Mischaracterization - Tumblr Posts
What is the biggest disappointment in fanfic?
>:(
I know I don't rant on here too much, or talk on here, really, but I have to scream about this. I was scrolling through my recommended articles just now, and this popped up.
Now, while I do not pray to Ares nor do I particularly enjoy his mythology, I know that as a legitimate deity, he is truly a wonderful deity. He is a protector of women, he is a defender of rape, domestic violence, and war victims, and so much others. He has so many myths in which he helps people, and honestly, he and Aphrodite are pretty strong, too.
He, much like Hades or Thanatos, does not deserve to be vilified because of fictional media! I enjoy participating in fandom as much as anyone, and I'm a very big fan of Percy Jackson, but Ares is not a villain, and for this article to come not from a fandom site, but an at least semi academic site, is very upsetting.
I just had to get that out of my system, sorry
Can we please stop mischaracterizing Floyd and Jade as rapists? I've been seeing it everywhere recently of people saying, "The Tweels would grope you or rape you"
WTF?? ARE WE TALKING ABOUT THE SAME TWEELS??? THE SILLY GOOFY GOOBERS? THE FLOYD WHO LICKED HIS OWN SWEAT AND THE FUNGUS LOVING JADE??? THOSE TWEELS??? Is the groping in the room with us? These are 17 year old boys, CHILDREN. Please stop mischaracterizing physically affectionate characters as perverts please. Are floyd and Jade gropists? ABSOLUTELY FUCKING NOT?? Are they rapists?? NO!! Would they ever touch Fem Yuu or Yuu in general inappropriately. NOOOOOO. Do I think they'd be perverts? No. They may stare at something or be attracted to certain physical attributes, but that's because THEY ARE TEENAGE BOYS, ITS NORMAL.
I really need to just get something off my chest here guys, I been seeing a lot of posts about how much some people hate "mischaracterisation" and how some authors are "projecting" onto certain characters, and I feel like I needed to say something
First off, if you don't like something, don't read it? No one is forcing you to read it, and if it really bothers you that much, just block the person, they would probably prefer that your toxic ass is not on their page.
Second off, most people are writing for their own joy and happiness, if they have a headcannon for a character that you don't like, doesn't matter, if they're projecting onto a character, doesn't matter. Because it's their work, and their most likely doing it for themselves.
If you think something is out of character go write your own stories with what you think is "in character" because guess what? It's your opinion, and everyone has different opinions and different headconnons, maybe the headconnon that you deemed with your almighty power was "out of character" they think is the holy grail of this character
In conclusion, and I say this with the utmost respect, nobody cares what you think, get over yourself
This is one of the best atla critical posts I've seen and I'm glad I'm not the only who realised how Book 3 had many mischaracterizations and poor writing issues, That's why I adore Book 1 because it's the main establishment of the characters and Aang is such an intriguing and loveable character that totally got screwed up like other characters in Book 3, and unfortunately many fans can't realise the poor writing and mischaraterization and tend to think that Aang is actually "toxic" but the writers and bryke are the one to blame not the characters
How Bryke & Kataang Ruined Aang’s Character in Book 3
It was impossible for me not to notice the massive difference in characterization between Books 1 / 2 and Book 3. I ALWAYS wondered why the writing quality plummeted in Book 3, and I know I wasn’t the only one, judging by the forum reactions at the time. It was so obvious that something felt off, even long before I had any knowledge of the writers’ disagreements about shipping that plagued Book 3 behind the scenes. So hearing about the shipping conflict and cancellation of Book 4 made perfect sense and explained a lot.
It would seem that after Book 4 was scrapped for that shitty movie, the decision was made to pair Aang and Katara (even though there’s proof this was NOT the original plan), and the characters’ personalities got badly warped to accommodate this last minute decision. Yeah…it’s probably not a good idea to change such important elements in the story so late. It had a severely negative impact on the story and characters as a result. It left gaping plot holes, and the characters frequently said and did things completely out of character. When Bryke said Kataang “felt a little forced,” I think that might have been a bit of an understatement…
I’m not gonna pull any punches here, so prepare for very harsh and intense criticism. I’m gonna explore how Kataang and the writers who pushed it (Bryke and John O’Bryan) ruined Aang’s character; morphing him from a terrific character, into a much more horrible one. I plan on covering Katara next, but let’s focus on Aang:
In Books 1 and 2, Aang was portrayed very consistently. He displayed a wide range of emotions, had depth, flaws, and was more or less portrayed very realistically for a playful 12 year old monk with the weight of the world on his shoulders. You gradually learned more about him as the story progressed. His strengths are best shown when he helps build a zoo for the animals in Ba Sing Se. His optimism, sensitivity and sincerity are on full display and he is shown to be a very likable character.
