Those Who Were Once Oppressed Under An Apartheid Regime Have Stepped Up To Help Those Being Oppressed

Those who were once oppressed under an Apartheid regime have stepped up to help those being oppressed under another one.

Meanwhile, the so-called "free" world is still trying to find ways to justify "standing with" and defending Israel's rogue racist Apartheid regime.

They should feel deep shame. They don't. But they all should.

https://www.tumblr.com/radicalsansa/739060101195907072/if-youre-looking-at-hotd-through-a-medival

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How exactly does GRRM want us to look through a "medieval lens"? Does he want us to look through a medieval lens when we're watching underage girls be married off and suffering marital rape? Does he want us to look through a medieval lens when soldiers rape and pillage innocent smallfolk? Does he want us to look through a medieval lens when tyrannical kings are supported just because they took the throne?

GRRM's books may take place in a medieval-esque world, but that doesn't mean he wants the audience to support the atrocities normalized by a medieval society. He uses his setting to criticize the actions of the medieval world.

He uses Daenerys' campaign against slavery to show the monstrosity of the slavers and those who stand by allowing it. He uses Sansa's treatment by Joffrey to show the hypocrisy of the order of knighthood and medieval chivalry. He uses Jon's treatment in Winterfell to show the harm of bastardphobia. He uses Arya's time among the smallfolk to show how the petty wars of lords impacts the people. He uses Brienne's life to show the damage the patriarchy does to non-conforming women. He uses Rhaenyra's story to show the far-reaching harm to the world the patriarchy causes. He uses Barristan Selmy and Jaime Lannister to show the dangers of blind loyalty to a king.

We the audience are not supposed to justify a character's actions just because it was normal for the time. That's like justifying Thomas Jefferson's owning of slaves because it was the norm for rich men in Colonial America. We are supposed to be horrified with the world's treatment of people who don't conform to it. We are supposed to feel angry at the normalized and rampant injustice. We are supposed to acknowledge that, while the books (much like the world) are filled with people who do the wrong thing, the characters are not all equally bad.

This post was deleted since I started writing this a few days ago (so sorry it took me so long to finish this answer), but the gist of it is that TG is right because of the medieval standards of Westerosi society. In the case of Rhaenyra, like I said earlier, GRRM uses to Dance to show the damage of the patriarchy and male primogeniture. The dragons are wiped out because of TG's greed and sexism. The realm suffers thousands of deaths because the greens couldn't stand a woman, a non-conforming woman no less, to take the throne. GRRM doesn't want us to just nod along and say, "oh that's fair, after all it is normal for the time :)". No, we are supposed to see the injustice of the situation and the harm that injustice causes.

I personally like it. I mean, it’s not in Fire and Blood, but honestly it wouldn’t make sense for this prophesy to be in it. How could the maesters know about it or even Mushroom?

One of the many things I have always loved about the Targaryens is how magical they are, compared to the Andals. This prophesy adds to that.

I know that the biggest question is: how could Jaehaerys have found out about it? He was, after all, the youngest of Aenys’ sons and not expected to inherit the throne.

My personal headcanon would be: Aegon told Aenys, who told his children who were destined to be King and Queen, Rhaena and Aegon the Uncrowned. And then Rhaena told Jaehaerys when he took the throne.

And even after all those years had passed, some sort of prophesy is heavily implied to have reached Rhaegar in Asoiaf (which might make it book canon as well):

"Until one day Prince Rhaegar found something in his scrolls that changed him. No one knows what it might have been, only that the boy suddenly appeared early one morning in the yard as the knights were donning their steel. He walked up to Ser Willem Darry, the master-at-arms, and said, 'I will require sword and armor. It seems I must be a warrior.'"

So, what do you guys think? Since it’s GRRM’s idea and not the showrunners’, I am inclined to see the prophesy as canon. And I like the idea of it.

I must be the minority of the minority here but god... HOTD is a mediocre adaptation, I don't understand people who treat HOTD as the new GOT (when GOT was good) the script of this series is poor, getting close to a poorly made fanfic made by Ryan. The characters are not 1% of what they are in the books (Rhaenyra/Alicent/Helaena/Rhaenys are practically new characters) and yes, it was only the female characters that they did that i think.... GRRM needs to stop letting people ruin his work, I thought he learned from GOT but no...

HOTD is definitely a mediocre adaptation. It falls into the traps of all the subpar and straight up bad adaptations do. It fucks around with character ages, it removes important plot points and characters, it changes characters' motivations and arcs, and it tries to cram too much information and too many events into too short of a run time.

The writing is sloppy or at best mediocre, the actors are good, but they can only do so much with what was written. The fundamental and purposeful misunderstanding of the story of the Dance alone shows how much HOTD has failed as an adaptation.

Actually, they did fuck over some of the male characters; Viserys becoming an old creep when he was in his late twenties in F&B when he married eighteen year old Alicent, Daemon murdering Rhea and marrying a teenage Laena, Laenor abandoning his children willingly. But it all is just a sign of how little Condal and Hess care about the actual story of F&B, just their rhaenicent fanfic.

I think this show wasn't GRRM's call, since HBO had already bought the rights to ASOIAF and it's world. He did have some input, as we see from Aegon's Dream, but clearly not very much.

I think one of the only reasons people pretend HOTD is a "good" adaptation is because the bar is in hell for those. Because it is, at the very least, better than the Eragon and Percy Jackson movies. But better than awful isn't anything close to good. Anon if you're in the minority, then I'm right there with you, HOTD isn't a good show.

They killed the olive trees. They killed the little children. They killed the unborn. They killed the father. They killed the mother. They killed the journalist. They killed the journalists entire family. They killed all the aunts and uncles. They killed the doctors. They killed the soul of his soul. They killed the groom. They killed the bride. They killed the cats. They killed the elderly people older than their apartheid state. They killed the thousands of memories painted on the walls. They killed 30,000+ Palestinians that we will never get back. [@/ missfalsteenia on X. 01/07/24.]

Every Arya & Lyanna parallel: → harrenhal

LYANNA

Ned remembered the moment when all the smiles died, when Prince Rhaegar Targaryen urged his horse past his own wife, the Dornish princess Elia Martell, to lay the queen of beauty's laurel in Lyanna's lap. He could see it still: a crown of winter roses, blue as frost.

—  A Game of Thrones, Eddard XV

The king was wroth, and even sent his son the dragon prince to seek the man, but all they ever found was his painted shield, hanging abandoned in a tree.

—  A Storm of Swords, Bran II

"The tourney Lord Whent staged at Harrenhal beside the Gods Eye, in the year of the false spring. A notable event. [...] "But that was the tourney when he crowned Lyanna Stark as queen of love and beauty!" said Dany. 

—  A Storm of Swords, Daenerys IV

ARYA

It wasn't Harren, Arya wanted to say, it was me. She had killed Chiswyck with a whisper, and she would kill two more before she was through. I'm the ghost in Harrenhal, she thought. And that night, there was one less name to hate.

—  A Clash of Kings, Arya VII

Barefoot surefoot lightfoot, she sang under her breath. I am the ghost in Harrenhal.

— A Clash of Kings, Arya IX

I'm not an evil child, she thought, I am a direwolf, and the ghost in Harrenhal. She put her broomstick back in its hiding place and followed him from the godswood.

—  A Clash of Kings, Arya IX