123 Ideas For Character Flaws

123 Ideas for Character Flaws

Absent-minded - Preoccupied to the extent of being unaware of one’s immediate surroundings. Abstracted, daydreaming, inattentive, oblivious, forgetful.

Abusive - Characterized by improper infliction of physical or psychological maltreatment towards another.

Addict - One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.

Aimless - Devoid of direction or purpose.

Alcoholic - A person who drinks alcoholic substances habitually and to excess.

Anxious - Full of mental distress or uneasiness because of fear of danger or misfortune; greatly worried; solicitous.

Arrogant - Having or displaying a sense of overbearing self-worth or self-importance. Inclined to social exclusiveness and who rebuff the advances of people considered inferior. Snobbish.

Audacious - Recklessly bold in defiance of convention, propriety, law, or the like; insolent; braze, disobedient.

Bad Habit - A revolting personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.

Bigmouth - A loud-mouthed or gossipy person.

Bigot - One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.

Blunt - Characterized by directness in manner or speech; without subtlety or evasion. Frank, callous, insensitive, brusque.

Bold - In a bad sense, too forward; taking undue liberties; over assuming or confident; lacking proper modesty or restraint; rude; impudent. Abrupt, brazen, cheeky, brassy, audacious.

Callous - They are hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.

Childish - Marked by or indicating a lack of maturity; puerile.

Complex - An exaggerated or obsessive concern or fear. (List specific complex.)

Cruel - Mean to anyone or anything, without care or regard to consequences and feelings.

Cursed - A person who has befallen a prayer for evil or misfortune, placed under a spell, or borne into an evil circumstance, and suffers for it. Damned.

Dependent - Unable to exist, sustain oneself, or act appropriately or normally without the assistance or direction of another.

Deranged - Mentally decayed. Insane. Crazy. Mad. Psychotic.

Dishonest – Given to or using fraud, cheating; deceitful, deceptive, crooked, underhanded.

Disloyal - Lacking loyalty. Unfaithful, perfidious, traitorous, treasonable

Disorder - An ailment that affects the function of mind or body. (List the disorders name if they have one.) See the Mental Disorder List.

Disturbed - Showing some or a few signs or symptoms of mental or emotional illness. Confused, disordered, neurotic, troubled.

Dubious - Fraught with uncertainty or doubt. Undecided, doubtful, unsure.

Dyslexic - Affected by dyslexia, a learning disorder marked by impairment of the ability to recognize and comprehend written words.

Egotistical - Characteristic of those having an inflated idea of their own importance. Boastful, pompous.

Envious - Showing extreme cupidity; painfully desirous of another’s advantages; covetous, jealous.

Erratic - Deviating from the customary course in conduct or opinion; eccentric: erratic behaviour. Eccentric, bizarre, outlandish, strange.

Fanatical - Fanatic outlook or behaviour especially as exhibited by excessive enthusiasm, unreasoning zeal, or wild and extravagant notions on some subject.

Fickle – Erratic, changeable, unstable - especially with regard to affections or attachments; capricious.

Fierce - Marked by extreme intensity of emotions or convictions; inclined to react violently; fervid.

Finicky - Excessively particular or fastidious; difficult to please; fussy. Too much concerned with detail. Meticulous, fastidious, choosy, critical, picky, prissy, pernickety.

Fixated - In psychoanalytic theory, a strong attachment to a person or thing, especially such an attachment formed in childhood or infancy and manifested in immature or neurotic behaviour that persists throughout life. Fetish, quirk, obsession, infatuation.

Flirt -To make playfully romantic or sexual overtures; behaviour intended to arouse sexual interest. Minx. Tease.

Gluttonous - Given to excess in consumption of especially food or drink. Voracious, ravenous, wolfish, piggish, insatiable.

Gruff - Brusque or stern in manner or appearance. Crusty, rough, surly.

Gullible - Will believe any information given, regardless of how valid or truthful it is, easily deceived or duped.

Hard - A person who is difficult to deal with, manage, control, overcome, or understand. Hard emotions, hard hearted.

