Japeth Of Foxwood - Tumblr Posts

Cover reveal for TOTSMOV41. ✨ 🔮 ✒️ 🩸 📖

In TOTSMOV41, I've used the same joke twice, and each time, the punchline is simply "Japeth" deadpanned. I still think it remains funny though.

If you could become one SGE character for a day, who would you want to be?

Instead of answering with a character whose identity I simply like (I have multiple possibilities in mind), I think I'll just go down the one pragmatic route I've thought out: The Lady of the Lake (pre-TCY, of course).

If you'd like to know why, well, I'd love to be a powerful magic-user like Rhian, Rafal, Merlin, or Japeth, but she makes the most sense. Rhian and Rafal are only conditionally immortal and were bound to the Pen, and I wouldn't want to be beholden to that thing. Too much trouble! Japeth and Merlin are decent options, being wizards, but they're mortal, alack! So, that leaves the Lady, who, while I think she may technically be mortal, or perhaps, immortal with the infamous subclause of no romantic partners ever, she's not nearly at as much of a high risk. Thus, I would get virtual, near-immortality (agelessness, at the very least), potent sorcery, and the isolation that comes with my role would make it easy for me to keep my immortality.

However, if it were just for a singular day, and I wasn't threatened by the Pen, I'd pick Rafal, assuming I had full run of both Schools. And, I might do psychological experiments on the students, humane ones though, if anything came to mind. I'm not nearly as bad as him. Or, I'd travel the Woods and fly, or I'd read all the obscure tales lost to time in the silver tower, and take advantage of my newfound sorcerer abilities.

Hmm...what if Sophie was somehow nominated by the Storian as the new School Master? Imagine her friends and everyone's reaction...

I decided to interpret this from a more comedic angle, so hopefully you won't mind.

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Hark and gird your loins, Woods!

Subscribe to follow the ascension of the (in)famous Witch of Woods Beyond, newly appointed School Master by the Pen.

Upon being named, nay, crowned, (She insisted on holding the coronation of the century, with grandeur that would dwell in the minds of the Woods' citizens for an epoch or longer!) the School Master seemed euphoric.

The Royal Rot was said to have gotten wind of a rather candid, positively scandalous moment however. They say: anonymous sources tell us that the lady of the hour hoisted up an urn which apparently held the previous School Master's ashes, and tossed it whole into the Savage Sea, crying out: "Take that, Rafal! I won and I can rule these Schools perfectly well without you!"

Allegedly, an errant bolt of black lightning tore through the clouds and nearly struck the newly crowned School Master where she stood. Whether it should've been taken as an asassination attempt or a warning... no one can say.

Then, she spun on her dyed, glass stilettos, and without acknowledging the masses gathered, she flounced away from shore, numerous skirts and a sand-speckled, ermine-lined, coronation train in tow, claiming that "Rafal would pay for the dry cleaning from his grave," and that her next order of business was to "claim to be his widow and extort riches from his Putsi accounts." So, it's safe to say, she's landed herself a prime spot in Vulture Vale's next issue of Extortionists Extraordinaire, a magazine exclusively marketed toward Nevers.

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Everyone else was flabbergasted by the outburst, however cathartic it seemed to be for her.

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The King and Queen of Camelot are abstaining from commenting at this time, but eyewitnesses say the King was rather shaken, and that Her Majesty was equally bewildered by the news. The head of their staff purports that the two gaped like goldfish and appeared to be at a loss for words.

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Later on, a reporter documented a chance encounter with His Majesty alone:

Tedros swivels his head around to make sure he’s in the clear and away from Agatha.

“Knowing my queen, I’d say that we’re probably bound to visit the Schools in a few days’ time. She—we just need time to... process. And, don’t tell either of the girls I said this, but I think neuroticism runs in the blood... Can’t complain like a git though since Agatha’s saved my life several times over."

"A trip to the Schools is in order, Tedros! Pack before the maids invade our chambers!" Agatha shouts from another room.

Tedros grinned smugly at the reporter. "I told you so. She's predictable, like clockwork by this point."

