glitterirain - Neha's Notes
Neha's Notes

[Neha] | [She/Her] | [20+] | [Freelance Hell] | [Part-time Cake Decorator] | [Full-time Fairy Queen] | [Fan of Anime & Idol Mobage] | [Lover of All Things Pink & Glittery] | [This is my personal, multi-fandom blog where I will post all kinds of things. Warning this blog will contain spoilers and my tagging system is a mess! I'll try to fix this but it will take time]

939 posts

Matsubara Kanon - Moon Adrift

Matsubara Kanon - Moon Adrift
Matsubara Kanon - Moon Adrift
Matsubara Kanon - Moon Adrift
Matsubara Kanon - Moon Adrift

matsubara kanon - moon adrift

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More Posts from Glitterirain

4 years ago
 From BanG Dream! AAside
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アプリゲーム「アルゴナビス from BanG Dream! AAside」オープニングムービー 

4 years ago

Talentless Nana: Audience vs Character Motivation

An Analysis of how Talentless Nana’s complex writing and take on protagonist sympathy, by a person who isn’t qualified to talk about it. Spoiler free for episode one until the cut, after that spoilers for a bit further into the manga, but nothing huge.

Every story has to deal with what I affectionately call the “who cares” principle. This idea is that for every story, there must be a reason the audience cares, why they want to see it through to the end. This reason usually structures the plot. A story cannot exist without a reason to see it through.

While people’s motivations to consume media differ incredibly (I.e “I’m only in it for the ships, I like the animation, I like the artist”) I believe in most stories there is something in the story that the audience is supposed to care about.

In a lot of stories it’s what the protagonist wants, hence them being protagonist. Part of this is because many protagonists are simply audience surrogates with varying levels of personality, but there is more to it.

This makes the task of audience sympathy fairly simple, all the creator has to do is endear their audience to the protagonist and soon we care about what they care about, making it easy for the creator to straight up tell us what we want via the protagonists mouth.

For example, in My Hero Academia, “the audience” wants to see Izuku become the most powerful hero. It’s what Izuku wants, and we like Izuku, so we want what he wants. That doesn’t mean people don’t watch HeroAca because they like other characters, or because the fights are cool, or they like the art, it just means that’s what the audience is supposed to want, or at least something they care about at some level. The audience wants to see what happens, so that’s where the story goes.

This is how a lot of stories work, especially popular ones.

As long as you have

So what does this have to do with Talentless Nana? Well… (spoilers below.)

Keep reading


Tags :
4 years ago

Shoutout to fic writers who put tags on their fics saying what the rating is for like ‘It’s M for dark themes, there’s no sexy content’ or ‘It should really be G but I put T because swearing’ y’all make reading far less stressful 

4 years ago
Violet Evergarden Ever After: Chapter 1

Violet Evergarden Ever After: Chapter 1

Please feel free to message me about possible corrections. If you can, consider supporting the creators by purchasing the official releases.

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4 years ago
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A Comic About Being (possibly) Neurodivergent, Deeply Rooted Fears And Overthinking
A Comic About Being (possibly) Neurodivergent, Deeply Rooted Fears And Overthinking

A comic about being (possibly) neurodivergent, deeply rooted fears and overthinking

do NOT repost

Keep reading