Hedonistic - Pursuit of or devotion to pleasure, especially to the pleasures of the senses.

Hoity-toity- Given to flights of fancy; capricious; frivolous. Prone to giddy behaviour, flighty.

Humourless - The inability to find humour in things, and most certainly in themselves.

Hypocritical - One who is always contradicting their own beliefs, actions or sayings. A person who professes beliefs and opinions for others that he does not hold. Being a hypocrite.

Idealist - One whose conduct is influenced by ideals that often conflict with practical considerations. One who is unrealistic and impractical, guided more by ideals than by practical considerations.

Idiotic - Marked by a lack of intelligence or care; foolish or careless.

Ignorant - Lacking knowledge or information as to a particular subject or fact. Showing or arising from a lack of education or knowledge.

Illiterate - Unable to read and write.

Immature - Emotionally undeveloped; juvenile; childish.

Impatient - Unable to wait patiently or tolerate delay; restless. Unable to endure irritation or opposition; intolerant.

Impious - Lacking piety and reverence for a god/gods and their followers.

Impish - Naughtily or annoyingly playful.

Incompetent - Unable to execute tasks, no matter how the size or difficulty.

Indecisive - Characterized by lack of decision and firmness, especially under pressure.

Indifferent - The trait of lacking enthusiasm for or interest in things generally, remaining calm and seeming not to care; a casual lack of concern. Having or showing little or no interest in anything; languid; spiritless.

Infamy - Having an extremely bad reputation, public reproach, or strong condemnation as the result of a shameful, criminal, or outrageous act that affects how others view them.

Intolerant - Unwilling to tolerate difference of opinion and narrow-minded about cherished opinions.

Judgemental - Inclined to make and form judgements, especially moral or personal ones, based on one’s own opinions or impressions towards others/practices/groups/religions based on appearance, reputation, occupation, etc.

Klutz - Clumsy. Blunderer.

Lazy - Resistant to work or exertion; disposed to idleness.

Lewd - Inclined to, characterized by, or inciting to lust or lechery; lascivious. Obscene or indecent, as language or songs; salacious.

Liar - Compulsively and purposefully tells false truths more often than not. A person who has lied or who lies repeatedly.

Lustful - Driven by lust; preoccupied with or exhibiting lustful desires.

Masochist - The deriving of sexual gratification, or the tendency to derive sexual gratification, from being physically or emotionally abused. A willingness or tendency to subject oneself to unpleasant or trying experiences.

Meddlesome - Intrusive in a meddling or offensive manner, given to meddling; interfering.

Meek - Evidencing little spirit or courage; overly submissive or compliant; humble in spirit or manner; suggesting retiring mildness or even cowed submissiveness.

Megalomaniac - A psycho pathological condition characterized by delusional fantasies of wealth, power, or omnipotence.

Naïve - Lacking worldly experience and understanding, simple and guileless; showing or characterized by a lack of sophistication and critical judgement.

Nervous - Easily agitated or distressed; high-strung or jumpy.

Non-violent - Abstaining from the use of violence.

Nosey - Given to prying into the affairs of others; snoopy. Offensively curious or inquisitive.

Obsessive - An unhealthy and compulsive preoccupation with something or someone.

Oppressor - A person of authority who subjects others to undue pressures, to keep down by severe and unjust use of force or authority.

Overambitious - Having a strong excessive desire for success or achievement.

Overconfident - Excessively confident; presumptuous.

Overemotional - Excessively or abnormally emotional. Sensitive about themselves and others, more so than the average person.

Overprotective - To protect too much; coddle.

Overzealous - Marked by excessive enthusiasm for and intense devotion to a cause or idea.

Pacifist - Opposition to war or violence as a means of resolving disputes. (Can double as a merit in certain cases)

Paranoid - Exhibiting or characterized by extreme and irrational fear or distrust of others.

Peevish - Expressing fretfulness and discontent, or unjustifiable dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious, discontented, crotchety, cranky, ornery.

Perfectionist - A propensity for being displeased with anything that is not perfect or does not meet extremely high standards.