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The School Master's classmates were especially eager to commentate on her appointment:

Hester: The uniforms had better stay black.

Anadil: Agreed.

Dot: I wouldn't mind a change, actually.

[The other two witches glare at her.]

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If you want to hear any other characters' reactions, feel free to comment below.

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Also, I’m currently in the process of writing a fic called The One True School Master of Vault 41, in which Rafal is resurrected and Sophie is a candidate for his old position, and so, she's a bit like a usurper to him.

The other usurper, Japeth, has also ruffled Rafal's feathers since Rafal's been back because Rafal thinks some Snake isn't worthy of the figurative #1 Villain trophy. Japeth doesn't care about the figurative "trophy" though, so that competition is technically nonexistent.

Wizard Guessing Game

Somebody sent Tedros to the insane asylum (not literally) in TOTSMOV41. Guess who.

I'm sure you've all heard of: "Which witch is which?" Well, this is: Which wizard is this? Feel free to write out your reasoning. I'm curious.

Tedros’ head lolled to the side. “'Tis ungodly, my hears. Ears. Myne eyen hear. 's the Evil wizard, foul, foul." He laughed to himself as if he had witnessed a joke no one else was privy to. His head snapped to the other side sharply, his gaze unfocused. "No—foul fowl!” he burbled in a daze, approaching incoherence.

A Little, Non-Spoilery Ranking of Who Suffers the Most in TOTSMOV41:

1. Rafal

2. Agatha/Japeth (Not sure yet who has it worse.)

3. Tedros

4. Sophie (Her suffering is… how shall I put it? Less material and more psychological in nature.)

As usual, this may be subject to change as I get further in the writing process. Rhian is not on the list because his guest appearances (more like cameos) are too minor too count. If he were on the list, he'd probably tie with Agatha and Japeth.

MASTERPOST for The One True School Master of Vault 41

This is a continually updating table of contents to help with navigating my posts about TOTSMOV41, my WIP longfic.

The fic's premise: Sophie joins forces with a resurrected, former lover in the midst of trying to get Tedros back onto Camelot's throne, but that's not even half the uphill battle: rogue psyches and distrust abound and threaten to shatter the present state of the Woods as everyone knows it.

or

In which Rafal is resurrected during the events of One True King and things go horribly, disproportionately wrong!

Also, the fic will not be published for a very long time, so don't expect to see it anytime soon. I'm still on draft zero/the outline/script.

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—Table of Contents—[Pre-Publication of Fic]

