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[scrolling through a fandom tag] wrong. wrong. incomprehensibly wrong. wrong but harmless. nice style and color palette but I don't care about that ship. mildly entertaining liveblog update. they whitewashed my girl :( . good joke, reblog. wro--well that's my mutual so I will politely look away. fifteen posts in a row by an innocent rp blog that I don't have the heart to block. take I agree with but op was annoying about it. chapter twenty-eight of a longfic wip. !! GOOD POST !!, instafollowed. bot. technically correctly tagged but uses this acronym for something completely different. museum worthy art piece by a sixteen-year-old from the philippines. wrong. wrong but in a new and exciting way that provokes thought.

Who is more hot?

Wenkexing: his eyeliner when he is in chief daddy mode??? And his war fan is on another level.

Xie wang: his braids are the reason i breath and his eyeliner is the reason i am alive.

“The dream must end or the people can not go free” puts that in my back pocket.

But no seriously this goes hard and honestly have never thought about it that way.

So we all remember this moment from Jaya

It's an iconic moment for a reason, people love it so much so you see people make fanart of it or even get it tattooed on themselves, and it's understandable 'cause what Teech says here is kind... hopeful, inspirational even

Which is why the scene always felt so wrong to me, in a way I could not like put into words or explain why?? Like I wanted to be like "hey this guy isn't that bad, I agree with him!" and yet what Blackbeard says here didn't quite sit right with me?

But now, in-hindsight, I understand why

It's because Blackbeard is wrong

Like, from the begining, from when we're introduced to Blackbeard, he and Luffy are explicitly shown to be the polar opposites of each other in many ways (their taste in food being just one easy way to summarize it), including in ideals and beliefs

And while it would be so easy to think this scene was about showing that despite their differences Luffy and Blackbeard actually have one thing they agree on, one common ground

They don't

Luffy's dream has an end

And it's not just that, that's not the only reason he's the opposite of Blackbeard in this sense. If Luffy just keeps on dreaming of doing things, he will never achieve them, because achieving your dreams means the end of them

And think about how that reflects on the rest of the story

If people keep on dreaming of freedom, they will never be free

Nami's village would remain in Arlong's hands, rain would never fall in Alabasta again, the fire of Shandra would never be lit again, Water 7 will sink into the ocean, the kids on Punk Hazard would never see their parents again, the families of Dressrosa would never be reunited, Wano would remain under Kaidou's oppression, everyone on Fishman Island will remain at the bottom of the ocean and never see the true sun

The dream must end or the people can not go free

The darkness of night will break away The dream will end and the sun will rise

Zuko and Azula have the most fascinating relationship in ATLA

Sibling rivalry is often a trite story of one sibling hating the other out of jealousy. On the surface, the Zuko and Azula may look that way. They have no problem blasting fire and lightning at each other and both of their parents had a favorite. But there’s so much more to it. 

First of all, I would argue that in spite of many near-fatal encounters, they don’t necessarily hate each other. It’s far more complicated than that. How they view each other is closely tied to how they view themselves.

For most of Zuko’s life, Azula is the standard he’s held to. She’s ambitious, ruthless, and a prodigy. No matter what he does, he can’t earn their father’s approval like she can. And she rubs it in his face constantly. When Azula is cruel to Zuko, Ozai affirms that she’s not wrong to do so. Zuko rarely argues with her because he’s been conditioned to believe she’s right. Zuko has internalized the blame for how his father treats him rather than project it onto Azula, and accepts how she treats him as normal. He has plenty of bitter feeling toward her, but none quite as clear as hate. 

Azula’s view of Zuko is even more convoluted. The first time we see Azula, she’s smiling because their father is about to burn him. The next time they meet, she berates him for being a failure of a son. It looks like she enjoys watching him suffer. 

But when Zuko helps “kill” the Avatar in Ba Sing Se, we get to see them in a new context. In the rare moments that they aren’t pitted against each other by the ever looming presence of their father… they actually get along fine.

Every time Azula appeared happy to see Zuko suffering, it was at the hands of their father. It wasn’t just that Ozai hurt Zuko, it what that Ozai hurt Zuko and not her. Every time Ozai insulted or injured her brother, it cemented Azula’s position as the favorite child. And she had to stay the favorite child because she’s seen what would happen to her if she wasn’t. Deep down, she knows just how conditional her father’s positive regard is. When Ozai leaves her in the Fire Nation while invading the Earth Kingdom, the first words out of her mouth are “You can’t treat me like Zuko”. Being better than Zuko is part of her identity.

When Zuko defects from the Fire Nation and begins to succeed without meeting, or even trying to meet, the standards set by their father, it throws her priorities into doubt. In her mind, Zuko is supposed to fail. But she isn’t truly unnerved until she’s betrayed by Mai and Ty Li. 

