IF I SEE THIS ONE MORE FKING TIME UGGGH

IF I SEE THIS ONE MORE FKING TIME UGGGH

the phrase:

" (xyz) left little to the imagination" DOES NOT REFER TO MODEST OR NON REVEALING CLOTHING

IT IS THE OPPOSITE.

IT MEANS. LITTLE TO IMAGINE, BECAUSE YOU CAN SEE

ALLLLL OF IT

LINGERIE LEAVES LITTLE TO THE IMAGINATION

A SWEATER DOES NOT.

STOP MIXING THEM UP 😤

thanks xo

WRITING TIP: grammar. good god.

just because it's tumblr doesn't mean you can throw grammar and spelling out the window.

COMMON MISTAKES:

Not indenting for paragraphs. I know tumblr doesn't have the 'tab' function, but at least do a paragraph break. When?

If someone new is speaking

If the setting/action has changed

a new thought

think of it like the camera angle changing in a movie. Would the camera break to another room? or would you watch five minutes of bouncing and spinning while the camera moves to the right location. (Hint: it's the first one)

Big blocks of text make me homicidal. Knock it off.

Apostrophes!

It's: it is

Its: belongs to 'it'. We think it can also be it's, but it's not (see what I did there huh huh hee hee hooo boy)

Possession: Jenna's, Jess', The Twins'. NOT Jennas', Jess's, The Twin's. If there is a group, put the apostrophe after the plural 's'. PLURALS DO NOT HAVE APOSTROPHES IF I SEE THAT AGAIN I WILL REVOKE YOUR LITERATURE LICENSE AAAAAH.

Punctuation goes inside the quotation marks. "Like this." "Not this".

Dialogue punctuation.

"If you're talking and something happens," she said, dodging past a car, "you'd punctuate with a comma and lowercase." See how I didn't capitalize the bold word, or put a period after 'happens?'

Don't do this:

"If you're talking and something happens." She said, dodging past a car, "You'd punctuate with a comma and lowercase."

bad. wrong. booo.

MISUSING SEMICOLONS.

; this baby. makes a cute face ;) but is also useful!

it explains a clause, like so (an excerpt from my drabble 'Deal With It, pls read xoxoxo): "it was cozy; you'd pulled a blanket over your head and your music played gently." I said something was cozy, and then I explained how after a semicolon. It's not just a fancy comma. Don't use it like a fancy comma. it's like commentary of the actual writing. Professional parentheses.

PARENTHESES.

Don't use them. It doesn't make any fucking sense. use a semicolon or a colon or a comma or hyphens or literally anything else. underscores, even. just not parentheses. it's so weird.

WRITING STYLISTICALLY

Bold, italic, all lowercase, that stuff. use it consistently! you don't have to follow the rules if you make it seem intentional and consistent.

Bold.

emphasis, intense, eye-catching. good for a groundbreaking revelation. not the strongest choice for anger. has a staccato feel to it. punctual, concise.

Italic

wistfulness, pause, contemplation, haunting emphasis. good for flashbacks, whispering, angsty emphasis. If you overuse it, it'll feel kinda weird. i know we love her but give her some space. Otherwise it feels like pumping the gas and slamming the breaks really fast during the sentence.

all lowercase.

she's cute, she's aesthetic, she can get confusing sometimes. we need Capitals so that we can identify the Important Things. names, places, proper nouns, I know you know 'em. if you wanna start ur sentence lowercase, okay sure, but it gets muddy if you do it everywhere.

ok byeee xox

Writing tips: how do I add tension?

plenty of favorite tropes have tension. almost all of them. and, non-romantically, tension adds atmosphere. tension is the not knowing, the road block to the happy ending.

NOT TO DO:

don't make your characters stupid. don't dumb down their decisions to get them in 'difficult' situations. the audience will be bored and annoyed. (the audience is me. this is so irritating.)

don't make shit up. keep it consistent, don't throw something out of left field just for the sake of it. If the plot doesn't have enough material for tension, revise.

don't overdo it. tension is great at the penultimate moment, right before success. if you add tension at every point of conflict, readers will get bored and the story will be slow. put it every once in a while, not at every available opportunity.

GOOD CHOICES:

Push and Pull. give and take. let your characters win some and lose some. if they lose all the time, nobody wants to root for them. give them some strengths with their faults.

target strength and weakness. weaknesses are commonly targeted because duh, and it is a good chance for angst, but a really strong choice is targeting strength. the one thing they were good at and they couldn't even do that right? hooo boy.

unpredictable. if the reader can see it coming, it won't be as nail-biting. but as I said above, too unpredictable makes it campy and dumb.

last minute. Does it go well until the last minute? or is it a shit show until the final save? either are good choices, and have some pretty tense moments.