1. Title reveal and associated music

2. Round I of Excerpts

3. Apparently, the tag "otk" is banned from tumblr.

4. The misleading trope hint

5. Round II Excerpt

6. Visual ref. 1

7. Facts about the fic

8. Reblog #1

9. Aesthetic for one of the first scenes (and flower trivia in the comments)

10. A Peek at My Outline Process

11. Reblog #2, dialogue, and reference to suicide

12. Round III of Excerpts

13. Sketch - Rafal got punched in the face.

14. Screenshots of my Pinterest board for the fic

15. Update, more facts about the fic, and its references to philosophic concepts

16. Round IV Excerpt

17. Cover Reveal

18. Reblog #3

19. Reblog #4

20. Reblog #5

21. Hypothetical Non-Excerpt

22. The Recurring Japeth Punchline

23. Reblog #6

24. Reblog #7

25. Three "Fun" (Incongruous) Facts

26. Thanatos drive reference mentioned

27. Reblog #8

28. Reblog #9

29. Reblog #10

30. Ask containing minor fic trivia

31. Update and Round V of Excerpts

32. Which wizard is this? (a.k.a. The Tedros Insanity Poll)

33. Reblog #11

34. Reblog #12

35. Reblog #13 and Fic Tags

36. Round VI Excerpt

37. The Suffering Scale

38. Word Ask Game

39. Word Ask #1

40. Word Ask #2

41. Word Ask #3

42. Results of the Tedros Poll

43. Round VII of Excerpts

44. Guess the Last Verb/Noun

45. Minor Spoilers

46. Reblog #14

47. Reblog #15

48. Reblog #16

49. Visual ref. 2

50. Reblog #17

51. Slightly Cursed Thought?

52. Aesthetic

53. Round VIII of Excerpts

54. Scrapped Hypothetical Scene

55. Reblog #18

56. Visual ref. 3

57. Reblog #19

58. Reblog #20

59. Deliberate or Not Deliberate?

60. Update and Another Ask Game

61. Page Number Ask #1

62. Page Number Ask #2

63. Visual ref. 4

64. Visual ref. 5

65. Reblog #21

66. Reblog #22

67. Reblog #23

68. Reblog #24

69. Reblog #25

70. Verbing Nouns

71. Reblog #26

72. Reblog #27

73. A Little News

—The Story— [Links TBA after publication.]

Part I: Of Solipsism, Sophistry, and Storians.

Part II: Great Mistake II, Great Mistake III, and Verisimilitude

Part III: Phantoms, Prescience, and the Pen

Deleted Scene

Meta post

Fic Analysis, Commentary & Trivia

Propaganda

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Need-to-Knows (a.k.a How I'm meddling with canon):

This fic will involve Rafal being resurrected, and lead up to an alternate continuity of plot events, all set during One True King. Thus, its title will be: The One True School Master of Vault 41. However, the title may or may not be a bit of a misnomer, so I might just end up subverting your expectations after all.

There will be a form of "psyche travel," or an approximation of time travel, using Dovey's crystal ball like in ACOT, the arson of a certain Wizard Tree to look forward to, and some offbeat, unprecedented action taken by the Storian. Of course, Agatha and Rafal will bicker a lot while Sophie plays the role of mediator. And, oh, Rafal will be tortured, slightly…

Additionally, there's a couple things to note about the premise and the changes I've made to canon, for context:

1. The fic will disregard Fall as canon, yet will acknowledge Rise.

2. There are several canon elements I'm not using. The Rafal is the fic is him from Rise, and also from TLEA. I decided to only acknowledge Rise but not Fall because I didn't want to work with the identity-swap twist. So Rafal is Rafal is Rafal in this case. I will draw from both his Rise characterization and his TLEA characterization.

3. Later in the fic, Rise Rhian only has minor appearances, and is present in Rafal's psyche, but he will not actually be a character until I write a possible sequel, if I ever do reach that point. So, you can assume Rhian was moderately Good to grey on the morality scale, and that Rafal was the one who ultimately committed the fratricide for the purposes of this fic.

4. I've decided not to acknowledge the OTK parentage twist. To clarify, Rafal will have no relation to Japeth, simply because it felt out of character for him to have children with a woman he seemed to loathe, even if it may have been less out of character for the canon Rhian falsely disguised as "Rafal." I personally thought it contradicted Rafal's characterization, so Japeth's placeholder father, who probably won't even be mentioned in the story, will be the Green Knight, to explain his magical prowess as the Snake.

Otherwise, for the most part, this fic is alternate continuity "canon," and diverges at some point during OTK.

I've tried to set the stage, eradicate confusion, and mediate potential disappointment as best as I could above, but if anyone would like me to demystify anything about the fic, my writing process, or ask anything else at all, feel free to send questions to me! Yet, I might not be able to answer everything, for various reasons, including limiting excessive spoilers, so please keep that in mind.

This is for your word game for TOTSMOV41! My word is "Snake".

An arrow whizzed by, and tore through the hem of her dress, causing it to fragment into dead, red butterflies that were crushed underfoot.

“That Snake!” Sophie screeched, puffing from the exertion of running in heels. “If he keeps this up, I won't have much of a dress left!”

Both Agatha and Rafal reddened for vastly different reasons.

And the answer is:

RAFAL

If you selected "Japeth" or "Multiple of them," you receive partial credit!

Japeth causes blood loss that sends Tedros into a not-quite-lucid state, and Rafal is specifically responsible for the provocation that sets Tedros off.

