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“The bigger the issue, the smaller you write. Remember that. You don’t write about the horrors of war. No. You write about a kid’s burnt socks lying on the road. You pick the smallest manageable part of the big thing, and you work off the resonance.”

— Richard Price (via redqueenofbookland)

writing tip: don’t tell us your character’s backstory. don’t tell us what your character is thinking. don’t tell us what your character is doing. don’t tell us anything. the reader should simply look at a blank page and be suddenly overcome with emotion.

When you’re writing and you can clearly see in your mind the exact expression a character is wearing or hear the exact nonverbal sound they are making, but completely fail at coming up with a way to explain it.

41 Emotions as Expressed through Body Language

Found Here x

41 Emotions as Expressed through Body Language Unique 

This list, while exhausting, is soooo not exhaustive; it barely scratches the surface. And each entry could easily become cliché (if it isn’t already). But, it should be enough to get you started. Want more? Start watching people (not in a creepy way), and take notes of what they seem to do when expressing different emotions. Your repertoire of expression will double in no time. PS—do not use these for actual, real-life body language reading; you will fail. These are strictly novelistic.

Awed  -Slack -jawed, raised eyebrows, staring  -Frozen, slack body language (Self? What self? There is only Zuul.)  -Take a step back and put a hand to his heart

Amused  -Smiling and throwing back her head laughing  -Slapping her thighs, stamping her feet, clapping her hands  -Shaking her head (That’s so wrong!)

Angry/Aggressive  -Sharp movements, like shaking a fist, pointing, slashing, or slamming a fist on a table  -Flushed face, patchy red blotches  -Tension in neck—chords standing out, veins throbbing—and jutting or tucked chin  -Arms akimbo, or clenching fists  -Entering someone else’s space and forcing them out  -Poofing up with a wide stance (I am big! Very big!), arms wide (Bring it!)  -Lowered eyebrows, squinting eyes  -Teeth bared, jaw clenched, snarling

Annoyed  -Pressing lips together into a thin line  -Narrowing eyes sometimes with slight head tilt (Why do you still exist?)  -Rolling eyes, often paired with a long-suffering sigh

Anxious  -Fidgeting, such as tearing grass into little pieces, playing with a ring, or chewing on a pencil  -Biting lower lip, swallowing unnecessarily  -Quickened breathing or holding breath  -Darting eyes  -Pallor, sweating, clammy palms  -Unusually high-pitched, “nervous” laughter  -Hunched shoulders  -Pacing

Attentive  -Slow head nodding with a furrowed brow  -Leaning forward, toward the speaker, and sitting up  -Taking notes  -Looking over the top of her glasses

Bored  -Resting his head on his palm, peeking out between the fingers, maybe even slipping so his head “accidentally” hits the table  -Tapping toes, twirling pencil, doodling, and otherwise fidgeting  -Staring out a window, or at anything remotely more interesting (Which is everything …)

Confident  -Arms clasped behind body  -Head lifted, chest out, standing tall  -Walking briskly and making firm, precise movements

Confused  -Tilting head with narrowed eyes  -A furrowed brow  -Shrugging

Contempt/Superiority  -Lifted chin (The better to look down the nose.)  -Pursed lips, sneering, slight frown  -Circling a shoulder, stretching her neck, turning away—anything to indicate she doesn’t see the person as a threat or worthy of her attention  -Grabbing her lapels, or tucking her thumbs in her waistcoat (See this clothing? It is much nicer than yours.)  -Dismissive hand-waving

Cynical/Sarcastic/Bitter  -Twisted lips or a half-smile  -Sneering, sometimes with shaking the head and other defensive body language  -Pressed lips with a slight frown  -Eye rolling

Defensive  -Crossed arms, legs, crossed anything, really (Well, maybe not fingers … or eyes …)  -Arms out, palms forward (Stop!)  -Placing anything (sword, shield, book, backpack) in front of her body

Disgusted  -Crinkling his nose  -Curling his lip and/or showing the tip of his tongue briefly  -Flinching back and interposing a shoulder or turning away  -Covering his nose, gagging, and squinting his eyes shut—hard—for a moment. (It assaults all the senses.)

