How Is Writing A Simple Outline Harder And More Exhausting Than Writing A 60-page Script????? Save Me

How is writing a simple outline harder and more exhausting than writing a 60-page script????? Save me from my own brain

Happy STS! How do your personal experiences shape the themes in your writing, if at all?

That is a good question. They certainly do, and with some characters I notice it more than others. My themes tend to revolve around Death as in the tarot: transformation. Which I've had to done A LOT of in the last years. So, personal growth (or lack thereof), dealing with emotions, especially anger, have been a pretty recurring theme. I suppose what changes is how I handle the themes, not so much the themes themselves.

I hope that answers you, my brain isn't willing to brain much 😅 thanks for the question!

house in 2024

House installs 24/7 tracking apps on Wilson's phone. In return, Wilson books Ubers to take his phone and drive to various nefarious locations, sit there for half an hour, then come back home

Similarly, Wilson gets a smartwatch that monitors his heart rate. House gets updates sent to his phone and calls Wilson whenever his heart rate increases by more than 20 bpm to try and interrupt him jerking off

Kutner writes fanfic and replies to almost every comment he gets. His author's notes are full of things like "sorry this chapter is late, I accidentally gave myself a concussion trying to save a patient's life"

House posts on the Am I The Asshole subreddit but gets annoyed at everything thinking he's the asshole so he immediately deletes his account and pretends it never existed

Cuddy spends an hour of her day responding to the hospital's negative google reviews about "that rude doctor with the cane"

A young patient of Wilson's convinces him to be in a TikTok they're making, and he doesn't really know what that is but he agrees and ends up going semi-viral

Chase is secretly seething with jealousy over Wilson's accidental TikTok success, because Chase has been making thirst-trap videos in his scrubs for months with barely any views (it's because he's trying way too hard)

Thirteen gets really into Drag Race and the local drag scene and accidentally introduces House to gay slang, which he instantly adopts

LAST NIGHT IN SOHO (2021) dir. Edgar Wright

In this shot from “Asteroid City,” Wes Anderson's signature symmetry and meticulous framing create a poignant visual metaphor for the emotional distance between Augie, played by Jason Schwartzman, and Midge, played by Scarlett Johansson. Positioned in their separate windows, they are flanked by the vast desert landscape, an expanse of negative space that visually articulates the barrier between them. The emptiness between the two characters underscores their isolation as they long for connection while remaining emotionally walled off by past experiences. The casino billboard, a symbol of artificial hope in the middle of this barren environment, reinforces the unattainable, fleeting nature of the relationship. Through this distance and quiet tension, Anderson and cinematographer Robert Yeoman capture the melancholic essence of two people bound by proximity but divided by circumstance.

Carpenter News: Sabrina Loves To Be On Top 📰☕️💋

prints available! 💫