Pessimist - A tendency to stress the negative or unfavourable or to take the gloomiest possible view.

Pest - One that pesters or annoys, with or without realizing it. Nuisance. Annoying. Nag.

Phobic – They have a severe form of fear when it comes to this one thing. Examples: Dark, Spiders, Cats

Practical - Level-headed, efficient, and unspeculative. No-nonsense.

Predictable - Easily seen through and assessable, where almost anyone can predict reactions and actions of said person by having met or known them even for a short time.

Proud - Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.

Rebellious - Defying or resisting some established authority, government, or tradition; insubordinate; inclined to rebel.

Reckless - Heedless. Headstrong. Foolhardy. Unthinking boldness, wild carelessness and disregard for consequences.

Remorseless - Without remorse; merciless; pitiless; relentless.

Rigorous - Rigidly accurate; allowing no deviation from a standard; demanding strict attention to rules and procedures.

Sadist - The deriving of sexual gratification or the tendency to derive sexual gratification from inflicting pain or emotional abuse on others. Deriving of pleasure, or the tendency to derive pleasure, from cruelty.

Sadomasochist - Both sadist and masochist combined.

Sarcastic - A subtle form of mockery in which an intended meaning is conveyed obliquely.

Sceptic - One who instinctively or habitually doubts, questions, or disagrees with assertions or generally accepted conclusions.

Seducer - To lead others astray, as from duty, rectitude, or the like; corrupt. To attempt to lead or draw someone away, as from principles, faith, or allegiance.

Selfish - Concerned chiefly or only with oneself.

Self-Martyr - One who purposely makes a great show of suffering in order to arouse sympathy from others, as a form of manipulation, and always for a selfish cause or reason.

Self-righteous - Piously sure of one’s own righteousness; moralistic. Exhibiting pious self-assurance. Holier-than-thou, sanctimonious.

Senile - Showing a decline or deterioration of physical strength or mental functioning, esp. short-term memory and alertness, as a result of old age or disease.

Shallow - Lacking depth of intellect or knowledge; concerned only with what is obvious.

Smart Ass - Thinks they know it all, and in some ways they may, but they can be greatly annoying and difficult to deal with at times, especially in arguments.

Soft-hearted - Having softness or tenderness of heart that can lead them into trouble; susceptible of pity or other kindly affection. They cannot resist helping someone they see in trouble, suffering or in need, and often don’t think of the repercussions or situation before doing so.

Solemn - Deeply earnest, serious, and sober.

Spineless - Lacking courage. Cowardly, wimp, lily-livered, gutless.

Spiteful - Showing malicious ill will and a desire to hurt; motivated by spite; vindictive person who will look for occasions for resentment. Vengeful.

Spoiled - Treated with excessive indulgence and pampering from earliest childhood, and has no notion of hard work, self-care or money management; coddled, pampered. Having the character or disposition harmed by pampering or over-solicitous attention.

Squeamish - Excessively fastidious and easily disgusted.

Stubborn - Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.

Superstitious - An irrational belief arising from ignorance or fear from an irrational belief that an object, action, or circumstance not logically related to a course of events influences its outcome.

Tactless - Lacking or showing a lack of what is fitting and considerate in dealing with others.

Temperamental - Moody, irritable, or sensitive. Excitable, volatile, emotional.

Theatrical - Having a flair for over dramatizing situations, doing things in a ‘big way’ and love to be ‘centre stage’.

Timid -Tends to be shy and/or quiet, shrinking away from offering opinions or from strangers and newcomers, fearing confrontations and violence.

Tongue-tied - Speechless or confused in expression, as from shyness, embarrassment, or astonishment.

Troublemaker - Someone who deliberately stirs up trouble, intentionally or unintentionally.

Unlucky - Marked by or causing misfortune; ill-fated. Destined for misfortune; doomed.

Unpredictable - Difficult to foretell or foresee, their actions are so chaotic it’s impossible to know what they are going to do next.

Untrustworthy - Not worthy of trust or belief. Backstabber.

Vain - Holding or characterized by an unduly high opinion of their physical appearance. Lovers of themselves. Conceited, egotistic, narcissistic.

