Just someone with a passion for all storytelling mediums. I use this blog to write about what I'm passionate about and share it with other people.
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The Ghost And Molly McGee Season 2 Thought So Far
The Ghost and Molly McGee Season 2 Thought So Far

I can’t believe I haven’t talked about The Ghost and Molly McGee yet. I have multiple drafts in my docs and on tumblr but I could never really get my thoughts across as well as I would like but I’ve decided to just put my thoughts out here because I really do enjoy this show.
The ghost and molly mcgee is one of those shows that shocked me with just how much I enjoyed it. I think that’s purely because it doesn’t fall into the tone of show I usually lean towards. I usually gravitate towards shows like Arcane, Invincible, Amphibia, and The Owl House to use recent examples. Shows that are very bittersweet (or in Arcane’s case straight-up tragic) and know how to gut punch you with emotional moments. I feel seen in certain aspects of these shows and the hard truths they portray that many people have experienced but that isn’t what I need all the time and the Ghost and Molly McGee perfectly fits what I need outside of those types of shows.

It’s a show that champions joy and connections and it sees the best in people. In a time that seems to be filled with hate and is hard to experience day to day, this is the type of show I need to unwind and feel a bit more hopeful.
The Ghost and Molly McGee had a phenomenal first season. It was an amazing introduction to the characters, world, and themes of the show that ended on a bang with Molly vs the ghost world. I had a lot of excitement heading into the next season, but was unsure of where the show would go from that explosive finale and I can safely say that the second season is off to a great start.

I love the introduction of the Chens and how their profession of being ghost hunters comes into conflict with their friendship with the McGees. It's an interesting dynamic that adds a level of tension to Molly and Scratch’s adventures that wasn’t present in season 1. There wasn’t much of a threat of anyone discovering Molly’s friendship with Scratch or exposing their escapades, especially after Libby was brought into the fold, so I really like the decision to add threats on the human side of things.
The Chens themselves have a lot of potential as characters and are already interesting foils to the McGees. Most of them don’t have much development yet and they are very similar to the McGees in terms of personality, but the show has already set up very interesting plotlines for them.

Ollie in particular has a lot of potential due to his discovery at the end of “I Really Wanna Dance with Some Ollie”. He made the conscious decision to not tell his mother that he discovered that Molly is friends with Scratch which sets up an interesting conflict in his character and it adds depth to his actions and bond with Molly.
Right now he is a copy of Molly in many ways (as are all of the Chens with the McGees) but it’s only a few episodes into season 2 so there are a lot of opportunities for growth.

I also really like June and love that she’s canonically autistic. The Ghost and Molly McGee is great when it comes to representation. It is very racially diverse and I appreciate that it has background/normalized lbgtq+ characters and is now including main characters that are intentionally and explicitly neurodivergent. Representation matters. I’ve written about why I believe representation is important before so I’ll spare the essay but I believe that people being able to see aspects of themselves not depicted as frequently in media in characters on this show, especially this show’s age demographic, is a good thing.
Another development I really liked is what the show has decided to do with the ghost world, specifically the chairman. The idea that Scratch is forced into a role of authority after the events of the finale is really interesting. There are so many directions they can take this idea and it’s a really good way to force Scratch out of his comfort zone and get him to grow. This also expands on the lore in regards to the ghost world which we still know little about. I look forward to the ways in which this can explore Scratch’s character and give us more insight into the show’s lore.
Scratch gets some very poignant character moments even outside of the chairman development in these episodes with the best example being “A Soda to Remember”.

“A Soda to Remember” is my favorite episode of the batch that dropped because of how it juxtaposes Scratch’s character and the glimpse of his past with the wacky antics of the episode. There’s a palpable melancholy to the flashback at the end of the episode that works so well considering the overall tone of the show. It builds a lot of emotion and intrigue around it that makes the episode and Scratch’s arc in it hit a lot harder.

Episodes in The Ghost and Molly McGee almost always end on an optimistic note so that final scene strikes a unique emotional cord within the show. This technique was used sparingly in the first season with it only occurring in the episode “Out of House and Home” when the McGees lose their house and when Scratch is taken back to the ghost world in “The Jig is Up”. The show knows when to slow down and allow these emotional moments to sit which is part of why I enjoy it so much.
This actually might be the plotline I am most interested in seeing explored in the future.
Overall I think the second season of The Ghost and Molly McGee is off to a great start!
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More Posts from Battlekidx2
Amphibia Season 1 Re-watch Thoughts/Review
Amphibia season one was really fun and had an amazing finale. The choice to be an episodic comedy series works wonders for this season and I believe makes Reunion and season two hit all the harder.
This season falls into a few of the usual trappings that almost all first seasons do but its biggest strength is that it knows what the series is about at its core and it focuses on that.

This show knows what themes are at its heart. Amphibia is about friendship, change, growth, and becoming your best self and that’s what the first season is just on a smaller scale than the second and third.
It allows for a gradual build up to the huge scale of the third season. The first season keeps the focus on Anne’s growth and how she learns self-love through her relationship with the Plantars. And it slowly opens the world to us by introducing one of the toad towers in Prison break, halfway through the season, then Reunion opens up how much the events of the season have effected the rest of the valley.
All these actions that felt like they were occurring in a vacuum have wide reaching consequences. This is bigger than we initially thought. And that final shot in season one before the “End Part I” showed up on the screen where we see Anne and the Plantars overlooking the valley while hugging perfectly encapsulates how the world has now opened up to them. That the scope we saw in the first season will be widened exponentially.

