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The Fun Can Be In Your Draft Where You Write Without Restrictions. Its Where You Surprise Yourself And
The fun can be in your draft where you write without restrictions. It’s where you surprise yourself and get excited as you create something from nothing.
The fun can be in the rewrite where you find new words to tell the same story. It’s where you make scary into frightening, sad into heartbreaking, amusing into hilarious. It’s where dull words begin to sing.
The fun can be in the editing where you can see what can become of your baby. It’s where words of encouragement can enlighten you in unexpected ways. It’s where suggestions and criticism help you learn. It’s where a fire can be lit within you.
There is no fun in your attempt to be perfect. It’s where nothing is gained but an unfinished piece. Do not take the fun away from writing by biting off more than you can chew when the fun is why we started writing.
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More Posts from Inkdropsonrosequinn
Writing Body Language
How to Improve your writing
This is something that happens every day in your life. A shift of your eyebrow in skepticism, or the way your lip may twitch to a half smile cause you’re trying not to laugh. These behaviors are vital for writing in character, because not only do the allow you to visually see what is happening but it is also reaffirming whatever emotion your character is showing.
So why should you write it?
Much of human communication is non-verbal which means you need to also translate this non-verbal reaction in a post. It allows you to greatly enhance the emotions of another character and always another person to ‘visually’ see how they feel in a post. Most of all, this will add depth and volume to your post to make it feel more real. IT will make your character feel like a human instead of just another fictional person you look at from above.
Below you will find a list different type of emotions and what sort of body language can be exhibited to them.


Three ways to accent an action.
When writing about emotions, there are different ways to verbally write them out. Each one is unique in their own way, allowing you to show more about the emotion.
Emphasize the Emotion. But doing this, you are expressing both the emotion and the body language. We’ll use a simple example. It’s short and simple yet you can sense he is happy. John felt so happy that he was humming a tune while walking down the hall.
Complicate the Emotion. Sometimes, even when you are feeling one emotion, deep down rooted underneath the facade of it all, there is actually an underlining emotion they feel. This is something you have to truly express otherwise no one will know. John felt so happy that he was humming a tune while walking down the hall. However, it was obvious by the way his nose crinkled that he was disgusted by the actions beforehand. Instead, John covered it up by appearing pleased today.
Contradict the Emotion. This is a little different than complicate. Contradicting means that you are claiming one thing when in fact its the other. In many ways, this has a variety of uses, from inner depth of the truth to what you see in person, or someone creating a wall. It could be considered a lie, but when is anything that easy? John felt so happy that he was humming a tune while walking down the hall. In truth, once he was in the classroom, his shoulders slumped and a pout crossed his lips when no one was around, showing just how displeased he was with the situation.
Remember that you do not always have to contradict or complicate anything. Sometimes all you need to do is emphasize and that will be just fine. You don’t always have to have an underlining complicated for an emotion to make it more enhanced.
Do be afraid to use the Thesaurus to also improve an emotion. Such things as “happy” is a nice emotional word, but think of how much more powerful it is when you heard some is “overjoyed” or “content.” She how these emotions matched up with a body language can give two different styles of happiness? Mix and match to find what works best for your character at the time.
More In Depth Information
What I’ve stated above is more of a simplistic overview. IF you truly want to improve yourself, go to this
LINK HERE
To see just how much body language can reveal about a person. You will find things such as how a person lies, how the eyes reaction, the positioning of a person in personal space, mouth, and head body language and so much more.
Use these resources to greatly increase the reactions of your character to another and create a more life-like world.
After a lifetime of being a writer, of sitting down to the blank page and making up words, I can now say, with definitive clarity, that writing is exhausting.
I think, because it’s an art and a craft, and we have this idea that it’s somehow a calling and “fun” and not “real” work, that it isn’t demanding or exhausting or draining.
I’ve been writing for 30 years, and while sometimes I’m on a roll and it all just flows naturally, the usual process is a struggle. And I can struggle in a million different ways on the same day. Even a day that flows can be filled with struggle before and/or after I hit that flow.
Writing is real work. It is exhausting. It is draining. It is also rewarding. But that doesn’t mean that it doesn’t take a toll on you.
I’ve written nearly 20k words in a week, and I FEEL it. It has taken a huge amount of energy and focus, and was prepared for it.
You are not a machine. The words don’t come out of nowhere. Brain work is real work. It takes energy and focus and sometimes you have to fight yourself the whole way to get the words out. We might not be lifting I-beams and building houses, but we’re working.
Please remember to take care of your body and your energy and your self. Take breaks. Give yourself credit for how far you’ve come, even if you don’t think it’s far enough. Count the times you are struggling to write as part of the work, not your failure… because this IS part of the process. Staring out the window is part of it. Walking around and getting a drink. Glaring at your work because it’s not going in the direction you want it to. ALL part of writing.
Writing is hard, and it’s not just about putting cool ideas down on the page.
Writing horses in your WIP

