For Those That Are Going To Miss The Eclipse On Monday, I Have Created A Simulation Of What The Eclipse

For those that are going to miss the eclipse on Monday, I have created a simulation of what the eclipse will look like along the path of totality

MASS EFFECT 3 (2012) dev. Bioware "Come on, Kaidan. I'm getting you out of here."

charlie hudson...

is a babe, who has baby blue eyes that mesmerize women (and Sarah)

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Gosh definitely ! And he whumps so well ;)

Thank you! Thank you so so much @average-mako-enjoyer . I LOVE IT it's perfect!

Back in June, I was doing the hug ask game, and @flyingwolf29 gave me a prompt with a panicked "I'm glad you're okay" hug, and I don't know what the fuck happened and how it happened, but that story grew to 8k+ words, and so here we are, 2.5 months later. Hope you like it, friend! 😅 Huge, huge thanks to @shepards-space-oddessy for editing and @unfair-water-plane & @gemsbokk for reading this thing, you guys are the nicest and deserve your own Star of Terra award.

Title: A Simple Recon Rating: M (for canon-typical violence) Pairing: mshenko Summary: Two human Spectres and one unlucky pilot decide to take on a simple recon mission on a nondescript water planet. What could possibly go wrong?

You can read it on A03

"I don't like this," Kaidan says and hears Cortez sigh. 

It annoys him of course, but Kaidan is far more concerned with Shepard and the look on his face that Kaidan reads as "Of course you are": tenderness hidden between the layers of sarcasm in which he cocoons himself as usual. 

"It's at least fifty years old!" Kaidan continues. "We can't be sure it works properly!" 

"Well, let's find out." Shepard shrugs and, unsurprisingly, it looks nonchalant. It also makes Kaidan want to strangle him, but instead he pulls out the big guns. 

"I'm not letting you go in there without backup," he adds and hears his voice wobble a bit. 

Fuck if it sounds pathetic and unprofessional, and something he definitely shouldn't do in front of Cortez, but at least he's rewarded with the fascinating sight of Shepard's defenses cracking. For a brief moment, the look on his face is of pure tenderness, and Kaidan feels that change with his whole body. The triumph of knowing he is the cause of it rolls through him, but it's short-lived.

"Don't think we have a choice," Shepard says, back to business. "I'm the only one who knows how to pilot this piece of junk. And if we don't find whatever fried our engines and is still jamming our signals, we'd better start looking for food. Because, you know, after a week or so without it, you gentlemen might start to look very tasty."

"Shepard..." Kaidan sighs. 

"What?" There is a shadow in the left corner of Shepard's mouth, the dimple begins to show, and Kaidan is weak for his dimples. He sighs again. This is exactly why you shouldn't sleep with your crewmates.

"I know how to fish!" Cortez suddenly interjects.

"That's the spirit, Lieutenant!" Shepard claps him on the shoulder and looks back at Kaidan. "Come on, Alenko, you're one of the best engineers I know. I'm sure we can fix this thing. Just tell me and Cortez what to do."

"This is about your life…" Kaidan says, knowing full well that he has already lost. 

"And I trust you with it," Shepard says in his private 'John' voice, because that's how he is, even Kaidan's complete defeat is not enough for him.

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on