The show needed this gradual build up. Suddenly making the show about all of Amphibia during this season wouldn’t have worked and expanding the view beyond Anne’s growth would have made it so that moments later in the series wouldn’t have felt as earned.
I believe this was a good choice for the show but also a big reason why Amphibia was so underrated for so long. A lot of people looked at the more episodic problem of the week formula that the first season followed and didn’t think twice about it until the finale came along and shattered the status quo. It wasn’t noticeably serialized right out of the gate.
This is an unfortunate issue because it is based on first impressions. Something like the Owl House is an obviously serialized show from episode 1. Everything flows into one another and that draws in an older crowd easier than the seemingly episodic formula that Amphibia had out of the gate.

There were hints of serialization in “Anne of Beast?” and “Best Fronds” but as early as “Cane Crazy” the show started with the problem of the week formula, which I want to emphasize once again was a good choice for the show because it really emphasized its themes of change and growth, but that also caused some people to not give the show a fair shot.
The choice to have the season air over the course of a single month also stunted Amphibia’s ability to garner a following. There wasn’t time for people to talk or speculate about the show episode to episode because a new one was coming out every day.

Episodes that likely would have gotten fans talking and speculating about the finale like Prison Break, Bizarre Bazaar, and Anne of the Year weren’t given any time to breathe so this could happen.
It was just an unfortunate choice that caused Amphibia to be underrated going into its second season (which is phenomenal).
There are some genuine drawbacks from the episodic formula that Amphibia used in its first season though. Some episodes become formulaic because they use a similar structure with a basic life lesson being learned in almost every one. The interesting and unique world and how it was used could save some of these episodes from falling into tedium but not all of them.
It also takes a while for anything about the lore, Sasha and Marcy, or plot to really come into play which can become frustrating, especially for people that have never seen it before but were drawn in by what they’ve heard about it online.

It can be a bit slow with divulging information with Sasha not being formally introduced until the episode Prison Break which was 10 episodes in and nothing about the Calamity Box explored until Bizarre Bazaar which was episode 15.
There are long stretches that don’t expand on these very important and interesting plot points. This can exacerbate the flaws in certain episodes and make the pacing feel off or slow at times which is something the show greatly improves upon when season 2 comes around. This structure and slow build up isn’t for everyone.
This was what initially kept me from watching it when this season first aired (I regret this choice). Interestingly the thing that sold me on watching the show the first time around was the opening. Specifically this shot:

This moment in the opening never failed to intrigue me. It was a hint of the themes this show would grapple with and how all the events seen are because of this broken friendship. There is genuine care between the people in the photo which can be seen by their closeness and the writing around the edges but it is literally out on a limb in the middle of a storm. It’s struggling to hold on and brings an air of tragedy to their current situation.
The lightning strike provides an even more ominous tone to the moment. The rain alone could have just made it seem tragic, friends torn apart by circumstance, but the lightning strike is what tells you there was something off/toxic about the friendship even before Amphibia.
It never failed to make me wonder what exactly that was and it kept me watching to see what the reality behind it would be. This comes around in a big way with Sasha.

In Sasha’s introduction she is shown to be cunning and manipulative. There is genuine care for her friends but it is overshadowed at this point by her flaws.
It starts to paint a picture about what Anne’s friendships were like at home. This portrayal of toxic friendship and outgrowing connections is one of the things I think the first season does best in retrospect.
The first season makes it so that Sasha's (and Marcy’s) influence can be felt on Anne long before she even speaks through things Anne says and does.
This makes it so that even though Sasha’s screen time is limited and she and Anne don’t interact until the very end of Anne of the Year the audience can understand why their clash in Reunion is so important for Anne’s character.
This is a great but subtle build-up to the finale.
Reunion is a fantastic and very interesting episode. It is in many ways the most formative episode of the series. It creates the mold that Amphibia’s finales follow moving forward.

For example, it makes the decision to bring the audience back to the day Anne, Sasha, and Marcy get whisked away to Amphibia and provide context for what led Anne and Sasha to that point. This is an important part of True Colors, All In, and The Beginning of the End as well.

It also starts the trend of what I’m going to call Amphibia’s “wham” moments with Sasha letting go of Anne’s hand. This is continued in the other season finales with Marcy getting stabbed and Anne’s death.