He worries about the effect the war is having on the world and has nightmares about being unable to control his Avatar powers and unintentionally hurting people (even Zuko, his enemy!). He shows remarkable compassion and a true respect for his responsibility to try and stop the war and prevent anymore death and destruction. And he tries to do something about it when he agrees to General Fong’s plan. He shows he takes his position as Avatar seriously and is aware of the effect the war has on people.
We also see him have to work to overcome some of his difficulties in order to get stronger. His more passive, avoidant nature is challenged by Toph as she teaches him Earthbending. He actually has to work to achieve things, showing he isn’t perfect.
His weakness is best shown when Appa is taken, and Aang shows his grief, anger, and vulnerability. He is shown to be a flawed human, and not superior the rest of his companions. He even violates his “no killing” philosophy by killing the buzzard wasps. He is compassionate, but not overly idealized. He is a complex, multi-dimensional character.
He has strong feelings for Katara, but he obviously values their friendship. She may not share his romantic feelings, but he cares for her and respects her as a person. He doesn’t force himself on her. Now let’s look at Book 3…
The Awakening (Writer- Aaron Ehasz) Book 3 starts off well. Aang has emotional depth in this episode. He struggles with his failure to master the Avatar State and defeat Azula, is troubled by the guru’s warning about his attachment to Katara and his sealed 7th chakra, and runs away under the pressure. He is shown to be human and greatly affected by what happened to him in Ba Sing Se, both physically and mentally.
He then eventually has to overcome his pride and conceal his Air Nomad identity. He is portrayed as a complex human character with emotional depth who struggles with both his responsibility to the world and the emotional toll it takes on him personally.
The Headband (Writer- John O’Bryan) This all changes by the very next episode however. All of his inner conflicts seem to disappear and we get a disgustingly cutesy, saccharine episode devoted to him teaching kids how to dance and wooing Katara. All of his concern about the guru’s advice is forgotten permanently from now on, creating a giant plot hole later. Apparently the Nick execs pushed for Kataang in order to not “make 6 year olds cry” and I have no trouble believing that in the slightest, considering how unusually childish many episodes in Book 3 were, compared to Books 1 or 2, which had far, far more sophistication.
This episode marks the start of Aang’s more juvenile, 2-dimensional portrayal from now on in the series; he becomes a far more simplistic, airheaded character that constantly gets pushed on the viewer as 100% morally pure. He morphs from a flawed, multi-dimensional humanized character into what I can only describe as a Gary Stu-ish character who the viewer often cannot take seriously. An author’s pet, basically. Sadly, this episode could have actually developed Aang’s character, since it was originally going to be about Aang and Kuzon’s backstory. We get an early glimpse at how Kataang interferes with fleshing out Aang’s character.
The Avatar and the Firelord (Writer- Elizabeth Welch Ehasz) Aang fares well in this episode, though. His old personality seems to be retained and we see him learn about the history of the war and the ill-fated friendship of Roku and Sozin. Outside of Roku’s awful dating advice (and probably the fart joke…), it is a pretty good episode for Aang. He even learns a little about his parents and Monk Gyatso.
Nightmares and Daydreams (Writer- John O’Bryan) Then we get a Kataang episode. I was disappointed at the childish way that most of Aang’s nightmares were portrayed in this episode. It was hard to take his fears seriously when he’s having dreams about flying pigs, Appa and Momo talking, losing his pants and…failing a math test? Um…ok? Clearly, there was a concerted effort in Book 3 to appeal more to the very young demographic of the fans. It’s too bad, because previous seasons were able to appeal to children just fine without alienating the older fans (who buy more merchandise). The humor is just very cringeworthy compared to Book 2 and Aang comes across more like 8 years old instead of 12 or 13.