Weak-willed - Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.

Withdrawn - Not friendly or Sociable. Aloof.

Zealous - A fanatic.

How I make book covers + tips for you!

Hey people of Earth!

Around this time last year, I mentioned I would have a video up on how I make book covers/cover making tips, and to summarize: I did not do the thing, and this year old script is still sitting in my drafts.

SO, I thought I’d kill two birds with one stone and post a written version of these tips! Going to get straight into this because I imagine this will be rather long!

This post will be divided into 6 parts: finding inspiration, concept art, incorporating elements of design, composition, tools and software, and resources. Feel free to skip around to whatever section interests you most!

***Before we get started, really quick disclaimer. I am in no way a professional cover designer. Cover design is merely something I picked up on my own, and I don’t have any formal education/credentials in graphic design. So of course take my advice with that in mind. These are also just my personal thoughts and opinions. So take everything with a grain of salt!

1. Finding Inspiration

What’s the deal?

A really great way to start out in design

Finding cover designs or designers you admire may help you see what works technically

Helps nail down a style you like

In turn, can help you find your cover design style

What should you do?

Look at covers in your genre!

Whenever I design a cover, I take a scroll through Goodreads to pick up some inspiration in designs I personally love

I also love walking around my bookstore and taking a look at physical copies

Find a cover design you like, and point out the specific reasons you like it

Example:

Me and Earl and the Dying Girl was actually not an inspo cover for this edition of I’M DISAPPOINTED, but as you can see, things I liked from it spilled over into my own design. By pointing out aspects of graphic design you like, you’ll better be able to understand your style as a cover artist. 

Some personal thoughts:

I like covers that include a textured backgrounds, as seen in the collage below: 

So for the I’M DISAPPOINTED cover above, I included a textured background. I also love handwritten fonts/lettering, which I include in almost all of my book covers.

What I did:

Off-white colour from A List of Cages and Holding Up The Universe

Silhouette from Painless and previous cover design of I’m Disappointed

Speech bubble from Simon VS the Homo Sapiens Agenda and Say What You Will

Marker texture from A List of Cages

Obviously my thought process wasn’t to put 4 covers in a blender and thus create my product, ha, this is just an example for the ease of understanding!  

2. Concept art

What’s the deal?

Coming up with concept art is a super important part of designing a successful book cover. 

Acts as the skeleton of your book cover

Your book cover’s roadmap

Saves time/effort

Similar to an outline for a novel. 

Can be a very quick sketch, or full fledged design

I like keeping my concept art quick, but if this is your first cover, making a more detailed mockup can help. 

What should you do?

Sketch out book cover ideas once you get them/take notes of concepts you’d like to explore

If you can’t come up with concepts, take a look at your inspiration folder and pull concepts/ideas from covers you love

This does not mean copying another book cover (this is notttt a good idea!). BUT, pulling inspiration from elements you like on a cover can be helpful in generating your own concepts

You don’t have to come up with concept art (sometimes winging it works!) but I do recommend jotting notes down, and drawing out loose sketches when applicable!

Keep a list of ideas for book covers as you accumulate them (almost like a little vault of concepts lol) and reference them in the future!

Take a look at as many book covers as you can and make a list of elements you like and don’t like

This is one of the easiest ways to accumulate ideas/concepts!

Example:

^^^ Concept art for two book covers 

Likes and dislikes in book covers:

Of course this list is not my be all and end all (nor should it be), and obviously, I still use these things (besides clunky composition I hope!) in some designs!

3. Incorporating the elements of design

What’s the deal?

There are 7 elements of design: line, shape, texture, form, space, value, and colour. 

These sometimes vary depending on where you look, but this is what I was taught, so I’m going to be working off that!

Examples:

I’m going to go through them really quickly via an assignment I did for my comm tech class

Keep in mind this assignment is 2 years old and is only meant to give you an idea of what these elements are 

1. Line

Line is probably the most important element of design as every piece of art starts with one. 

There are various types of lines. You can have curved lines, straight lines, vertical lines, horizontal lines and so on.

