Watching 'dirty Harry' And Just

watching 'dirty harry' and just

wtf

wtf am i watching

Ok so this makes no sense but here are characters from Teen Wolf as quotes from a french poetry book, because I have to know quotes from said french poetry book and none of them are sticking in my head. This whole thing makes no sense feel free to ignore.

Isaac:

L'homme fuit l'asphyxie. L'homme dont l'appétit hors de l'imagination se calfeutre sans finir de s'approvisionner, se délivrera par les mains. (L'Avant-Monde: Argument)

The man flees asphyxiation. The man whose appetite outside of the imagination seals itself off without finishing stocking up, will free himself by the hands. (The Foreworld: Argument)

Stiles:

J'ai rapporté du désespoir un panier si petit, mon amour, qu'on a pu le tresser en osier. (La Compagne du Vannier)

Tout à jamais prit fin. (Le Loriot)

I brought back from despair a basket so small, my love, that it could be woven with wicker. (The Basketmaker's Companion)

Everything ended forever. (The Oriole)

Theo:

Le décolleté diminue les ossements de ton exil, de ton escrime; Tu rends fraîche la servitude qui se dévore le dos; Risée de la nuit, arrête ce charroi lugubre

De voix vitreuses, de départs lapidés.

[...]

Je ne verrai pas tes flancs, ces essaims de faim, se dessécher, s'emplir de ronces; Je ne verrai pas l'empuse te succéder dans ta serre ; Je ne verrai pas l'approche des baladins inquiéter le jour renaissant; Je ne verrai pas la race de notre liberté servilement se suffire. Chimères, nous sommes montés au plateau. [...] L'intime dénouement de l'irréparable. [...] La Femme respire, l'Homme se tient debout. (Le Visage Nuptial)

The neckline diminishes the bones of your exile, of your fencing; You make fresh the servitude that devours its back; Laugh of the night, stop this bleak cartage

Of glassy voices, of stoned departures.

[...] I will not see your sides, these swarms of hunger, dry up, fill with thorns; I will not see the parasite succeed you in your greenhouse; I will not see the approach of the wanderers disturb the renewed day; I will not see the race of our freedom subserviently suffice itself. Chimeras, we went up to the plateau. [...] The intimate outcome of the irremediable. [...] The Woman breathes, the Man stands. (The Bridal Face)

Lydia:

X- Il convient que la poésie soit inséparable du prévisible, mais non encore formulé.

XIII- Fureur et mystère tour à tour le séduisirent et le consumèrent.

XXXII- Le poète ne s'irrite pas de l'extinction hideuse de la mort, mais confiant en son toucher particulier transforme toute chose en laines prolongées.

XLIX- À chaque effondrement des preuves le poète répond par une salve d'avenir.

(Partage Formel)

X- Poetry should be inseparable from the foreseeable, but not yet formulated.

XIII- Fury and mystery one after the other seduced and consumed him.

XXXII- The poet is not irritated by the hideous extinction of death, but confident that his particular touch transforms everything into prolonged wools.

XLIX- At each collapse of the evidence the poet responds with a burst of the future.

(Formal Sharing)

Liam:

40- Discipline, comme tu saignes!

48- Je n'ai pas peur. J'ai seulement le vertige. Il me faut réduire la distance entre l'ennemi et moi.

63- On ne se bat bien que pour les causes qu'on modèle soi-même et avec lesquelles on se brûle en l'identifiant.

92- Tout ce qui a le visage de la colère et n'élève pas la voix.

104- Les yeux seuls sont encore capables de pousser un cri.

219- Brusquement tu te souviens que tu as un visage. Les traits qui en formaient le modelé n'étaient pas tous les traits du chagrin, jadis.

(Les Feuillets d'Hypnos)

40- Discipline, how you bleed!

48- I am not afraid. I only have vertigo. I must close the distance between the enemy and me.

63- We only fight well for the causes that we model ourselves and with which we burn ourselves by identifying it.

92- Anything that has the face of anger and does not raise its voice.

104- Only the eyes are still capable of crying out.

219- Suddenly you remember that you have a face. The features that shaped it were not all the features of grief, before.

(Hypnos' notebooks)

Mason:

83- Le poète, conservateur des infinis visages du vivant. (Feuillets d'Hypnos)

83- The poet, keeper of the infinite faces of the living. (Hypnos' notebooks)

Hayden:

J'étais dans une de ces forêts où le soleil n'a pas accès mais où, la nuit, les étoiles pénètrent pour d'implacables hostilités. (Les Loyaux Adversaires: Pénombre)

I was in one of those forests where the sun does not have access but where, at night, the stars enter for relentless hostilities. (The Loyal Adversaries: Darkness)

Scott:

Glas d'un monde trop aimé, j'entends les monstres qui piétinent sur une terre sans sourire. (Poéme Pulvérisé: Donnerbach Mühle)