The same goes for his dynamic with Katara. She is trying to calm his nerves, and instead of the focus being on the upcoming invasion, we see him obsessively dreaming about her, then almost unable to control himself around her. It’s definitely not a very flattering portrayal of Aang. He never displayed such…creepiness in Book 2. It’s weird how Aang acts MORE immature in the episodes that they want to push him as a love interest. We see here how Kataang interferes with the seriousness of the plot.
The Day of Black Sun, Part 2:The Eclipse (Writer- Aaron Ehasz) Yet later, after the invasion fails, he is back to being a complex character. He displayed a lot of courage and determination at taking on the Firelord even against the odds, and we see how emotionally distraught he is when he fails. He shows that he takes his duty seriously and really wants to end the war.
It doesn’t last long, though. In The Western Air Temple, he’s back to running away and goofing around yet again, ignoring all his problems, and making Katara have to baby him.
The Southern Raiders (Writer- Elizabeth Welch Ehasz) The Southern Raiders exemplifies the conflicting ways Aang is portrayed in Book 3. Bryke altered the script from its original version, so on the one hand we have “Guru Goody-Goody” Aang. Lacking in any subtlety or complexity and his dialogue existing only to preach to the audience on how “good” Aang’s position is in comparison to Zuko, who the audience is supposed to see as “bad.” Bryke’s DVD commentary uses Aang’s moral “goodness” as a reason why he is a better match for Katara. We see here how Kataang distorts Aang into being a self-righteous jerk.
Which he NEVER was before. He was never, ever this condescending or preachy in Book 1 or 2. Not even to Jet. Someone who Katara liked, and who attacked him previously and tried to get him to help wipe out innocent people. Yet, he never lectured him and even seemed willing to try to understand and help him.
It really is insulting, not only to the characters, but to the fans. Avatar was such an incredible show, because it didn’t tell you what to think. It presented complex subject matter with respect and nuance and let the characters be realistically human. You really could empathize with all of them, even when they made bad choices. They were not mouthpieces for obnoxious, trite, kindergarten-level “moral lessons.” Or spoonfed shipping.
And yet, at other points in the episode, you can clearly see the complexity that Elizabeth Ehasz intended to portray. Aang’s position is not, in fact, so simple. We see that although he may have been right that exacting vengeance on Yon Rha was not necessary for Katara’s emotional well-being, Zuko’s approach to support her no matter what, even if it meant killing a man, was actually very helpful to her. He accepted her flawed, darker side, in a way that Aang could not. They both had valid points, and neither one is necessarily good or bad. There was no need in this episode to demonize one character or position, or force a viewpoint on the audience.
Later on, Aang is even challenged on his philosophy and is forced to confront the moral dilemma of his pacifism. Zuko is absolutely right, and Aang’s distaste for killing needs to be challenged if he wants to protect the world against Ozai. Aang may have good intentions, but in reality, that is not always enough. The ending handles Aang’s moral dilemma with the seriousness that it deserves, and you can empathize with both his and Zuko’s feelings regarding Ozai’s fate.
The Ember Island Players (Writer- John O’Bryan) Yet in the very next episode, Aang is back to being ridiculously childish. He reacts in a very jealous and possessive manner, just because of some dialogue in the play. The story never asks us to view Toph’s crush on Sokka in the manner it does with Aang’s crush. Aang gets special narrative treatment that no one else gets.
And the sad thing is, he never acted that immature when Katara had a crush on Jet. In fact, he took it in stride, and thought Jet was cool. He even wore the hat Katara made for Jet. Even when Jet returned later, Aang didn’t act that jealous. Sokka made a joke about Katara kissing Jet, and while Aang didn’t like that, he did NOT act like this. So, we see how Kataang distorts Aang into a possessive, entitled brat, which he never was before.
In Book 3, he behaves in an immature, entitled fashion, and the story not only never calls him out on this, but it ultimately rewards him for his lack of consideration at the end. Aang is twisted into an unrecognizable character yet again.
Sozin’s Comet, Part 1: The Phoenix King (Writer- Michael Dante DiMartino) Oh look, it’s Guru Goody-Goody again! This episode may be the most egregious example of Aang’s moral dilemma being trivialized. Aang is presented as ridiculously naive and silly. He states, with apparent seriousness, that he may be able to get Ozai to come around by showing him his baby picture. Are you kidding me? I guess Aang is now 4 years old? He did NOT demonstrate this type of naivete or stupidity when he agreed to let General Fong help him master the Avatar State. Here we see how Bryke’s writing of Aang distorts him into a complete and utter dimwit.