2. Shape 

You can have more mathematical, geometric shapes, or more abstract, free form shapes. 

3. Texture

Texture is the feel of a particular surface. 

Texture in my opinion is one of the most important elements when it comes to graphic design, especially book covers. 

My favourite thing to see in book covers is texture, whether that be paper textures like construction paper, crumpled paper, wallpaper, lace, wall textures, paint textures, or marker textures

Texture adds depth to designs, and if there’s any element of design you focus on in this post, I’d highly recommend it be this one. 

(i’m biased but still)

4. Form

Form is almost like shape, except instead of flat objects, we’re dealing with 3-dimensional objects. 

I don’t often use it in my covers since I like drawings and flat shapes in my designs, but if you want to include objects on your cover, or any sort of 3D shape, this would be form. 

5. Space

The distance around an object, to put it simply

Space in covers can help emphasize what’s important, and what is less important, or can draw attention to a particular piece of your design. 

Examples of space:

Colour coding: yellow = space, teal = focal point/movement of viewer’s eye

In Twilight, the black space helps emphasize the main image, the hands holding the apple. 

This also occurs in the Red Queen book covers. The empty space around the crown draws attention immediately to the focal point

You can also lack space. In The Duff, the girl’s face is the only thing you can see on the cover. 

6. Value 

Is determined by how much light or dark is incorporated into design. 

Example of value:

A great example of value in book covers is on Alexandra Bracken’s Passenger. As you can see, the green at the top fades down in a gradient as more white is added to the centre. 

7. Colour

Light reflecting off objects

Can make certain elements of your design stand out

Why should you incorporate the elements of design into your designs?

Adds layers of depth to your work

Thus can take your cover-making skills to another level

Can help in producing ideas

4. Composition:

What’s the deal?

In my opinion, can make or break a design

Can mean clutter of things, OR too much or too little space between elements

Title placement  

Composition is sometimes subjective from design to design

What you can do:

Pay close attention to detail and spacing

Look out for natural shapes in your design you can fit elements into

Watch the linked video from Mango Street (one of my favourite photography channels) on composition

While photography and design are two different things, the tips in this video can also be applied to various ideas in design such as headroom and leading lines

Examples:

*Before I get into this, I want to make it clear that these examples are exaggerations for the purpose of showing you good and bad composition. If you make these mistakes, that doesn’t mean your design is bad, and again, I’m no professional. This comes from what I believe could be considered bad composition, but trust your gut. 

Example 1: Stick People

doesn’t effectively use space

no headroom for text

text is covering 200 element (looks very clunky)

text is cut off

No focal point

Can’t read the title

Textual elements are better spread out

Title is now focal point

Slightly imbalanced

200 element is distracting 

Addition of stick figures balances out cover  

Text follows natural shape of photograph

Removed 200 element makes cover look less clunky

Example 2: Sixteen Cents

Half the title is on a dark background

Lacks readability

Last name is cut off by window

Uninteresting composition (everything is on one line)

No movement

Title placement is better

Better readability

‘A novel’ fits under windowsill

Last name is smaller to avoid cutting it off

Still slightly boring

Uses free space of wall wisely

Title is easy to read

Text is shaped around photo elements

Gives the cover some movement

Example 3: Fostered

Title is covering the focal point (the girl)

Title doesn’t seem to be incorporated into the design

By moving title down, we’ve made space for the subject

Title placement makes cover look less clunky

Same composition as prior but image is colour-graded

Embossed title adds texture/depth

I’ve mentioned this a few times in this post: focal point. What is it?

FOCAL POINT:

Is defined as the main attraction of your book cover

This is where you want your readers’ eyes to focus

Focal points can sometimes define themselves in areas where more contrast happens to be

Doesn’t have to be the centre of the page. 

Keep focal point in mind for composition because if you put it in the wrong spot, you could end up drawing your readers’ attention to the wrong area of the cover. 

The point of most interest in a cover is the focal point, so if you want a particular subject of your book cover, such as a person, to stand out make sure you don’t make the other areas of the cover too high contrast or busy.

