What I Think Is So Funny About The Parallels Between Luffy, Zoro And The Men They Wish To Meet Again

What I think is so funny about the parallels between Luffy, Zoro and the men they wish to meet again and surpass.

Is that Luffy wants to fight Shanks like a son showing his father everything he’s learnt; look how far he’s come, who he’s become.

And Zoro wants to fight Mihawk like a feral cat fighting god in a back alley; Inevitable, preordained, there can only be one.

And both are equally as valid.

Oden was tasked with entertaining the kids for an evening, so he put on the wano-equivalent of the kabuki play "Shibaraku" because that's always a sure hit.

Also since Buggy's facepaint reminds me of aragoto style kumadori-makeup I liked the idea that it's inspired by his admiration of Oden somehow. The style Toki gave him is an ipponguma meant for rambunctious characters, Shanks' is getting a more down-to-earth wagoto style specifically Fujiya Izaemon's but that's not important

thanks to my darling gf @the-obnoxious-sibling for helping me decide on the background among many many other things 💜

The gag is Zoro and Shanks aren’t that different. Zoro is also completely reckless with his body less so now but I have no doubt that even now if he needed to cut off any part of his body to win, to save his crew he would do it without hesitation just like shanks.

And the thing is Mihawk would still fight him as long as Zoro can pick up a sword Mihawk would still fight him and relish in it.

Zoro loses an eye, Mihawk still trains him.

And Shanks…..Shanks loses his mind a little bit

What sport do you guys think Mihawk (and by extension Shanks, Zoro and many other a swordsman) would be the best in, in a modern au.

Zoro, Mihawk and Shanks all have such different swordfighting styles with Kendo being more Zoro's realm and with his Sabor Fencing is more Shanks.

I’m just very obsessed with the idea that mihawk is useless in a weapon less fight like he cannot throw a punch or get out of a pin to save his life like one he can’t kick he’s done out for the count, and this is why Shanks ends most of their duels this way. Because he’s a filthy cheater and Mihawk is even worse off because it’s Shanks pining him and he has eaten a lot of dirt.

Shanks decides to teach him the art of fighting dirty cause he’s nice that way but also let’s just say that Shanks likes being in a pin a little too much

Spectacular, give me fourteen of them right now

Failed to think up modern goth fam scenarios, but this one’s for @kacievvbbbb anyway because I do blame them for the concept of post-canon Mihawk’s Home for Displaced Pirates. (Building off of this fic)

Besides King, who else might wind up there? I don’t really know what’s going on with him in canon, but the answer is obvious: Moria! Perona’s already living on Kuraigana part time/most of the time, so eventually she’d drag her original adoptive dad there.

Of course she wouldn’t tell him it’s Mihawk’s island. Just that there’s this great spooky island with plenty of room and huge graveyards and she loves it and she knows he’ll love it, too. Moria doesn’t put it together that it’s Kuraigana until they’re already there. Perona has absolutely done this on purpose. He really should have seen it coming.

Mihawk isn’t thrilled but he doesn’t object. There’s plenty of room, after all (and he knows Perona will be insufferable if he said no). He does enforce pretty strict rules about fighting among the inhabitants. They can leave their past grievances behind if they want to stay here. No one really wants to mess with Mihawk (or Zoro when he's around).

The first few days go fine, but Perona has forgotten a very crucial aspect to the side of the castle Moria is living in: King. Objectively she knows Moria suffered a crushing defeat from Kaido, and that King was certainly by his side, but it’s not like it’s personal, right? There’s no fighting allowed on the castle grounds, except where training and sparring is permitted. Nothing could ever possibly go wrong.

It’s probably dumb luck that King and Moria don’t run into each other at first. Then one morning Moria walks into the study to find Perona and King in the middle of one of their hair braiding sessions, and all hell breaks loose.

Moria is shrieking, King is yelling, Perona is screaming. She’s never seen Moria so motivated to actively harm someone when it breaks out into an actual fight. Her negative hollows won’t work on them.  Moria simply cannot stand the sight of someone like King being anywhere near Perona. That’s his daughter!!!!

Mihawk has to break it up. Mihawk, all 6 foot something of him, getting between King and Moria, both 20 feet tall.  

He throws them outside and essentially puts them in time out. Perona is sobbing. Mihawk is seriously reconsidering this entire operation. Neither of them really have anywhere to go, though, so he has to think of consequences to quell this sort of behavior. Exactly what he’s been hoping to avoid.

I figure Mihawk’s brand of punishment is just manual labor, but most of the castle residents already pitch in with gardening and farming… so he probably puts them on kitchen duty together. It’s the one room best equipped to handle King’s flame if he gets pissed, and Moria hates doing any kind of menial work at all. 

Forcing them to peel potatoes and carrots and wash grapes (under Perona’s supervision) until they’re united in their anger against Mihawk instead of each other works pretty well, actually. Crisis averted.

(Also wondering if we should throw the Seraphim in there somewhere, too, since again Kuraigana is just a big chill island where they could maybe learn to be people and not live under scrutiny. And let King suffer a mental breakdown over them in privacy. Moria has no idea what to do with a kid murder robot version of himself. Perona treats them like her minions and then eventually like little siblings.)