Since The Beginning Of The Genocide In Gaza In October, Israeli Soldiers Have Been Posting What Can Only

Since the beginning of the genocide in Gaza in October, Israeli soldiers have been posting what can only be described as snuff videos on social media platforms. In the videos, soldiers can be seen – often gleefully – committing war crimes against Palestinians. In one video, an Israeli soldier dressed in a dinosaur costume loads artillery shells into a tank and dances as the shells are fired in the direction of Gaza. In another video, a soldier is filmed dedicating an explosion to his two-year-old daughter for her birthday. Seconds later, a Palestinian residential building behind him is blown up. Other videos show Israeli soldiers setting alight Palestinian food supplies during a starvation campaign and mocking stripped, rounded-up and blindfolded Palestinian civilians. [...] And there is another aspect of Israeli impunity that is often overlooked: Israeli soldiers routinely admit to horrific crimes they commit against the Palestinians to clear their conscience and absolve themselves of personal responsibility but never face any accountability. Israelis themselves describe the practice as “yorim ve bochim”, which translates from Hebrew as “shooting and crying”. A favourite pastime of the Zionist left, it takes centre stage in dozens of Israeli films and documentaries. Take the widely celebrated film Tantura, named after a Palestinian fishing village that was subjected to a massacre in 1948. In this film, several Israeli veterans talk with ease about the fact that they killed hundreds of Palestinian civilians. Others openly admit to participating in ethnic cleansing, yet all are portrayed as complicated individuals who are traumatised by the trauma they inflicted on Palestinians. “Yorim ve bochim” is also epitomised in the work of the Israeli NGO Breaking the Silence. A darling of the liberal West, the organisation of Israeli army veterans tries to expose the reality of the “Occupied Territories” by providing a space to Israeli soldiers to confidentially recount their experiences in the Israeli army and at times admit to taking part in systematic abuse and destruction. The testimonies on its website make for incredibly difficult reading, particularly in this moment when we are seeing what is happening in Gaza. And yet nowhere does this organisation call for accountability or address what justice might look like for the Palestinians whom the soldiers they work with have systematically abused over decades. The reality is that over the last seven and a half decades, there has been complete impunity for brutalising and slaughtering Palestinians. The ongoing genocide in Gaza and the way in which it is being so brazenly shared on social media by the perpetrators is a manifestation of that impunity. The only way to make sure that it stops and never happens again is to hold not only those who have taken part in the genocide accountable but also those who are complicit.
. . . continues on al jazeera (24 Jan, 2024)
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More Posts from My-wildflowergirl
I don't know about anyone else, but I am kinda pissed that Baldur's Gate 3 doesn't allow Tav to be fat.
Why in one of the best games of the year, do we still not have character creation that allows fat bodies to exist, in a fantasy game of all things? Are fat people not supposed to exist in a fantasy world?
Or do people deem fatness so negatively that when given an escape from reality, they couldn't understand why someone would want to be fat there too?



Okay so first off, I agree with this for the most part. I, however, cannot just agree with something and remain quiet, so I have explained how exactly this connects with my idea of Aemond
When looking at Older! Aemond and how he has grown in response to his trauma from Driftmark (I assume OP is talking about Older Aemond), I heavily agree with the idea that he no longer has a desire to be held or comforted for what happened. All he has is rage because not only was his justice stolen from him but his victimhood as well.
The night when he should have be allowed to be the victim, he and his defender were ostracized by those around them, shoved to the side by his father without so much as an admittance of wrong doing from the other party. Aemond has to abandon his victimhood to protect his mother from his own father, and after that night, he knows he can never allow himself to be vulnerable again.
After having to protect himself and then his mother, Aemond likely learned to avoid vulnerability and anything close to it. The vulnerable can not protect themselves or those they care for. It’s not that he hates being the victim; its that being the victim even in his most traumatic moment nearly cost him everything, and he can’t risk that again.
If this was younger Aemond both pre-Driftmark and a little bit after the incident, I believe he would still desire that vulnerability and validation since he is a ~10 year old who has just been through something terrible. He would accept and likely desire someone to look at him and validate how bad it was and how he didn’t deserve it (something his father would never admit).