We see them all the time - horses in fiction. And there is so much to learn about them that it can be a little overwhelming! But I work with horses a lot so I thought I’d be able to help some of you guys out by going through the basics you’ll need for writing. (by the way, I only ride English style. If somebody wants to do something similar for Western riding, by all means, fire away.)
Horses and ponies - whats the difference?
It’s the height. Horses and ponies are measured in hands - 1 hand = approx 4 inches. A pony is anything below 14.2hh,(hands), a horse is anything taller. Any pony smaller than 14hh would really only be suitable for children. A stockier 14.2hh could hold teens or small adults, but most teens and adults would probably ride horses. 16hh would be an average size.
Stallions, mares and geldings.
A Mare is a female horse. They can be quite moody sometimes - which they show by being uncooperative and putting their ears back. A Stallion is a male horse that has not been castrated. They can be very, very strong willed, and are typically not suitable for the novice rider. A gelding is a male horse that has been gelded/castrated, They often have a more relaxed, placid nature. A colt is a young male, and a filly is a young female.

Breaking
Training a horse under saddle is called ‘Breaking.’ A horse is typically broken around ¾ years of age, once it has finished growing. Breaking correctly is a long and patient process - not something that your character can do in a few minutes.
Gaits
Horses have four gaits. Walk, trot, canter, and gallop - in that order of ascending speed. Nobody trots away from danger. if your characters are fleeing, they are in a flat out gallop.
The tack

For describing scenes - you’ll really only need to talk about the reins and the bit. Pressure on the reins (held by the rider) should slow the horse down. The horse feels this pressure acting through the bit.

All you really need to worry about for the saddle are the stirrups, and the girth. The girth is holding the saddle on, and the feet go into the stirrups.
Learning to ride
Is difficult! Your character won’t be a pro withing a couple of days. Its hard on your legs, and learning to balance can be tricky too. Somebody who is very comfortable in the saddle is relaxed and secure, and able to deal with however the horse acts. The rising trot, when the rider goes ‘up and down’ in sync with the horses movement in the trot, can be particularly difficult.
Ability
The average gallop is around 45km/h. So, bear i mind that a horse cannot outrun a car or anything like that. Jumping ability varies - a heavier horse will struggle over a 90cm hedge, but a quality animal could easily pop 1.60m (but only with a good rider.) If your character gallops the horse on hard ground, it could easily go lame - they aren’t invincible!

Feeding
Horses don’t eat the same way as dogs or cats. They are grazers - meaning they need to eat little, and often. Your character giving them a Handel of oats once a day is really not going to keep them alive. They need forage - grass or hay - and a lot of it.
Portraying atmospheres
Showing how the horse is feeling can be a really great tool for expressing the ‘mood’ of a scene.
Relaxed - A relaxed horse will have its ears back lazily, but not pinned against its head. It will likely doze off and close its eyes, maybe while resting a hind leg.
Alert - Horses are super smart animals, and many say that they have a sixth sense that lets them know when something is coming. An alert horse stands up straight, and has its ears pricked forward.
Upset - If something bad is happening, the horse won’t be in good mood. It might pin its ears flat back against its skull, and bare its teeth. It will flick its tail irritably, and a horse will kick out or bite at something if its unhappy.
Horses as friends

Horses are deeply empathetic animals. They are herd animals too, and can form deep connections with their people. A horse who is fond of a person may whinny when they see them, and nuzzle their face and neck. A real trust can form between horse and rider. To show this as your story progresses, the horse will become pleased to be with the character, and the character’s nerves aboard the horse will begin to fade.
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If you have any more specific questions, feel free to message me. All of this is very basic, and I am more than happy to help some fellow writers.
Happy writing, Aoife - @writingguardian

Hey! I made a handy-dandy little chart about world building! If you have any questions, feel free to shoot me an ask!