SGE Characters As Literary Things

SGE Characters as Literary Things

(Not all of these are actual literary or rhetorical devices; some are just writing techniques, forms, genres, mediums, etc.)

This is a bit abstract, so I’m curious about how subjective these might be. Does anyone agree or disagree? And feel free to make additions if you think I left anything out, or request another character that isn’t here.

Hopefully this makes (intuitive?) sense. As always, I'm willing to explain my thought process behind any of the things I've listed.

Also, anyone can treat this like a “Tag Yourself” meme, if you want. Whose list do you most relate to, use, or encounter?

⸻

LANCELOT (I know—how odd that I’m starting with a minor character and not Rafal, but wait. There’s a method to my madness. Also, watch out for overlap!):

Metonymy, synecdoche (no, literally, to me, these are him.)

Zeugma

Analogy

Figures of speech

Slang, argot

Colloquialisms

Idioms

TEDROS:

Simile

Metaphor

Rhyming couplets

Rhyme schemes

Sonnets

Commercial fiction

Coming-of-age genre

Line enjambment

Overuse of commas

Cadence, prose speech

Waxing poetic, verse (not prose)

Alliteration

Kinesthetic imagery

Phallic imagery/sword sexual innuendos (sorry)

The chivalric romance genre

AGATHA:

Anaphora, repetition

Semicolon, periods

Line breaks

Terse, dry prose

Semantics (not syntax)

Elegy

Resonance

Consonance, alliteration

Pseudonym

Narrative parallels

Realism

Satire

SOPHIE:

Sophistry (yes, there is a word for it!)

Imagery

Italics, emphasis

Em dash

Aphrodisiac imagery

Unreliable narrator, bias

Rashomon effect

Syntax (not semantics)

Diction

Chiasmus (think: “Fair is foul and foul is fair.”)

Rhetorical purpose

Provocation, calls to action

Voice, writing style

Rhetorical modes: pathos, logos, ethos

Metaphor

Hyperbole, exaggeration

Sensationalism, journalism

Surrealism

Verisimilitude

Egocentrism

Callbacks (but not foreshadowing or call-forwards)

Narrative parallels

Paralepsis, occultatio, apophasis, denial

Hypothetical dialogue

Monologue

JAPETH:

Sibilance

Lacuna

Villanelle (an obsessive, repetitive form of poetry)

Soliloquy

ARIC:

Sentence fragments

RHIAN (TCY):

Unreliable narrator

Setup, payoff

Chekhov’s gun

Epistolary novel

RHIAN (prequels):

Multiple povs

Perspective

Dramatic irony

Situational irony

Chiaroscuro (in imagery)

Endpapers

Frontispiece

Deckled edges

Narrative parallels

Foreshadowing

Call-forwards

Foil

Death of the author

RAFAL:

Omniscient narrator

Perspective

Surrealism

Etymology

Word families or 'linguistic ecosystems'

Latin

Verbal irony

Gallows humor

Narrative parallels

Call-forwards

Circular endings

Parallel sentences or balanced sentence structure

Narrative parallels

Foil

Juxtaposition

Authorial intent (“return of the author”)

HESTER:

Protagonist

Allusions

Gothic imagery

ANADIL:

Defamiliarization

Deuteragonist (second most important character in relation to the protagonist)

Psychic distance

Sterile prose

Forewords, prologues

Works cited pages

DOT:

Tone

Gustatory imagery

Tritagonist (third most important character in relation to the protagonist)

KIKO:

Sidekick

Falling action

Dedications, author's notes, epigraph, acknowledgements

Epitaph (Tristan)

BEATRIX:

Pacing

Rising Action

Climax

HORT:

Unrequited love

Falling resolution

Anticlimax

Malapropism

Innuendo

Asides

Brackets, parentheses

Cliché

EVELYN SADER:

Synesthetic imagery

Villanelle

Foreshadowing

AUGUST SADER:

Stream of consciousness style

Imagery

Foreshadowing

Coming-of-age genre

Elegy

Omniscience

Rhetorical questions

Time skips, non-linear narratives

Epilogues

MARIALENA:

Diabolus ex machina

Malapropism

Malaphors, mixed metaphors

Slant rhyme

Caveat

Parentheses

Footnotes

MERLIN:

Deus ex machina

Iambic pentameter

Filler words

BETTINA:

Screenwriting

Shock value

How would Vulcan react to Evil!Rhian? And how would Evil! Rhian react to Vulcan.

Give me your honest and true opinion on it.

I believe that if Vulcan met Evil Rhian, he'd probably run for the hills, flee in order to preserve his life. Can't possibly use his "Duckling" anymore now that Rhian’s corrupted. And Vulcan was seemingly the first in Rise to recognize the rot within Rhian after all, so we shockingly owe him some credit to his intellect, for once.

Though, on the off chance that Vulcan reacts with stupidity and not cowardice, he would likely be stupid enough to not comprehend the change in Rhian's demeanor (or alternatively, stupid enough to challenge Rhian as a usurper of the Schools, regardless of any warning signs). Thus, he would fall into the trap of needling Rhian until he very quickly provokes Rhian, consequently, getting himself burnt to a crisp. So, get vaporized Vulcan. Hah.

