Arabian Nights - Tumblr Posts
The Djinn
I fancy Djinns being haughty, mischievious small women with ash-colored skin and huge smoky hair.
Fine Art Print of this artwork is available here.
I was just coloring Macaque with my music on and Arabian Nights started playing. Tell me why that fit him so well.
Movie number 60: DuckTales the Movie: Treasure of the Lost Lamp (Bob Hathcock, 1990).
Inspired by Carl Barks’ Uncle Scrooge and Donald Duck comics from the 1940s to 1960s, Disney’s DuckTales was a weekday animation series that premiered on US TV in 1987. The show proved a massive hit with audiences and critics, running 4 seasons and 100 episodes and spawned the 1990 theatrical feature film DuckTales the Movie: Treasure of the Lost Lamp.
The long form adventure stories of Barks formed the basis of many DuckTales episodes and would seem ideally suited to feature length adaptation. However for DuckTales the Movie an original story was created that drew upon both Barks and the stories of the Arabian Nights.
While treasure hunting in the Middle East, Scrooge McDuck and his nephews, accompanied by pilot Launchpad, housemaid’s grandaughter Webby and dubious guide Dijon stumble across a lost, sand covered pyramid in the Egyptian desert, resting place of the fabled Lost Treasure of Collie Baba. Among the riches is a seemingly worthless lamp which Scrooge discards but is rescued by Webby. Dijon, meanwhile, is in the employ of evil sorcerer Merlock who steals the treasure, minus the lamp and sends Scrooge home empty handed. On arriving home in Duckburg, Webby and the nephews discover the lamp contains a magical genie and before long Merlock and Dijon are back to secure the lamp for the sorcerer who wishes to use it for his evil doings.
The Barks-esq opening scenes of DuckTales are easily the movie’s best. The story lags somewhat in the Duckburg bound middle act but is back on form for an exciting climax drawn from the Arabian Nights and similar in execution to Disney’s own contemporarily produced adaptation of Aladdin (Ron Clements and John Musker, 1992).
The animation, while perhaps a step down from the classic Disney features is a notch up from the TV series and the voice work, particularly Alan Young as Scrooge and Christopher Lloyd as Merlock is excellent.
Underperforming slightly at the box office, there was to be no feature length sequel. The DuckTales franchise continued for a number of years, fittingly, in comic book form and was successfully rebooted for TV in 2017.
While DuckTales the Movie is not quite the adventure that Carl Barks aficionados may have hoped for, it is still an exciting, well executed fun movie. Treasure of the Lost Lamp is, indeed, a gem.
ALADDIN (Dir: Guy Ritchie, 2019).
Disney raids its back catalogue once again for their latest remake of an animated classic. Released in 1992, Aladdin (Ron Clements and John Musker) is one of the Disney Studios most critically acclaimed and commercially successful movies. With an excellent musical score, groundbreaking animation and a magnificent performance by Robin Williams as The Genie, it is also a difficult act to follow, not least for Will Smith stepping into the winklepickers of Williams.
This version of the Arabian Nights story of the boy who finds a magic lamp and the genie within who will grant him three wishes sticks close to Disney’s previous telling, although adding a further 40 minutes to its runtime. Surprisingly these extra minutes do not feel superfluous. Jasmine and Jafar both gain a little deeper character development and the Genie gets a love interest. Alan Menken, Howard Ashman and Tim Rice’s song score remains mostly intact with the addition of a new number, ‘Speechless’, co-written by Menken with songwriting duo Pasek and Paul.
Brit Guy Richie seemed an unlikely choice of director but acquits himself admirably with his first family friendly musical fantasy. As do the cast; Mena Massoud as Aladdin and Naomi Scott as Jasmine make attractive leads and Smith is reassuringly great as Genie. Thankfully, Disney cast actors who can also sing and the soundtrack is mercifully free of the auto-tuning that has plagued previous features.
What Aladdin lacks in originality it makes up for in spectacle. This is a very good looking movie with lavish song and dance numbers, exciting action sequences and top line special effects. Does it supplant the beloved animated version? Of course not. But it does hold up as a visually stunning, tuneful, wholly entertaining 130 minutes. While perhaps not as essential as its animated predecessor it is still a lot of fun and well worth a watch.
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The Flute And The Lamp - by ME