by Belos is a very fascinating turn of events that foreshadows so many possibilities with Belos but there is one area I think could have been handled better. 

I want to touch on the scene where Hunter stood up to Belos first. This has been a long time coming. Hunter has submitted to Belos’ ideas for his future for most of his life and even after leaving the emperor’s coven he didn’t get the chance to have a confrontation with Belos where he was given the time to address this area of growth.

Hunter finally has the chance to choose his destiny which is something he stated he was jealous Luz could do back in Hunting Palismen. Due to his journey in the human realm he has the self worth and the security to stand up to Belos for the first time in his life and it was a powerful scene because of the build up.

Hunter has gained so much that he has lacked all his life due to his time away from Belos and in the human realm. It makes this moment and his sacrifice hit all the harder because of how far this episode shows he’s come.

He has a family

He likes who he sees in the mirror 

He has friends who value him for who he is and not what he can do

He can take part in his hobbies and indulge his interests 

He no longer needs Belos like Belos tried to make him believe. He can finally be the person he was always meant to be. 

Hunter is brave, caring, and kind. No matter what Belos did or said to him he never lost those qualities. He is willing to stand up to Belos and possibly sacrifice himself to protect everything he has come to love. He has people that will extend that same care and compassion towards him.

This brings us to one of the saddest moments in the episode: Flapjack’s sacrifice.

Hunter has gone through so much and Flapjack’s sacrifice hits especially hard because Flapjack was one of the first people Hunter could rely on and probably even call a friend. 

Flapjack was important for Hunter’s development in more ways than one. He provided him with a confidant when he didn’t have anyone else and it helped him question and re-evaluate Belos’ actions in regards to palismen and wild magic. He also met him because of his first real encounter with Luz.

It all comes full circle. He initially protected Flapjack from Belos because he knew Belos would use him as fuel/a life source but now Flapjack is willingly being exactly that for Hunter. He is now a part of Hunter. It’s a very bittersweet ending to their relationship that shows the growth and care that they each had for each other.

That moment where Hunter stops in front of the portal and holds his hand over his heart was a short but very effective moment at conveying his grief. 

This sacrifice was very well executed in my opinion.

All of this works emotionally within Hunter’s character arc. 

However, the battle didn’t quite reach its full potential. It had incredibly fluid animation and was amazing to watch, but it wasn’t as emotional on Amity, Gus, and Willow’s end as it could have been in certain ways. 

You could feel the conflict and pain from Luz’s end. It was made clear that she was purposefully not trying because she didn’t want to hurt Hunter and even hugged him to try and get through to him. She doesn’t want to hurt him because of how much she has come to care for him and this turmoil could be seen in every action Luz took and could be felt in her voice acting performance. 

She’s the only one you could understand the full grasp of her conflict over the fight with Hunter though. There wasn’t any of that same hesitation or desperation on anyone else’s end. You know that all of them are close to Hunter and care about him but you don’t feel the full depth until after the fight.

These connections are really important to Hunter’s character because of how Belos isolated him prior to season 2 and I loved all the moments that showcased how important Hunter is to the group and vice versa. That’s why I decided to point out the lack of hesitation on everyone else’s part. It doesn’t break the episode (in fact the episode is great) but I thought it could have been executed a bit differently.

Hunter is one of the strongest characters in the show and the way this episode handled him was great.

This brings me to Luz.

King’s Tide had real consequences for Luz. She feels like she couldn’t protect Eda or King and she couldn’t stop Belos or the Collector. She doesn’t know the fate of the family she left behind and she believes that everything that happened is her fault.

She’s understandably not handling it well.

Luz this episode and in a few episodes last season is used to explore grief and loss. This is explored in more ways than one through the loss of her father and her newfound family in the Boiling Isles.

Luz’s father was noticeably absent in her life at the start of the series but what happened to him wasn’t revealed until “Reaching Out” (In a fantastic scene by the way). We get even more expansion on it through Luz’s video diary entries. 

Luz was much more aware of what was happening with her family and father than she let on to her mother despite their best efforts to shield her. The way you can see the decline in her emotional state through her entries as her father’s health declines makes the process feel real. This wasn’t a quick but a slow process/struggle for the family over time until he unfortunately passed. It’s something that Camila and Luz are still struggling with. 

