Joe Jusko

Joe Jusko

Alright then. So we have another Witch from Mercury episode that hits like a goddamn truck.

Heavy spoilers follow for Witch from Mercury Episode 14 (and 13). Sorta a mix of feelings and predictions.

Not gonna lie, really loving the new season so far, basically because both episodes have been pretty jam-packed. Like, there’s a lot going on with expansion and character development to a lotta people. Standouts include Chuchu, Nika and Lady Prospera.

I did absolutely love how Lauda has this big dramatic speech and genuinely guns it for Suletta, but then gets absolutely stomped. I feel like things are probably gonna end badly for him, if only because Guel’s more interesting. Still, watching Pettra and Chuchu defend him was nice, everyone has someone that cares about them.

There was also a small bit of development for Elan…… five? (I really should’ve rewatched this prior, oh well). Like, he doesn’t step in to ruin Shaddiq’s plans, and he expresses fear when faced with dire odds. Like, I guess Elan Four was about necessity, whereas Elan Five is about cowardice? Its a neat contrast, or perhaps how Elan Four influences Elan Five?

I love how we’re finally getting some insight into Lady Prospera’s actions though. I mean, episode 14 confirms a lotta theories some people have been having, which is rad, but I’m honestly just here to see what the heck she’s up to. So, Quiet Zero, I’m guessing it’s some sort of shutdown weapon? GUND-ARM System suits are shown to be able to totally overpower any non-Gundam suit (“only a Gundam can defeat a Gundam” thanks, Elan Four), so presumably their only threat would be another GUND-ARM system suit, which quiet zero focuses on taking over/shutting down? Though having written that down, it sounds like something too small-scale for what Prospera’s talking about.

EDIT: I have remembered that the Gundam Schwarzette is a thing. Given that that mobile suit literally has a zero on its face design, it’s possible that it mounts the “Quiet Zero” system in question. It’s also possible that the quiet zero is somehow connected to the ms-style GUND-bits that the Lfrith’s were using.

It’s also entirely plausible that every word she says to Miorine is a lie. I don’t think she’s lying when she talks with Belmeria, that sounds like what she actually believes. But there she’s with an old friend who she holds a lot of power over. Miorine is different, so I’m less inclined to trust anything she says to her. It is interesting that while talking with Miorine, she steps out of the darkness and into the light, so it’s possible that these are her original, noble goals, that have slowly been twisted into things she’d go to terrible lengths over? Things to ponder.

Shaddiq’s been…. Interesting, to say the least. Since I just spent a whole two paragraphs talking about Prospera’s possible goals (and honestly, I might write more later), it’s good to see the show’s other resident Char Clone stepping up to the plate (The Elan’s have too much other baggage for me to weigh in on them, and we don’t really know what’s going on with Guel yet). Shaddiq’s essentially plotting a coup from under his own father, and is straight up financing terrorist operations. It’s unclear how this is going to end for him, since it’s being repeatedly proven that he isn’t quite as smart as he thinks he is, so I feel like he’s going to go down a couple pegs at some point. I honestly don’t have a clue on where he’s going from here, so I’m very much looking forward to it. Grassley defence systems seems to have a monopoly on non-aerial Gundam tech, so I’m betting that they’ve been supplying Dawn of Fold with the Lfrith’s and GUND-bits.

Alright, guess I can’t really avoid talking about it any more can I?

Sophie Pulone gets a really nice focus episode, then dies attempting to take down Suletta in the Aerial. I genuinely wasn’t expecting her to bite it so soon, and it’s only made me more interested in seeing what the whole deal is with her and Norea du Noc. It’s quite interesting because Sophie is essentially a Gender-swapped (and perhaps slightly more childish) Mikazuki Augus, from Gundam Iron-Blooded Orphans. She fights because that is her choice, for the things she wants in life, because that is what she is good at. I just find it really neat how she’s basically a takedown of the protagonist from the last show, showing what would happen were they actually overpowered. It also loops back to earlier, her death being the thing that breaks Norea’s emotionless composure and shows how these Gundam pilots view Suletta - as a terrifying monster.