Framing subjects also helps, so be creative!  

The human eye tends to focus on areas with increased contrast so keep this in mind

Examples:

The Host

The camera has focused on the eye of the model, with the nose bridge and forehead shadowing each corner of the cover

Helps lead eye to focal point (the eye)

The Girls

Blue around the edges encircles the focal point (the girl), leading the viewer’s eye directly to her

Girl is also scarlet in colour, contrasting the background

The Hunger Games

Grey outlines on the cover lead straight to the mockingjay

Mockingjay is bright gold in comparison to the black background

Creates contrast, thus viewer’s eye is lead there

The Female of the Species

‘Straight’ composition

No particular focal point, viewer’s eye instead moves horizontally across the design

What should you do?

Use the natural shapes and outlines in your design/photo to fill your cover

Use your space wisely (see examples above)

Use leading lines to draw attention to your focal point

Manipulate text to fill empty spaces

5. Tools and software 

You do not need Photoshop to make a good book cover

I made my first book covers in GIMP, a free image manipulation program (kinda like Photoshop’s little brother)

This is the stick people cover I made in photoshop, and the same cover made in GIMP. 

Other tools you may want to use are CreateSpace’s cover templates. 

You can find these through CreateSpace OR Bookow (my personal fave)

OPTIONAL (what I use):

Graphics tablet

I use the Huion H610 which I really enjoy! 

I use this to hand letter, draw silhouettes, create concept art, and so on

Paper and my Faber Castell India Ink Artist Pens. 

These are fine tip markers, and are what I used to create the text on I’m Disappointed 

Thin sharpies and pens will also do the job, and you can always clean any mistakes up in photoshop or gimp.

A scanner so I can transfer what I’ve hand drawn onto my computer

If you don’t have a scanner you can take a clear photograph on a camera or phone 

I also use a few custom marker brushes that now come with the 2018 version of Photoshop

The main one I use is Kyle’s AM - Watercolour Paper from the art markers set (you have to load these into Photoshop, but if you have PS 2018, you should have access to ‘em). 

(I’ve lettered everything in this post with that brush)

6. Resources

Here’s a list of amazing resources you might need when making your own book covers!

1. Stock image websites

Check out THIS post for a master list of my favourite stock photo websites!

Stocksnap.io

Unsplash.com

Pixabay.com 

2. Dafont

Is my main source for finding fonts

3. Goodreads

A huge resource I use to find cover inspiration

I’ll often browse the new releases section to look at new covers and so on

Easy way to narrow down the genre of cover you’re looking for, as well as the age category

4. Keyboard shortcuts 

Check out a masterlist for Photoshop HERE

GIMP masterlist HERE

Makes workflow super efficient

My fave I highly recommend in Photoshop is ctrl > shift > alt > e (merge all layers into new layer) 

I’ve made TWO custom shortcuts: ctrl > shift > o is now open as layer, and ctrl > shift > alt > r is now rasterize layer (these save so much time!)

So to conclude this post, I’m going to list out some of my favourite tips when it comes to cover making (sort of a reiteration of this post)

Add texture!

Texture is a super easy way to add dimension to your book cover

Try lettering with a paper and marker when starting out

I find this a lot easier than digital lettering!

Google is your friendddd

If you can’t figure out how to do something in Photoshop or GIMP, the internet is a vast depository of information!

Pay attention to detail

Cover design is alllll about the small details. Making sure you’ve centred something properly can seriously help in making your cover go from amateur to whoaaa who made thatttt

Get a second opinion

Been looking at your screen for 8 hours straight? Ask someone you know what they think of your design! I find this has sparked a lot of secondhand ideas!

If it doesn’t work out, doesn’t mean it was a fail

If a particular concept just doesn’t work, don’t worry! As you practice you’ll get better, and you can always revisit the concept for another novel!

EDIT: a really great suggestion from @sarahkelsiwrites: print out your design if you need a fresh perspective! You’d be surprised by what you notice on screen VS off!