The process of healing isn’t linear for any of the characters. 

It also reveals that Manny introduced Luz to the Good Witch Azura. This is really bittersweet and touches on something that this episode emphasized and that is how media and stories can help us process, heal, and feel seen in aspects of life that people struggle with.

Hunter finds connection and healing through the Cosmic Frontier character O’Bailey. Luz finds that same connection and escape through Azura. It helped her during a really hard time in her life by helping her find a connection to her father after he was gone.

It makes everything in regards to her Good Witch Azura book and hyperfixation very bittersweet and puts so much in a new light. It’s a brief but powerful moment in the episode.

The exploration of Luz’s grief in the present day is handled just as well as that short segment. It shows the repercussions on her mental health and how it trickles out in unexpected ways like her rant in class. 

But most importantly it shows how her support system understands that she’s struggling and they are there for her no matter what. They might not all know how to best handle what she is dealing with but they all give it their best and make sure they let her know that they don’t think of her as a burden.

One of my favorite moments showcasing this in the episode is when Amity lets Luz know that Belos meeting the collector because of her help isn’t a failing on her part. It doesn't make her a mistake or the harbinger of doom she believes she is. She assures Luz it’s a testament to her good heart instead.

Luz’s support system doesn’t automatically make her better either. The Owl House understands there is no quick fix to depression and other mental health issues. There is no list of requirements to check off to “cure” it. It’s something that is dealt with on a daily basis.

Dealing with mental health isn’t linear just like dealing with grief isn’t linear.

I am really intrigued to see how they handle Luz’s struggles moving forward and believe that they were handled with a lot of tact in this premiere.

This show has really come into its own. Season one was fun and had a great world and characters that drew you in but lacked a strong vision of where it wanted to go with wonky power scaling, an inconsistent level of control and influence from Belos that changed to suit the episode, and parts of the story that clashed with its core themes. I loved the season but thought there was missed potential. 

Season two came around and reached the heights I thought it was capable of and it seems like season 3 plans to do the exact same. I can’t wait for the final two episodes. If this is any indication of their quality I bet they will be amazing.

Extra thoughts

I love when Camila lets Luz sleep with her after she’s awoken from her nightmare. It’s just a really sweet mother-daughter moment.

I really liked Hunter’s cosplay and how his attachment to the character of O’Bailey speaks to the importance of representation and how it can help you heal and feel seen.

Gus definitely knows that Hunter is a Grimwalker. He purposefully introduced Hunter to a character that he could connect to and even tried to imply that he knew before Hunter covered his ears to avoid spoilers. I really appreciate their dynamic in the smaller moments of this episode.

I said it in my Hollow Mind thoughts but I’m going to say it again here: I think that Evelyn was a Calwthorne. There’s just too many clues in the show for her not to be and the Owl House has a pretty good track record of paying off obvious hints.

The best thing about this episode is how it carries over the consequences of King’s Tide. There are a few times where the tension the characters should feel to get back to the Boiling Isles gets a bit lost. The most notable example was how solving the clue they found to get them back to the isles was framed more as a way to cheer Luz up than a way to return to their families and know if they are okay. 

Yeah, the characters are sad to be away from their families but there isn’t the desperation to know about their fates that would be expected considering what happened with the day of unity and the collector. I like how this plot point was used in regards to Hunter and Luz but thought it was a bit lacking in execution and development when it comes to Amity, Willow, and Gus.

Amity, Willow, and Gus are unfortunately the ones that suffer from this section of the season being shortened. They are fun and engaging supporting characters but they noticeably don’t get the emotional focus or development that Luz, Hunter, and Camila get. I don’t dislike the choice, in fact, I think it was a smart choice to narrow the scope of the episode because it would likely become bloated and lack the strong focus and emotional core that it has.

It’s just unfortunate because Willow and Gus are not as well explored as Amity, Luz, and Hunter. Gus at least has “Labyrinth Runners” as an episode focused on him and a few episode B plots but Willow doesn’t really have her own spotlight episode. Both of her episodes “Understanding Willow” and “Any Sport in a Storm” are actually Amity and Hunter episodes respectively.