Lastly is how the episode addresses change and the ways people fight against it. The series as a whole tackles change but the finales are where the trio and their issues with accepting change come to a head.
Leading up to Reunion Sasha has had her negative traits encouraged by amphibia- they allowed her to flourish at toad tower- and as a result she hasn’t grown and changed in the same way Anne has. Anne landed in Wartwood with the Plantars and has had her old mindset challenged constantly which led to her growth. This growth allows her to stand up to and best Sasha.
This is repeated in True Colors, where Sasha and Marcy’s bids to fight against change cause things to come crumbling down for them, and in The Hardest Thing where the core (a being that can’t let go of the past) is taken down by Anne because of the calamity trio’s growth and acceptance of change.
These similarities make it so that all the finales feel like they build on one another. This creates a cohesive through line in the series.
Overall I think this season built a solid foundation. There are instances of the show struggling to find its footing and it does become repetitive in some areas, but it’s really fun and has a strong heart.
Extra Thoughts
This is more of a deleted scenes/excerpts of analysis that didn’t fit in my review.
Reunion also plays into Amphibia’s overarching themes of change. The way it interweaves present day with flashbacks to what led Anne and Sasha to opening the music box really showcases this. Sasha is practically unchanged. She landed in toad tower where her negative traits are encouraged and cause her to flourish. Whereas Anne has grown so much because she landed with the Plantars in Wartwood and has had her mindset challenged constantly by those around her. The clash between Sasha and Anne can be seen as a clash between accepting change and staying stagnant with accepting change (Anne) coming out on top.
There’s an interesting parallel between Toad Tax/Prison Break and Reunion. Toad Tax has Anne stand up for what’s right instead of taking the easy path and submitting to “bullies” to gain the Wartwood citizens’ respect. Prison Break introduces Sasha’s toxic traits and shows how they help her get free and flourish at toad tower. This is exactly what their conflict is about in Reunion.
I love how Anne’s heritage is explored this season in Lily Pad Thai. The exploration of Anne’s culture is one of my favorite things about the series.
The use of someone to lean on in the finale is really interesting because on the one hand it stands out in a jarring way because the show doesn’t use non-diegetic licensed music at any other point in the series but on the other hand it fits really well thematically and provides insight into Sasha and Anne’s mindsets during this moment.
The music in this season is the weakest of the 3 but that doesn’t mean it’s bad by any stretch. It is more washed out because of the sound mixing and not given the chance to shine until the finale. Reunion has a very good score with my favorite part being after toad tower falls and Anne makes eye contact with Grime. It’s tragic and foreboding and it’s the first time this season that the score is allowed to be the loudest part of a scene. This decision makes it so that this scene is given a different feel to all the ones that came before. It’s a transition in the music just as much as it is in the series. The music paired with the look clearly indicate that the conflict is far from over. This is just the beginning.
The only other episode where the music is allowed to shine is Prison Break. TJ Hill goes all out giving toad tower a completely different feel from Wartwood and I believe the music/title card (”far, far away from Wartwood”) is in part a Star Wars reference/homage (I could be wrong).
The dark humor of this show is amazing. Hop Pop is the one primarily used for this type of humor this season and gets the best jokes because of it.
Sasha doesn’t embrace or even really have to accept the changes that living in Amphibia naturally brings unlike Anne. After she is released from prison she gets herself plumbing and makes the toads make human cuisine. She forces things to be like they are back on earth (the parts she likes anyways).
I know Reunion isn’t the first episode to use flashbacks in the series, Best Fronds is actually the episode that has that honor, but the way Reunion uses the flashbacks is what is brought back in True Colors, The Beginning of the End, and All In.
I really like going back to the beginning of a series like this to see how all the characters changed as the show went on. Watching Anne in this season right after watching season 3 kind of smacks you in the face with just how much she changed (in the best way. It reminds you of just how far she’s come). It’s a lot easier to remember in a fair amount of detail just how much someone like Sasha or Grime has changed because of their limited screen time and massive character growth in that limited time. But Anne is the main character so her change is more gradual and can blend together because of this. I just like this aspect of re-watching a series.
Across the Spider Verse Thoughts
Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.
By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.
There’s a lot I want to talk about so I’m just going to get right into it.
Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.
Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.
There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.
Outside of the mask Miles is a unique and three dimensional character as well.
Miles has a youthful charm and good heart that feels authentic to a high schooler that has yet to experience a lot of what life has to offer without falling into feeling like a middle schooler or a caricature of a teenager like MCU Peter Parker tends to do at certain points in his trilogy.

I think this is displayed really well in his relationship with Gwen. There’s an innocence and inexperience there that shows that this is his (an her) first attempt at a real relationship but it never feels surface level because the movie does a great job at selling their bond and how they are similar in key ways that makes it so the understanding they find in one another feels natural.
This elevates the betrayal he feels when it’s revealed that Gwen and Peter B Parker knew everything Miguel reveals to him the whole time and it makes his goodbye to Gwen all the more impactful.
Another relationship I want to shed light on is the one Miles has with his parents.

Miles’ bond with both his parents in this movie is phenomenal but the relationship that is really allowed to shine is the one between Miles and his mother, Rio.
I loved the expansion of Rio Morales’ role. In the first movie she was a memorable but underused character (understandably) and her relationship to Miles took a backseat to his relationship to his father. But here we get to see their unique bond and her attempts to understand him and learn to give him the space he needs to grow into his own person. It felt earned that she was the one he was going to reveal his identity to first before it was revealed that the Rio he told wasn’t from his universe.

