Hello Neil,
Hello Neil,
I've had a discussion about Good Omens today, with a friend of mine. They say that Aziraphale and Crowley's relationship became what it is in S2 because of the love from all the fans, and it wasn't really intended to be that in the beginning (when you and Terry wrote the book, and also at the time of the first season). Now, I may be wrong, but I do recall you saying this was always the intended development to the relationship, is that true?
Did the love from the fans, as well as the meaning Aziraphale and Crowley undoubtedly hold for the queer community play a hand in what we've been shown in season 2?
I'm sorry if this is redundant, or repetitive, or if it's been asked a thousand times (it probably has). Thank you for your patience, and for writing such good stories.
Did your friend actually watch Season 1? We're in the same story we were in then. It hasn't changed. It's still heading to the same place that we were going in Season 1 -- the same place it's been heading since Terry and I decided how it ended, back in 2006.
I love you all, but no. It's the same story it was going to be.
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More Posts from Shnk-the-martian

Thinking ab this pic again… why did they think they could create this image and expect me not to ship them
Broke: Izzy said “I want to go” because he legitimately believed his life’s journey had reached its end.
Woke: Izzy said it so that Edward could move on, a comforting lie in the service of seeing to his beloved captain’s emotional needs one last time.
Bespoke: Izzy went into the gravy basket when he got shot, where Sea Witch Buttons appeared to him and told him if he chose life, his ultimate fate was handling the customer complaint department at Ed & Stede’s Bed & Breakfast & Seafood Restaurant & Freelance Carpentry Business, and knowing this, chose death.













·͙*̩̩͙˚̩̥̩̥*̩̩̥͙ HAPPY BIRTHDAY ✩ DEAN WINCHESTER *̩̩̥͙˚̩̥̩̥*̩̩͙‧͙

one of the most devastating shots for me in the s2 trailer is this one of stede surveying the absolute state of his ship. look at his face. that’s a man in turmoil right there