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Head canon: Ray Stantz is autistic.
No, I'm not saying this because Dan Aykroyd is autistic, I have more to go on than that.
In both the films and comics, Ray is shown to be an easily excited individual, with fixations on things most people wouldn't find interesting, Ray also doesn't really understand social cues, or that most people don't understand the significance of his interests. The strongest piece of evidence for all four of these is the mass sponge migration that came to be in the IDW comics; Ray often times will go on about it or bring it up even when the situation doesn't require the story, and he doesn't get that most of the people he tells will not find such an event all that interesting.
Ray can be easily excited or distracted from more important subjects, such as when he, Egon, and Peter were looking at the firehouse; Ray is ecstatic about the firepole while Egon and Peter are looking at the structural integrity of the building, wanting to buy the building simply for the pole.
One of Ray's hyper fixations is, obviously, ghosts, wanting to know as much about them as possible, even opening a book store specifically for the occult so that he can easily reach whatever information he needs at the moment. And, as the Ghostbusters: Afterlife trailer suggests, he still has the store, showing his fixation is stronger than a thirty year ghost drought.
Sometimes Ray can even infodump on subjects that people wouldn't normally understand, using terminology people don't understand, usually when informing random people on the class, history, and importance of a ghost he is currenting hunting.
And it would make sense that Ray, being portrayed by Aykroyd, would be autistic; Aykroyd co-wrote the films, so he would obviously write a character he could easily portray to a believable extent. Similar to Aykroyd's portrayal of Elwood Blues in Blues Brothers, a movie Aykroyd also co-wrote; Elwood has a hyper fixation on getting the band back together, even a fixation on keeping the car in the beginning of the film; he has an odd love of toast, and a manner of speaking that isn't extremely easy for most people to understand, but it's not hard either.
I think Aykroyd just likes to play characters that are more like him.
Ghostbusters: Afterlife review (minor spoilers)
My birthday is on Valentine's Day, and, as I do every year, I began pointing out some things my parents could get me, and being an avid Ghostbusters fanboy, I asked for the newly released Ghostbusters: Afterlife. A few days ago, as an early birthday present, my parents got it due to the whole family wanting to see it.
After watching it for the first time on Saturday, I'm super hyped still, and I want to talk about it, so review time.
Ghostbusters: Afterlife follows the estranged family of Egon Spengler, mainly his grandchildren Phoebe and Trevor, played by McKenna Grace and Finn Wolfhard respectively, as they try to solve the mysterious happenings around the small town they find themselves living in after Egon died suddenly. With the help of Podcast, Phoebe's mystery obsessed summer school classmate, and Lucky, Trevor's diner coworker and friend, they must save the world from the coming of Gozer with some of Egon's reworked Ghostbusting gadgets.
The characters are well written and interesting: Phoebe is an autistic mechanical engineer who does not connect with her mother easily and is awkward around everyone, Trevor is your typical angsty teenager who has some knowledge in car mechanics and is awkward around girls, Podcast is an oddball who has a podcast about the mysteries of the world and the occasional restaurant review, and Lucky is your carefree small-town teenager who helps the Spenglers retrieve their ghost gear from the police station. Phoebe and Trevor's mother, Callie, is your typical burnt-out single mother, tired of Phoebe's constant tampering with electronics in the house and Trevor's don't care attitude, and reluctantly moves the whole family into her father's old farmhouse when money becomes tight. Mr. Grooberson, Phoebe's summer school teacher, is a goofy/easily excited seismologist and Ghostbusters mega fan who helped her figure out just what was going on with her grandfather and his disappearance.
The soundtrack of the film is magical; all they do is keep the original soundtrack but update it a bit more for the most exciting parts, which is a fantastic way to go about this, it keeps the tone of the original film, but with a couple modern twists that don't ruin the original.
The effects are wonderfully done, a combination of practical and CG works fantastically for the Ghostbuster's universe, the effects of the traps and packs are a perfect update of the original and the sound design is spot on. The voices of the Terror dogs and Gozer are a bit off compared to the original but doesn't take away from the scenes. Gozer itself is actually pretty amazing; CGI gives Gozer a creepier look with updated spikes and fibrous body, along with an updated look to its face. The Terror dogs are also more updated, being a combination of CGI and physical, practical effects, looking just about identical to the originals.
The gear is amazing, the Proton Packs look fantastic, and I'm assuming they took a few details from the experimental pack from the video game as we get a closeup of the upgraded pack when Phoebe is testing it. The traps are accurately built even if they look weathered and well used, and the old Ecto-goggles are really well made, though the camera built into it is new to me, so either it was never used in any media or Egon made it to archive his progress without an actual camera getting in the way. The Ecto-1 is a beautiful car, and the weathered broken look is made all the better knowing it was the original Ecto-1A from Ghostbusters 2 that was just sitting in storage for the last thirty years, so the damage isn't faked. The Ecto's gear has a cool design, looking like a combination of experimental tech and eighties future, and the remote-controlled trap is actually a really good idea, especially since we know from the game that air bound ghosts are a thing. Combined with the gunner's seat, a feature that I don't think I've seen since the cartoon, is an interesting tool for the Ecto, and is actually really cool; rather than chase a ghost for who knows how long until it stops, the Ghostbusters can try and trap the ghost on the road.