As it stands Miles’ arc isn’t complete, but what is shown and the place he is left in make for a strong set up for the finale of this three part story. I have complete faith that this trilogy will stick the landing and provide satisfying conclusions to the arcs and relationships that have been set up. Miles has really become one of the best iterations of the spider-man character and one of my favorites to hold the mantle. I can’t wait to see what they do with him in the next movie.
Gwen’s increased role

One of my favorite changes from the first movie is the amount of emphasis put on Gwen and her arc.
I knew after Into the Spider Verse that if they were going to make a sequel Gwen would likely have a much bigger role considering the seeds they planted to have her connection to Miles grow and the fact that where she was on her journey as a spider-person had her in the perfect place to be a foil to him moving forward. It felt like a natural progression, but even knowing that and having read the Spider-Gwen comics, the way the movie utilized her was better than I ever could have hoped.
Across the Spider Verse took the potential for Gwen as a character and foil for Miles and ran with it by creating a duality in how their arcs compare to one another.

The opening sequence very purposefully made her a dark parallel to Miles, a cautionary tale of what could go wrong if he unmasks himself to his parents and an extreme case of the isolation he could experience throughout his journey. But also just like Miles she’s very early on in her journey as Spider-woman. She’s not even out of high school so many of her canon events haven’t happened yet and, like she learns later on in the film, her story isn’t set in stone.
She’s on that same journey of self discovery and forging your own path that Miles is and having this contrast between them elevates both their arcs.
She’s not just an amazing foil for Miles. She’s also an excellent vehicle for the movie’s themes.
Across the spider verse is centered around themes of isolation, fate, the weight of life, and making your own path and, while Miles is undoubtedly the protagonist of the feature, Gwen is the one the movie tells a complete arc with surrounding these themes.

Her loneliness was hinted at in the first movie but it’s put on full display here with the opening 20 minutes hammering home just how isolated she is in her world and how much the loss of Peter Parker and her role in his death has effected her.
Gwen lacks any sort of support system at the start of the movie. Even before the showdown with Vulture there’s a disconnect between her and her police captain father that stems from the fact that he’s leading the hunt for Spider-woman, her alter ego, because he believes she killed Peter. She struggles to open up to anyone else and make friends in her world because of her life as spider-woman and how intrinsically tied it is to her issues. And she’s lost the only people she feels could understand her with no way that she knows of to see them (particularly Miles) again.

The opening culminates with Gwen losing the last person she has left in her own world when her father tries to arrest her after she unmasks herself to him and she flees her world to join Miguel’s spider society.
This all sets up a very powerful arc dealing with her loneliness and struggles with doing the right thing in the face of her fear of rejection and loss where she finally really opens up to other people and “starts her own band” to stand against Miguel O’Hara through her connection with Miles and desire to help him as well as her reconciliation with her father.

This movie asks questions about whether or not trauma and loss are necessary to make you spider-man so it’s significant that it is instead through healing from parts of her trauma, reconnecting with her father, and making genuine connections that Gwen is able to grow as a hero. It says a lot about what this movie believes makes someone “spider-man”.
Another moment in Gwen’s arc that exemplifies what the movie believes makes a hero is actually Gwen’s reconciliation with her father where he reveals he quit the force. That moment proves that Miguel’s belief is wrong and that breaking the canon isn’t the end of the multiverse as they know it. This coupled with the fact that it’s Gwen’s speech about her desire to do what’s right and protect those she loves that gets her father to quit tells you everything this movie is trying to say about heroism. It’s not the loss and trauma that makes you spider-man but the character of the person behind the mask.
The opening also does a great job of establishing just how much Miles impacted Gwen in the first movie. He broke through this wall of isolation she put around herself and for the first time in a long while she found a genuine connection with someone who could understand and know all of her. It sells you immediately on how much this bond means to her and makes her conflict moving forward really compelling.
This relationship is a linchpin in the narrative of this film so if it didn’t work then the impact the movie’s story and themes would have been severely hampered.

If I’m being honest Gwen’s arc is where the movie hit me the hardest. I think everyone has dealt with loneliness and that feeling of isolation that can come from being different and/or grief. There’s always that underlying desire for understanding and community that many people fear they’ll never have and seeing that portrayed in Gwen hit for me.
It’s the kind of desire I know I feared I would never get, but when I left home and went out on my own I was finally able to find people who understood me and accepted my idiosyncrasies in a way no one ever had before. And I always get emotional when I see that same isolation I felt portrayed in such a raw way and when those characters I see it in finally find the connection they need.
It’s also this isolation that goes a long way to explain why so many spider-people would join Miguel’s task force and go along with his plans. There’s a sense of community where all these people who have lost so much can find other people who understand them. That understand their unique form of grief, loss, and isolation that they struggle to find anywhere else because of the path they chose to take with their life. And won’t reject the half of them they are usually forced to hide from those they care about. Without showing this through Gwen’s perspective the last act of the film could have felt forced.
Gwen is a strong character that really grew into her role as the deuteragonist of the film and the role of spider-woman and serves to strengthen the themes of the film. She’s a great character that has so much potential moving forward and I look forward to her role and eventual reunion with Miles in Beyond the Spider Verse.
The animation

It’s no secret that spider verse changed the animation industry after it came out. Before spider verse many animated movies had started to feel like they fell into a very similar style that focused on realism above all else and in many ways I felt didn’t fully capitalize on what animation could do as a medium (there were exceptions but a lot of studios were starting to lean on the Disney/Pixar animation style). But now there are shows and movies that are taking a page out of spider verse’s book and experimenting. Studios are less afraid to let their animators get creative and it’s been incredible to see.
Across the Spider Verse continues to push the envelope and goes beyond what they did with the first one to create one of the most visually stunning movies I’ve ever seen.