I would just like to see a bit more of Willow explored.

This is the first time Hunter has really cried in the show. He’s teared up before but never allowed himself to fully cry. It’s telling that the moment that gets to him the most, that makes him drop those walls and breaks the dam, is when Luz calls him family. It’s not traumatic or violent. It’s quiet and tender. He’s never had a family (something he mentions in Hunting Palismen) and now he does. Earth really did allow Hunter to come into his own and gain so much that he lacked all his life. 

I absolutely adore all the end credits art. Most of it is just so wholesome with my favorites being Luz teaching Camila glyphs (Camila is really committed to learning from Luz) and Flapjack tucking in Hunter (this is just so bittersweet).

Rise of the TMNT First Time Watch Thoughts

Rise is a series I didn’t get into right when it came out. It was released very soon after my favorite tmnt cartoon, 2012, had ended and I was going through a major transition in my life. 

I watched the first few episodes, but my schedule was jam packed and I fell off of watching it rather quickly. I still wanted to give it a shot but later when more episodes were released and I could binge it because I felt that this show deserved more than a fleeting shot. But I didn’t really get around to watching it in full until recently.

I do want to say right off the bat that the backlash against this incarnation when it was first announced was ridiculous. The show hadn’t even aired and people were rallying to cancel it. You can’t judge the quality of something before seeing it and changing something from past iterations isn’t necessarily a bad thing even if it is an adaptation. 

My rule for adaptations is that what’s most important for new iterations is that they understand the heart of the series and characters that they are adapting and I would say that Rise clearly understood the heart of its characters and series but it just chose to adapt it in a different way. And in my opinion that’s great.

And I’m not going to pretend that all the changes worked for me. Some changes just didn’t mesh with me personally and I found myself preferring certain iterations of the characters and their dynamics/arguments from past iterations more. It’s just a matter of personal preference.

I have spoilers below the cut but I want to say that if you haven't watched it I really recommend giving it a shot!

I want to get into my full actual thoughts on the series now that that’s out of the way.

While Rise of the teenage mutant ninja turtles is a great series, it got off to a bit of a rocky start. The first half of season one, while fun and full of amazing action scenes, wasn’t the type of start to absolutely grip me like the first seasons of 2012 and 2003. It did, however, manage to set itself apart from the other iterations of the turtles and firmly establish the unique personalities of these versions of the turtles, Splinter, and April O’Neil. 

The show clearly had some issues finding its footing at first and I think one of the major issues was that the show itself had trouble figuring out how exactly to implement the changes it made to the lore and characters from past incarnations into the first season, which led to pacing issues and some mixed characterization that took a while to get used to from characters such as Splinter (he gets a lot better later on and I really grew to like him but at first I wasn’t that fond of him). 

But, while I didn’t personally love the first season as much as other iterations of the teenage mutant ninja turtles due to this slow start, once it established its lore and changes and firmly knew what it wanted to be the show really took off and could reach great heights in a way completely unique from the other interpretations. 

This shift occurs about halfway through the first season with “The Evil League of Mutants” when the origins of Splinter and the Turtles and their connection with Baron Draxum finally get revealed (in a really good musical number I might add). This is where I really started to get invested in the new lore of this series and the changes the show made to the characters and backstory.

This is when everything that was slowly and sometimes awkwardly established started to come together and form a much clearer picture of what this series was trying to do. Those disparate pieces that felt a bit strange such as the new characters of Baron Draxum and Big Mama, the idea of the yokai, and the very different and at times kind of perplexing iteration of the foot clan finally interacted to hint at an endgame for this season and it worked much better than I anticipated.

I also was glad we finally got some development for Splinter, his relationship to the turtles, and his backstory. Up until this point he didn’t really work that well for me and the lack of any meaningful interactions between him and the turtles was a bit off putting, but starting with this episode so much new information was revealed about him that vastly improved the character and endeared me to him.

This continued development for Splinter leads to some of my favorite moments from the series.

