rosemarysealavender - sea lavender
sea lavender

kit / 20s mostly a repository for articles, websites, fandom, and other resources i like and want to share. 

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Hiya,

😭😭😭

@thefatmfanclub THANK YOU, THANK YOU, THANK YOU.

OH MY GOD

THANK YOU

Hiya,

To your knowledge, has a transcript (either official or fan-transcribed) ever been released for the dialogue & spoken-word components of The Odyssey?

If so, do you know where I could obtain a copy?

The film is so affecting and the spoken word has always haunted me (as do F's songs), maybe even more so as it/I age(s).

(cannot understand how HBHBHB is 10 years next June! AAAH).

Thanks very kindly for your time,

/Kit

TRANSCRIPT

Scene 1: What Kind of Man

Man: I heard you talking in your sleep last night.

Florence: What were you doing?

Man: I was just um, I was just watching. You seemed, uh, you seemed sad.

Florence: Why didn’t you wake me up?

Man: Uh, I didn’t, I didn’t want to, uh, I didn’t want to intervene. It just seemed like you were, you were suffering somewhere else. I, I didn’t think that it was my place to, to drag you out of it, so um, I just let you be.

Florence: So you just let me suffer? So you think that people that suffer together would be more connected than people who were content?

Man: Yeah, I do.

Florence: I suppose if you’d been through something. Like if you’d been through something catastrophic. If you’d been through like, like a storm or an earthquake together or something like horrendous, you, it would bring you closer together. But what if they are creating the disaster within themselves? *Laugh*.

Man: It’s not, it’s not…yeah that’s what happens, that…

Cut-scene

Florence: And there’s this big storm that’s all around us and we’re in the middle of it so it’s calm. But I can feel it, like it’s everywhere. And things are OK now but I never know when it’s going to change.

——

Scene 2: St Jude

Stranger: why are you traveling alone, are you lost?

Cut-scene

Florence: We’re not changing, I’m not changing.

——

Scene 4: Queen of Peace

‘Body Of Water’ - part 1:

To give yourself over to another body

That’s all you want really

To be out of your own and consumed by another

To swim inside the skin of your lover

Not have to breathe

Not have to think

But you can’t live on love

And salt water’s no drink

Scene 5: Long and Lost

‘Body of Water’ - part 2:

We're dying of thirst so we feast on each other

The sea is still our violent mother

The blood round here pours down like water

Each wave a lamb lead to the slaughter

And like children that she just can’t teach

We break, and break, and break

And break ourselves upon the beach

——

Scene 6: Mother

Man: When are you leaving here?

Florence: I don’t know, maybe I’ll stay.

Man: This is just a place you know, a visit. Pass through.

Florence: Yeah I don’t know, I thought…I guess I think this is what I wanted um…and sometimes I still think that I should stay.

Man: Nobody stays here. And you can leave. You will leave here.

——

Scene 7: Delilah

Man: you think you have lost your faith but you have not. You have only misplaced your faith. And you can find it where it lies now deep in your soul. And the way to do that is through the simple process of love. Love yourself. You can’t love and forgive other people if you don’t first of all love and forgive yourself. You have to realise that people are fallible beings. They make mistakes. They have to be excused from these mistakes, and allowed to continue in their quest for a better life and for goodness. So love yourself and then love other people. Please forgive yourself. Go on a journey of finding love and forgiveness…

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1 year ago

List of fundraisers for direct contacts from Ghazzah & Sudan

This is a list dedicated to compiling people I have direct contact with in Ghazzah & Sudan. All of these fundraisers have been personally verified from start to finish by me. You are free to share these with anyone you know. This is part of the following masterpost series. Feel free to consult all other links in the main navigation masterpost.

The ground invasions of Rafah and El Fashir worsen everyday. Please understand the urgency of this campaign.

Version date: June 22nd 2024.

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11 months ago

Two lovers have reincarnated throughout history, destined to find each other and fall in love all over again. There’s also this third guy that reincarnates alongside them… we don’t really know what he does.


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1 year ago

My Most Haunted Roll Of Film Yet


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1 year ago

Fascism became an all-purpose term because one can eliminate from a fascist regime one or more features, and it will still be recognizable as fascist. […] But in spite of this fuzziness, I think it is possible to outline a list of features that are typical of what I would like to call Ur-Fascism, or Eternal Fascism. These features cannot be organized into a system; many of them contradict each other, and are also typical of other kinds of despotism or fanaticism. But it is enough that one of them be present to allow fascism to coagulate around it.