The way they experimented with the animation in different dimensions to bring comic book art styles to life (Gwen’s universe) and further accentuate the character and culture they are centered around (Hobie and Pavitr’s universes) really served to elevate the story, heighten the emotions of every scene, and make this truly feel like a multiversal epic.
One of my favorite visual flares in the movie is how color is used in Gwen’s universe. In the opening it really plays up the stark divide she feels between her and everyone else. She feels like she’s completely separate from the world around her through the very deliberate contrast in coloring and the way the background bleeds and morphs around her. She’s frequently portrayed in shades of blue while the world around her is full of vibrant pinks, oranges, and white.
I also love how the paint like aesthetic of her world’s backgrounds are used to heighten the emotions of scenes like the talks she has with her father. The background bleeds and the colors morph to reflect the emotions of the characters talking. When Gwen is desperately trying to reach out to her father in the beginning after she unmasks herself and at the end when she admits how powerless she feels to protect those she cares about the background starts to run and the colors bleed together and it captures how her world is falling apart and her path forward is no longer clear.

I also want to point out how the lighting is one of the major hints that Miles isn’t on earth-1610. The lighting of every scene from the moment Miles is sent to earth-42 is some shade of purple or green which immediately gives the world a different feel than Miles’. It’s not so noticeable at first that it gives away the twist but it’s enough that it gives you an uneasy feeling the first time through and it’s details like these that elevate the reveal on rewatch.
This level of care and attention to detail permeates every frame of the film. There isn’t a single second of this movie that is wasted and it really uses the medium of animation to its fullest potential.
I can’t wait to see what they have in store for us in Beyond the Spider Verse. If it’s anything like this then it will be amazing.
conclusion

Spider-man is far and away my favorite hero. I’ve read many of his comic book runs, I own all his movies and video games, I’ve seen all his shows, etc. I’m the massive fan that probably understood way too many obscure references that this movie made and I loved every second of the movie I got to see.
I had so much fun with this movie and I hope everyone who watched the movie managed to get some enjoyment out of it. I can’t wait for Beyond the Spider Verse to come out and to finally get to see the conclusion to this animated trilogy.
side note
Spider-man is a character that is able to speak to a wide range of people because of the struggles he faces. Having a movie that understands the diversity of the people who relate to the character and reflect that on screen through the many (canonical) spider-people portrayed is amazing.
I love that so many people will get to see someone like them being the hero they admire. Stan Lee himself said that anyone can wear the spider-man mask. He wanted people to be able to see themselves in the heroes he created which was the basis of spider-man (and the x-men but that’s another story). And that’s something that I will always love about the character.
In defense of Gwen in Across the Spider-Verse
Okay. First of all: This post is gonna be super long and have tons of spoilers so if you don’t want to get spoiled for Across the Spider-Verse then don’t read this post. I have seen way too many people hate on Gwen because of her actions and her behavior towards Miles in Across the Spider-Verse. I’ll show you why that hate completely misses her arc in the movie and her true intentions/relationship with Miles. This post will also delve into Gwiles/Ghostflower since that is a big part of what shapes her intentions. Many people say Gwen betrayed Miles and doesn’t really care about him. They say Miles shouldn’t forgive her and that she is a snake for what she did. I’ll show you why the opposite is true by going through the events of the movie in cronological order: The movie literally starts off with Gwen talking about Miles. She is drumming away, which is, mentioned by herself, a way for her to cope with her feelings. That opening from Gwen is a small glimpse into her head. We see how she feels and what she thinks. The interesting thing is that it’s basically Gwen broadly narrating the events of the entire movie. We even see glimpses of future scenes in that intro. The line of narration that is most important here is Gwen saying “I didn’t want to hurt him. But I did. And he is not the only one.” This shows us IMMEDIATELY that Gwen did not intend to hurt Miles AT ALL. Quite the contrary. It also shows that she is AWARE she hurt Miles. She knows she fucked up. That is going to be important later on when she needs to make the tough decision regarding Miles/The Spider Society.
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Amphibia Season 3 Thoughts/Review

Season 3 of Amphibia is easily the most divisive season among the fanbase. There are a lot of different reasons for this but I think it primarily comes down to tone and pacing.
The reason why the issues with tone and pacing are so prominent is because of how it followed up True Colors. True Colors came in and seemed to promise that things would never be the same. It created a scenario for Anne and the Plantars that was very desperate. Sasha was left in Amphibia, Marcy had been stabbed (and for all they knew was dead), Amphibia was in imminent danger, and earth was going to be invaded next.
All of this should have created a massive sense of urgency and worry, but this doesn’t carry over very well into many of the episodes. The tonal whiplash that occurs when you watch True Colors and The New Normal back to back is massive. It goes from that gut punch of an ending to Anne being excited that she has wifi for the first time in months so quickly that it’s almost as if the characters forgot what happened.