So that’s it for this post! I hope this was helpful for some of you guys, I know it was looooong overdue. If it helped you out, let me know, and if you have any questions, feel free to send ‘em my way! :))

–Rachel

Accents 101

So if you’re a dm like me, you probably want to be relatively skilled in some typical fantasy accents for your game to make things feel that much more real. So i’ve decided to throw together a little master post of “how to” videos on some various accents. This is mostly for my own reference, but if you’d like to save this for yourself too, go right ahead. Feel free to add on to this, as well!

General Accent Tips

How To Learn Any Accent (1)

How To Learn Any Accent (2)

How To Do 12 Different Accents

US/UK/Aussie English Vocabulary Differences

One Woman, 17 British Accents

How To Lose Your Native Accent

How To Learn A Different Accent

Fun Tour of American Accents

Scottish

Scottish In Under 2 Minutes

How to Speak With A Scottish Accent

HOW TO DO A SCOTTISH ACCENT

Speaking Scottish 101

Scottish Slang

Gerard Butler Teaches You Scottish Slang

Scottish Insults

English or “British”

How To Do A British Accent

3 Ways to Sound More British

HOW TO DO A BRITISH ACCENT CONVINCINGLY (1)

HOW TO DO A BRITISH ACCENT CONVINCINGLY (2)

HOW TO DO A BRITISH ACCENT CONVINCINGLY (3)

Henry Cavill and Simon Pegg Teach You English Slang 

French

How To Speak With A French Accent 

How To Do A French Accent In UNDER TWO MINUTES

Tips on how to do a French Accent

French Accent Tip

Irish

How to do an Irish Accent

How To Do An Irish Accent

How To Do An Irish Accent

Guide to Irish Accents

How To Do An Irish Accent In UNDER TWO MINUTES

Russian

How To Speak With A Russian Accent 

How to Do a Russian Accent | Accent Training

How to speak with a Russian Accent

How Russians Speak English

How To Do A Russian Accent 

German

How To Have A German Accent 

How to do a GERMAN ACCENT?

Get the Perfect German ACCENT

Me speaking in 12 GERMAN DIALECTS!

How To Do A German Accent

5 Steps to a perfect German Accent

Canadian

How To Do A Canadian Accent

All aboot Canadian accents

How To Speak Canadian, Without Knowing How!!

Is There A Canadian Accent?

The Canadian English Accent

Ok here is a compilation of all the software and useful tools I’ve come across whilst writing. Some of them I’ve reviewed on here already, more coming soon. 

Got an idea? Well get planning! Here’s some useful outlining, brainstorming and mind- mapping software:

Coggle 

Lucidchart

Mural.ly

Blumind

MindMeister

Mindmaple

Mindomo

NovaMind

Popplet

Scapple

Tree Sheets

Visual Understanding Environment (VUE)

XMind

FreeMind

Oak Outliner

Work Flowy

The Outliner of Giants

Just want to get writing? You want a word processor:

Gedit

Google Docs

Kate

LibreOffice

Microsoft Word

My Writing Spot

NoteTab

Open Office

Quabel

Ted

Vim

yEdit

Making notes? Here you go:

CintaNotes

Evernote

KeepNote

Memonic

MS OneNote

Scribe

SuperNotecard

Tomboy

Timelines giving you a headache? Try these:

Aeon Timeline 

Dipity

Preceden

Tiki-Toki

Timeglider

Timeline

TimelineJS

TimeToast

Now perhaps you want to organise those notes. Got a lot of research? Character sheets? Images? Well here’s some tools to keep all that together:

Liquid Story Binder XE

LitLift

PangurPad

Scriptito

Scrivener

Writer’s Café

Yarny

yWriter

Are you easily distracted? The following tools will keep you on track:

Dark Room 

FocusWriter

JDarkRoom

Momentum Writer

OmmWriter

Q10

Writemonkey

Zen Writer 

Even more productivity tools to help keep you focussed on your task:

Cold Turkey 

FocalFilter

Freedom

InternetOff

Keepmeout

Nanny

Productivity Owl

RescueTime

SelfControl

SelfRestraint

Simple Blocker

StayFocusd

Strict Workflow

Time Doctor

Waste No Time

Website Blocker

So you’ve got something down? Need to edit? 