Even worse is that, the way the episode is written, it makes Aang out to be the reasonable one, while his friends are made out to be big meanies who just can’t understand Aang’s poor, delicate feelings. Aang’s self-centeredness is made into a virtue, and apparently we are supposed to be impressed with his “morality.” It really is ridiculous, and Avatar was always much, much better than this. It may have been a Nickelodeon cartoon, but it was sad to see it come to this, given its previous mature writing.
Sozin’s Comet, Part 2: The Old Masters (Writer- Aaron Ehasz) Yet, in the next episode, an attempt is made to make Aang more authentic and relatable. His past lives tell him that he needs to put the world’s needs above his own feelings. He seems to take this seriously, and for the first time, emotionally and mentally prepares himself for the very real possibility that he may have to take a life for the good of the world. He may not like it, but he doesn’t want to let the world down again, like he did 100 years ago, or in Ba Sing Se. He expresses maturity and emotional depth that you can empathize with, unlike in the last episode.
The Lion Turtle then touches his Heart Chakra and Third Eye Chakra, representing compassion and psychic ability, respectively. This foreshadows his eventual ability to take away Ozai’s bending. Unfortunately, instead of earning it through sacrifice and selflessness and unlocking his Crown Chakra, thus mastering the Avatar State on his own, the Lion Turtle’s gift turns out to be a Deus Ex Machina, due to the way the next 2 episodes are written.
Sozin’s Comet, Part 3: Into The Inferno (Writers- Michael Dante DiMartino, Bryan Konietzko) In this episode, Aang cowers, and avoids his problem. He is unwilling to make a tough choice. It wouldn’t have been so bad if it weren’t for the way his dilemma is “resolved” in the next episode.
Sozin’s Comet, Part 4: Avatar Aang (Writers- Michael Dante DiMartino, Bryan Konietzko) Thankfully, he is bailed out by the Rock of Destiny, just in time to magically reactivate his Avatar State (in contradiction to all logic), so he never has to give anything up or grow as a character. He never has to make a tough choice, or put his own feelings aside for the sake of others. His selfishness and inability to consider anything but his own needs is rewarded by pure luck.
This nonsensical plot hole was no doubt created so Aang could end up with Katara and not have to give up his attachment, thus opening his 7th chakra. We see how Bryke and Kataang completely butchers the metaphysical aspect of the Avatar State and creates a giant plot hole that many fans still try to make sense of to this day. They will never be able to though, because it never made any sense to begin with and Mike and Bryan know this.
The narrative then hands his crush to him on a silver platter, after doing a pitiful job of developing their “romance”. He never has to grow up, alter his perspective, learn from his mentors, or do anything to advance as a character. He gets the girl even though he displayed a worrying lack of respect for her feelings when she was disinterested, and a frankly unhealthy level of emotional attachment to throughout the series. And this is presented as “romantic.” He is portrayed as the perfect hero, who obviously earned the girl, despite her not sharing his feelings previously. We see how Kataang robs Aang of potential growth and character development he could have gotten by overcoming his needy puppy love. And we see how it robs Katara of her romantic agency.
This was so disappointing as a fan. Books 1 and 2 set the bar so high with characterization, so it was very sad to see this happen to the series due to Bryke’s writing incompetence and shipping bias. I would have preferred no pairings happen if it meant the characterization stayed consistent in quality. This is NOT even the fault of Aang’s character, but solely a result of the way Bryke distorted him. Their attachment to Aang’s perfection was a severe detriment to his character and his previous believability and likability were all throw out the window. He never seriously developed in any way by the end, and he is awarded a serious relationship despite displaying the readiness of a 4th grader.
If you take away Kataang completely, you’re left with a version of Aang that is far more respectable, interesting, likable, and realistic. He is a sweet, fun, charming boy, and it would have made for far more interesting and compelling character development to see him mature and eventually outgrow his rose-tinted glasses puppy love. He would have seen that Katara can still be a valued friend, but it would be healthier for them both if he wasn’t so needy or desperate for her affections. He would become more independent and confident in himself as a result. Instead, he was warped into an obnoxious “ Nice Guy™ ”, and his character deserved far better than that.