When the show does address the sense of urgency the characters should have it is always on Anne’s end. Anne is the one staying up researching how to get back, Anne is the one trying to drop everything for new leads, Anne is the one losing sleep over the situation. The most the Plantars show on their end is homesickness.
They are frequently the ones telling Anne to be careful or calm down which seems odd because they should have very pressing and important reasons for wanting to get back beyond missing their home.
In season 2 the heroes’ lack of urgency made sense. They didn’t know about Andrias’ plans, the core, or Sasha’s toad rebellion. The episodes where they explored Newtopia or visited towns on their travels fit much better because of their gap in knowledge and like I said previously those episodes usually found a way to keep the story moving forward or have important character moments so that they rarely distracted from the plot.

In season 3 there’s too much hanging over the characters’ heads that they know about for it to feel organic watching the episodes back to back.
This isn’t to say that what happens on the earth half of the season is bad. The content is actually very enjoyable. Watching the role reversal between Anne and the Plantars is fun and we get to see even more of Anne’s culture and home life which is always a welcome addition.
The exploration of Anne’s family and culture is one of the best things about the first half of the season. The Thai Temple episode (Temple Frogs) in particular is one of my favorites.

It has Anne displaying the urgency that some episodes were missing while also addressing how Anne’s parents struggled during her time away and how their community kept them afloat. This strikes a balance that makes almost everything that happens feel important on an emotional level without losing sight of what this half of the season is building towards.
This is also the case with the Christmas episode.
This half of the season doesn’t all take place on earth either. The perspective shifts back to Amphibia for a few episodes as well and they are two of the best episodes to come out of this half of the season.
Turning Point and Olivia & Yunan serve as much needed glimpses into what is happening in Amphibia and handle the fallout of True Colors more directly.

In Turning Point Sasha takes responsibility for her actions throughout the series and decides to work towards being a better person with every action moving forward. She uses her strengths for good to fight against Andrias and protect the people and starts her redemption.

In Olivia & Yunan we see the crushing guilt Marcy is dealing with in the wake of True Colors and how she’s not doing so hot after being STABBED THROUGH THE CHEST. She is then possessed by the core in an honestly horrifying scene and loses all autonomy.
In both of these episodes the course of the show is irrevocably changed and so are Sasha and Marcy. These episodes set up their arcs and roles heading into the endgame of Amphibia.
This makes these episodes stand in stark contrast to many of the episodes surrounding them. They are darker in tone and have a sharp focus on what they are trying to do. These episodes are more in line with what I believe people thought this season would be heading into it. This helps make these what I believe to be the best episodes of this half of the season.
These episodes also break up the earth portions of the season and help the pacing immensely on re-watch.

The first half of the season ends on the Christmas episode Froggy Little Christmas which, while a fun episodes that refocuses on the conflict with Andrias, shouldn’t have been the midseason finale. Escape to Amphibia should have been. It is the actual end of the earth portion of the series and feels like the beginning of the end in a way that the Christmas episode couldn’t capture (understandably).
So much about the episode is a bookend to this chapter of Amphibia and it has a lot of parallels that harken back to formative aspects of Anne’s character and the show as a whole. My favorite ones are this one


and this one


The first parallel is very reminiscent of Sasha during the third temple and I think that is intentional. Sasha’s redesign has her incorporate blue into her armor along with the red which symbolizes how Anne has changed Sasha and how she is incorporating the lessons she has learned throughout Amphibia and Anne into herself. This shows that the effect on each other is mutual. Sasha was not a good friend to Anne before this point but her good traits (when not taken to the extreme) have rubbed off on Anne and in some ways inspired her like she said in “The Third Temple”.
And the second parallel is very effective because it is put into stark contrast with the first time Anne and the Plantars come over the hill and see the rest of the valley for the first time. It takes the wonder and awe that was present the first time and twists it into shock and horror. It really hits home just how long Anne has been away and just how much True Colors effected Amphibia.

I want to take a second to mention how great Anne’s parents are. They really were the MVPs of the earth portion of the season and this episode.
It’s refreshing to see Anne and the Plantars back in Amphibia and this marks the start of the second half of the season which is the hardest to talk about in regards to the series as a whole in my opinion.
The second half of the season is complicated because it’s probably the most inconsistent part of the series. It contains some of the best content of the entire show and of any animated series airing at the time but it also has lows that mess up the pacing and ultimately end up feeling directionless at times.

The second half of the season starts out strong with Escape to Amphibia and Commander Anne but doesn’t maintain that momentum. The episodes primarily focus on the rebellion gaining forces to take on King Andrias but this doesn’t culminate in a satisfying way.
The only episode we get to see the army fight is The Beginning of the End, but then they quickly become irrelevant after Sasha and Anne’s plan fails and the invasion of earth begins. This makes the majority of episodes in season 3B ultimately feel like they weren’t building towards anything.
At least in 3A a lot of the people Anne and the Plantars impacted on their earth adventures come together to help them take on the government and get back to Amphibia. It makes it feel like there is some semblance of an end goal.
But with 3B the important players aren’t any of the amphibians they get to join their cause and it is entirely focused on the calamity trio, Andrias, the Plantars, and Grime. The army doesn’t play a part in stopping Andrias’ invasion when they get to earth or taking down the core.

