Podrick Payne- The Boy Littlefinger Was

Podrick Payne- The Boy Littlefinger was

I read a post a while ago about how Podrick only joined Brienne to search for Sansa, not for Tyrion. Podrick's chivalrous love for Sansa reminded me of Littlefinger's infatuation with Catelyn. Both Littlefinger and Podrick came from small houses, were fostered by a Great House, (in Podrick's case, he was Tyrion's squire), and developed a crush on someone unattainable. Sansa's romantic ending is still uncertain. However, if she rejects Podrick, I don't think Podrick will fall into self-pity and bitterness like Petyr did.

poor emi. she's stuck in the world's worst custody battle

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lydia bennet-19th century sansa stark

Poor Lydia. Her dreams were realized, but, unlike Sansa Stark, she never recognized they were nightmares too. Sansa and Lydia were beauties who insulted their sisters for not adhering to societal standards. Sansa grew exasperated with Arya's boyishness and called her a horseface. Lydia snarks about Wickham's previous love interest and insults Mary's performance. Sansa, however, quickly gets bitten in the butt by the standards she revered. Numerous tragedies, such as the Battle of the Blackwater and Joffrey's abuse, force Sansa to confront how women's conformity only leaves them at the mercy of others.

By contrast, Lydia seems to be rewarded for fitting into society's mold. She and Wickham are deep into the honeymoon phase when they get married. By the end of Pride and Prejudice, she still doesn't know about Wickham's manipulativeness. Lydia even gloats about her marriage to Wickham, seeing no issue with her actions. Slowly but surely, reality sinks in. In the epilogue, Lydia and Wickham move frequently, saddled by debts. Lydia isn't great at managing her money, but Wickham is expected to provide a living income. Even if she were a financial mastermind, Lydia's livelihood would still be hurt by Wickham's inability to manage money. However, the Wickhams are always cushioned from the consequences of their mismanagement. Sadly, it seems like Lydia will always remain blinded to the issues within her society.

Matahachi Honiden and Peter Keating

Despite being from two completely different eras and countries, the deuteragonists of the Vagabond manga and The Fountainhead share a lot in common. The Fountainhead has Peter Keating, an aspiring architect who sacrifices others and eventually his own happiness to achieve ephemeral success. In Vagabond, we see Matahachi Honiden bumble through various troubles on his quest to become an esteemed swordsman. Both of these men pursued these paths because of their mothers. Mrs. Keating guided all of Peter's career choices, from attending college to joining a firm and marrying his employer's daughter. Osugi Honiden, Matahachi's adoptive mother wanted him to be a worthy heir of the Honiden name. One of these men falls into disgrace, whereas the other accepts his failings and aspires to be better. Their maternal support is critical to their character arcs.

From the very beginning, Peter and Matahachi are pushed towards divergent endings. Peter mother frequently dismissed Keating's actual desires in favor of fulfilling a shallow version of success. This is epitomized in Keating's rejection of Katie, his true love. One day, a panicked Katie goes to Peter's home and asks to marry him the next day. He agrees, but his mother dissuades him from doing so. Instead, she advises him to marry Dominique Francon, his employer's daughter. Peter ultimately follows his mother's wishes rather than his own. This desperation to live up to his mother's standards drive him to ghastly measures. He frightens his firm's partner into dying of a stroke. Keating also plagiarizes his rival's designs. Despite owing his success to his rival, Peter still resents him Reaching all the hallmarks of traditional success leaves Keating tormented; he knows that he can credit himself for none of it.

By contrast, Osugi supports Matahachi's goal of becoming a skilled swordsman. In her eyes, this ambition makes him a better heir. However, Matahachi doesn't have the discipline to develop his sword skills. His indiscipline leads him to make the same mistakes as Keating. He cheats on his fiancee Otsu and wounds her deeply. Matahachi pretends to be the renowned swordsman Sasaki Kojiro. Admiration also sours into envy for Matahachi. He also resents his friend Musashi for becoming a better swordsman and taking his ex-fiancee.

It's Osugi's support, however, that guides Matahachi on a better path. Before her death, Osugi reveals that she knew about his failings but loved him anyways. She even compares him to Musashi positively. Even though Musashi's single-minded focus is admirable, Osugi believes that Matahachi wandering before finding his path is still beautiful. This validation and love is what gives Matahachi the strength to accept himself and his mistakes. This is the start of his redemption arc. Keating, however, never receives this same love. His mother recognizes that her constant meddling led to Peter's current misery; however, she never openly states that she accepts him for who he is.

Doll-Tearing = Loss of Innocence

In ASOIAF, doll tearing is often associated with the loss of innocence. When Arya visits a village, the village elder's daughter begs Arya to play with her. Annoyed and frustrated, Arya rips apart the young girl's toy knight, shouting "Now he's like a real knight! Torn apart and bloody!" (i can't remember which book). Arya has seen harrowing sights of violence and death that no normal adult should witness, much less a child. This incident highlights how deeply traumatized Arya is after what she has been through.

A similar scene occurs with her sister Sansa. She's building a snow Winterfell, thinking the snow has the "taste of innocence". Robin Arryn, her cousin, then destroys it with his stuffed toy. She accidentally tears it and Robin storms away, sobbing. Littlefinger then comes and kisses Sansa. This isn't Sansa's first time suffering an unwanted advance, but she truly realizes how little support she has when her aunt tries to punish her. Sansa has relied on the memory of her family for strength and the only relative she's seen after the death of her father threatens to kill her after an incredibly vulnerable moment.