Displeased  -A plastered-on fake smile (You suck; but I can’t tell you that. So here: a fake smile! Enjoy.)  -Pouting or frowning (I’ll cry if you don’t give me what I want—don’t test me, I will!)  -Crossed arms and other defensive/frustrated body language (I will not let that terrible idea influence me!)

Distressed  -Wide eyes and shallow, rapid breathing  -Beating the walls, or huddling into a corner  -Clasping hands over his head protectively  -Rocking himself  -Handwringing  -Running his hands through his hair

Earnest/Passionate  -Leaning forward, nodding, wide eyes with strong eye contact and raised eyebrows  -Hand on heart, or presented palms-up, or otherwise visible  -A double-handed handshake (I really want to make sure you understand me!)

Embarrassment  -Blushing  -Stammering  -Covering her face with her hands or bowing her head (I’m so embarrassed, I can’t look!)  -Difficulty maintaining eye contact, looking down and away

Excited/Anticipation  -Rubbing hands together (I can’t wait to get my hands on it!)  -Licking lips (It’s so close I can taste it!)  -A vigorous, pumping handshake (I can’t wait to get started!)  -Jumping up and down (Look at me being literal here! I am jumping for joy.)  -A wide and easy grin

Flirty  -Eye play, like winking, looking up through the lashes, over the shoulder glances, and eye catching   -Preening, like hair flipping or smooth, clothing straightening, spine straightening, etc.  -Striking a cowboy pose, with his thumbs gripping his belt tight

Frustrated  -Shaking his head (You are so wrong!)  -Massaging temples (My brain—it hurts.)  -Clasping his wrist in his opposite hand, behind his back (Bad arm! No biscuit.)  -Running his hands through his hair (All this frustration is making my hair mussy. I can feel it.)  -Grabbing onto something like armrests, or white-knuckled interdigitation (Restrain yourself!)

Happy  -Smiling and laughing  -Eyes and nose crinkling  -Swinging her arms, spinning loosely, dancing, jumping

Impatience  -Quick head nodding (Get on with it!)  -Toe/finger tapping (Hear this? These are seconds. Wasted. Listening to you.)  -Sighing, checking the clock/sundial/freckles (Time. It is moving so slowly.)

Jealous  -Tight lips, or a sour expression  -Narrow eyes locked on the perpetrator, to the point of a stare down  -Crossed arms, and additional frustrated, angry, possessive, or bitter body language

Lying  -Scratching their nose, ear, neck, miscellaneous part of face  -Sudden change in behavior or demeanor, including shifty eye contact, lots of long blinking, shrugging -Ill-timed smiles or laughter (This is how I normally smile, right? Right???)  -Additional anxiety body language  -Shaking head no while saying “yes” (I can’t believe I just lied.)  -Licking lips, covering mouth, touching mouth, etc.

Overwhelmed  -Both palms to forehead, fingers splayed (This gives me a headache.)  -Covering eyes with one hand (If I can’t see the world, it can’t see me …)  -Eyes wide and staring into space, hands gripping the table in front of her (… Woah.)

Playful/Friendly  -Winking  -Waggling eyebrows  -Tiny shoves or nudge

Pleasure  -Head tilted back, lips parted slightly, eyes wide or closed  -Slow, languorous movements, stretching (such as arching her neck or back)  -Slight flush, quickened breath and pulse

Possessive  -Handshake with arm clasp  -Putting hands on or around someone’s shoulders, neck, waist, back, or even just the wall near them  -Standing in someone’s personal space, body positioned toward that person  -Any one-sided act of intimacy, like running a knuckle down someone’s cheek  -Staring down any who get too close

Proud/Dominant  -Chin up, chest out, shoulders back  -A painfully hard handshake that not only squishes the bones, but also forces his hand on top  -Leaning back with his hands behind his head, and his feet up  -Strong, unblinking, focused eye contact

Reluctance/Resistance  -Arms crossed, sometimes with fists (Not happening.)  -Dragging feet (But I don’t wanna!)  -Pinching nose (You want me to do what now?)  -Clamping hands over ears (La la la la!)