It’s odd because these episodes bring back so many characters and plot points from the first season and makes it seem like it’s all coming full circle. That everything that happened in the beginning is going to come around in a big way and be the reason they will win in the end.
It built a certain expectation that it didn’t fulfill which hurts the episodes a lot on re-watch.
These episodes do manage to flow better than the episodes in the first half of the season (at least to me) though because the setting and characters are ones I’m familiar with and invested in which always makes them at the very least enjoyable to watch.

Episodes like Grime’s Pupil and Sasha’s Angels have all the issues I mentioned above but because they feature new relationships between characters I know and love and are centered around the conflict I am more emotionally invested in they always manage to hold my attention more than certain episodes in the first half and remain fun.
There are episodes that didn’t do this nearly as well like Mother of Olms, which promised so much more than it actually ended up delivering on that it left a bit of a sour taste in my mouth when I first watched it. It’s better on re-watch, but it’s episodes like this coupled with the overarching narrative problems that leads to an uneven stretch of episodes.
There are some very good episodes sprinkled into this run with the clear standout being The Core and The King.

The Core and The King is a fascinating look into Andrias’ past and why he is the way he is. It adds so much nuance to his character and actions in True Colors. It is held back a bit by the fact it isn’t a half hour special episode and thus can’t spend the time necessary to attach the audience to the characters of Leif and Barrel, but it still believably portrays the actions and relationships that it focuses on. The best relationship exploration of the episode is easily that of Andrias and his father, which recontextualizes his allegiance to the core and dedication to his mission.

This episode adds a level of tragedy to Andrias and his relationship to Marcy that retroactively elevates their relationship in season 2 and the betrayal in True Colors. There’s a level of regret and genuine care that feels like it’s simmering just below the surface that plants the seeds for the flashbacks in All In and makes their entire journey together really bittersweet.
This leads us to the finale three episodes (essentially one big finale), but before I talk about those I want to address how this season handles the calamity trio.

I’d say this is a mixed bag and it’s understandable why people have such conflicting opinions on this particular part of the season. This is where the trio are at their most important. The emotional climaxes of almost all 3 parts of the finale depend on them.
They are the ones the final battles come down to. There is so much riding on their growth and the audience’s emotional connection to them that they needed focus this season.
Sasha and Marcy have had limited screen time coming into this season but it was handled well in regards to the story and themes the show was trying to cover. In the third season they both still have limited screen time but the way that screen time is handled is vastly different between the two.
Sasha is the one that comes out far better in regards to this. She completes her arc and gets her redemption. Her perspective and change is put on full display.

There’s even a subplot that has Anne and Sasha go through an awkward transitionary period in their friendship that has Anne’s doubts and frustrations with the past surface. These moments are used to show Sasha’s change and work in regards to their overarching relationship. It feels earned that their friendship comes back together stronger because of who they are now as people and all the trials they’ve gone through.
Sasha’s arc is one of the best handled in the series. A few things could have been tightened up, such as her gaining the trust of the Wartwood citizens, but overall it had a strong core that it never lost sight of.

It also culminates in a powerful way within All In.
But that isn’t the case with Marcy. Marcy is benched for a lot of this final season due to her possession. The idea behind Darcy is very intriguing and they could have been one of the best Disney villains to come out of a cartoon in recent years, but they were underutilized so the emotional impact of them was limited to mainly The Beginning of the End (which was fantastic).

This choice made it so Marcy was put into stasis and couldn’t realize her own development that started in True Colors. It makes for an emotional reunion in The Beginning of the End and All In but it makes it so Marcy’s arc feels shortchanged in comparison to her friends.

There’s also the fact that due to the crews strained relationship with Disney and S&P after the True Colors fiasco they weren’t allowed to address Marcy getting stabbed. This was a major moment that should have had massive repercussions moving forward but due to this handicap it fizzled out into an afterthought that hurt Marcy’s character arc and diminished how well her importance to Sasha and Anne could be displayed.
Even with the show struggling to juggle the calamity trio and their baggage (particularly Marcy) with the lighter tone they were encouraged to have and some of the directions they chose to go in the final three episodes hit almost all of the beats they needed to for the conclusion to their arcs and the journey of the show to be satisfying.

The final three episodes of the show are great and have some of the most emotional moments of the series. They were allowed to be darker and address the more difficult topics and themes the show had set up. It’s a shame that many of these very fascinating issues and conflicts were pushed back to the final few episodes, but the way they are dealt with here are for the most part fantastic.
I’ve talked in depth about each part of the finale on here already but to sum it up they manage to make the themes and character arcs set up in the story and pay them all off. There are a few issues I have with each of them here and there but for the most part they are a fitting send off and provide one of the best conclusions to a series I’ve seen in quite some time.

The Beginning of the End expands on the pre-amphibia trio dynamic in regards to Marcy in a poignant portrayal of her isolation that elevates the tragic reunion between the friends at the end and is easily the episode that best utilizes Darcy.

All In puts the changes each of the trio have gone through during their journey in Amphibia on full display, allowing them to have a quiet reconciliation that touches on the care and impact each have had on one another.