The set design is well thought through as well; Egons house really shows that it was owned by a guy who cared more about his work than keeping his house in good condition, the paint is peeling off, the barn is in the midst of collapsing, and the bedrooms are weathered and yellow from age. The lab has amazing attention to detail, with Egons diplomas, his designs, old computers, and even his mold and spore collection scattered about the area; Egons penchant for snack foods is shown as well, with an old Crunch wrapper in the pocket of Egon's jumpsuit and a Twinkie in the glove box of the Ecto-1 that has most likely been there for the last thirty years.
The action is well done, the first hunt of the movie kept me on the edge of my seat, beautifully combining a ghost hunt and a car chase that goes through the town, utilizing the gunner's seat and the remote trap. The final battle is also extremely well done, with another short car chase and an interesting battle with Gozer.
The actors are also well cast; McKenna Grace plays the awkward autistic really well, and believably portrays an engineering prodigy. Finn Wolfhard is a great actor and has great chemistry with Grace, making the portrayal of the sibling duo very believable. Logan Kim plays Podcast wonderfully, bringing a young boy in wonder of the world's oddities to the unlikely crew. And as always, Paul Rudd is amazing in just about anything.
Knowing Jason Reitman, the son of original Ghostbusters director Ivan Reitman, co-wrote and directed this film makes the love letter to the franchise all the sweeter; yes, there is a lot of fanservice to the film, but that makes it better since it is a legacy film, it needs to reference the two that came before it, so the new characters understand what happened before and why it's important.
One bit that nearly made me cry was at the end; the camera pans up to the starry sky as "For Harold" fades into view. Harold Ramis wanted to produce a third Ghostbusters film for years, but neither the actors nor the producers ever wanted to get on board; but, in 2005, Ramis and Dan Aykroyd co-wrote the famous Ghostbusters video game that so many consider to be the honorary third film. Knowing that Ghostbusters: Afterlife wasn't written in memory of Harold Ramis, but for him, so that the franchise could have the proper conclusion that he wanted for it, makes this film all the better.
The film isn't perfect; there are many things that could be written better, or the effects could be a bit more polished, there are even a few parts that could have been explored more. But as the ending to a forty-year franchise, it does it well. And, while I know the story has been told, the big bad defeated, and Egon's life lived well, I can't help but wonder if Rietman is going to make another because of the fans, or if he'll leave it be as the proper ending to a franchise that started as a joke concept.
Ray Stantz
I'm doing a Ghostbusters picture set!
He’s really good at the blowjob face
Other people: this is your man?
Me: that’s mine :)
Other people: look at the screen.
30.01.24
#Mira-Marathon | Ghostbusters
Film Name: Ghostbusters (1984); Production Studios: Columbia Pictures, Delphi Films, Black Rhino Production; Director by: Ivan Reitman; Screenwriter: Dan Aykroyd, Harold Ramis, Rick Moranis; Starring: Bill Murray, Dan Aykroyd, Harold Ramis, Sigourney Weaver, Rick Moranis; Genres: Science Fiction, Fantasy, Action, Comedy; Running Time: 1 hour 45 minutes;
"Ghostbusters" (1984) is a cult horror comedy, with a paranormal team and incredible moments, including a meeting with Slimer and a fight with the Marshmallow Man. Impressive characters, revolutionary effects, the perfect combination of humor and fear.
My rating:
⭐⭐⭐⭐⭐
01.02.24
#Mira-Marathon | Ghostbusters
Film Name: Ghostbusters II (1989); Production Studios: Columbia Pictures; Director by: Ivan Reitman; Starring: Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis; Genres: Science Fiction, Action, Comedy, Fantasy; Running Time: 1 hour 48 minutes;
"Ghostbusters II" (1989) is a cool sequel with familiar characters and humor. The iconic Ghostbusters team is back in the fight against the threat, revealing new exciting moments. Special effects, character chemistry and funny moments keep the film at a high level.
My rating:
⭐⭐⭐
love that goon
TWO TINY TORTOISES: AN UNDYING CONVERSATION
Part 4
"How could Danny Glover do such a thing?! I guess fame gets to your head. Look, Danny Glover didn’t mean to cheat on Tortoise Girl. He was drunk. But then again, Tortoise Boy is the virtuous hero in this situation. Who’s side are you on tumblerers?
side note: When we first made the Danny Glover episodes, Peter thought his name was Dan Aykroyd. So we decided to have him go out with Tortoise girl too. See how complicated these comics can get? :O"
*note the VeyBros. are currently volunteering on some damn fruit farm in Portugal. The posts from 7/1-7-17 will all be automatic. Until we meet again.