It has greater implications too, since for all Sophie’s combat ability and credentials as a mobile suit pilot, she dies fairly quickly, as a pawn in someone else’s (in this case Shaddiq’s) plan. It sends the message that it isn’t the characters with raw power and deadly mobile suits that are dangerous, but the movers and shakers behind the scenes. Like Shaddiq. Like Prospera.

Space Hulk (1st Ed) Box Art by Gerry Grace

Just for fun, let’s think up a list of reasons as to why Mcgillis chose not to use the Fareed Family Gundam.

It was destroyed/lost in the calamity war.

It reminds him of Iznario, and he wants to reject that connection.

It’s got a very specific way of fighting (like Flauros) and he wants something with a more generalist bent.

He feels a greater kinship with Agnika Kaieru than he does the Fareed family founder.

It was the 72nd Gundam frame built, and was completed postwar, thus running counter to Mcgillis’ ambitions to be like his idol.

It’s been chained up in a similar manner to how Bael eventually will be.

It was scrapped to repair another Gundam frame.

It’s biometrically locker to a blood member of the Fareed family for some reason.

The previous pilot was an amputee, and didn’t so much pilot the Gundam in so much as they were “plugged in”. (Think Gundam Thunderbolt).

Iznario (or a prior member of the Fareed Family) sold it, or parts of it, for bread money (as the Warrens did).

It was stolen by Gundam thieves.

It requires three pilots.

The colours clash horribly with his hair.

Despite their great combat skill, the Fareed family founder was just kind of a prick, and nobody looks on their history with much fondness.

The Fareed family founder was very small by modern standards, and the cockpit’s uncomfortable to sit in for any length of time.

The hands were damaged, and are now in the permanent pose of throwing up gang signs.

Bael’s just, like, so much cooler.

It’s really, really uncomfortable to look at for a significant period of time.

Any time it’s activated, the Fareed family founder’s custom mixtape of post-calamity rap starts playing and nobody knows how to turn it off.

It’s haunted.

Iznario lost it in a poorly conceived bet.

It’s likeness was bought out by a prominent snack food corporation some years back, and as such it legally is not allowed to be viewed by anyone.

The door to it in Vingolf is stuck, and nobody ever noticed until Mcgillis came along.

Somebody spilled drink on the controls, and now they feel weirdly sticky.

The cockpit’s stuffed with body pillows, and nobody can bring themself to clean them out.

It’s lying at the bottom of the ocean after someone took it for a joyride.

It’s got an absolutely awful paint job that Norba Shino would be proud of.

It’s uninsured.

It was mounted on the prow of the Fareed family ship, and it’s exceedingly difficult to remove.

It’s stored in multiple separate locations. All Vingolf has is a pair of legs and the right hand.

It’s currently being used as a soundstage for a prominent punk-rock band on Jupiter, and no-one’s sure when the lease ends.

It has the words “free ice-cream” prominently painted on it somewhere.

It achieved sentience and promptly grabbed some popcorn.

The Fareed family never had a Gundam, and just killed that many mobile armours with conventional tactics.

It’s covered in rust.

It doesn’t have nanolaminate armour for some reason.

It’s being used as a power source for Gjallarhorn’s premier health spa and resort.

The Fareed family threw it into the sun when the war ended, believing they wouldn’t need it anymore.

It’s been repaired really badly, and the duct tape and welding really doesn’t inspire confidence.

It’s off starring in its own, less successful show.

It’s got a hit play on broadway.

It runs off a subscription service, and nobody’s been paying it for the last 300 years.

Mcgillis has really poor gatcha rolls, so he just got 26 common rarity grazes instead.

It’s really a Leo somebody scotch-taped a v-fin to.

The entire Gundam is made of cardboard.