Sad/Upset  -Droopy body (and anything held, like a sword), bowed in shoulders, wrapping arms around self  -Slow movements with hesitation  -Bottom lip jutting out and/or quivering  -Crying, sobbing, body shaking, sniffling, wet eyes

Secretive  -A tight-lipped smile (My lips are zipped.)  -Hiding her hands in her pockets (What has it got in its nasty little pocket?)  -Looking away

Scared  -Hunched shoulders, shrinking back from others (Don’t hurt me!)  -Wide eyes and lifted eyebrows (The better to see them coming.)  -Shaking, trembling, or freezing  -Rocking from side to side, sometimes holding self (It’ll all be okay, self, it’ll all be okay.)

Shame  -Slumped shoulders (Don’t look at me.)  -Trouble meeting your gaze, looking down and away  -Burying her face in her hands or bowing her head (I can’t face the world right now.)

Shocked  -Hands covering her mouth, or mouth hanging open, sometimes with a gasp (If I had words, I would be saying them.) -Freezing and staring with wide eyes and eyebrows raised (Diverting all resources toward staring.)  -Smacking a palm into his forehead (Clearly, my head isn’t working right, or I wouldn’t have seen that)

Shy  -Avoids eye contact, or has only fleeting eye contact (Eye contact means you might speak to me.)  -Keeps a fair distance from everyone, and will back away if someone steps closer (Space invaders!)  -Folded arms, head down, and other defensive body language (If I make myself small, they can’t see me.)

Smug  -Slight, close-lipped smile (occasionally one-sided) and sometimes one raised eyebrow (I know something you don’t know.)  -Chin slightly tucked, Mona Lisa smile, raised eyebrows (I know better.)  -Finger steepling (I am so smaaaht.)

Suspicious/Skeptical/Disbelief  -Narrowed eyes, sometimes with a sidelong glance or raised eyebrow (Perhaps if I look at it out of the corner of my eye, I will catch it unawares.)  -Rubbing his eyes (I can’t believe what I’m metaphorically or literally seeing!)  -Shaking his head (I—I don’t believe it.)  -Blowing out cheeks (Well , I don’t know …)

Tired  -Rubbing his eyes, eyes staring into space, raised eyebrows (Raising my eyebrows helps keep my eyes open.)  -Yawning and/or stretching (I am tired—see? Tired! Too tired to care!)  -Almost nodding off and jerking awake (Cannot. Stay. Awa—snnnnurzzzz.)  -Gritting teeth to stay awake (Cannot—yawn—dang it!)

Thoughtfulness/Thinking  -Steepling fingers (I will think better if I center myself and focus.)  -Pinching nose, sometimes with closed eyes (Focus, focus—I just need to focus.)  -Tugging on an ear (This will help me remember!)  -Stroking a real or imaginary beard (People with beards look smart.)  -Furrowed brow, narrowed eyes, sometimes tilted head and pressing lips together (I can’t see it—I will try harder!)  -Resting his chin on his hand (Thinking makes my head heavy.)

Triumphant  -Hands clenched and held above head while grimacing (She is invincible!)  -Head tilted back with a yell (She is fierce!)  -Arm pumping in the air, jumping (Woohoo!)

writing tip #2598:

if you've never explicitly said your character is a human then i'm gonna keep on picturing them as an iguana and there's nothing you can do about it

a good writing tip i have if you wanna mature your writing is to consider that reading itself is an experience. you are crafting not just a story, but the very experience of reading.

a lot of writing advice intrinsically revolves around this fact, but i’ve rarely seen it directly stated. when people have complaints that a book uses too many modifiers for said (which is what we’re taught in grade school to learn more vocab), the annoyance comes from redundancy or clunkiness that takes the reader out of the moment.

“Aro started to laugh. “Ha ha ha,” he chucked” is the clearest example of this. It’s redundant. It tells the reader the same information three times, and that takes them out of it. Your readers are very smart and can pick up a lot of very subtle information. Very often, less is more. This is why Twilight is notoriously bad. Too many replacements for the word said that make the reading distracting, not immersive.