Also, I was surprised by the spread of the responses. Did most people see "fowl" and immediately think "Rafal?"

If anyone wants to sate my curiosity, what was your reasoning for other choices/your thought process in general? I also had Tedros' head turn to be intentionally misleading, as if he were addressing two people instead of one—did anyone latch onto that?

Wizard Guessing Game

Somebody sent Tedros to the insane asylum (not literally) in TOTSMOV41. Guess who.

I'm sure you've all heard of: "Which witch is which?" Well, this is: Which wizard is this? Feel free to write out your reasoning. I'm curious.

Tedros’ head lolled to the side. “'Tis ungodly, my hears. Ears. Myne eyen hear. 's the Evil wizard, foul, foul." He laughed to himself as if he had witnessed a joke no one else was privy to. His head snapped to the other side sharply, his gaze unfocused. "No—foul fowl!” he burbled in a daze, approaching incoherence.

To amuse myself, I made another aesthetic based on TOTSMOV41, and I'll even drop a "fun" line because why not!

If all else failed, he would call down one of his own Stymphs to end him quickly.

There may two biers in this, but the fic will only have one. Corpse not included.

SGE Characters as Literary Things

(Not all of these are actual literary or rhetorical devices; some are just writing techniques, forms, genres, mediums, etc.)

This is a bit abstract, so I’m curious about how subjective these might be. Does anyone agree or disagree? And feel free to make additions if you think I left anything out, or request another character that isn’t here.

Hopefully this makes (intuitive?) sense. As always, I'm willing to explain my thought process behind any of the things I've listed.

Also, anyone can treat this like a “Tag Yourself” meme, if you want. Whose list do you most relate to, use, or encounter?

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LANCELOT (I know—how odd that I’m starting with a minor character and not Rafal, but wait. There’s a method to my madness. Also, watch out for overlap!):

Metonymy, synecdoche (no, literally, to me, these are him.)

Zeugma

Analogy

Figures of speech

Slang, argot

Colloquialisms

Idioms

TEDROS:

Simile

Metaphor

Rhyming couplets

Rhyme schemes

Sonnets

Commercial fiction

Coming-of-age genre

Line enjambment

Overuse of commas

Cadence, prose speech

Waxing poetic, verse (not prose)

Alliteration

Kinesthetic imagery

Phallic imagery/sword sexual innuendos (sorry)

The chivalric romance genre

AGATHA:

Anaphora, repetition

Semicolon, periods

Line breaks

Terse, dry prose

Semantics (not syntax)

Elegy

Resonance

Consonance, alliteration

Pseudonym

Narrative parallels

Realism

Satire

SOPHIE:

Sophistry (yes, there is a word for it!)

Imagery

Italics, emphasis

Em dash

Aphrodisiac imagery

Unreliable narrator, bias

Rashomon effect

Syntax (not semantics)

Diction

Chiasmus (think: “Fair is foul and foul is fair.”)

Rhetorical purpose

Provocation, calls to action

Voice, writing style

Rhetorical modes: pathos, logos, ethos

Metaphor

Hyperbole, exaggeration

Sensationalism, journalism

Surrealism

Verisimilitude

Egocentrism

Callbacks (but not foreshadowing or call-forwards)

Narrative parallels

Paralepsis, occultatio, apophasis, denial

Hypothetical dialogue

Monologue

JAPETH:

Sibilance

Lacuna

Villanelle (an obsessive, repetitive form of poetry)

Soliloquy

ARIC:

Sentence fragments

RHIAN (TCY):

Unreliable narrator

Setup, payoff

Chekhov’s gun

Epistolary novel

RHIAN (prequels):

Multiple povs

Perspective

Dramatic irony

Situational irony

Chiaroscuro (in imagery)

Endpapers

Frontispiece

Deckled edges

Narrative parallels

Foreshadowing

Call-forwards

Foil

Death of the author

RAFAL:

Omniscient narrator

Perspective

Surrealism

Etymology

Word families or 'linguistic ecosystems'