The Hardest Thing manages to be a heartfelt goodbye to the series and world of Amphibia as a whole and keeps a sharp focus on the main themes of the story. This is the episode I have the most issues with of the three but it still manages to close out the series on a bittersweet note that makes sure the impact of these adventures can be felt on the characters even ten years later.
These episodes aren’t perfect (I go into greater depth on the episodes in the linked posts) but they are still some of my favorite of the series and remind me why I love this show so much in the first place.
I feel like this came off rather harsh. I wanted to take a more objective look at the series season by season and address some of the legitimate issues while explaining its strengths and expressing what I personally loved about it. I don’t know if I got the balance right but I want to express that I really do love this show.
Amphibia is such a great and fun series. It wasn’t perfect but nothing is. It’s been almost a year since the show ended but I still miss it. I really came to love the characters and world this series created. I hope others got the enjoyment that I did out of it.
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Extra Thoughts
I really love where the trio end the series. In a way it hits harder considering where I am in my life. It’s pretty obvious that none of the trio really loved themselves prior to their journey in Amphibia but you see how each have grown into their own and are happy with where they are. They’ve found callings that help them express themselves and what they learned and it hits you that they’re okay. That things changed and they lost things and people but they kept those memories and eventually reconnected. I really like that.
The jobs each of the girls end up with after the time skip are so perfect for each of them.
I realized I never said this in any of my previous re-watch thoughts/reviews but Anne is a great protagonist that goes through so much development and growth. Her arc of learning self love and worth is amazing. I just felt that needed to be said.
I’m mixed on the decision to keep the reveal of the new Sasha a secret until Commander Anne. One the one hand it does succeed in what it was attempting to do. It does shock the audience with how much Sasha has changed just like it does Anne. But on the other hand I wish we had gotten to see that change in greater depth. It felt like a bit of a missed opportunity. It wouldn’t have needed a ton of screen time, in fact I think having at least a single episode showing Sasha growing into the role of commander of Wartwood while working on being a better person could have helped the awkward pacing of the first part of the season and establish the dynamics of the resistance.
One issue I didn’t touch upon above is how the show struggles to keep the Plantars relevant in the second half of the season. Many episodes just have the Plantars be present but don’t give them much to do, if they give them anything at all. In fact, Polly gets no focus or development in the second half of the season.
There is one part in Escape to Amphibia that doesn’t really sit right with me and that’s the scene where Sprig tells Anne it couldn’t hurt for them to wait a bit longer before returning to Amphibia if she isn’t ready. I understand what the writer was going for with Anne not being ready to say goodbye to her parents again and face a war that may have already claimed her friends, but it once again undercuts the desperation of the situation. Almost as if the characters and show believe the conflict in Amphibia is put into stasis because Anne and the Plantars aren’t there which hurts the storytelling and tension of the season. Once again not taking the consequences of True Colors as seriously as they should.
Marcy and Sasha’s parents should have been seen at least once in the series. I could go into a hundred reasons why this would have been the better move but plenty of people have talked about it before and in greater depth than I could. It was definitely wasted potential and felt weird to tease them twice (Froggy Little Christmas and All In) only to never see them in the show.
This season is what I believe to be the musical peak of the series with fantastic and emotionally charged tracks that I listen to. I love the entirety of the score for All In but my personal favorite one of this season has to be the sad rendition of Marcy’s theme that plays over the credits of The Beginning of the End. That track is a gut punch. (TJ Hill has released most of the tracks on his youtube channel)
I do really enjoy the development that Polly gets in the first half of the season. She was the only Plantar that felt like they had tangible development which is once again disappointing because I do genuinely like the Plantars.
I actually did think about what Charlie's role in this would be and I think the reason Alastor was sent to look over Charlie would be because she'd be a pawn in Eve's plan.
Eve has been hurt by both heaven and hell. She's the one that benefits the most from this war that is coming in episode 8.
We don't know who told heaven that hell was trying to rise up against them. It's clear that Lucifer wasn't trying to start anything and Lilith (based on Charlie's story at the beginning) was mostly just building her people up. There wasn't a hint of an uprising.
So who fed heaven this lie?
Eve.
And Charlie is the only one in hell trying to change the status quo. It felt like the sinners were resigned to their fate so they just lived however they wanted at the start of the story.
Alastor would have been sent to the hotel after it was announced to ensure it didn't fail because if it succeeded then the reasoning behind the angels' extermination would come to light to both hell's inhabitants and the rest of heaven. This would then cause an actual uprising in hell.
And we know that sinners can kill exterminators because of Carmilla. (I think the only reason she could kill them could be her weapons. I think she's the one that Striker got the gun to kill Stolas from, but it's been a while since I watched that episode.)
The hazbin hotel itself looks like it's going to become a symbol of the resistance against hell in the next episode with Charlie leading the charge. Charlie is the best person for this. She's exempt from the extermination, the daughter of the king of hell, and likely very powerful (even if she doesn't show it). She's a symbol.
As a result heaven and hell destroy each other.
Alastor Theory
Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.
I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.
She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?
It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.
Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.
He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.
That comment seemed too pointed by the writers to be completely written off.
Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)
I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.