TECHNIQUE

POV. pov is suchhh a helping hand with tension. switch POVs right at the pivotal moment, keep the audience guessing. Unreliable narrators are great too, maybe peek into the villain's head for a bit.

don't be too descriptive. overexplaining ruins the tension. setting description vs character mindset is what i'm talking about. as the narrator/author, you can describe via exposition or external commentary what is actually going on, but the characters don't know. It's like in a horror movie, when the audience knows the killer is around the corner, but the MC is oblivious.

keep the stakes high! conflict builds until the ultimate plot point. so should the tension. maybe there's a secret or a secondary motive that is slowly coming to light.

it doesn't always have to be a huge plot point. The MC is hiding a terrible illness that will strike at the worst moment. One of the characters is secretly a spy and doesn't say anything until the end.

Hit 'em where it hurts! suprises are great. not crazy surprises, keep it consistent, but a holy shit! moment does terrible things to the blood pressure (which in this case is what you want)

hope this helps! xox

IF I SEE THIS AGAIN I'LL DIE pt 2

so writing is a learned skill, and it's good practice. but, I see a lot of the same mistakes that just hnnnngh make me wanna hit something (love you guys but hooo boy).

basic vocab. it's not hard to google a thesaurus or whatever to enhance the writing, cause when i've read 'chuckled, smirked, rolled his eyes' more than five times in a fic, we're doing something wrong. really dig in deep with it.

WHO DECIDED ON ORBS. WHICH ONE OF YOU MOTHERFUCKERS THOUGHT 'ORBS' WAS AN APPROPRIATE SUBSITITUTE FOR EYES. i just wanna talk, man. but seriously. quick note on eye anatomy: Pupil - the black dot that gets bigger (dilates) or constricts (gets smaller). Iris - the colored bit. If you don't wanna say 'their blue eyes' again and again, try this: blue gaze, blue stare, blue irises, use different shades of blue....(or whatever color)

Appendage. why? why that word? Squelch. again. why? not sexy. 0/10. stop. just stop. member. like no. what are we, a trashy romance novel? gross.

LMAO this makes me laugh. every time. (a little bit nsfw but not really just an allusion to). "eats (x) out like a man starved." IT COMES UP EVERY TIME. EVERYYYYYY TIMEEEE AHAHAHAHAHA. stop, it's not even hot anymore i just get a tummy ache from laughing. idk why that's become the catchphrase for munching but maybe chill.

part 3 soon xox

so i changed the request rules

i'm allowing smut, but it'll be mild and to my comfort level. It'll kinda be touch and go as far as what I'm comfortable with writing, cause I'm slightly inexperienced with it. pls be patient!

xox

Writing tips! pt. 1

Fluff advice

Use fluffy words. I mean like softy words, not a lot of hard endings or consonants. words that feel soft, you feel me? (I am autistic so maybe just me but lemme show you some examples and definitions)

snuffle

tuck

coo

murmur

mumble

smush/squish

bundle

soft (obv)

gentle

nuzzle

burrow

you feel me??? does it make sense?? as opposed to 'cuddle, mutter, smash, wrap' which mean essentially the same as above. If you use words that feel or sound phonetically like the vibe you're trying to get across, it reads much better. Paragraph example of a generic fluff scene (G rated dw) using themed words and non-themed words.

Theme:

warm cotton sheets and syrupy midday sunlight draped gently over the entwined forms on their shared bed. a hazy, drowsy blanket of pleasure made their eyelids heavy. feeling too far away, (A) shuffled closer to (B), nudging their nose into the soft space of their cheek. B murmured sweetly, caressing A back to sleep. smushed a close as can be, the two lovers drifted into a cozy pocket of love

No Theme:

warm cotton sheets and bright midday sun shone through the window over the entwined forms. sleeping soundly, wrapped in their love for each other, the day crept forward. (A) yawned and rolled closer to (B), wedging their nose into (B's) soft cheek. (B) chuckled, whispering their partner back to the safe world of sleep. together again, the two lovers drifted into dreamland.

Difference? or just me?

In other words, think of small children when you think of fluff. (NOT LIKE THAT) the tone, the softness you would approach a toddler with. toddler speech is kinda soft too, since they aren't capable of hard sounds with their teeth (or lack thereof) so their words sound sweeter. (an' instead of and, 'bubba' instead of 'papa', you get the idea). Adults also change words to fit a softer, gentler mood. "Lovey' instead of love, 'Doggy,' instead of 'dog'. this same vocabulary shift can add another layer of cuteness to ur fic.

Hope this helps! message w more questions xx