For example, one of my favorite moments from the first season is when Splinter tricks Donnie and Mikey into going to a demolition derby with him. When Donnie discovers that Splinter lied he gets really upset and believes that Splinter didn’t really want to spend time with him.

It’s made clear leading up to this point that Donnie is really effected by the lack of attention and affection Splinter gives him and before now it was mostly said in a joking way that didn’t betray just how deeply it hurt him but he finally lets it out in a rare moment of vulnerability. And in response Splinter calls Donatello by his actual name for the first time in the series and apologizes. There’s a real and authentic moment of connection that wouldn’t have hit the way it did if Splinter wasn’t characterized the way he was early on. (I also absolutely love rise's version of Donnie.)

It’s not something that necessarily makes him more likable earlier in the series but that characterization early on makes his development and eventual connection with his sons heartwarming. 

The season’s momentum doesn’t stop with “The Evil League of Mutant” or Splinter’s development. It keeps building until it finally reaches the finale, which is a great culmination of all that came before, and ends with the shredder finally being formally introduced into the series and things feeling really dire for the turtles. 

This version of the shredder took him in a completely different direction from all the ones that came before and took a big swing by making him a man merged with a demon. One that’s thousands of years old that the Hamato clan was staked with keeping contained forever.

While this version of the shredder doesn’t have the depth of 2012 or the menace of 2003 they managed to build him up in a way that made his threat feel palpable. The desperation to keep the foot from collecting the dark armor paired with the revelations about the Hamato clan’s duty made it so that the inevitable confrontation felt like one that must be avoided at all costs.

This connection to the Hamato clan brought in an interesting conflict between duty and family for Splinter that we hadn't gotten to see before. When the turtles are captured Splinter is pulled in two different directions one that upholds his duty and one that preserves his family. Splinter eventually chooses his sons over his duty. (This carries over into the second season when they managed to combine the two and become their best selves as warriors and family.)

Another really fascinating aspect of the finale that I haven’t touched upon is how it subverts expectations by having Baron Draxum simply be a stepping stone for the shredder’s release. Up until this point Baron Draxum had been the closest thing to a big bad the series had. We had followed his plan step by step and believed he was the one pulling the strings only for the rug to be pulled out from under him at the last second when the turtles believed they had won.

This led to a cliffhanger that had me on the edge of my seat. It really felt like this was another turning point in the series like “Evil League of Mutants” had been…

But I don’t really feel like the second season carried that momentum over as well as it could have. The battle with the shredder wasn’t the tour de force I expected or the turning point in tone I anticipated. And there are things that were set up in the first season that, when finally seen, felt like anti-climaxes. This is most notable to me in the season premiere and the episode “Goyles, Goyles, Goyles” when we finally see the day that Splinter and the turtles were mutated.

With the premiere it was a weird split between things I absolutely adored– Leo finally displaying his excellent planning and leadership skills– and things I felt were anti-climactic compared to the build-up– the turtles’ fight with Shredder. 

I feel like the Leo stuff is self explanatory. Everyone knows that Leo is traditionally the leader of the turtles and up until this point Leo didn’t show much of that or have any significant development outside of a few select moments, but this was the episode that really showed his potential. 

It wasn’t just his ingenious plan that was really enjoyable to see come together, but also the fact that he knew his brothers well enough to trust in their skills and know exactly how they would be able to fend off and find the shredder. 

As a longtime fan of the turtles I loved this development. I had really enjoyed this version of Leo before now, but this was the moment that won me over to this version of him.

But the way the show handled the face off with the shredder didn’t really work for me. The biggest reason was that most of it happened off screen and then when we did get to see what was going on it was to show that the shredder was weak to tickling. 

After all that build up for the shredder and what a threat he will pose the way it went fell flat, especially considering how the first season finale ended with the turtles thinking they beat the shredder only for a much more powerful version to emerge from the smoke to face them down.

The ending with Big Mama set up some very interesting possibilities that I was excited to see come to fruition in the future (and eventually lead to a phenomenal season 2 finale) but it and Leo’s arc didn’t negate the disappointment I felt with how the shredder and his showdown with the turtles was handled.