AutoCrit

EditMinion

Grammarly

LyX

SlickWrite

SmartEdit

After the Deadline

All done? Perhaps you’d like some e-publishing tools:

Acrobat

InDesign

Calibre

CutePDF

Jutoh

Mobipocket Creator

PagePlus

PageStream

PDFCreator

Scribus

Sigil

I’m feeling generous, have some more cool stuff:

750 Words

One Page per Day

Oneword

Penzu

Write or Die

Written Kitten

Focus Booster

Spaaze

AutoREALM (Map building software)

Enjoy! I may update the list as I find more, or I’ll make a second list.

Beyond this, consider how these professions might vary depending on who the customers are - nobles, or lower class. Are they good at their job or just scraping by? Do they work with lots of other people or on their own? City or village?

For younger characters:

Apprentice to any of the above

Messenger/runner

Page/squire

Pickpocket

Shop assistant

Student

Looks after younger siblings

(Images all from Wikimedia Commons)

Words to Describe Hair

This began as a guide to describing Afro/curly hair but of course, I got carried away. From look and texture of hair, colors and various styles, this guide serves as a thesaurus of sorts for hair, as well as pointers for use in your writing.

Culturally Significant Hair Coverings:

Know the meaning behind head wear and why it’s worn, when and by whom, such as a Native Nation’s headdress, before bestowing a character with it.

Head Coverings Resources:

More on various head coverings.

See here for more Islamic Veils. 

See here for more on the Nigerian gele.

See here on African American Headwraps. 

View our hijab and headscarves tags for discussion on these topics.

Afro - Curly - Straightened

There are many varieties of braids, twists & Afro hair styles; have some more!

African/Black Hair: Natural, Braids and Locks

African Hair: Braiding Styles 10 African Types

Describing Black (Afro) hair:

Appropriative Hairstyles: Keep in mind that Afro styles should be kept to those in the African Diaspora, such as dreadlocks, cornrows + certain and many braided styles.

Tread carefully describing Afro hair as “wild” “unkempt” “untamed” or any words implying it’s unclean or requires controlling.

“Nappy” and “wooly” are generally words to stay away from, the first having heavy negative connotations for many and the latter, though used in the Holy Bible, is generally not acceptable anymore and comes off as dehumanizing due to Animal connotations.

There are mixed feelings on calling Black hair “kinky.” I’m personally not opposed to the word in itself and usage depends on the person’s race (I’m more comfortable with a Black person using it vs. a Non-Black person) as well as their tone and context (if it’s used in a neutral or positive tone vs. negatively/with disdain). Get feedback on your usage, or simply forgo it.

See our tags “Black Hair” and “Natural Hair” for more discussion on describing Black hair.

Texture - Look - Styles

Hair Colors and Style

Writing Tips & Things to Keep in Mind:

Combination Words: Try combining words to illustrate look of hair. A character with springy coils that dance across her shoulders with every movement, the man with thick silvery hair slicked back into a ponytail…

Mind Perspective: Depending on POV, a character might not know exactly what cornrows or a coiffure style is, at least in name, and it might make more sense if they described the hairdo instead. More defining terms might come from a more knowing source or the wearer themselves. One book I read described a girl’s afro puff as “thick hair pulled up into a cute, curly, poufy thing on top of her head and tied with a yellow ribbon.”

POC & Hair Colors: People of Color’s hair comes in all shades and textures. There are Black people with naturally blond and loosely-textured to straight hair, East Asian people with red hair, and so on. Keep that in mind when coding characters if you tend to rely on hair color alone to denote a character is white vs. a Person of Color.

Related Tropes: There are tropes and discussion related to People of Color, colored hair, and light-colored hair and features. 

Check out these posts on the topic: The East Asian Women + Colored Hair Trope - Black Characters & “Wild” Hair Colors - POC w/ Supernatural Colorful Features. - ‘Uncommon’ Features & POC Characters

~Mod Colette