So much time was wasted on forcing Kataang that we barely learned anything new about Aang in Book 3. Book 4 could have delved into his past, his parents, Kuzon, his relationship with Gyatso. It could have really fleshed out his character as he struggled to deal with the consequences of energybending and letting go of his puppy love as he looked for surviving airbenders. Instead, he got warped into Bryke’s creepy Gary Stu self-insert.
Worse still, Bryke attacked the fan base for noticing a sharp decline in writing quality in Book 3 and disliking the atrociously written pairings. And they insult the fandom’s intelligence by lying about the change of direction that the story obviously took (yeah, it doesn’t take a rocket scientist to notice the GIANT plot holes…). It wouldn’t bother me so much if Avatar wasn’t so good in Books 1 and 2 thanks to the other writers, which Bryke’s writing is an insult to. And if the other writers’ plans for the ending of Book 3 and scrapped Book 4 weren’t so much better and more interesting compared to what we ultimately got. I feel sad as a fan that we got robbed of the story that was originally being set up with Books 1 and 2 and Avatar never got to fulfill its true potential as a story and will forever remain incomplete. But hey, at least we got the live action movie, right?
I am glaring very hard at that side of the Genshin and HSR fandom. This is directed. And very much pointed. You know who you are.
I hate when people water characters down to a specific trait or a single cutscene they saw of them. I could list so many characters right now I’m not even kidding.
Jotaro was truly a tragic character. That man had suffered so much and spent the rest of his life suffering with PTSD and guilt.
I sometimes wonder if he even thinks he's even worthy of love or thinks he deserves to be happy at all. As he seems to push everyone he cares about away as he believes he needs to suffer alone.
It's a shame people see a character like jotaro and automatically slap "heartless jerk" without really taking the time to truly understand him. Yes he can be rude and cold at times but he had a good heart.
This is so incredibly true and definitely something I’m guilty of bc it’s so easy to do- I love this study and will probably use it as a reference for future writings
thank you!!!!
The Fandom Versions of TMR Characters
The TMR fandom is amazing. It has a significant number of great people. It has some very talented editors and writers.
However, like every fandom with a good following, it has its issues. One of its worst ones is honestly one of the most obnoxious things one can have in my opinion.
It has awful mischaracterization. It's less of completely changing a character's personality and more of going off one trait and making that all that they are.
It feels like Thomas gets portrayed as an idiot who only asks questions or doesn't ever listen to anyone. He also gets called overrated even though he's the main character of the series.
We first get introduced to him when he's a Greenie with no memory (except for his name in the books). Of course he’s going to want to know what is happening to him. The Glader's start out revealing very little to not intimidate the Greenie's which has to be frustrating. While it is clear he wants to figure almost everything out throughout the series, that's a very human trait. He’s also definitely not stupid. WCKD/WICKED picked him to work with them because they saw something in him. He is incredibly intelligent and quick on his feet. A lot of the time, he’s given no notice to make a decision. He just has to make it. Whether it's running into the Maze to save Minho and Alby, having to decide whether or not to go through with Newt’s note, or going back to the place that started all the pain and torture, he wasn't truly given time to prepare for such important and life-changing decisions. Despite this, he always did his best to make them.
Newt probably has the worst fanbase. I love him as a character. He’s been through so much and is still doing his best to keep everyone in line and afloat which is extremely admirable.
The problem is that people water his character down. They’ll treat him as though he isn't a Second-in-command, the second longest surviving Glader, a suicide survivor, and resilient to the most dangerous situations.
Newt is not someone who would need protection. If anything, he was a protector. He would have to do things such as banish Gladers (his friends), to protect the other ones. He was a Runner before he got a limp. He stood up to Thomas in the movies when he thought he was just being paranoid, showing that even though he does love his friends, he isn't afraid to confront them if he thinks they are wrong. The way he still remains loyal to the people he loves when he does though, is another trait that deserves more acknowledgement. He went out of his way in the movies to hide that he was slowly dying in front of everyone’s eyes and losing his mind just for Minho. He never expected to make it but didn't care. In the books, he lied to his friends about being taken to protect them from himself. He’s so strong, self aware and beautifully written.
Minho is sarcastic and does have witty comebacks. However, he’s so much more than that.
