So This Is The Kind Of Thing I Have Mixed And Complicated Feelings About.

So… This is the kind of thing I have mixed and complicated feelings about.

I’m not going to say “that isn’t art” because my position is that art is in the eye of the beholder.

But I *will* say that this is something that hundreds and thousands of knitters and crocheters the world over do ALL THE TIME. It’s called frogging. It’s just efficient. You find something that’s not going to be used or worn, but where the yarn is still reasonably undamaged and you frog it. You store the yarn for a future project.

Like I said, I’m not going to claim this isn’t art, but what I don’t understand is why it gets acknowledged as art when two white men do it in a gallery-space, and not when hundreds and thousands of (mainly) women do it every single day in their own home.

If Lernert and Sander are unaware that this is common practice amongst yarn-based crafters then their research is piss-poor and they should do better. If they did know, and just chose not to acknowledge their indebtedness then they’re just appropriative assholes.

Yes, frogging finished items is a beautiful thing and it’s art, but it was art already when everyone in the yarn-based craft community did it. These two men doing it doesn’t magically make it art when it wasn’t before.

I feel this is the sort of thing that they should have written an ‘academic’ (whatever that means) article about, acknowledging the actual community engaged in this practice and then discussing what makes it such a beautiful phenomenon, rather than just plagiarising a community’s common practice and getting praised for it because ‘omg, men working with a material stupidly designated by society as being for women, HOW AMAZING.’

I also have issues with this relating to necessity/thrift/class/wealth, but I cannot brain well enough to articulate those right now. But there’s definitely something insidious about taking a practice based on reusing and saving money and ‘making do’ and importing it into the corpulent, lucre-obsessed art world. And the act of importing it devalues the concept/practice in the same way private collectors devalue the work when they rip a Banksy piece of a wall and store it in their private galleries.

More geometric play. The symmetry isn't perfect, but given the amount of tension points, I'm happy with it. The stitches used here are all really basic - twisted satin, buttonhole, vandyke, lazy daisy, whipped wheel. The complexity comes from how they interact with and tension each other (e.g the vandyke stitch will loop around the cross junction of two button hole stitches, and pull them into a new positions (and then you have to try and get exactly the same tension another 9 times). I don't know if there's an official name for this type of embroidery. I have a lot of stitch dictionaries and collections, and I've never seen anything like this in any of my books. If no one else knows of a pre-existing name for it, I'mma have to invent one. Maybe... Arachne work.

Stitch play. Originally I was just intending to try out the thread itself, to see what stitches the variegation would work well with, and then I just ended up playing with stitch ideas I'd had in my head for a while. Unfortunately, this thread wasn't really the best for some of the chain stitch variations, so I'll probably do those again on another sampler.

Bristol-based art-academia-community group MakingLearning are producing a series of patchwork poems - each patch contains a word, and is made by a different person. I just did the piecing and the quilting. MakingLearning may be Bristol (uk) based, but for the patchwork poem project we've received patches from lots of different places - not just other places in the UK, but also from other countries in Europe, and other continents. So if you think this is something you'd like to participate in, please don't think distance is a barrier! Get in touch, and we'll post a patch out to you. MakingLearning has a Facebook page, which you should totally check out: https://m.facebook.com/makinglearning

This one will scan (in person) using QRdroid for android phones, but none of the free iPhone apps I had (Qrafter, Scan and QRreader) can read it. This one (R) is done in a composite stitch - French knots pinned in place by split cross stitch (the two strands of each arm of the cross stitch fall either side of the French knot). I couldn't find this stitch in any of my stitch dictionaries, but I'm sure someone must have thought of it before. For now I'm calling it French Cross Stitch, but if anyone knows another name for it, I'd love to know.

Day 72. I took a few days off because I need to buy more thread and needles, an because of our minor heat wave. I do not function well in heat.