THEY ONLY WANT YOU WHEN YOU'RE SEVENTEEN

THEY ONLY WANT YOU WHEN YOU'RE SEVENTEEN

one thing that's great about the song of ice and fire books is the way nobody ever knows what the fuck is going on. like somebody in a bar will be like "long live good king renly!" and somebody else will be like "oh he died. like a month ago. yeah lady catelyn stark stabbed him" and somebody else will be like "actually I heard he was stabbed by a shadow his brother fathered on a priestess" and a fourth person will be like "wait didn't renly literally just win the battle of king's landing last week" and then they're all like "well, whatever. long live good king whoever it is now. next round's on me"

I personally don’t mind the reveal that Aegon the Conqueror was motivated by dragon dreams about tptwp/war for the dawn; I actually like it quite a lot. Mostly because I like how Aegon’s legacy basically becomes: the unification of the realm and its peoples (a wholly positive thing) AND the iron throne (which has become a symbol of war and destruction). Aegon brought the realm together, but he also created that stupid pointy chair. The irony is that this chair, made of swords from all over the realm thus being a representation of all the different peoples in Aegon’s new kingdom, is meant to be the symbol of peace and unity. But in the current story, it’s become the driving force of disunity. And now hundreds of years later, now that the real threat that Aegon dreamed of has actually arrived, the realm is much too focused on who gets to sit on the silly chair more than anything else. Which imo would fall in quite nicely with GRRM’s deconstruction of prophecy, how people interpret it, and the ripple effects from those actions.

I like her