This is something I realized when I took workshop classes working on my degree. We got feedback on things like tone, word choice, pacing, and the overall experience of reading in addition to just the story. Readers want to be immersed in your story. Remember that great feeling you’ve gotten when you just totally slip away into the page and just lose yourself for hours? This is what you want to craft for your readers, and you can use that to your advantage: Maybe there are times when you want to pull the reader out of it because it works for your story. Then you do things like break the fourth wall, draw attention to the writing itself etc.

But the reverse is also true. You can consider things like pacing to help craft the experience of the story. If you want moments to last longer, write more about them. Flesh out the details for important scenes. You don’t need to spend paragraphs detailing every object in the room unless it’s relevant to the plot or you want to slow the story down. Conversely, you can spend less time on scenes you want to go fast, or that are less important. I do this a lot when I have time lapses where I want to portray a sense of what went on, but also want to get to the next scene. I’ll provide a few rich details as a bit of an aside to give readers the gist, then move on. If you only give a detail or two, your reader will fill out the rest, and that fact is rarely told to new writers, who find themselves trying to spend a lot of time making sure the reader’s vision exactly conforms to their own. It never will, and thats okay. That’s the beauty of it, actually. Let your readers use their imaginations. They really want to.

So yeah best piece of writing advice I realized is to consider how your book will be experienced, not just on the plot or details. This is one of those writing “use the rules and break them strategically” things, and when you consider reading as an experience it can help you with things like word choice to craft mood etc. this was really beneficial to me and i hope it can be to you as well

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

How to show emotions

Part VI

How to show insecurity

not holding/breaking eye contact

fidgeting

crossing their arms

trying to cover up their body

making themself seem smaller

playing with their hands

hiding their hands in their pockets

holding their head down

blushing

clearing their throat

biting their nails

biting their lips

nervous laughter

stuttering

How to show being offended

stiffening up

hard line around the lips

frozen stare

narrowing of the eyes

turning their head to the side

quickening heartbeat

turning red

making themself bigger, ready to fight

How to show compassion

gentle and soft smile

relaxed facial features

softening of their eyes

openly showing how they feel

leaning towards the other one

nodding along, not directly interjecting, but encouraging

deep breaths inbetween

gentle touches to comfort

How to show being pleased

big smile/grinning

laying head slightly to the side

moving one shoulder up

pursing their lips while smiling

very open body language

leaning back

Part I + Part II + Part III + Part IV + Part V

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Hi, I was trying to write about a character who's a beautiful black woman. I'm trying to describe her wide nose in a positive light but I just can't think of a nice way to describe it. A lot of it comes from me because I'm a WOC that always hated her wide, flat nose. I feel like every time I read a description of a wide nose, it's always very masculine and animalistic, which is obviously messed up. I think wide noses are beautiful now but I don't know how to express it. Help!

Describing Wide Noses

I know what you mean about not crossing positive associations of wide noses. A shame since there’s no such problem with narrow, straight noses that I know of.

I hope we can reach a point where wide noses are normalized in the narrative without needing to be assured it’s something positive and attractive. I do think, though, if you note or describe her as beautiful, all the while mentioning her wide nose somewhere in a description of her, then you’d be fine.

As long as you’re keeping negative associations “away” from her nose so to speak and aren’t attributing it to masculinity (Black women being connected with masculinity is almost always rooted in misogynoir) or animalistic.

Otherwise, you could use a combination of positive and/or neutral words in your descriptions to imprint the idea that you’re describing her (and her nose!) favorably.

I’ll spin up a list for ideas, though all the following words might not apply to her as wide noses have a variety of appearances and can be short, long, pert, etc.

Adjectives for wide noses

Ample

Broad

Button

Full

Prominent

Round

Short

Short-bridged

Small

Soft

Wide

You could also pair positive adjectives with her nose or her face in general, such as attractive, cute, beautiful…

Just note those words are judgments, i.e. “Telling” description that do not convey a specific physical image and is also a matter of opinion (and imagination). Though probably best used sparingly, if you’re wishing to “direct” the audiences’ perspective as you are here, they could prove helpful!

