FOR THE YOU CAN KILL ME BUT DONT YOU DARE TOUCH THEM DYNAMICS

FOR THE “YOU CAN KILL ME BUT DON’T YOU DARE TOUCH THEM” DYNAMICS 

❝  i only want you.  ❞

❝  i don’t need anyone else.  i just…you.  you’re all i need.  ❞

❝  listen,  i’ve lost a lot of people in my life.  i learned how to deal with it but…you’re different.  i can’t take it if it’s you.  ❞

❝  i think about anything happening to you and i— i just.  i fucking lose it.  ❞

❝  you don’t understand.  i need you safe.  not because i don’t think you can handle yourself but because i can’t focus on anything else if there’s even the smallest possibility you’re in danger.  ❞

❝  no one is ever gonna get near you again,  you hear me?  ❞

❝  i won’t let you get hurt.  i promise.  and i don’t make empty promises.  ❞

❝  turn around.  you don’t need to see this part.  ❞

❝  just give the word and i’ll kill every one of them.  ❞

❝  you can’t get all worked up every time something happens to me.  that’s just life.  you’re not always gonna be able to protect me from it.  ❞

❝  no one else understands me.  but you do.  you always do.  ❞

❝  i don’t think i’m the best person for you,  i don’t.  but i do know i’m the one that can keep you safe  ❞

❝  hey—  look at me.  it’s over.  it’s done.  we’re okay.  ❞

❝  who the fuck made you cry i’ll fucking rip their head off.  ❞ 

❝  i know you’ve always got my back.  ❞

❝  please,  let me take care of you this time.  you’re always protecting me but it tears me up inside every time you get hurt because of it.  ❞

❝  can you make everyone else just go away?  i know they mean well but i just want to be alone—  alone with you i mean.  ❞

❝  i know when you’re here,  the real monsters can’t touch me.  ❞

❝   oh,  i am one of the monsters.  but that just means i can keep all the other monsters from ever hurting you again. ❞ 

❝  if you’re gonna keep risking your life for me than you’re also gonna let me patch you up without a single complaint.  ❞

❝  we keep each other safe.  it’s my turn to protect you.  ❞

❝  i killed them for you.  i know you could’ve done it yourself,  but you shouldn’t have to.  ❞

❝   i love you because i know how capable you are.  and i show that love by making sure you don’t have to be the one to always do the hard things.  ❞

❝   i’m gonna make them regret ever even thinking about laying a hand on you.  ❞

❝  tell me what you want me to do.  i’ll do it.  whatever you want.  ❞

❝  i love you just like this.  i love you when you touch me gently like no one else ever has.  and i love you when your hands are bloody and your knuckles are bruised. ❞

❝  please,  just let me protect you.  ❞

❝  are you hurt?  did they hurt you?  ❞

❝  wait,  stop you’re bleeding.  ❞

❝  did you just wince?  where are you hurt?  ❞

❝  i need you in my life.  i’m not used to that—  needing people.  but i do need you.  ❞

❝  you make me feel things i’m not used to feeling.  ❞

❝  why do you let me close when you’re always driving everyone else away?  ❞

❝   you’re mine.  and i protect what’s mine.  ❞

❝  thank you for always being here for me.  ❞

❝  you see things in me that i didn’t even know where there.  ❞

❝  that’s enough.  let’s go home.  ❞

❝  i’m okay now.  i’m safe.  you don’t have to be angry anymore.  ❞

❝  please stop—  this is scaring me. ❞

❝  you don’t have to do this for me.  ❞

❝   hey stop— stop!  look at me.  they’re dead now.  you can stop.  ❞

❝  i have to make an example outta them so no one else tries to hurt you again.  ❞

❝  killing for you is easy.  it’s right.  it feels natural.  ❞

❝  let me do this for you.  ❞

SCENARIOS

[ ONE ]  for sender to take a bullet for receiver. 

[ TWO ]  for receiver to take a bullet for sender. 

[ THREE ]  for sender to protect receiver and then carry them to safety. 

[ FOUR ]  for receiver to protect sender and then carry them to safety. 

[ FIVE ]  for sender to witness receiver get hurt which sends them into a violent rage.

[ SIX ]  for receiver to witness sender get hurt which sends them into a violent rage. 

[ SEVEN ]  for sender to be hurt trying to protect receiver which makes them bloodthirsty for revenge.

[ EIGHT ]   for receiver to be hurt trying to protect sender which makes them bloodthirsty for revenge.

[ NINE ]  for sender to have violently protected receiver,  so receiver kisses them to calm them down. 

[ TEN ]  for receiver to have violently protected sender,  so sender kisses them to calm them down. 

[ ELEVEN ]  for sender to carefully approach receiver in the aftermath,  gently touching them to try and bring them back to themselves. 

[ TWELVE ]  for receiver to carefully approach sender in the aftermath,  gently touching them to try and bring them back to themselves. 

[ THIRTEEN ]  sender was kidnapped,  receiver shows up to save them.  

[ FOURTEEN ]  receiver was kidnapped,  sender shows up to save them.  

[ FIFTEEN ]  sender executes a third party in front of receiver because that person hurt them. 

