Doublejade-enthusiast - Souheki Enthusiast

Also if Dazai never got to PM... Akutagawa (Ryūnosuke) would never have the tendencies to be self-loathing and the brutally kill or be reckless. Like blowing up a building and being "the face of the Mafia" since he doesn't need anyone's approval with Dazai gone. He'd be more quiet and more secretive? Maybe he'd train under Chuuya?

Gin could also train under Ranpo since he's the lead of the assasination lead

The Akutagawa siblings would be taken under the wing by Ranpo since he sees potential in them. Maybe he'll even change their position in the PM or keep it the same to the original we know.

I'm sorry for the spam of questions haha I am having a brainrot because the au swap has so much potential ahaha

HI THERE FRIEND!!

If there would’ve been a bingo for this uh, here *hands u stuffed plushie prize because u somehow got all of these right (are u Sherlock Holmes in disguise, you can tell me I won’t say anything:)

And don’t apologize for spamming with questions!! This actually makes me really happy since I didn’t anyone would be interested in my AUS !! So feel free to fly in here whenever:)

I just realized I haven't blessed anyone with my Souheki AU's yet, I need to change that:)

Dazai and the ADA in my Souheki Roleswap! AU:

(ft. badly edited designs because I can’t draw, so you’re stuck with this—)

⚠️TW: suicide attempt, murder, past self harm⚠️

Roleswap! Dazai:

Dazai Osamu was a young child, standing on the edge of a bridge, ready to jump off, any second now: the only problem was, he had decided to act out his suicide attempt in broad daylight, he knew no one was going to help him anyway, people were too selfish to aid a soul who’d lost all meaning; all except one man, just as Dazai stepped even closer to the edge, an older man in a yukata, yanked him by his shirt’s collar and prevented his drowning. The man, started yelling about how his life was precious and toying with it like that was unjust, Osamu, though a little shaken, remarked he had nothing in this life: the older guy, probably in his 40’s, introduced himself as Fukuzawa Yukichi, he later explained how he also despised existence for a while, because of his past doings, and it seemed the child could fully understand what he meant, Fukuzawa cautiously approached the kid as brown eyes followed his movements; it took a few seconds for Dazai to realize Yukichi was now standing in front of him, feeling chills down his spine as silver eyes examined him with a serious expression.

“What’s your name, child?”

“…Dazai, Dazai Osamu, why?”

“how long have you been doing this?”

“Doing what?”

“Wasting your life away.”

Dazai felt somewhat personally attached by the last sentence, his body tensing up in anticipation, though nothing happened, Yukichi just stood there, patiently waiting for an answer to his words: Dazai’s bandaged hand scratched the back of his head as if to say he had no actual answer than “life is boring”, Fukuzawa, slowly placed a hand on the boy’s shoulder, as to not frighten him, though he froze:

“You want to belong somewhere, right?”

“..yeah.”

“Then… please, stay alive.” “..”

“Regardless of what this life is to you, please.. stay alive.”

Now that sent Dazai into “silent-reboot mode”, the hand resting on his shoulder was relaxed and wasn’t intending any harm towards him, Yukichi had simply asked him to not end his life, it had no hidden intentions or meanings, yet he felt threatened, threatened by the fact an adult was not slamming his fist in his face for just existing: Yukichi seemed to sense this, and was slowly removing his hand from the kid’s shoulder, as a reaction, Dazai moved closer; in disbelief of what Fukuzawa said, maybe he was even moved.

“..but, why?? I’m useless, just like my ability..”

“Are you? Or do you just believe who says so?”

Osamu was finally rendered speechless, having no valid counter argument to the truth, he couldn’t wrap his head around the fact that, he was not the useless existence his mother always shunned, or the reason his father ran off with another woman when he was five, or why his mother was sick: he couldn’t even formulate comprehensible words, his eyes had begun filling with tears, and he hugged Fukuzawa without a second thought, which slightly surprised him, he patted the little boy’s head.

“I’m scared…!”

“You’ll be okay, don’t worry.”

ARMED DETECTIVE AGENCY FOUNDER, DETECTIVE DAZAI OSAMU:

Dazai Osamu is a skilled Detective of the Armed Detective Agency, forming it along with Fukuzawa, rescuing the “Angel Of Death” Yosano Akiko, and Kunikida Doppo’s daily pain in the ass: along with Fukuzawa, he founded the Agency, despite no longer wearing bandages, his suicidal tendencies are still present, though their impact significantly lessened thanks to Yukichi: he's seen to have a sibling-like relationship with Yosano and fatherly protectiveness over their newest co-worker, Atsushi Nakajima, his underling; Dazai still, almost entirely relies on guns and his ability, which is why his combat stile hardly changes at all, though he is more merciful to enemies. Yosano frequently bickers with him, although he does not listen, she only stops when Kunikida gets involved in the mess: having absolutely no ties to do the mafia in this timeline, his violent ways also highly decrease, fortunately never meeting Mori or Akutagawa, though his flirty attitude wasn't affected (poor waitress), he quickly took a liking to Natsume-Sensei and, like his mentor, he often carries cat snacks in his sleeves, should he encounter any stray cats.

fat bodies tutorial!

ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them. 

the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.

the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man. 

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together. 

in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

here are a few extra tips i find a lot of people miss!

first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.

the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.

in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue. 

lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!! 

so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!

EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!

They break up and make out.