La souffrance connaît peu de mots. [...] Songe à la maison parfaite que tu ne verras jamais monter. (J'habite une douleur)

Partout essaime le nouveau mal tolérant. (Pulvérin)

Death knell of a world too loved, I hear the monsters that trample on a land devoid of smile. (Pulverized Poem: Donnerbach Mühle)

Suffering knows few words. [...] Think of the perfect house that you will never see built. (I live in a pain)

The new tolerant evil swarms everywhere. (Pulverized)

Allison:

Rivière trop tôt partie, d'une traite, sans compagnon, Donne aux enfants de mon pays le visage de ta passion. [...] Rivière souvent punie, rivière à l'abandon. [...] Rivière au cœur jamais détruit dans ce monde fou de prison, garde-nous violent et ami des abeilles de l'horizon. (La Fontaine narrative: La Sorgue)

River gone too soon, in one go, without a companion, Give the children of my country the face of your passion. [...] River often punished, river abandoned. [...] River with a heart never destroyed in this crazy world of prison, keep us violent and friend of the bees of the horizon. (The narrative fountain: The Sorgue)

Derek:

Assez creusé, assez miné sa part prochaine. Le pire est dans chacun, en chasseur, dans son flanc. Vous qui n'êtes qu'une pelle que le temps soulève, retournez-vous sur ce que j'aime, qui sanglote à côté de moi, et fracassez-nous, je vous prie, que je meure une bonne fois. (Assez creusé)

Enough dug, enough mined the next part. The worse is in everyone, as a hunter, in their flank. You who are only a shovel lifted by time, turn around on what I love, who sobs beside me, and smash us, I beg you, that I die once and for all. (Enough dug)

Corey:

Dans les rues de la ville il y a mon amour. Peu importe où il va dans le temps divisé. Il n'est plus mon amour, chacun peut lui parler. Il ne se souvient plus; qui au juste l'aima? (Allégeance)

In the streets of the city there is my love. It doesn't matter where he goes in the split time. He is no longer my love, everyone can talk to him. He no longer remembers; who exactly loved him? (Allegiance)

All the quotes are from 'Fureur et Mystère' by René Char btw.

Cho is eviscerated for still grieving her boyfriend's death like 6 months later but it's been like 10+ years in cannon and snape apparently can't be expected to be over Lily's death enough not to bully children

And now, special thanks to: Keanu Reeves’ choice to deliver every single line in this movie in the exact same deadpan monotone thus making the line “….. loving husband” sound like he was addressing the two men in front of him, and of course, Donnie Yen’s choice to deliver the line “let’s go, John” in the exact same tone, rhythm, and inflection of the basketball jock in a 90s teen drama saying “let’s go babe” to a shaken yet besotted blonde as he casually puts an arm around her and turns to leave after beating up the school asshole at homecoming

i've heard some people saying that sterek is an older version of thiam. i do not agree (although everyone has their own opinion, and clearly, i have more affection for scisaac than sterek. BUT, for me, thiam is much more similar to scisaac).

i have a few parallels to point out to prove my point. so let's take a look at them, shall we?

isaac and theo are already similar characters. the two suffered abuse from their parental figures. the two lost their older siblings and were left without family, collecting a list of traumas.

liam and scott are different characters who deal with situations and trauma differently; but both are authoritarian figures (derek was too, but unlike scott and liam, he wasn't a good alpha. we can see that in the way he dealt with erica, boyd and isaac, when they were in his pack. liam is not an alpha, but as the series ends and the mccall pack leaves town, we see liam becoming the next authoritative figure. and liam's friends, his pack).

both isaac and theo follow scott and liam blindly throughout the seasons, once the two begin to trust them. resolving situations and working together (even if, in theo and liam's case, they pretend they don't care about each other).

scott tells stiles that isaac is his responsibility. liam tells scott that theo is his responsibility.

isaac gives up on leaving town to help scott once he realizes that derek isn't being a good alpha for him, boyd, and erica. theo is given a chance to leave town once liam and the sheriff free him so they can fight the ghost riders. theo could easily abandon liam after the ghost riders took the sheriff and walk away, but instead, he stays by liam's side and even sacrifices himself so liam can get away from the ghost riders and help scott.

theo and isaac were on the "wrong" side of the fight. but they had their moments of redemption and liam and scott grew to trust and care about them, always looking out for each other and making sure the other doesn't get hurt or involved in problems (even though liam and theo have trouble admitting these feelings).

maybe there are more things i missed, because my memory sucks; but here are some points that i always think about when analyzing these two couples (who are obviously in my top 3).

anyway, again, this is just my opinion and you guys are free to disagree if you want :)

Teen Wolf Gives Zero Shits About Isaac Lahey

There are probably about billion things wrong with Teen Wolf. But I think my least favorite Shitty Thing Teen Wolf Did™ is the way they reveal to you Isaac’s backstory. The way they’re so offhanded about the abuse he’s suffered. Let me talk you on a walk back to season two.

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