Mcgillis forgot the password to get into the hangar, and he can’t ask Iznario.

Somebody doodled angry eyes and a handlebar moustache on it, and nobody can look at it without cracking up.

It was taken apart, then reassembled incorrectly. (It’s got a leg sticking out of where it’s head should be, and nobody’s sure where the sword ended up)

He can’t activate it without deleting the entire Fareed family’s Doom highscores.

It’s currently being used to hold a massive tv that the rest of Gjallarhorn use to watch the hockey.

It is currently on fire.

When he went to pick it up, two of the engineers were using it to hold a romantic candlelit dinner and he felt awkward interrupting so he hasn’t been back since.

A head of the Fareed family used it as the site of a drunken party and when everyone came round from their hangover it was just gone, and nobody could remember what happened to it.

It looks exactly like the Gundam Dantalion, and records have been lost as to why this is the case.

It’s currently being used as a scarecrow.

Feel free to add any more in the comments!

I do really like the whole mythic aspect that Iron-Blooded Orphans brought to the table. Not just in regards to the Gundams or mobile suits specifically (though those are wonderful), but just the world in general.

Tekkadan being enshrined as “The Devils of Mars”, and Gjallarhorn’s naming convention having so much influence from Nordic legends and mythology. It really sells the world as not only believable, but where these things have power.

Where a legend can make or break something.

And the mobile suits exemplify this.

I really like the Gundams being these forgotten, almost revered machines. The legendary warriors that ended a war over three centuries ago. The relics of a bygone age, taken up by modern peoples for their own, comparatively petty, causes. That mystic aspect works really well, since it is a setting built on myth, with Kudelia’s Maiden of Revolution and Julieta’s knight imagery.

Gjallarhorn as a whole has a lot of knightly imagery in its mobile suits and it’s aesthetics. Gjallarhorn is the organisation that saved the world from the calamity war after all, so they project that image with their dress and mobile suits. Even Lieutenant Crank and Ein are emblematic of a knight and squire, with Gaelio and Ein only furthering the comparison

Ein’s is a squire, who’s knight is slain by bandits. In desperation he pledges himself to another knight in hopes of avenging his lord, eventually giving up his life to protect his new knight, who gave him that chance. He rises again as a black-armoured murderer, who is lost to his vengeance, focusing only on that single goal, being slain by the very bandits he sought to avenge himself on. Years later, his “memory” is carried by the knight he saved, which is used to give him a chance against his foe.

It sounds like a classical story, and that’s just Ein. It only touches on Gaelio, but he undergoes his own arc, intertwined with Ein. There’s a bunch of imagery like that, particularly with Gjallarhorn. One example would be railguns.

They’re fairly common weaponry, but they’re wielded so much like lances. Iok seeks to use one to slay Hashmal, so even though they’re ranged weapons in a world defined by CQC, they don’t seem out of place, because they still seem like a comparatively simple weapon. Dainsleif’s looking like bows and being employed en mass a la archers would be another example. It even adds to the knightly theme, since one of the main downfalls of knights was the invention of the longbow, a bow capable of piercing armour.

So you have this setting built on all this, where even Tekkadan, who don’t even pay lip service to the idea are part of this grander mythology.

And then Rustal shows up and completely upends it.

It just all works really well.

There’s a scene in The Clone Wars that I find pertinent to this.

Count Dooku’s replaced Ventress as his apprentice, and is in the process of training Savage Opress as a replacement.

It’s very similar to Yoda and Luke’s training, just with added motivation (IE force Lightning). Dooku is trying to get Savage to lift the stone pillars, and Savage Tells him it cannot be done. Dooku replies:

“The task is only impossible because you have deemed it so”.

It’s essentially exactly what Yoda tells Luke in Empire Strikes Back, and reinforcers the fact that Dooku was once Yoda’s apprentice.