Goyles, Goyles, Goyles felt like an intentional anti-climax, but even with that obvious intent it still fell flat for me. This moment was one of my favorite reveals of the first season. The way it was revealed in song by Draxum and his henchmen and the amazing still animation reflecting the words was a real turning point in just how much I enjoyed this series as I said above. And when we finally got to see exactly what happened… it was almost all a joke.

And this type of subversion is very common in Rise. It usually works better for me though because there isn’t as much build up and excitement towards them like there was for the shredder fight and the Draxum and the turtles backstory. 

In fact, there are plenty of moments in this series where this type of subversion works really well for me. In the season one finale the random reveal that the turtles cracked Splinter’s teapot as children and never told him being an important plot point was one that worked really well for me. 

The biggest difference between those subversions is that the one in the finale didn’t magically solve things or completely dampen the more dramatic and emotional moments. The teapot reveal didn’t retroactively make Splinter’s decision to put his sons above his ancestral duty any less meaningful and it didn’t magically save the day like they expected it to. It allowed things to still carry the weight they were meant to while still being funny and unexpected.

The show goes back to problem of the week episodes and as a result does fall into a few of the pacing and tonal issues that plagued the first season, but they were overall stronger and more fun episodes here than they were in season 1 due to the fact that there is a larger cast to bounce the characters off of and a lot more locations to explore. This allowed for some really interesting and unexpected character pairings that made some of the most entertaining episodes of the show.

The episodes centered on April and Splinter are a particular favorite of mine in season 2. 

I wasn’t expecting how much I would adore their dynamic, but it was easily one of my favorites in the entire show. I really liked Splinter’s unwavering faith in April and how they came together to better each other. 

Splinter very rarely has this type of relationship in any of the other shows. He’s mostly the one lifting others up and giving them wisdom and is rarely the one getting support in this type of way. April is able to interact with Splinter’s past in a way the turtles in this show can’t and it allows him to re-establish a connection to who he was in a healthier way than he had prior to her coming into his life.

It’s a great mutual relationship that finds a unique spin to what their dynamic usually is in turtles canon.

Now it’s time to talk about the final few episodes of season 2. These episodes showcase all the best aspects of the Rise show. They take what the series does differently from all the other interpretations and run with them, really showing what the show can do at its height.

These episodes gave me the shredder showdown I was hoping to see in the premiere. He posed the type of threat he had in many of the other shredder incarnations and served the turtles losses that they struggled to bounce back from.

This is the type of enemy shredder should be and the way they had this tie into Splinter’s past was amazing and moving.

The episode where the Baron Draxum sent the Turtles into Splinter’s mind was one of the most emotionally poignant episodes, showing the pain and emptiness of Splinter’s life before he mutated. It puts Splinter’s life before and after the turtles into stark contrast.

Splinter isn’t alone like he felt like he was before and he found a new family after the loss of his mother that gave him the strength and courage to accept the duty he had rejected because of the loss it brought him.

Splinter has grown from the character I was most disappointed with to one of my favorites of the series and this episode really hammered home just how great the writing for him in this series has been.

Splinter isn’t the only one that gets an increase in focus, April also gets some spotlight and a unique and unexpected role in this finale.

April’s growth from human ally to the turtles to a member of their family was amazing to watch. Having that bond that had been cultivated over the course of the two seasons that culminates in these episodes where she becomes an honorary member of the Hamato clan, fusing with Karai and teaching the turtles the way of their ancestors, was such an interesting change from past iterations of the character.

It really felt like her arc and relationship to the turtles was coming full circle when April was the one to talk Raph out of his despair. It really hammered home how far all of them have come and just how much a part of this family April is.

April’s talk to Raph leads into a great moment where the brothers unlock their mystic powers through their connection and trust in one another. They aren’t alone in this struggle or the fight with Shredder. It doesn’t come down to just one of them but their whole family. 

The heart of the turtles and their various series, at least to me, has always been the Hamato family and their bond with one another and this moment shows just how much this show understands that.

There’s just so much about this finale to gush about but there were two minor issues I had. Those are the reveal of Cassandra Jones and Splinter naming Leo the leader.