He was the Keeper of the Runners. For around three years he was not only doing the most deadly job, but training others to do it as well. He wasn't allowed to have fear or be weak in the Maze. Not when the cost would have been his life. Something more complex about him is the way he covers up his actual emotions. During Chuck's death in the movies everyone else is allowing their tears to fall. However, he closed his eyes so he wouldn't cry. Whether it's because he doesn't want to cry in front of people or just doesn't want to cry is uncertain, but both are painful to think about. Another thing about him is very subtle character development. When he first gets caught in the Maze, not only does he give up at first, he at one point leaves Thomas and Alby behind, showing his intense desperation to live despite him wanting to stay realistic. In the last two movies we don't see any other instances of him being willing to accept defeat or leaving others behind. While he may have been given the tag ‘the leader' it isn't something that could ever or should ever be denied about him.
His bond with Newt is also something that honestly deserves more recognition. From the way he dropped to his knees in the movies to how Thomas didn't tell him how he really died due to how much the two cared for each other, they are nothing less than platonic soulmates.
Gally gets a lot of hate. He’s seen as angry and ‘that character who killed Chuck’. In a lot of ways though, I think he's one of the most logical, relatable, and realistic characters.
While some people think he just randomly hated Thomas and Teresa, that's not at all true. In the movies, he seems civilized with him when they first meet. While his action of shoving him before he could go into the Maze may have seemed performative, the fear was most likely needed for Thomas to grasp the gravity of the situation. He can also be seen shaking hands with Thomas in Greenie night after the fight. In the books, he went through the changing. He was stung so he got some of his memories back the way Alby did. He told Thomas that he recognized him from those which was why he was suspicious towards him. His concerns were valid. Everything did change after Thomas and Teresa, and a lot of Gladers ended up dead. At one point, they had both worked for WICKED/WCKD. Something was up with them, the exact way he said there was. If someone came to my home and changed everything I knew I wouldn't trust them either. He cared for the Gladers and wanted the people he lived with for years to stay safe and be alive. He didn't want to just kill Teresa and Thomas. He wanted things to go back to how they were in a sense. He was afraid of leaving his home. He was afraid of change, the way so many people are.
He didn't kill Chuck. He would never hurt Chuck. In the books, WICKED had both him and Chuck under their control. In the movies, he was stung, meaning his actions did not belong to him. Even then, he was not aiming for the sweet kid. He was aiming for Thomas, who in his mind at the time, was one of the ones who had started him and his friends years of pain and suffering.
Movie Aris is my favorite. He is very sweet but the way people will describe him as innocent is wrong.
I do consider him and book Aris two different characters. So for now, this is strictly about him in the movies.
He’s seen alone when we first meet him. His friends are gone, and people are talking about him like a circus animal so it makes sense why he wouldn't want to be around anyone. He’s generally quieter than a lot of the main characters so he can get mistaken for just a background character. However, he literally got everyone out of WCKD. He never got any recognition for saving them, but he still did. When he does open his side of the door for everyone to get out there is at least one unconscious, previously armed guard on the ground, with his weapon now being held in his hand. This shows that he is capable of taking care of himself despite his at first glance passive demeanor. He knows to break the control pad to buy everyone time and books it. What must be less than an hour later, he’s helping take down Cranks with a single bat, also showing quick thinking from the way he knows to trip them so they could focus on getting away. Not to mention, he’s doing all of this after finding out his friend (and possible lover) is going to die. On a lighter note, we see his face light up and how much he talks with Sonya and Harriet when they all meet again, showing that he's not afraid of speaking to others. He just has a few and specific group of people he feels comfortable actually talking with, which is literally just being an introvert.
All of those are why he is not innocent or in need of saving. He knows how to look after himself and others.
That's just the basics of The Maze Runner fandom's mischaracterization problem.
romantic interpretations of donnie always make me laugh because i dont see how he’s immediately falling head over heels for someone and understanding what that is. your man is logical and wouldn’t understand what hes feeling until he explains it to someone and they tell him just how cooked he is… that is not your man that is 2018 rise of the teenage mutant ninja turtles donatello.
tbh im also an aroace donnie truther but yk.
the haters of the lemon demon mother mother character playlists vs the characters that it actually fits battle when..
if ygs know any artists that draw usagi, SPECIFICALLY miyamoto, and doesnt just use him for leosagi. let me know. im tired of people not letting him be silly because they need him to be srs for the ship dynamic.
i hunger for content.. for my boy..
