This Looks Pretty Good So Far!!! Keep Up The Good Work!!

This looks pretty good so far!!! Keep up the good work!! ❤️❤️❤️🌸

The Girl and her Parents

The story starts with a 13 year old smart and sweet girl named Elizabeth McLaren who loves to have fun especially with her parents, but lately the parents have been overly protective and strict lately, this had made Elizabeth so mad and confused that she had an argument with them after that she rushed into her room door locked shut as she started to cry for her home is now a prison and her room became her jail cell.

Elizabeth's world theme: Jailhouse based on her idea of her home being a prison.

Long ago I did the chapter art for my Balan Wonderworld Ocs on Balan Wonderworld Amino but I didn't drew one for Elizabeth... until now!

This took sorta long, I think, I'm happy it turned out great and I evan added the sparkly effect on the window light and the light glare on edge of Elizabeth and the dog next to her. I also did the blur on them and the parents silhouettes and the lighting

Her nickname is Prisoner 13 since she's 13 years old, wow and I ever put her as Chapter 13, anyway next to her is the costume that represents Elizabeth's imagination of her being in her home imprisonment, unfortunately I don't have other costumes for it neither the dog's name but the picture looks amazing, hope you guys enjoy this masterpiece and stay safe and kawaii!!!

Bye :3

Progress below

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source

This better happen! Oh snap I will scream dudes!!!

YEAHHHHHHHHHHHHHHH!!!

Minecraft movie post credit scene leak

Something that’s always annoyed me is that we literally never saw Emily actually do her job before she got fired. In episode one, they said her job was to create drama between the contestants and use the confessionals to do that, which she then.. never does??? I feel like it’s such a missed opportunity that they never really used her for this, especially when all the characters just jump to conclusions and create drama on their own which just makes them unlikeable most of the time. For example, she could’ve told Jake things about Tom and Aiden (even if that plotline sucked), made the Jake and Ally plot worse, Connor and Riya, Ellie with the villains alliance, etc.

Plus, I could be misremembering, but I’m pretty sure we never find out WHY she even helps Yul out in the earlier episodes. It sort of makes sense for his manager to contact her out of all the staff since she’s the newest, but why exactly does she decide to help?? How does it benefit her at all to do something that could (and did) get her fired for the sake of his reputation? Just because the manager would pay her?? It makes no sense to me.

I don’t think ONC had any idea what they were doing with her character for this entire season. Like, what the hell was the POINT of spending 5 episodes straight building up a friendship between her and Trevor that was clearly good for both of them, just to fuck it up for the sake of Trevek. And again, we have no idea what her plan to “ruin the show” even is. I’d assume that she intended for the scorpions to seriously injure or even kill one of the contestants so the staff would be in a lot of trouble, but. How did they NOT consider this as a possibility. They (or atleast Trevor and Derek) knew about the scorpions since season one, they’re in the same caves, and it was probably them who locked them in that cage in the first place. Plus, Trevor seemed to know exactly what Emily was gonna do and just didn’t.. try to warn anyone or say anything at all? Ok. Emily I’m so sorry for what they did to u queen, you deserve to be in a better show than this

every single character deserves to be in a better show, because i can truly get behind why characters like riya or even fucking YUL can be nuanced. TRULY, they do have potential, just not under ONC.

but EMILY??? they did her DIRTY. i don't get anyone saying it's in-character or out-of-character because guess what, her character is barely fucking established. it is SURREAL just how BAD her writing is. if you did a proper character analysis for her you couldn't say shit because there's so many contradicting things to say!! and this sucks!! because she could've been great!! but in ONC's eyes if a character is queer they're interesting enough who cares about actual development that makes sense!!!!! they're so progressive you guys!!! don't you want to watch disventure camp because they show up in those '_ rep in shows' slideshows from tiktok?!!?!?! don't you !?!?!??!?!?!?!!!

OMG THIS LOOKS SO COOL!!!

I'm working on a V3 X Alice Madness returns AU and I think Kokichi would make a Fantastic Mad hatter!!!

❕click for better quality❕

kokichi ouma as the mad hatter!! 🐰🎲

alice in wonderland au inspired by mootie @/applesap0 :3

I like this idea! 💡 Keep up the good work!!!

What if I made my Ghost Au but with Makoto dead an askblog. I think that would be fun.