Some example sentences:

“She was attractive; warm brown skin, even warmer brown eyes, a cute, rounded nose…”

“…Her short, wide nose centered prettily on her face.”

“She had a broad, attractive nose that went well with her delicate features.”

I hope this is helpful to you!

~Mod Colette

when rome falls, yves olade

[ID: “you drank so much sunlight you’re drowning in it.” end ID]

New character; Clancy

name: Clancy

species: sentient wolf

age: older adult

gender: male

Pronouns: he/him

occupation: soldier/warrior

Personality:

tough

strong

mysterious

rough

protective

intimidating

righteous

Best thing I've seen today. Maybe even better than the relatable gay and dead one.

How to Make Your Descriptions Less Boring

We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).

But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.

There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.

In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.

But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.

Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.

That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.

So how do you make your description more dynamic so that it engages your readers and adds color and excitement to your story? Here are a few tips.

(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)

Keep reading

Resources For Describing Characters

Physical Appearance

Arms

Athletic Build

Back

Butts

Cheeks

Chest

Chins

Curvy Build

Ears

Eyebrows

Eyes

Faces

Facial Hair

Feet

Fingernails

Fingers

Hair

Hands

Head

Hips

Jaws

Knees

Legs

Lips

Muscular Build

Neck

Noses

Shoulders

Slender Build

Sickly Build

Skin

Stocky Build

Stomach

Teeth

Toenails

Toes

Underweight Build

Character Traits

Affectionate

Ambitious

Bossy

Brave

Calm

Cautious

Charismatic

Clever

Conceited

Courageous

Creative

Critical

Curious

Determined

Diplomatic

Dishonest

Disorganized

Eccentric

Excitable

Friendly

Funny

Generous

Glamorous

Guarded

Honest

Impulsive

Independent

Intelligent

Just

Kind

Loyal

Manipulative

Mature

Modest

Mysterious

Naïve

Optimistic

Prejudiced

Persistent

Proper

Responsible

Sensitive

Sentimental

Serious

Shy

Reckless

Stingy

Stubborn

Talented

Thoughtful

Thrifty

Visionary

Wise

Witty

Worry Wart

Wounded

Talents & Skills

A Knack for Languages

A Knack for Making Money

A Way with Animals

Archery

Astral Projection

Astrological Divination

Baking

Basic First Aid

Blending In

Carpentry

Charm

ESP (Clairvoyance)

Empathy

Enhanced Hearing

Enhanced Sense of Smell

Enhanced Taste Buds

Farming

Fishing

Foraging

Gaining the Trust of Others

Gaming

Gardening

Good Listening Skills

Haggling

Herbalism

Hospitality

Hot-Wiring a Car

High Pain Tolerance

Knife Throwing

Knowledge of Explosives

Lip-Reading

Lying

Making People Laugh

Mechanically Inclined

Mentalism

Mimicking

Multitasking

Musicality

Organization

Parkour

Photographic Memory

Predicting the Weather

Promotion

Psychokinesis

Reading People

Regeneration

Repurposing

Sculpting

Self-Defense

Sewing

Sharpshooting

Sleight-of-Hand

Strategic Thinking

Strong Breath Control

Super Strength

Survival Skills

Swift-footedness

Talking With The Dead

Throwing One’s Voice

Whittling

Wilderness Navigation

Wrestling

Elemental Abilities

Miscellaneous

Voices

Voice Types

Speech Patterns

Speech Impediment

List of Character Flaws

List of Archetypes

Hairstyles

Describing Body Types & How They Move Around

Secrets To Give Your Character

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Resources For Describing Physical Things

Setting

Abandoned Mine

Airplane

Airport Check-in

Alley

Amusement Park

Attic

Bakery

Bank

Basement

Bathroom (home)

Barn

*GE* Barn 2 (Dairy Focus)

Beach

Bedrooms

Birthday Party

Bonfire

Bowling Alley

Bridge

Bookstore

Cafeteria

Casino

*GE* Catacombs

Cave

Church

City Park

Classroom

Closet

Coffee House

Courtroom

Cruise Ship

*GE* Cryogenic Sleep Chamber

Daycare

Desert

Diner

Dragon’s Lair

Dungeon (Caution Graphic Description)