The first feature of Ur-Fascism is the cult of tradition [and syncretism]. Syncretism is not only, as the dictionary says, “the combination of different forms of belief or practice”; such a combination must tolerate contradictions. Each of the original messages contains a sliver of wisdom, and whenever they seem to say different or incompatible things it is only because all are alluding, allegorically, to the same primeval truth. As a consequence, there can be no advancement of learning. Truth has been already spelled out once and for all, and we can only keep interpreting its obscure message. […]

Traditionalism implies the rejection of modernism. [… For the Nazis], the rejection of the modern world was disguised as a rebuttal of the capitalistic way of life, but it mainly concerned the rejection of the Spirit of 1789 (and of 1776, of course). The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity. In this sense Ur-Fascism can be defined as irrationalism.

Irrationalism also depends on the cult of action for action’s sake. Action being beautiful in itself, it must be taken before, or without, any previous reflection. Thinking is a form of emasculation. Therefore culture is suspect insofar as it is identified with critical attitudes. […]

No syncretistic faith can withstand analytical criticism. The critical spirit makes distinctions, and to distinguish is a sign of modernism. In modern culture the scientific community praises disagreement as a way to improve knowledge. For Ur-Fascism, disagreement is treason.

Besides, disagreement is a sign of diversity. Ur-Fascism grows up and seeks for consensus by exploiting and exacerbating the natural fear of difference. The first appeal of a fascist or prematurely fascist movement is an appeal against the intruders. Thus Ur-Fascism is racist by definition.

Ur-Fascism derives from individual or social frustration. That is why one of the most typical features of the historical fascism was the appeal to a frustrated middle class, a class suffering from an economic crisis or feelings of political humiliation, and frightened by the pressure of lower social groups [or other minorities]. [...]

To people who feel deprived of a clear social identity, Ur-Fascism says that their only privilege is the most common one, to be born in the same country. This is the origin of nationalism. Besides, the only ones who can provide an identity to the nation are its enemies. Thus at the root of the Ur-Fascist psychology there is the obsession with a plot, possibly an international one. [...]

[B]y a continuous shifting of rhetorical focus, the enemies are at the same time too strong and too weak.

For Ur-Fascism there is no struggle for life but, rather, life is lived for struggle. Thus pacifism is trafficking with the enemy. It is bad because life is permanent warfare. This, however, brings about an Armageddon complex. Since enemies have to be defeated, there must be a final battle, after which the movement will have control of the world. But such a “final solution” implies a further era of peace, a Golden Age, which contradicts the principle of permanent war. No fascist leader has ever succeeded in solving this predicament.

Elitism is a typical aspect of any reactionary ideology, insofar as it is fundamentally aristocratic, and aristocratic and militaristic elitism cruelly implies contempt for the weak. Ur-Fascism can only advocate a popular elitism. Every citizen belongs to the best people of the world, the members of the party are the best among the citizens, every citizen can (or ought to) become a member of the party. But there cannot be patricians without plebeians. Since the group is hierarchically organized (according to a military model), every subordinate leader despises his own underlings, and each of them despises his inferiors. This reinforces the sense of mass elitism.

In such a perspective everybody is educated to become a hero. In every mythology the hero is an exceptional being, but in Ur-Fascist ideology, heroism is the norm. [...] The Ur-Fascist hero craves heroic death, advertised as the best reward for a heroic life. The Ur-Fascist hero is impatient to die. In his impatience, he more frequently sends other people to death.

Since both permanent war and heroism are difficult games to play, the Ur-Fascist transfers his will to power to sexual matters. This is the origin of machismo (which implies both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality).

Ur-Fascism is based upon a selective populism, a qualitative populism, one might say. [...] For Ur-Fascism, however, individuals as individuals have no rights, and the People is conceived as a quality, a monolithic entity expressing the Common Will. Since no large quantity of human beings can have a common will, the Leader pretends to be their interpreter. Having lost their power of delegation, citizens do not act; they are only called on to play the role of the People. Thus the People is only a theatrical fiction. [...] There is in our future a TV or Internet populism, in which the emotional response of a selected group of citizens can be presented and accepted as the Voice of the People. Because of its qualitative populism Ur-Fascism must be against “rotten” parliamentary governments. Wherever a politician casts doubt on the legitimacy of a parliament because it no longer represents the Voice of the People, we can smell Ur-Fascism.

Ur-Fascism speaks Newspeak. Newspeak was invented by Orwell, in 1984, as the official language of Ingsoc, English Socialism. But elements of Ur-Fascism are common to different forms of dictatorship. All the Nazi or Fascist schoolbooks made use of an impoverished vocabulary, and an elementary syntax, in order to limit the instruments for complex and critical reasoning.

—Umberto Eco, in "Ur-Fascism or Eternal Fascism: Fourteen Ways of Looking at a Blackshirt”


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