The only time I could see Older Aemond being more open/okay with vulnerability is if his partner or friend knew him prior to the loss of his eye. I am not saying this added bonding would make him ready and willing to talk about his emotions, but I think it would result in Aemond being more willing to accept compassion from his partner/friend because he would not need to explain himself or what happened. They know, and he doesn’t need to experience that new level of vulnerability that comes with remembering and recalling a traumatic event to someone who doesn’t know it.
He would still be rage-filled and a bit prickly about being put in vulnerable situations, but he wouldn’t be as likely to lash out or pull away from his partner as he would one that did not witness/did not really know about the incident.
Just need to put this somewhere to not forget but i think aemond would be opposed to the idea of someone protecting him and for two reasons:
1. He knows he can ultimately count on himself and his skills only because even when someone is genuinely willing to protect him, they can’t (in his experience).
2. I think that would be a blow to his self-esteem. To be seen as someone who needs protection.
It would need to be approached from a place of equality for him to accept it. Like i imagine criston cole protected him: v indirectly and in a way that emphasised aemond’s own strengths or was mutual: you protect me, i protect you.
I think all of us would love to crawl into the show to yell at viserys and tell him what a horrible father he is. Maybe make a scene.
Aemond would hate the fuck out of it. He would be triggered and furious and would lash out so badly, trying to gain back control and power —maybe trying to make his partner see him as someone intimidating, not someone in need of protection, i.e. weak. And powerless.
Also.
I think he would find it very uncomfortable and angering to be validated and told how horribly he was treated in a compassionate, normal manner. That would put him in the role of a victim.
“They deserve to be tortured and murdered” is what i think he would want to hear. Rage. Not compassion.
Not
“Oh, Aemond, it is so cruel what happened to you,” she wept. “I can’t stand it! I can’t stand that you suffered so much!”
Vulnerability is a no no forbidden 🚫
i do not pity israel. never have, and never will.
each night that gaza experiences is deadlier than the last, as idf soldiers record propaganda tiktoks, make rave parties and grwms and fit checks, gloat over having food and water, and film themselves deriving sadistic pleasure from torturing their hostages and victims and desecrating the dead.
Palestinians have to display their martyred before the camera for you to believe the atrocities that the zionist entity has subjected them to. they cannot even mourn in private. the apartheid entity murders them in cold blood, and you deliver the killing blow by doubting them.
babies whose families have been killed will never get to know their own name.
i can't reshare a tenth of the videos and photos that cross my timeline. i have seen more dead children in the past month than i have known death my entire life.
israeli settlers burn olive trees, bomb bakeries and fishing boats, shower white phosphorus and earthquake bombs on the captive civilians of gaza. you already know about the disastrous effects of white phosphorus, but earthquake bombs were last used during ww2 to wipe out entire cities.
how holy is the land that seeks to be built over the mass graves of thousands of children? is it holier than the miracle of a child being born in this hypocritical world?
all 11 universities in gaza have been bombed. academics should be agitating right now, especially those who call themselves "decolonial thinkers." destruction of universities is a sinisterly deliberate act to sabotage the Palestinians who will survive this great catastrophe.
the act of cleansing your hands before prayer is extremely important to muslims. no part of us can remotely comprehend the grief of the mother who refused to wash her hands from the blood of her children after losing them in a zionist airstrike over gaza. "I swear I won't wash them, I won't wash my hands, how else am I supposed to sleep near my kids."
it is only both moral and right when one side defends itself. the other side are the price of war, no better than insects and cattle and sheep left to die within the four walls of the slaughterhouse.
this situation should not be up for debate, but let me finish with one final thing : do your research about Palestine. HOWEVER. you do not need a degree in middle east studies to object to an ongoing genocide. if someone outwits you in a debate about historical details and every nuance of a subject, you were and will remain entirely correct in objecting to a genocide.
may those martyred rest in peace and be reunited again with their loved ones in heaven's eternal vastness.
DO NOT STOP TALKING ABOUT PALESTINE.
glory to Palestinian resistance. from the river to the sea, Palestine will be free.
There are two wolves in me. One wants to use the Cannibal as my OC's dragon in my story as a reference for how all consuming my character's anger is in both herself and her family relationships and as an illusion towards her internal views of kinslaying and feelings towards her extended family.
The other wolf is afraid it would be cringe.