As for Rhian reacting to Vulcan, I think he wouldn't fall prey to this loathly man, this horrid interloper, this trespasser. He'd probably think he does Evil better than Vulcan ever could, considering that Vulcan is so superficially, outwardly, flagrantly Evil that it robs him of all actual menace. Meanwhile, Evil Rhian is far more subtle about how he goes about doing anything, keeping his reputation with the Kingdom Council intact as he seizes power.

hi, do you have any takes/opinions or analysis of japeth? sorry if you've already posted something and i've missed it, i'm just eagerly hunting for japeth content 🫡🫡

I haven’t really done any substantial #japethposting, or anything exactly full-scale, but he has been a part of certain sections of some of the analyses I've done. You can find some of them by typing "#japeth" into the search bar of my blog. Or, if anyone wants me to, I could look for the links and send them to you. And, this overall precedent doesn’t mean I won’t possibly post about him in the future, potentially if/when I start my reread of The Camelot Years.

Generally speaking, I don't think I've paid enough attention to him to be able to analyze him in great depth. That said, I will redirect you to @discjude as she/they is/(are?) the Japeth expert, and her/their analyses are phenomenal! (Please tell me if I've gotten your pronouns wrong and sorry in advance if anything is wrong, Jude.)

Though, I will leave you with one meager headcanon: it seems unlikely, but if Japeth were musically-inclined, I think he’d play atypical instruments, like the serpent and the ophicleide because of course he would. Music could be his opportunity to rebel, defy what's expected of him, while also referencing his snake symbolism.

Here, you can listen to some orchestral performances involving these instruments. If you start the first of the videos around the timestamp 3:38 and listen to the end, you can hear the deeper, foreboding, lower-pitched parts and some tense, stringent parts that sound higher, like his Scims whirling, to my mind. There's a very obviously sinister "march" of sorts, with ghastly, winding, serpentine "movements," twists, and turns.

What Sophie should've punched Rhian in the face with in ACOT.

Quasi-Nonsense Poll

Sorry there's no "nuance/both/other" answer this time. I am forcing you to choose. I lean towards "ironically/disparagingly" myself, with how I happen to view Rafal, but I'm curious to see if a case can be made for the other side, or, indeed, both options. Feel free to comment your reasoning!

A Hypothetical TOTSMOV41 Scene I've Talked Myself out of Writing

There's a scene in the draft of TOTSMOV41 in which Tedros punches Rafal in the face while wearing heavy, wide band, royal rings (I did a little sketch of the results here), and I'm soo tempted to have Rafal's first, instinctual thought be: how ineffective. And I could have him mock Tedros for the punch in such a condescending way that he'd just be asking to be punched again at that point. The subtext would drip with: look at me and what a fine target my perfect jawline would be—

Rafal would be evaluating the effectiveness and the actual impact of the punch, as if Tedros were one of his ineffectual Never students, thinking to himself that brass knuckles would've been better than mere rings. Should restock those in Evil's arsenal. Hmm... as if he weren't just punched in the face. Like, how non-reactive would that be?! It would not be immediate rage, but he would be operating on autopilot, due to all the other terrible things the narrative had subjected him to by that point, like he's blatantly apathetic.

The whole thing could be an absolutely scathing review of Tedros' punch, which he just finds pitiful, running through his mind, and besides, this pain is nothing in comparison to everything else that's happened to him as of late, so the pain doesn't even really register, at first, and he has a high pain tolerance anyway and he hasn't had a decent night's sleep in weeks, so what?

Thus, he just. Defaults to Evil professor mode. He's going on about the wind-up or the velocity of the act, and everyone's staring at him like he's grown a second head, and then, partway through, he realizes. He's instructing his sworn, mortal enemy. He's literally giving this young idiot pointers!

The idea strikes me as funny because it poses the question: what if Rafal were in teacher mode at the time? Alas, the whole thing is just so unlikely that I think I'll have to scrap the idea.

Unless—he's in a disoriented and dazed enough state for this type of thought process to occur, which could very well be true, considering the previous, slightly horrific things that happened to him. And yet, I think he's the type to always be alert, to land on his feet, to hit the ground running, etc., which again, wouldn't work too well for his character, unfortunately. And, well, there's probably enough humor in that scene already (depending on how potential future readers will take it?) so nevermind.

I want to maintain the integrity of his characterization, but the comedy potential to be had here could be such fun to exploit (and he is sort of known for being under-responsive/unfazed)! So, instead of all this, which could potentially detrimentally slow down the pacing, Rafal will likely just get an awful, sardonic remark, as per usual. Ah well.

It could've been great otherwise, but this Rafal-lecturing-Tedros scene might not work for the greater purposes of the story. Rafal is probably too self-aware and not quite "absent-minded professor" enough, and this scene wouldn't have fit the tone, so that's why I'm scrapping the idea and posting it here instead. (If I can manage to have it both ways, with the sardonic comment and his lecture, I may put it in, but the current outline/draft as it is will likely not use this at all.)