[ SIXTEEN ]  receiver executes a third party in front of sender because that person hurt them. 

[ SEVENTEEN ]  sender thinks they’re alone but receiver comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ EIGHTEEN ]   receiver thinks they’re alone but sender comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ NINETEEN ]  sender has been devastated by something.  receiver holds them until they calm down so they don’t do anything drastic. 

[ TWENTY ]  receiver has been devastated by something.  sender holds them until they calm down so they don’t do anything drastic. 

[ TWENTY-ONE ]  sender thought receiver died so they set out to get revenge.  receiver shows up in time to stand in front of them before they go too far.  

[ TWENTY-TWO ]  receiver thought sender died so they set out to get revenge.  sender shows up in time to stand in front of them before they go too far. 

[ TWENTY-THREE ]  sender is in a vengeful rage because of something that happened to receiver.  receiver gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FOUR ]  receiver is in a vengeful rage because of something that happened to sender.  sender gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FIVE ]  for sender to have receiver stand by somewhere safe where they can watch sender kill on their behalf. 

[ TWENTY-SIX ]  for receiver to have sender stand by somewhere safe where they can watch receiver kill on their behalf. 

" .. I think It's dead, boss━ "

💀 — [ he pulls the world's most charred pizza out of the oven, ]

" MAGMA MIA! "

To Be Haunted, Jessie Lynn McMains

❰❰ ALMOST ❱❱ to link !

❰❰ ALMOST ❱❱ our muses almost kiss but don’t or are interrupted before they do

Something in him cannot think, cannot stop thinking, cannot stop at all, and he thinks ━ he's convinced it's going to kill him.

Or maybe she is. Or maybe this is just what it's like, you know, to love something ━ someone, and to be able to get so close, and the world doesn't end when you do. Maybe its association, living for months in the wake of each-other, ripples on ponds that don't move and never stay still, living in the same space; in the wake of disaster, a hundred years back, a hundred years catching up to them.

Maybe it's because she didn't have to learn it like they did, how he didn't have to learn it like they did, either. One day they woke him up so he could be the apocalypse stopping the apocalypse, calamity on calamity where blood under enough pressure becomes black, black under enough pressure becomes light, light under enough pressure becomes something bigger than it could ever hope to contain, the way the cosmic dark is larger than anything, the way what's being asked of him is too. Like its a foreign concept to be given something, given something and told━ no, asked to take it, asked if he wants it, given and given graciously and given because she wants to be here, given companionship in the wake of movement; endless movement, given voice to thoughts he didn't have the language for; couldn't have the language for, and now, given touch, hand to arm to hands that don't know what to do ━ he's deerlike, funny how doe scares buck, and he can't breathe.

Please, something in him begs in the only voice he can muster, watching her. Please, a language unto itself hoping it can be understood by the negative space left in it's wake, in the way he's not thinking ━ not begging at all, but if he could, he would be. if he could, he'd move to meet her. if he could, he'd meet hers first.

Something in him cannot think, cannot stop thinking, cannot stop at all, and he's convinced it's going to kill him. Because she loves him, he's pretty sure she loves him, and he loves her, and he's pretty sure he does, and love has never been something that comes without the blood, without the black, without the light━━

And the light returns in the form of a Goddess, and the light returns in the form of a princess, and the light returns in the form of a statue. He is too acquainted with tombs, Link decides all at once like something in his chest becoming a golden bird and flying off, like a silver wire breaking and animation returns to the living stillness, he is too acquainted with tombs.

But this doesn't stop Zelda from coming, a network of parchments in her callousing hands that are learning how to work the way she's wanted to but never could before, and they almost don't catch what they've interrupted at all until they notice how close the two are together, and you can see the realization on their blue-grey eyes, in the brightened tip of their sharp ears. Link imagines with a humor he can't help that he must look the same, all tense muscle in anticipation, all soft features wide but unable to articulate that he wants her to kiss him, needs her to kiss him. He figures Zelda's expression is a little different, but close enough to draw comparisons to.

" Oh-! I'm━ " a still hazed mind gets confused on why she's introducing herself again as Zelda struggles for the words, mind too fast for her, a funny contrast to Link, who finds himself too blind in surprise for the mind to move at all ( almost gawking ) " I'm so sorry, I-I'm interrupting something, here- I'll bring these━ I-I'll go- "

Link says something reassuring he forgets the moment it's out of his mouth, beckoning them back but he's smiling and it's honest, as he shifts his hand from its aimless hovering to rest on Gaia's arm, cradling the elbow. She staggers as though struck, poise awkward as she holds the scrolls ━ construction plans, he's sure, that's what most of them have been lately ━ and glances between Link and Gaia like a mouse caught in a trap, almost asking permission to flee, but mostly just the attitude of you're serious? you're seriously asking me to stay-???

After a moment she relents, and step carefully forwards as though navigating a cave which may or may not but probably has traps in it, before gaping like a fish looking for words, and eventually settling on; " … I hope I don't make a habit out of this… " ( They most certainly will, much to their chagrin )

oh fuck yes little dark treats for me

The Cow, Ariana Reines