Latin

Verbal irony

Gallows humor

Narrative parallels

Call-forwards

Circular endings

Parallel sentences or balanced sentence structure

Narrative parallels

Foil

Juxtaposition

Authorial intent (“return of the author”)

HESTER:

Protagonist

Allusions

Gothic imagery

ANADIL:

Defamiliarization

Deuteragonist (second most important character in relation to the protagonist)

Psychic distance

Sterile prose

Forewords, prologues

Works cited pages

DOT:

Tone

Gustatory imagery

Tritagonist (third most important character in relation to the protagonist)

KIKO:

Sidekick

Falling action

Dedications, author's notes, epigraph, acknowledgements

Epitaph (Tristan)

BEATRIX:

Pacing

Rising Action

Climax

HORT:

Unrequited love

Falling resolution

Anticlimax

Malapropism

Innuendo

Asides

Brackets, parentheses

Cliché

EVELYN SADER:

Synesthetic imagery

Villanelle

Foreshadowing

AUGUST SADER:

Stream of consciousness style

Imagery

Foreshadowing

Coming-of-age genre

Elegy

Omniscience

Rhetorical questions

Time skips, non-linear narratives

Epilogues

MARIALENA:

Diabolus ex machina

Malapropism

Malaphors, mixed metaphors

Slant rhyme

Caveat

Parentheses

Footnotes

MERLIN:

Deus ex machina

Iambic pentameter

Filler words

BETTINA:

Screenwriting

Shock value

hi, do you have any takes/opinions or analysis of japeth? sorry if you've already posted something and i've missed it, i'm just eagerly hunting for japeth content 🫡🫡

I haven’t really done any substantial #japethposting, or anything exactly full-scale, but he has been a part of certain sections of some of the analyses I've done. You can find some of them by typing "#japeth" into the search bar of my blog. Or, if anyone wants me to, I could look for the links and send them to you. And, this overall precedent doesn’t mean I won’t possibly post about him in the future, potentially if/when I start my reread of The Camelot Years.

Generally speaking, I don't think I've paid enough attention to him to be able to analyze him in great depth. That said, I will redirect you to @discjude as she/they is/(are?) the Japeth expert, and her/their analyses are phenomenal! (Please tell me if I've gotten your pronouns wrong and sorry in advance if anything is wrong, Jude.)

Though, I will leave you with one meager headcanon: it seems unlikely, but if Japeth were musically-inclined, I think he’d play atypical instruments, like the serpent and the ophicleide because of course he would. Music could be his opportunity to rebel, defy what's expected of him, while also referencing his snake symbolism.

Here, you can listen to some orchestral performances involving these instruments. If you start the first of the videos around the timestamp 3:38 and listen to the end, you can hear the deeper, foreboding, lower-pitched parts and some tense, stringent parts that sound higher, like his Scims whirling, to my mind. There's a very obviously sinister "march" of sorts, with ghastly, winding, serpentine "movements," twists, and turns.

I am really curious to see your take on Aric and Japeth's relationship. I mean, the beloved author and creator of the series have addressed this issue with 'in their own sick wicked way they had loved' so yeah it's cannon cool. But I feel like the further implications of this? We saw evil 'unable to love'/ 'only ever have true love'. From what I remember Japeth mentioned Aric more than once, how they would write letters to each other how Aric 'begged' for Japeth to come to him but Japeth never did so and then bro spent the last of his life trying to bring Aric back to life. There are so many implications, the dynamics, the context, everything, but I love how you theorise and explore all sorts of ideas so I can't help but wonder how you view all of this :D.

Thanks for taking the time to read this and have a great day/afternoon/evening/night!

Sorry to disappoint, but I should probably start off with the fact that I don't ship Japeth and Aric. While I like Japeth, partly in thanks to @discjude winning me over, and further recognizing the tragedy surrounding him, his relationship to Aric never canonically does him any favors. And, with Aric, I think I'm apathetic enough towards him that I don't actively hate him; I just don't care about him. In truth, if not for Aladdin's pitiful existence actively hammering on my nerves, Aric would probably be my least favorite character.