Cassandra Jones felt like a last minute reveal. The series made a few jokes about Cassandra being called unnamed foot soldier yet had her as a recurring character so it felt obvious that she was going to be a legacy character in some way but having her be Casey Jones felt odd. 

I don’t really know a better way of putting it. I’m not mad or anything and I don’t believe the show butchered Casey like I’ve seen some people say (especially considering how they brought Casey Jones into the movie), but it felt like the most out of left field choice rise had made up until this point. (I do want to say that I feel like this could have turned into a very interesting interpretation of the character if the show was allowed to continue and flesh this decision out.)

And Leo being named leader was especially rushed considering just earlier in the finale (parts 2 and 3) the show really felt like it solidified Raph as the leader. He was the one who was able to make the tough calls and he was the one who learned to trust his brothers in a way he needed to be the best leader he could be.

Leo only really had the second season premiere to set up the idea that he would make a great leader and strategist if he really applied himself but that thread felt like it was dropped for the rest of the season and had no real buildup within the finale unlike Raph’s leadership skills.

These didn’t really impact my enjoyment of the episodes especially considering that they were such a small part of the finale and they were both fixed/expanded on in the movie.

Speaking of the movie. It was absolutely phenomenal. 

This movie focuses on Leo and his journey into growing into a leadership role for the team with the Kraang as the turtles’ adversaries. 

Right off the bat this movie is considerably darker than the main series with the opening alone showing blood and the deaths of both Mikey and Leo. It immediately shatters any possibility of past conveniences present in the series like the Kraang being ticklish or the turtles escaping due to incompetent sidekicks. 

There’s a palpable danger established by this shift in tone that carries on throughout the movie and creates actual tension and stakes to the sacrifices made later on. 

I can also say with full confidence that this is easily the most intimidating the Kraang have ever been in turtles canon. 

While the Kraang have been threats in some of the series and even beaten the turtles more than once I never felt like they were the overwhelming threat they are here. That the turtles were completely outmatched.

This amazing update of the kraang and the threat they pose is paired with a great arc for Leo where he has to confront the more immature and impulsive side of him that has been ever present in the series up until this point.

These flaws had been addressed at varying points throughout the series proper but they were never treated anywhere near as seriously as they are here. 

And it addresses these shortcomings through Rise’s interpretation of the classic Raph and Leo conflict.

Raph and Leo are almost always the two brothers that come into conflict the most often in every iteration of the turtles. Their ways of thinking are incompatible in ways that make it hard for them to see eye to eye. This was something the main series of Rise didn’t really address. For the most part the brothers got along well and any conflicts they did have were either resolved or ended on a joke which fit with what the series was trying to do with them before this point.

I’ve heard a few complaints about this because the conflict between Leo and Raph is something the movie makes it seem like is a recurring problem for them when in reality Leo and Raph don’t really get into any real serious arguments/conflicts throughout the series. In fact, Raph almost never gets angry the way he does at the beginning. Rise Raph’s anger is almost always aimed at himself rather than others. 

And I can understand that to a degree because these aspects weren’t really established in the series but I don’t think either of these inconsistencies really hurt the movie and are in fact explained rather well within the context and time frame given. The conflict itself is well written and has the two coming to an actual understanding that feels organic to both characters.

The movie’s take on Leo and Raph’s conflict has the two switching places from their usual roles. Leo is the impulsive brother that does care deeply about his brothers but makes mistakes due to his personal flaws that gets them in trouble, while doubting/going against the older brother’s wishes/orders. Raph is the older, more responsible brother with the weight of his brothers lives on his shoulders because of his position as the de facto leader of their family (at least before the season 2 finale).

It’s not necessarily a completely unique take on the conflict since the roles are simply reversed with a few tweaks to better fit their characters but it plays out in a way that makes Leo’s arc and journey of growing into his leadership role very impactful in a way that separates itself from 2003 and 2012 Leonardos.

Leo’s arc culminates in such an amazing and heartbreaking sacrifice that, while it obviously didn’t last, was the moment from Rise that hit me the hardest.