Not me being mad today about people over exaggerating the "do or do not there is no try" and hating on the Jedi for it as if it's not an idiom about always trying your best and giving it your all (and considering things when you do them) instead of literally saying don't try if you can't succeed. :/

I've always understood "do or do not, there is no try" as "ultimately, you will either have done or not done" - it seems like it's about focusing on the outcome instead of the process.

(As a recap of what exactly happens in ESB: Luke is doing a handstand trying to lift stones with Yoda perched on his leg when the ship suddenly sinks further into the water. It breaks Luke's concentration and his rocks fall, along with him, and Yoda. Luke laments they'll never get the ship back, Yoda laments that Luke always thinks things are too hard to be done, Luke says lifting stones is different, Yoda says it isn't, and Luke agrees to try, which is when Yoda has his iconic line.

And critically, after Luke does try and fail, Yoda gives him a great speech about the nature of the Force and how it binds everything together and Luke despondently says that it's just impossible. Upon which Yoda lifts the ship out of the water, of course, and Luke exclaims that he can't believe it, to which Yoda answers that that's why he's failing.)

Obviously you won't always get things right the first time, and that's precisely what Luke is frustrated about in the scene. And because he's disappointed that he's not getting things right, he doesn't even want to try anymore - his first instinct is to give up because he thinks the situation is beyond fixing.

So the critical point about the quote is that this Yoda shifting the focus: he tells Luke to stop thinking about what he's doing and concentrate on what he wants to do.

This is because of Luke's current state of mind, because Luke is currently associating his own efforts with failure, it's not just a random thing he's saying to make him feel bad.

Everything Star Wars tells us about the Force is that it's used through both intuition and confidence:

That's why the Jedi train so hard from such a young age - you can't doubt yourself or second-guess the Force, or you will get your ass kicked by both the universe and your potential opponents. You have to be able to trust your instincts because you have to rely on them - hence the need to either instill good Force-oriented instincts in kids, or in Luke's case relearn his own base sentient instincts. You can't learn to categorize the material world as 'too heavy,' 'too far,' 'not possible' - you have to focus on the Force, not the physical nature of the objects or your own limitations.

Luke thinks and feels the way a non Force-sensitive would: 'heavy things = can't be lifted.' He was doing okay lifting stones upside down, but he was using his muscles to stand upright, not the Force (hence why he was struggling to stay up and why he fell so easily). His concentration was clouded by material concerns (the loss of the ship and his own powerlessness) so he couldn't maintain it. He sees success as depending on his own conscious efforts but that's just not the way it works, he has to let go because his mind is just not wired right yet and so his efforts are necessarily counterproductive. It's that materialism that Yoda is responding to.

That's the point of Yoda's lesson imo - it's not so much about the technicalities of 'giving it everything you've got,' it's about something much deeper. He is trying to get Luke to radically change his mindset and entire worldview (the 'luminous beings, not this crude matter' quote is from this scene too), because Luke is never going to succeed if he thinks in terms of 'trying.'

If Luke could visualize the starship out of the bog and focus on that, the starship would be out of the bog. If he's focused on trying to lift it out of the bog, then he'll fail because everything in his mind tells him he can't.

Which is exactly what happens.

And the fact is, we know Yoda is 100% right with his advice and that everything he says and teaches in that moment is endorsed by the narrative - because he easily succeeds where Luke kept failing.

Story-wise, it couldn't be clearer that Yoda's advice is good, because it's immediately proven that not following it doesn't yield results, but that following it does.

Like most Jedi maxims, "Do, or do not. There is no try," is circumstantial advice and I'm pretty sure it doesn't show up again in Star Wars canon, be it the movies or TCW (until Rebels that is, when Kanan quotes it to Ezra like it's a rote thing that Yoda used to say all the time and it's kind of 'ah ah' moment because neither of them can figure out what it means). Which is why it kinda bugs me that it was elevated to a Yoda proverb like it's something he says constantly and not just something Luke needed to hear in that moment. It's a banger of a quote though.