The first thing I want to address is that Evil being "unable to love" or "only Evers have True Love" is actually false, despite the many times the series puts forth this claim. Yes, we are explicitly told this "fact" in book 1, but the book's point was to subvert/deconstruct the myth.

First, by the end, with her self-sacrifice, Sophie proved Evil's capacity to love, meaning: Evil being unable to love is just a commonly-held belief in the Woods, not the absolute, be-all, end-all truth.

(And the belief could've been perpetuated by "Rafal's"/Rafal's way of running his institution that literally shapes the Wood's perceptions and the future. Alongside this claim about love, consider the existence of the Doom Room, created to punish a singular mutinous class of first-years, based on a now-revised philosophy about Nevers' learning from harsh treatment and (probably) disproportionate retribution that an excessively stubborn dead man already too entrenched in his old ways never had the chance to change because he died—and this is all aside from the fact proven by the display at the very first Circus of Talents, that Rafal's students did indeed learn better when he finally listened to them and mentored them as an equal in their position (as Fala). In addition, the statement: "Nevers learn from deprivation" similarly reveals how the Woods really do generalize about Nevers—until Sophie, the "exception" and iconoclast, comes along.)

Second, Sophie's non-romantic True Love at some point was said to be Agatha, and I think this established fact is consistently maintained throughout the series, even if other elements overshadow it, so not only Evers can have True Love.

My take on Japeth and Aric is that Japeth's love for Aric, however twisted or sincere it was, drove him to become the Snake, follow along with Rhian's Camelot ambitions and initial staging-terrorism-and-hostage-scenarios plot, and commit all his other, duplicitous, villainous acts throughout TCY, later by his own will, which is a motive I find fascinating (and contradictory about the nature of the Woods' Good and Evil souls, whenever Japeth is set next to the rather grey Rhian).

So, while Japeth's devotion to Aric could be viewed as romantic, it's just not appealing to me, personally, due to the relationship's ambiguous one-sidedness in particular. And, I think I once may've read something about Japeth as a Never fighting for True Love (or his perception of "True Love") and Rhian as an Ever fighting for power (the Nevers' ideal fairy-tale ending) being ironic or inverted in some way. That's also some world-building fodder to consider, or even just another point that could overturn the Rules as we know them, yet again. I'm not surprised by that subversion honestly. Japeth is very much like his parents. Nearly every SGE villain Soman has ever written has been motivated by the pursuit of love, or by the overwhelming force of their own (often obsessive) infatuations (with the exception of somewhat flatter, less-developed, secondary villains, like Aric, Vulcan, Marialena, and Peter Pan).

Also, thanks for the compliment!

Vague Non-Spoiler

(This is partly just a reminder to myself, but maybe someone will also find verbing nouns interesting.)

In TOTSMOV41, Japeth and Sophie each "pull a Rafal" (two completely different deeds), Rafal "pulls a Sophie," and Agatha "pulls an August Sader."

We already know only the villains have last names, but similarly, only major SGE characters have alter egos. I assume disguise is either a genre convention of fairy tales and/or a typical Soman plot point by now.

Sophie -> Filip of Mount Honora

Agatha -> Edgar of Bloodbrook/Agoff of Woodley Brink

Tedros -> Essa of Bloodbrook/Teedum of Coomat

Rhian II -> The Lion

Japeth -> The Snake

Rafal -> Fala of Hell/Good

Rhian I -> “Rafal”

To the tune of “My Favorite Things:”

Saders and Mistrals and prophecies settled, Intrigue and pirates and tests of one’s mettle, Black swan gold rings and dark stirrings within— Butterflies all dead with their torn, bro-ken wings!

Swords in the stone and illicit night spansels, Masked Lions, Eagles, and runaway damsels, Treasonous Snakes with dark, oily scims— These omens bring the worst Endings for twins!

How do you think the twins (like all of them in SGE) would act in real life?