*GE* Egyptian Pyramids

Elevator

Farms

Forest

Frozen Tundra

Gallows

Garage

Garage Sale

Garden

Graveyard

*GE* GLOBAL WARMING (dystopian)

Grocery Store

Halloween Party

Haunted House

Herbalist Shop (fantasy)

High School Hallway

Hospital

Hotel Room

House Fire

House Party

Kitchen

*GE* Laboratory

*GE* Laboratory (secret genetic)

Lake

Library

Locker Room

Meadow

Medieval Castle Armory

Medieval Marketplace

Middle School Dance (informal)

*GE* Mindscape (Mind Magic)

Mountains

Movie Theatre

Night Club

Nursery

Ocean/Sea Bed

Old Pick-Up Truck

Pirate Ship

Playground

Pond

Pool Hall

Prison Cell

Pub

Public Pool (Outdoor)

Rainforest/Jungle

Ranch

Restaurant

River

School Bus

School Office

Shopping Mall

Sleep-Away Camp

*GE* Spaceport

*GE* Spaceship

Stands at a Sporting Event

Storm Sewer

Subway Station

Swamp

Taxi cab

Teacher’s Lounge

Toolshed

*GE* Trailer

Treehouse

*GE* Tropical Island City

Urban Street

Video Arcade

Waiting Room

Waterfall

Water Slide Park

Wedding Ceremony (Church)

Woods at Night

Zoo

Weather

Air Pollution

Avalanche

Blizzard

Breeze

Clouds

Dew

Drought

Dusk

Dust or Sand Storm

Earthquake

Eclipse

Fall

Falling Star

Flood

Forest Fire

Frost

Hailstorm

Heat Wave

Hurricane/Typhoon

Lightning

Mirage

Mist or Fog

Moonlight

Mudslide

Rain

Rainbow

Sky

Sleet

Snow

Spring

Summer

Sunrise

Sunshine

Sunset

Thunderstorm

Tornado

Vortex

Wind

Winter

Color, Texture, & Shape

Color

Black

Blue

Brown

Gray

Gold

Green

Orange

Pink

Purple

Red

Silver

Spotted

Striped

Transparent

White

Yellow

Texture

Bumpy

Barbed/Spined

Crackled

Crumbly

Crusty

Foamy/Spongy

Fuzzy

Gritty

Pitted

Powdery

Prickly

Saw-edged/Serrated

Slimy

Smooth

Sticky

Shape

Arch

Circular/Sphere

Crescent

Heart

Oval & Oval-like

Rectangle

Spiral

Star

Square

Triangular

Tube

Wavy

Support Wordsnstuff!

Request A Writing Help Post/Themed Playlist/Writing Tips!

Send Me Poetry To Feature On Our Instagram!

Receive Updates & Participate In Polls On Our Twitter!

Like us and share on Facebook!

Read More On Our Masterlist & See our Frequently Asked Questions!

Tag What You Want Me To See With #wordsnstuff!

Participate in monthly writing challenges!

~raahi

her name says she is a traveller. however, she feels a little more lost in her head to know where she wants to go. the constant urge to run away licks and bites at the back of her head. she believes she is a nomad, a nomad who doesn't like the idea of running away, yet fears the eerie thought of a routine. her mind scares her more than the people she surrounds herself with, yet being left alone makes the monster inside her skull win.

the more she runs away, the more she loses a piece of herself on the way. she changes herself with each person she meets, not realising it all the way. at the end of the day, the reflection that stares back at her with tears brimming at the corner of her eyes haunts her of each memory that was once a part of who she was.

So I'm watching The Office with the subtitles on and I keep noticing that the way the theme song is described keeps changing like

Why

Does

It

Keep

Changing?????

god fucking damn this is right and correct and everybody should read this and know about it

some thoughts about stan

i love stan so heres kind of an analysis/headcanon sort of thing ok here we go

Keep reading

I agree

Most accurate description of Robert Sugden ever