The way the movie managed to really hammer home the weight of Leo’s decision and the growth of his character in that moment through everyone’s reactions, the music, and the stunning animation and coloring was incredible.

Outside of Leo’s fantastic arc and the Kraang the animation is absolutely stunning. There’s a reason the fight with the Kraang leader was all over the place after this movie released. The animation for Rise has always been fantastic and here is no exception. I don’t really think I can add anything to this point that hasn’t already been said by anyone who has seen the film.

Honestly if you haven’t seen it yet you should definitely give it a shot.

I’m just really disappointed this movie is probably the last we’ll see of Rise of the Tmnt because from my experience watching the series for the first time this show just continually got better. It introduced and hinted at so many elements from past iterations of the turtles near the end that I really wanted to see their take on.

Overall I think Rise is a really fun series that has amazing highs and a finale and movie that are legitimately great but it is a bit inconsistent in terms of pacing and tone with a rocky start and contains some changes to the characters that didn’t work completely for me personally. 

At its best this show easily stands toe to toe with the heights of the previous series. And in many ways those heights are completely unique from all the other iterations because of how much it twists the previously established lore and characters to make them its own.

After watching this series I can completely understand why so many people love this iteration of the turtles and I do consider the show great. I will definitely re-visit many of these episodes and the movie time and time again.

Extra Thoughts

What is it with tmnt series and dark futures? There’s Same as it Never Was, Mutant Apocalypse, The Rise Movie, The Last Ronin, etc. The brothers can never catch a break and get a nice happy ending can they?

I really love this version of Donnie and I think he's the character that worked best for me in this series. Donatello has always been my favorite turtle and in early iterations of the turtles I was a bit disappointed with how underutilized he was in the series. The episodes focused on him were great, but until 2012 Donatello was easily the most underappreciated turtle with the least amount of focus and screen time of the four. 2012 and Rise finally gave him the attention and focus I always wanted.

I kind of feel bad for saying this but I prefer Rafael and Leonardo’s conflict in the 2003 show, 2012 show, and 2007 TMNT movie to their conflict in this series. I also prefer the Character interpretations of Rafael where he’s the hothead. Where he chafes under Leo’s leadership and is forced to grow and mature so that he can handle his anger in better, more productive ways. I’m not saying this version of Rafael is bad or that Leo and Raph’s conflict isn’t complex, just that I personally prefer different versions of these things. And I completely understand that that’s personal preference. I think that this iteration will definitely work really well for other people and I think that’s great.

I really enjoy this version of Mikey and I'm disappointed he is given significantly less focus than any of the other turtles in this series. All the rest of the turtles get episodes dedicated solely to them and their struggles even April gets more individual focus than Mikey in season 2. I think Mikey is a great character to bounce off of but I was disappointed he never really got much time in the spotlight.

While the lore grew to become one of my favorite things about the series, not all of it worked for me. It was actually mostly the mystic pizza joint and some of the yokai that didn’t work for me because Big Mama, The hidden city, Draxum, the battle nexus, and the shredder/foot all grew on me whereas that part didn’t. I think this had more to do with the fact that the episodes centered on this part of the world were my least favorite in the series than anything else.

This series made the interesting decision to move away from the more grounded tone of past turtles incarnations. The turtles, at least in the shows, had progressively gotten more and more grounded in “reality” with even Donnie’s inventions, while still being incredible, reflecting the limited resources they would realistically have when living in the sewers. This series abandons any tether it might have had to reality and has the turtles out in broad daylight with only hoodies/tops to hide in, Donnie's inventions are even grander than before, and there's a whole hidden city where the turtles can be normal. They also immediately get mystic power and rarely interact with street level crime like their past incarnations. In some ways this worked and made the series immediately recognizable and stand out from its predecessors but in others it made them feel very disconnected from their roots and what made them so relatable in the first place which unfortunately alienated some people.

This ended up working really well for me after things started to come together and I think it’s a bit unfortunate that this will be a roadblock for people getting into the series.

The backlash the character designs got is something that I never really understood. Each turtle looks completely unique and for most of them you can grasp aspects of their personality and what they like by looking at them. This is a mark of good character design.