I'm not sure if I'm interpreting your question correctly, so you can correct me if I'm wrong! I will take the ask to mean that you'd like to know how I think they would they adjust to our modern world, not necessarily them in a Modern AU. (Also, would you like me to include Castor and Pollux? I'm not sure if I'd have an immediate response for them, but I'll try to think of something, if you'd like me to.)

Sophie and Rise Rhian would probably embrace modern conveniences, and Rhian would likely exhibit more fear than Sophie would, in response to them, or he'd conceptualize things like electricity, for instance, as a just another form of sorcery. They would both appreciate modern cosmetics and technology, and Sophie would probably never want to return to old, backward ways when the future is so pristine and sanitary. Rhian, however, would mourn the great architectural feats of our past and our obsession with pragmatism and designs purely focused on utility. Unfortunately, I could see them being prone to believing absurd, medical/political conspiracy theories, and their germophobia becoming worse.

Agatha, Rafal, TCY Rhian, and Japeth would be more skeptical about modernity, at first, I think. Agatha would probably grow used to it, but continue to live by her old ways and values, in many cases. She might get into environmentalism, humanitarian causes, or antiwar efforts, etc. If either Rafal, Rhian, or Japeth saw a use or benefit to modern technology and ways of life, they would likely adapt, especially if it could get them something they desperately wanted. Rhian would probably use some form of broadcasting or social media frequently—and eventually get cancelled. I could also see Rafal or Japeth trying to radically change or impact the modern world if it provoked them. Japeth could go down the activism route (if it's in regards to his being gay), but I can't see him being that selfless about others' rights, others who have nothing to do with him, and I can't come up with any modern objects or activities that might appeal to him. Maybe, he'd even disavow modern technology, if it proved it weren't a means to getting Aric back. In addition, I could also see Rafal being incredibly rude in commanding voice-operated devices, and refusing to entertain the trivial, human-like gestures machines are programmed to recite, like greetings, and he would rarely use "please" and "thank you" in his commands. He'd have no patience for small talk or manufactured, repetitive, pleasantness because it's just a machine, and he'd be damned if a machine expected more respect from him than any human subordinate ever would! And, he'd get irrationally offended by certain output before he realized why things did what they were preprogrammed to do, such as give simple-minded answers that could appear to be an insult to his intelligence and common sense, as, a machine couldn't know his identity. After all, machines aren't capable of being hostile like Adela Sader was. So, eventually, he'd learn. Also, getting automated or human directions from the bodiless voices of intercom systems, at self-checkout lines, or on public transportation would probably infuriate him because he's so used to being the greatest authority at all times. Why abide the law when you can keep above it?

SGE Characters' Potential Majors:

Rhian (prequels): Psychology, minor in Architecture.

Rafal: Forensic Studies, minor in Literature.

August Sader: Classics or Philosophy.

Evelyn Sader: Anything along the lines of Communications, Public Relations, Journalism/Media Studies, or Gender Studies.

Sophie: Fashion/Design/Visual Arts, minor in Public Relations or Literature.

Agatha: Social work or Law, minor in Literature.

Tedros: Political Science.

Callis: Chemistry, Medicine, or Biomedical Engineering.

Midas: Economics. (I can't think of anything better. Perhaps, a minor in Literature because he's a Reader?)

Hook: Maritime Studies. (Possibly, a minor in Linguistics or Translation? He'd need to know whatever the Woods' lingua franca is, if he's to travel the world.)

Aladdin: Undeclared. (Nothing wrong with being Undeclared, despite the fact that I'm associating it with him. I just feel like he's the noncommittal sort and he'd be undeclared for far too long. Maybe he'd eventually go into Business?)

Japeth: Physics or Aeronautics. (If you're reading this, Jude, I couldn't come up with anything better. Feel free to fill in the blanks!)

Rhian (TCY): Political Science or Communications.

Kyma: Sociology. (Or possibly Anthropology. I can't think of anything much better for her either.)

Rufius: Culinary Arts.

Merlin: Gender Studies and Astrophysics/Astronomy/Cosmogony (or Mathematics, Chemistry, or Physics).

Hester: Sociology and Criminology.