She is incapable of understanding why Mai would chose Zuko, and this drags to the surface her inability to understand why her mother preferred Zuko. She believed her mother loved Zuko and not her. Now Mai, her closest friend, loves Zuko and not her.

This conflicts with her entire view of the world. She sees the worth of a person as equal to their quantifiable skills and accomplishments. She has been admired, respected, and feared, but as far as Azula believes, no one has ever loved her. She was a prodigy who did everything right, while Zuko was the family screw up. Yet people loved him and not her.

For years, being better than Zuko was how Azula measured herself. Ozai said Zuko was lucky to be born. That he was worthless, weak, disrespectful, and both his children believed him. When Zuko left, he finally saw that Ozai was wrong about him. When Zuko returns during Sozin’s comet, Azula too is forced to see that her perception is wrong. 

Zuko has become the embodiment of everything she lacks.  She thought he was weak, but he’s not afraid enough to fight her fairly as an equal. She thought he was dishonorable, but really he was independent enough to break away from their father’s control. She thought he was worthless, but he’s found people who care about him in spite of his flaws. 

Azula isn’t just trying to kill him, but everything he represents. And when she can’t, she breaks. Zuko is still standing. She has nothing left.

Word of God (Bryke) confirmed that at the end of the Agni Kai, Zuko felt pity rather than hate for his sister. This continues into the comics as he genuinely tries to help her. He knows that while she may not have been overtly abused like he was, she was raised in the same web of lies, agendas, and violence.  

Their past left them both unable to trust people. Azula controlled everyone around her with fear. Zuko shut other people out and tried to do everything on his own. It isn’t until Zuko has left his old life behind that he slowly begins to let people in. 

While Azula hangs onto the beliefs of Ozai and the Fire Nation, Zuko can see their situation from the outside. He sees two screwed up teenagers who spent their lives fighting their father’s war, manipulated into a conflict that isn’t their fault, forced to kill each other over choices made a century before they were born. It took Zuko years to figure out the hell that was his home life wasn’t his fault, but only a few minutes to see that it wasn’t Azula’s either.

❤ VIOLET EVERGARDEN | THE BEAUTIFUL DOLL ❤

↳ Happy Birthday to my most marvelous baby Daisy @fairyheartfilias ( ๑ ^ ω ^ ๑) /✧*。❤ ★ credit for scans ★

Talentless Nana: Audience vs Character Motivation

An Analysis of how Talentless Nana’s complex writing and take on protagonist sympathy, by a person who isn’t qualified to talk about it. Spoiler free for episode one until the cut, after that spoilers for a bit further into the manga, but nothing huge.

Every story has to deal with what I affectionately call the “who cares” principle. This idea is that for every story, there must be a reason the audience cares, why they want to see it through to the end. This reason usually structures the plot. A story cannot exist without a reason to see it through.

While people’s motivations to consume media differ incredibly (I.e “I’m only in it for the ships, I like the animation, I like the artist”) I believe in most stories there is something in the story that the audience is supposed to care about.

In a lot of stories it’s what the protagonist wants, hence them being protagonist. Part of this is because many protagonists are simply audience surrogates with varying levels of personality, but there is more to it.

This makes the task of audience sympathy fairly simple, all the creator has to do is endear their audience to the protagonist and soon we care about what they care about, making it easy for the creator to straight up tell us what we want via the protagonists mouth.

For example, in My Hero Academia, “the audience” wants to see Izuku become the most powerful hero. It’s what Izuku wants, and we like Izuku, so we want what he wants. That doesn’t mean people don’t watch HeroAca because they like other characters, or because the fights are cool, or they like the art, it just means that’s what the audience is supposed to want, or at least something they care about at some level. The audience wants to see what happens, so that’s where the story goes.

This is how a lot of stories work, especially popular ones.

As long as you have

So what does this have to do with Talentless Nana? Well… (spoilers below.)

Keep reading

A Day Off of Loitering and Investigation

A translation of the first chapter of Jujutsu Kaisen’s first light novel “Departing Summer and Returning Autumn” by Akutami Gege and Kitakuni Balad.

A Day Off of Loitering and Investigation

If we are talking about the few “definite things” in this modern day and age, there are only three at best.

That Mito Koumon[1] will win.

That Sazae-san[2] will air on Sunday.

And lastly, that Kugisaki Nobara’s shopping will drag on for a long time.

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The Resurrection Puppet

Second chapter of Jujutsu Kaisen’s first light novel, featuring Nanami and Gojou.

The Resurrection Puppet

Nanami doesn’t hate going on business trips.

It’s not like you couldn’t call it going traveling on a budget, and it could also become a reason to go somewhere you normally wouldn’t.

Much less, somewhere like Hokkaido.

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Vinnie actually looks just like me, u just have to add some rectangular glasses