-Veybros.
Real, and I'm tired of pretending that he's not attractive
Respectfully *clears throat*….
WOOF WOOF BARK BARK AWOOGA
Thank you for listening.
Tráiler de 'Ghostbusters: Frozen Empire': Paul Rudd vuelve a luchar contra los Fantasmas...
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I want to say one thing about Ghostbusters: Afterlife, and the whole Ghostbusters franchise: it was made for the autistic community by an autistic person, aka Dan Aykroyd and it shows. It comes across so beautifully in writing and on screen.
Let me explain: the movie came about as a direct result of Dan Aykroyd's hyperfixation and special interest in the paranormal, he's said so himself many times. Aykroyd wrote Ray Stantz as he would embody himself on screen. He's said that. Ray is an extension of himself. Therefore, and naturally, Ray is autistic.
Unlike other depictions of autistic people in media, Ray comes across as likeable and honest. He reads well as a character without diminishing his autistic traits; he's witty, bubbly and excitable about his hyperfixation in parapsychology.
Ray is slightly clumsy, optimistic and slightly dim sometimes. He's the autistic person that is never depicted in media. He doesn't show the stereotypical traits but he is so evidently still autistic. He lacks eye contact and is quite stiff in his motor movements, and his voice is often monotone. But he expresses his excitement through his movements and facial expressions all the same.
And Egon, by extension of that, is a character that a lot of people on the Autism Spectrum relate to - myself heavily included. He portrays a lot of autistic traits but he, also, doesn't come across as unlikeable. He's grounded, well-versed, understands emotions and is shown to be empathetic - even when he doesn't overly understand social cues (for example, when he's comforting Janine in the first movie).
Egon is shown to have a strong connection and relationship with his colleagues and friends, he's witty and uses playful humour in social situations. He understands sarcasm and he's reserved in his use of it. He's adverse to physical touch but he does use it when needed. He's exactly the same as I am. And that's why I hold him so close to my heart.
The connection between Ray and Egon was always really special; they bounced off of one another and finished one another's thoughts. They were able to communicate with each other in good flow always appeared to be on the same wavelength. This is common in a lot of neurodivergent people; we are able to connect in a way that we can't with neurotypicals.
What Afterlife did was give us a fresh outlook on autism through Phoebe. Though it is not stated she is autistic, it is evident that she may be on the spectrum. Phoebe's mum describes her as suffering from "bad co-ordination", and is constantly trying to help her open up and converse with people, which her brother says is "bad advice". This sort of comment is something that auties have heard our entire lives. Seeing Phoebe on screen felt like looking into a mirror into my life and it was so, so important.
Phoebe is shown to be a fantastic scientist, which is depicted as her special interest, and is shown to struggle in other subjects and with other issues. She is shown to be well-versed and straight-forward, just like her Grandfather. Phoebe says that she "exhibits emotions differently" to other people but feels them all the same - which is a common misunderstanding with autistic people.
I think what is also incredible about Afterlife is that everyone is aware of Phoebe's struggles, but she's labeled as a "gifted, intelligent kid" by Paul Rudd's character - even after her mum just listed all the things she struggles with. That's because even now - in 2021 - a female exhibiting all of these traits is unlikely to be diagnosed until later in life. Because autistic traits in women aren't shown to be an issue to people because we know how to mask. Phoebe is still developing into a young person, and her mum dismisses these issues she has because she is intelligent. That's a real issue.
Egon, on the other hand, as a person with the exact same traits, was labeled as a weirdo and outcast. That's a whole other issue.
And it was all so well-written. I love this franchise so much.
Overall, Ghostbusters is the perfect autism representation and I will NEVER shut up about it.
All three of these characters are so well loved, even by neurotypical people, and it's because they're a very raw and very real depiction of an autistic person written by an autistic person. Autism was less understood in the 1980's, so it's no surprise that it wasn't explicitly stated, but I think that adds to the magic. I think it's wonderful that autistic people like me are able to connect with these characters in a way that allistic people never could. That's what makes Ghostbusters such a beautiful franchise for people on the Spectrum.
And we owe it all to Dan Aykroyd and his hyperfixation all those years ago.
Egon getting called out for sleeping with the slime - requested by anonymous
Bonus reaction gif:
Egon Spengler is a precious baby angel (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧
“I think we better split up.” “Good idea.” “Yeah, we can do more damage that way.”
— GHOSTBUSTERS (1984) dir. Ivan Reitman
GHOSTBUSTERS (1984), Ivan Reitman